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October 15, 2026

Vegetarianism and Impossible Utopias

I was briefly a vegetarian in first grade. One Friday night, it finally dawned on me that the chicken on my plate was the same as the chicken I had just visited at the petting zoo. I announced at the table that I would no longer eat meat. My mother chuckled quietly, correctly divining that my hunger would soon get the better of me. And it did.

Many other children make such pronouncements about eating meat. It may very well be that vegetarianism is innate, part of God’s original plan.

After the flood, Noah restarts civilization. The Torah depicts this moment as if creation were beginning anew; like Adam, Noah is also blessed to be fruitful and multiply.

The Adam-Noah connection goes deeper. Noah was the first child born after Adam’s death. The medieval commentator Hadar Zekenim writes that Lemech named his son Noah, from the Hebrew word for consolation, because his birth brought the world comfort right after Adam’s death.

Yet this new beginning starts from another place. On the sixth day of creation, God declares that the world is “very good.” The Midrash says this is because Adam was finally created; the letters in the Hebrew word for “very,” meod, are the same letters as those in Adam’s name.

When Noah leaves the ark, God sees humanity differently. He declares that “every inclination of the human heart is evil from childhood.” At this point, there are no illusions about human nature anymore; humans are weak and corruptible creatures. God accepts these flaws because He expects humanity to redeem itself through faith and fidelity to the covenant.

One significant change in the post-flood world is in diet. God tells Noah, “Every creature that lives shall be yours to eat; just like the green grasses, I give you all these.”

God permits Noah and his descendants to eat meat. As the Talmud points out, this only begins with Noah; Adam ate only plants and fruits.

Adam was a vegetarian. And several Jewish thinkers have considered why this was so.

In the 15th century, Rabbi Joseph Albo offered a human-centered view of vegetarianism. Albo disavows a focus on animal welfare. However, he explains that God prohibited meat for another reason: to preserve Adam’s character. Killing animals would “teach a person the evil trait of shedding blood for nothing,” and inculcate the character trait of cruelty.

Joseph ibn Kaspi, a 14th-century philosopher, takes a sharply contrasting view. He says that humans must recognize how much they resemble animals, and that understanding the connection between all living beings is a foundation of the Torah. In his work Mishneh Kesef, he writes:

“One of the reasons that led the Giver of our Torah to command us to have compassion on the other animals (as our Sages said, the suffering of living creatures is a Torah prohibition) was, in my opinion, to teach us that we human beings are very similar to them, and that we and they are children of one father, and we share a similar type of life.”

Humans and animals share a common nature; God prohibited Adam from eating meat because humans must respect animal life.

Humans and animals share a common nature; God prohibited Adam from eating meat because humans must respect animal life.

Concerns like those of Ibn Kaspi have spurred advocates for vegetarianism throughout history. As early as 2,500 years ago, the Pythagoreans in Greece and the religious renunciant movements of ancient India took on vegetarian diets. However, both drew partly on belief in the transmigration of souls and the possibility that the animal you are eating may once have lived in human form.

Modern opposition to killing animals is philosophical. Jeremy Bentham wrote, “The day may come when the rest of the animal creation may acquire those rights which never could have been withholden from them but by the hand of tyranny.” Nearly two centuries later, that line inspired Peter Singer’s manifesto, “Animal Liberation,” which condemns “speciesism,” the favoring of humans over animals. As Singer titled the first chapter of his book, “All Animals Are Equal.”

To understand Judaism’s view of vegetarianism, one must explain why, after requiring Adam to be a vegetarian, the Torah explicitly allows Noah and his descendants to eat meat. What changed?

Commentaries on the Torah offer three basic theories to answer this question. The first comes from the Ramban, who argues that since Noah saved all the animal species, from then on all animals owe their lives to human beings.

Contemporary advocates of eating meat make a parallel argument. They explain that domestic animals exist only because humans cultivate them. They owe their lives to humanity. As one late-19th-century author put it, with a bit of English humor:

“The pig has a stronger interest than anyone in the demand for bacon. If all the world were Jewish, there would be no pigs at all.”

Rabbi Samson Raphael Hirsch offers a second answer: Humanity changed physically after the flood. Humans now needed animal meat to live. Hirsch adds that if our physical condition were still the original one, meat would probably not be permitted. Some modern research raises a related concern. While individuals can thrive on vegetarian diets, vegetarianism may not be viable for large populations. One study concluded that removing animal farming from the United States would “create a food supply incapable of supporting the US population’s nutritional requirements.” Vegetarianism may not be practical as a wholesale measure.

A third answer focuses on the human soul. Don Isaac Abrabanel, in his commentary to Deuteronomy 14:3, writes: “What seems most correct to me on this question is that meat was forbidden to Adam because of his perfection, and permitted to Noah and his sons because of the wickedness of their nature.”

God said after the flood that “every inclination of the human heart is evil from childhood.” That means one could not expect perfection from humanity; people would hunt animals, and the Torah would have to accept that flaw.

Instead, the Torah set significant limits on how people could obtain and use meat. The Torah forbade Noah to tear flesh from a living animal. Other laws, such as using a sharp knife for slaughtering, not slaughtering a mother and its young on the same day, not cooking meat with milk, and not eating blood, all attest to a discomfort with meat eating.

Vegetarianism might be an ideal. Judaism dreams of a future of complete harmony, when “the wolf will live with the lamb, and the leopard will lie down with the goat.” But we need to be practical and take into account human nature. We cannot expect to live in a utopia right now.

But we need to be practical and take into account human nature. We cannot expect to live in a utopia right now.

Rabbi Abraham Isaac Kook wrestled profoundly with this in his essay “A Vision of Vegetarianism and Peace.” He explains that ideally man should be a vegetarian:

“[T]here is a general moral failing in the human species, in that humanity does not live up to the noble and elevated moral sentiment that would refrain from taking the lives of any living creatures for the sake of its own needs and pleasures. … It is utterly inconceivable that the Master of all creation, who has compassion on His creatures, blessed be He, would establish such an eternal law in His very good creation: that the human species could survive only by corrupting its moral sensibility through the shedding of blood, even the blood of animals.”

That is why Adam ate no meat. But humanity fell and could no longer sustain that ideal. Kook adds that all of humanity will return to it in messianic times, and he applauds individuals who embrace vegetarianism now. Kook himself reportedly ate meat only on Shabbat and holidays.

Yet Kook then makes an unexpected pivot. He attacks those who want to make vegetarianism the norm. This is false idealism, where one who worries about animals acts “as though he had already set everything right, already removed the dominion of wickedness and falsehood, the hatred of peoples and the jealousy of nations, the enmity of races and the strife of families that bring down many slain and pour out rivers of blood.”

He then makes a critical point. He argues that if the law equally prohibited killing humans and animals, society would lower its regard for human lives to the lesser value of animals. Albo already presents this argument, stating that excessive concern with animal welfare diminishes the uniqueness of humans created in the image of God. Both Kook and Albo warn that this can lead to bloodshed.

Sadly, their warning proved to be true. Upon taking power, the Nazi regime immediately did two things: It created laws against animal abuse, and it stripped Jews of their rights. The two were linked from the start: In April 1933, months before its general animal protection law, the regime banned kosher slaughter. Nazi ideology both demeaned some people as animal-like and elevated certain animals to near-human levels. The Nazis were particularly obsessed with dogs; Jan Bondeson documents multiple attempts in Nazi Germany to train dogs to speak, including an entire school for dogs with academic subjects.

That blurring of lines between humans and animals in Nazi Germany opened the door for awful atrocities. This is a cautionary tale. One must remember that the pursuit of impossible utopias often ends up creating dystopias.

Thankfully, change is on the horizon. Right now, multiple startups are developing lab-grown meat; it will soon be nearly identical to animal meat. Slaughterhouses may become a thing of the past, and the ability to enjoy meat will no longer weigh on our conscience.

Israeli technology companies stand at the forefront of the lab-grown meat industry, driving this revolution.

Rabbi Kook would be proud.


Rabbi Chaim Steinmetz is the Senior Rabbi of Congregation Kehilath Jeshurun in New York.

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A Bisl Torah — Bar Mitzvah Lessons

Our son’s Bar Mitzvah is around the corner. Many reflect about children’s additional responsibilities as they take on their new title. And while my son has done much reflecting over the past few months, I’m doing a lot of reflecting myself.

Maimonides in the Mishneh Torah reveals a surprising parenting lesson. He explains that as a child honors their mother and father, we must be careful about the heavy burdens we place upon them. He continues that we should even forgo our own honor; we should ignore any slights if honoring us requires obstacles placed before our children. Here he cites Leviticus 19:14, “Do not place a stumbling block in front of the blind.”

I don’t think Maimonides was asking our children to avoid challenges or constructive opportunities. Here I believe he is speaking to adults, parents with impossible expectations. Children are not the receptacle of our own unfinished dreams. They aren’t the table upon which we set our guilt. Stumbling blocks we might consciously or unconsciously place before them—our anger, misguided directions for their lives, our disappointments—not with them, but with ourselves.

It’s a lesson in parenting right before this huge milestone in our family’s journey. A lesson for all of us. May our children thrive, growing through both their successes and failures. But our successes and failures shouldn’t be what causes our children to go off track. They have enough to worry about—let’s own our stumbling blocks. Our kids need our guiding light, not our angst, anger, or guilt to pave their path.

Shabbat Shalom


Rabbi Nicole Guzik is senior rabbi at Sinai Temple. She can be reached at her Facebook page at Rabbi Nicole Guzik or on Instagram @rabbiguzik. For more writings, visit Rabbi Guzik’s blog section from Sinai Temple’s website.

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A Moment in Time: October 7 – Beyond Black and White

Dear all,

The other day, I watched my kids playing Othello. One moment, the board was almost entirely black. Then, with a single move, the balance shifted, and suddenly, white dominated the board.

As I watched, I found myself thinking about how differently we see the world.

Life is rarely black and white. It is filled with nuance, shades of gray, and an extraordinary spectrum of perspectives and possibilities.

And yet, increasingly, we seem to approach the world as though it were an Othello board. Politics, education, religion, Israel, and so much more have become matters of black or white, right or wrong, us or them.

But unlike Othello, where a single move can change everything, our convictions are often difficult to shift. We become so certain of our own positions that we struggle to appreciate another perspective, let alone acknowledge that someone else might have something to teach us.

Hillel taught, “Do not judge another until you have been in that person’s place.”

What a powerful reminder! We don’t have to abandon our convictions to appreciate another point of view. We don’t have to agree with someone to listen with an open heart.

But we do have to be willing to look beyond the black and white.

Perhaps we can each take a moment in time to consider another perspective, to listen before judging, and to recognize that our own understanding may not be complete.

And perhaps, just perhaps, we will discover that the goal isn’t to turn the whole board black or white.

It’s to remember that we’re all playing on the same board.

With love and Shalom,

Rabbi Zachary R. Shapiro

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Thorns and Thistles and Two Trees in the Garden of Eden

In Genesis we read Almighty God
once planted in a garden just two trees,
one called a life provider, placed by Him in the garden’s middle,
the other, helping humans He had not created yet to solve the riddle
regarding the difference between good and evil with surprising ease,
not planted in the garden’s middle, no two peas in its pod,

the position of the problem-solving tree to all the problems it is asked remaining,
with vagueness of its arboreal position,
as vague as explanations of all the evil about which we are constantly complaining,
unable to correct it without a painfully punitive decision.

The reference to thorn and thistle 

may have inspired metaphoric mimesis,
linking condemnation of the earth to one condemning 

Rabbi Aqiba’s biblical exegesis.


+++++++++++++++++++++++++++++++

Gen. 2:9 states:

וַיַּצְמַ֞ח יְהֹוָ֤ה אֱלֹהִים֙ מִן־הָ֣אֲדָמָ֔ה כׇּל־עֵ֛ץ נֶחְמָ֥ד לְמַרְאֶ֖ה וְט֣וֹב לְמַאֲכָ֑ל וְעֵ֤ץ הַֽחַיִּים֙ בְּת֣וֹךְ הַגָּ֔ן וְעֵ֕ץ הַדַּ֖עַת ט֥וֹב וָרָֽע׃
And from the ground the ETERNAL God caused to grow every tree that was pleasing to the sight and good for food, with the tree of life in the middle of the garden, and the tree of knowledge of good and bad.

One rationale for the reference to two trees in the Garden of Eden perhaps explains the reference to thorns and thistles with which God cursed the earth when condemning Adam for having committed the primal sinn, eating fruit of the Tree of Knowledge which God had forbidden him to eat. Gen. 3:18 states that God pronounced this sentence on the earth after Adam ate fruit of the Tree of Knowledge of Good and Evil despite God’s prohibition:
וְק֥וֹץ וְדַרְדַּ֖ר תַּצְמִ֣יחַֽ לָ֑ךְ וְאָכַלְתָּ֖ אֶת־עֵ֥שֶׂב הַשָּׂדֶֽה׃
And thorns and thistles shall it sprout for you. But your food shall be the grasses of the field.

Some of the decorations of letters in Torah scrolls are called ק֥וֹץ, the word that describes the thorns that, after Adam has committed the primal sin, grow in the earth that Adam and his descendants must cultivate.
The polysemic quality of the word ק֥וֹץ, which means “thorn” in the narrative of the primal sin, is illustrated by the fact that the rabbis use the word to denote the decoration of certain letters in Torah scrolls. This may have influenced the legend that Moses watched Rabbi Aqiba decorate words of the Torah with decorations whose name recalls the useless, unnourishing thorns that the earth produces as a punishment for Adam’s commission of the primal sin. The legend may be an oblique criticism of Rabbi Aqiba’s exegesis of Torah, implying that it produced anomalies that are as useless as the thorns and thistles that the earth produces as a punishment for Adam’s commission of the primal sin. Supporting this suggestion is the link between the word in Gen. 3:18 that follows ק֥וֹץ , ְדַרְדַּ֖ר which might have been read as an allusion to דרש, interpret, linking both words to Rabbi Aqiba’s methodology of biblical interpretation of which Moses was allegedly unaware, according to the talmudic report.
Torah Temimah quotes the explanation in Pesahim 118a of Gen. 3:19’s statement following the reference to thorn and thistle. In this verse God tells Adam, “By the sweat of your brow you will eat bread.” This talmudic statement implies that these words cheered Adam after God had pronounced his sentence, cursing the earth with thorn and thistle, as it reassured Adam that he would not have to share his habitat with his ass, since his diet would be based on bread that he would cultivate in the earth, not on thorns or thistles. This explanation of the juxtaposition of Gen. 3:19 to the reference to thorns and thistles may have helped to inspire the link to Rabbi Aqiba’s exegetic methodology that I suggest is made by Gen. 3:18, linking the work of biblical interpretation to the work of cultivating the earth. (As a humorous aside, I say failure to use this methodology would identify the failing biblical scholar as an ass.)

In the WSJ print edition on 10/10/26, the date of the Shabbat on which we read the first sidra of Breishit, the caption of the “Pepper and Salt” cartoon was:
“That’s my garden of aspiration and this is my garden of reality.”
The caption was probably not intended
to be read as an allusion to the Tree of Knowledge and the Tree of Life.


Gershon Hepner is a poet who has written over 25,000 poems on subjects ranging from music to literature, politics to Torah. He grew up in England and moved to Los Angeles in 1976. Using his varied interests and experiences, he has authored dozens of papers in medical and academic journals, and authored “Legal Friction: Law, Narrative, and Identity Politics in Biblical Israel.” He can be reached at gershonhepner@gmail.com.

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Print Issue: Making Jewish Fiction New Again | October 16, 2026

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Rabbis of LA | Rabbi Taff and Aliyah

As he started his fifth year as an associate rabbi at Sinai Temple, Rabbi Avi Taff reminisced about his first attempt at aliyah early in the early 2000s. “I was 24, and I had planned to stay,” he said. “I didn’t go into the Israel Defense Forces because I was gung-ho about fighting. I went because I felt it was my obligation both as a Jew and as a new immigrant. I felt it was my responsibility to serve.  I had moved for the purpose of living in Israel. Two years in the IDF.”

He wanted to do something meaningful with people who were motivated, who wanted to be there. “The atmosphere was calmer than the current situation,” Rabbi Taff said. “This was during the disengagement from Gaza in 2005. We were kind of the second line. We were on call in case extra support was needed.”

When he left the military six months before the Second Lebanon War in 2006, he emerged a changed person. “Physically,” the rabbi said, “it was one of the most challenging experiences of my life. It made me realize I wanted to fight for the Jewish people in a different way,” tapping his head and heart. “The day I gave my gun back was a day to remember. I was glad not to have to use it anymore. I just believe we have to find another way.

“What we did, what I did was necessary. I really believe it was necessary. “We were protecting the citizens of the state of Israel daily. Sadly, it has been a necessity ever since Israel’s inception. And it continues to be.”

Rabbi Taff reflected on what motivates him. “I work toward – and pray for – a time when we can lay down our weapons and turn our swords into plowshares and spears into pruning hooks.” (Isaiah 2:4)

Does the middle-aged rav believe he will live to see time when being armed is unnecessary? Speaking evenly, Rabbi Taff wished he could be optimistic/realistic. “I try to be optimistic in many ways, an idealist,” he said. “Sadly though, since Oct.7, (2023), I have become a little more pessimistic, more of a realist. I have family and friends who have served upwards of 600 days of reserve duty. I don’t know how our brothers and sisters who have been serving since Oct.7 handle leaving their spouses and children. I am in awe.”

Would he ever consider returning? “In a second,” Rabbi Taff said. But “for various reasons, I am here in LA.”

Those reasons have names: Ethan, 21, is a senior at the University of Washington. Noa, his youngest, attends Sinai Akiba Academy.  Eliana, 14, is the middle child; during the summer, she was recruited by Maccabi Haifa to be part of their basketball academy and is starting high school.

Eliana is living in a house with two other girls, Israelis who live too far from their homes to be with their families. They are freshmen at Reality High School. “My heart is in the east, I am in the west,” the rabbi said.

When asked if the family has explored aliyah, he had a candid answer “My wife’s family is here.” She has a brother who made aliyah 15 years ago. But her parents are here, so is her sister. “We are very close with them. It would be challenging.”

The genuine love of Israel that his parents impressed into their three children was so strong, the rabbi wanted to make aliyah after turning 18. But his parents urged him to go to college first. “I think they were afraid I would not complete my B.A.,” Rabbi Taff, whose father is a retired Sacramento rabbi, said.  He noted that Josh, one of his two younger brothers, “does incredible work” with ETTA, which focuses on special needs adults in Pico-Robertson. “I just taught a class there yesterday,” Rabbi Taff said proudly.

Although aliyah would be “challenging” at the moment, Taff has been “hyper-focused on the connection between our families and Israel.”  When he looks back at his sermons over the last few years, almost all of them centered on Israel. “A year ago, I took a dads’ volunteer mission to Israel, visiting wounded soldiers, volunteering in the fields, witnessing in the south, in the Gaza Envelope, one of the most incredible trips I have taken.”

It works the other way, too. A number of IDF veterans have visited Sinai Temple and come into Kohn Chapel with the children. “We sang with them the prayer for the State of Israel and Am Yisroel Chai,” said the rabbi. “We let them know they are loved. So many of them feel the hatred of the world that only has intensified.”

The rabbi firmly declared that “our obligation to make sure they know they are loved, cared for and appreciated for what they do daily.”

The conversation returned to Eliana and her freshman studies.  The proud father pointed out  she did pretty well playing on the 17U Maccabi USA girls basketball team. “The director of player development for Maccabi Haifa was there and wanted to meet her. When we met, at first we said ‘No. Maybe when she is a sophomore or junior.’ … They felt if we were going to do it, this was the time. We met the entire team of professionals, working with her, taking care of her.” And as the rabbi and his wife were pondering their decision,   Eliana  told her father: “Abba, I don’t want to live my whole life, regret that I had this opportunity and didn’t give it a shot.”

Fast Takes with Rabbi Taff

Jewish Journal: What is your favorite holiday?

Rabbi Taff: I am a big fan of Simchat Torah because it’s a holiday about Jewish joy.

J.J.: What is your favorite weekly moment?

R.T.: We have a mini-minyan service here everyone should come to if you can get into the building. Every Wednesday morning, for about 20 minutes of Jewish joy, we have our smallest students and their parents, of singing and praying together for our brothers and sisters in Israel = community, song and prayer.

J.J.: Favorite Shabbat moment?

R.T.: Shabbat dinner with my family.

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Michael Douglas Memoir, ‘One Helluva Ride,’ Is a Helluva Read

Michael Douglas considers himself to be a lucky bastard.

But he’s also been through a hell of a lot.

At 82, he’s survived cancer, is married to the love of his life, Catherine Zeta-Jones, has been in iconic films including “Wall Street” and “Basic Instinct,” and grew up with the pressure of having a famous father, the legendary actor Kirk Douglas, who could at times be violent.

In his memoir, “One Helluva Ride,” he notes his father was born on Dec. 8, 1916, in Amsterdam, New York, with the name Issur Danielovitch Demsky. The child of Russian Jews, his father changed his name  to avoid discrimination with a Jewish-sounding name. Liking the sound of his friend Karl Malden’s name, he wanted a strong-sounding first name and went with Kirk. After working dozens of odd jobs in his youth, from selling newspapers to being a bellhop, he’d go on to star in movies such as “Spartacus” and “Paths of Glory.”

Growing up in New York, Beverly Hills and Connecticut, Michael Douglas writes that his father would sometimes hit him in anger. He wanted his son to become a lawyer. But as we know, he took on the same profession as his father. At first his dad told him he was a terrible actor, but eventually he got some praise. He also writes that because his father didn’t look like a Russian Jew, he would hear people say antisemitic things.

Kirk Douglas married actress Diana Dill, and his son writes that his father popped in between stage shows to see his baby boy come into the world. The parents got a divorce, largely because of Kirk’s infidelity.

In one anecdote, he writes that after starring in Disney’s “20,000 Leagues Under the Sea” his father sued Walt Disney for using him in an ad without paying him. The suit was dropped, and he never worked for Disney again.

Michael Douglas won the Oscar for Best Actor for his role as New York financial shark Gordon Gekko in 1987’s “Wall Street.” But after a scene where Douglas fumbled some lines of dialogue with co-star Charlie Sheen, Douglas writes that director Oliver Stone asked if he was on drugs, and said that Douglas he looked like he’d never acted before in his life. This stoked his fears of never being able to escape his father’s shadow. But he soon realized Stone was challenging him and “twisting his melon” to keep him sharp. The scene was actually pretty good, but Stone wanted to tap into Douglas’ anger. In his Oscar acceptance speech, Douglas would thank his father for coming to his college shows. He found it to be a turning point that he’d won an Oscar, something his father never did.

In addition to “Wall Street,” “Fatal Attraction” and “Basic Instinct” had great impact on pop culture as well as being somewhat risqué erotic thrillers. Douglas opined that the former “did for marriages and infidelity what ‘Jaws’ did for swimming in the ocean – it scared the hell out of people.” He plays Dan, an attorney with a beautiful wife (Anne Archer) and young daughter.  He has an affair, cheating with Alex (Glenn Close), who wants more. She threatens to tell his wife about the affair, and he threatens to kill her. Douglas reveals that due to poor audience testing, the ending was changed to be more conventional and less artsy.

For “Basic Instinct,” he was offered $14 million to play a detective opposite Sharon Stone. “The entire film was a huge gamble,” he writes. “No star in my position had ever dared to make a film so explicit. But I figured what good is winning an Oscar if you can’t take some risks?”

According to Douglas, in the middle of a heated argument in a trailer where he asked director Paul Verhoeven if he was sleeping with Stone, blood came out of Verhoeven’s nose. In the book he says an artery burst, but there were rumors Douglas had punched him. He also calls screenwriter Joe Eszterhas a coward for claiming there would be script changes. After an early version of the script was leaked there were protests, as some believed depicting lesbians or bisexuals as murderers was damaging, while Douglas and the director issued a statement that the film is not a negative depiction but simply a psychological thriller. There was also a fight to make sure the film didn’t get an NC-17 rating, which would have made it “dead in the water.”

At this point in his life, Douglas used cocaine and drank and writes that he “lost sight” of his son Cameron, who was in a downward spiral. 

Douglas recalls racing to see his father at Cedars-Sinai after a helicopter crash in which there were several deaths, but the 74-year-old Kirk Douglas survived. Kirk had survivor’s guilt and said he would try to be “the father he had not been when I was growing up.”

Douglas believes the chief function of a film is to entertain. If people take a positive message from it, that is great. He allows that some may view a villain as a hero, such as worshipping “Wall Street’s” Gordon Gekko and his claim that “greed is good,” but he believes people come to be entertained, and audiences will draw from it what they will. In addition, he recounts how a reporter with The Los Angeles Times called to ask for comment about the claim that he was running a prostitution ring out of his house, when it turned out he had sold the house a year before to a pediatrician, Dr. Paul Fleiss, husband of the infamous “Hollywood Madam,” Heidi Fleiss.

In the final chapter of the book, he writes about Dr. Saul Frenkiel diagnosing him with squamous cell carcinoma, telling him he had stage IV cancer. Age 65 at the time, Douglas writes: “I wondered if my luck had run out. Was this it?” His wife was 40, his son Dylan was 10, his daughter Carys was seven and his older son Cameron had gone to prison.

His choices were aggressive radiation and chemotherapy or surgery, including on his tongue, which would disfigure him and hurt his ability to act ever again. He was angry at several doctors who had not properly diagnosed him. 

Douglas had not appeared on “Late Show with David Letterman” for 18 years after he felt the host “went too far” in a joke about his mother, but now was the time to return and on Aug. 31, 2010, he announced on the show that he had cancer. He  mentions that his good friend and legendary L.A. Lakers and N.Y. Knicks coach, Pat Riley, cried when Douglas told him the diagnosis.

Eventually the cancer went into remission.

This is a thrilling book that many will love. Douglas does not need to act anymore but still clearly loves it, recently starring in Netflix’s “The Kominsky Method.” His illustrious career is impressive, and he notes that people still come up to him quoting his lines from “Wall Street.” This is a highly entertaining book by someone who is willing to share far more than most actors.

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A Burst of Inspirational Art in Hadassah

I recently visited someone at Hadassah Medical Center, Ein Kerem. While there, I saw an exhibit inside of the lobby leading to Davidson’s Tower. 

It is breathtaking.

There are 10 works by Blima Nechama, each placed on an easel. What makes them special, in addition to their ethereal beauty, is that four of the paintings are of women; two others, while abstract, appear to reference the female. Blima Nechama (her professional name) grew up in Philadelphia and made Aliyah in 2005. 

Photo by Toby Klein Greenwald

“On August 10, my artwork was installed in Hadassah Ein Kerem,” she told The Journal. “I went in thinking I was hanging paintings. That is not what happened.

“A security guard, a Russian man, followed me from piece to piece. He just stood there, far longer than I ever expected anyone to stay. A man cleaning the floor put down what he was holding and stood in front of one of the paintings without moving.

“And then there was Marisa Tuchinsky. She spent a long stretch of time at Hadassah Ein Kerem with her father, until he died there. She could not walk through those doors without all of it coming back at her.

“She wrote ‘Sometimes, something beautiful can give a familiar place a whole new feeling. Over the past week, I had the zechus (privilege) of walking through Hadassah Ein Kerem many times, visiting my two newest grandchildren. During those visits, I kept passing the magnificent artwork of Blima Nechama. Hadassah also held very different feelings for me from a few years back, when my father z”l was not well and I spent many months going in and out of the hospital. Seeing her artwork there now brought a different feeling to those same halls, giving a feeling of warmth, beauty, growth and life. These paintings are just magnificent.’”

“Others stopped too,” Blima Nechama said. “Nurses told me what it does to a person to absorb hard news day after day, and that standing in front of a painting for one minute gave them somewhere else to put their eyes. None of these people walked in that day planning to look at art. It found them. On a hard day, when they had nothing left to say.

“Those conversations made me see something I had not fully understood before. Art does not need a gallery, and the people it reaches hardest may be the people who would never set foot in one.”

Many of Blima Nechama’s paintings are of women. She said, “Resilience, healing, motherhood and the quiet process of becoming that, happen where nobody is watching. I paint the courage nobody sees. The dreams women carry and never say out loud. The silence that holds an entire life inside it.”

Photo by Toby Klein Greenwald

Blima Nechama lives in the Haredi community. “In my world, painting is not a usual thing for a woman to be doing … so it took me years to give myself permission to make this work at all, let alone display it somewhere that it could be viewed by strangers. The world I live in does not display images of women in art.

“Much of my work has been shaped by these years of war, and by what women here do. They continue to carry, create, feed people, hold families together and rebuild, in circumstances that would flatten most people, and almost none of it is ever seen by anyone.

“I’ve been asked countless times. Whether I get pushback for being a Haredi woman who paints. … Nothing I paint is immodest. Modesty is actually an important part of both my life and my branding. I don’t even put photographs of myself on social media.

“At the same time, I want my work to hold space for the beautiful framework that a Torah life gives women. Watching the women in the Haredi world shape generations and carry traditions forward so that our community and Am Yisrael can continue is one of the most powerful things to me. I feel that portraying these women, their strength, tenderness, faith and role in carrying our people forward, is part of my mission as an artist.

“Beauty is the first thing you notice. What it does to you afterward is the part I care about most.”

Blima Nechama says that seeing her work displayed in a hospital changed something for her. “These were not gallery walls or a collector’s living room. They were corridors where patients, families and staff were moving through illness, fear, loss, recovery and hope, and the paintings met them right there in the middle of it.

“I think there is a story here that is bigger than my paintings. … What does beauty actually do for a person at the moment they need it most and expect it least?” 

She cited one example.

“A woman named Amy Muscoplat shared how deeply the artwork supported her during one of the most painful and difficult periods of her life. In a place often associated with fear, uncertainty and suffering, the painting offered something unexpected: beauty, comfort and hope. … In that space, the artwork became, in her words, a conduit for praising the Almighty for the gift of life.”

Muscoplat had seen Blima Nechama’s art before. This time, “in the place where I’d once been treated in the orthopedic ward, the paintings of women, women and children, candle lighting, the Beit HaMikdash, Jewish art became the conduit to my praising the Almighty … for the artistic vision He creates in my own daily life too.”

This is not the first time Blima Nechama has exhibited in a medical center. A clinic in a Haredi school reached out after renovating their waiting area. “The space was beautiful, but something was missing. … They wanted their clients to feel calm, welcomed and cared for. Together, we created a large canvas with soft pinks, golds and muted greens, inspired by nature and renewal.”

The paintings hang in the social worker’s room. “Everyone who walks into that room, from the youngest child to the adults, comments on the paintings and how much they see in them.”

After the piece was installed, the client looked around and said: “I feel like I can breathe in here now.” That moment captures what Blima Nechama believes about art. “The right piece … changes how a space feels.”   

Blima Nechama creates original paintings, commissioned works for private homes, healing and wellness spaces. Her work has been exhibited in venues in addition to Hadassah Ein Kerem and, she says, “are collected by people who are looking for more than decoration.”

Organizations have also chosen her work as donor gifts. “More than once, donors were moved to tears because the artwork made them feel genuinely seen and appreciated.

“This is why I create. I believe art can bring warmth, connection, beauty and meaning into the spaces and moments that matter most.” Perhaps that is why she brands her creations as “Luxury Soul Art: artwork designed not only to be seen, but to be felt.” 

Her work has been featured in publications and podcasts. She’s been in eight exhibits, this most recent one her first solo exhibit.

Returning to her exhibit in Hadassah, Blima Nechama says, “One of the most powerful parts of this entire experience for me has been hearing from complete strangers. People have emailed me photographs of themselves standing outside the exhibition, along with warm, deeply personal letters about what the paintings have meant to them. I never expected that. 

“Knowing my work reaches people at the exact moment they need it, that is why I paint.”

For artwork, commissions, designer collaborations or meaningful organizational gifting: blimanechama.com


Toby Klein Greenwald is an award-winning journalist, theater director, and editor of WholeFamily.com.

A Burst of Inspirational Art in Hadassah Read More »

"Two serious men with shoulder bags stand in front of a weathered, sunlit building, partially shaded by window light inside a worn, possibly abandoned environment."

‘We Had a Mission to Tell the World Our Story’: ‘Fauda’ Creator Avi Issacharoff

The creators of the internationally acclaimed Israeli series “Fauda,” Avi Issacharoff and Lior Raz, had already begun developing the show’s fifth season when Hamas launched its deadly attack on Israel on Oct. 7, 2023. Suddenly, everything that had been written seemed irrelevant. The writing team had to start over, developing an entirely new storyline that explores how the events of that day changed the lives of the characters audiences have come to know over the years.

The result is a gripping, emotionally charged season about loss, revenge, grief and, above all, the extraordinary power of friendship and loyalty. With 11 episodes packed with suspense, unexpected twists and heartbreaking moments, this season of “Fauda,” which premiered on Netflix on Sept. 8, is the kind of series that makes it difficult to stop watching. Once you start, chances are you’ll want to binge-watch the entire season.

But it is Episodes 7 and 8, which take viewers back to Oct. 7, that have generated some of the strongest reactions from audiences around the world. Unlike the rest of the season, these two episodes recreate events inspired by the Hamas attacks on southern Israel, placing the show’s fictional characters in the midst of the violence and chaos of that day.

“We issued a warning telling viewers that if they wanted to skip those two episodes, that was perfectly fine,” Issacharoff told The Journal. “We know how many people in Israel today are suffering from PTSD.”

To recreate the events, the production team conducted extensive research into the attacks on communities in southern Israel. Among the details that emerged was the discovery that some Hamas terrorists had entered Israel carrying machetes.

“It says a great deal about what they were planning to do,” Issacharoff said.

Despite the disturbing scenes depicted in the series, Issacharoff emphasized that the creators had deliberately restrained their portrayal of the violence. “Trust me when I say that what you see in Episodes 7 and 8 was a very sanitized version of what actually happened,” he said. “The reality was far, far worse.”

“We tried to tone it down so people could watch it and understand what happened,” he added.

For Issacharoff, the memories of Oct. 7 remain painfully vivid. He recalled waking up that Saturday morning and watching in disbelief as images of Hamas terrorists and attacks on Israeli communities began appearing on television.

“I was in shock,” he said. “Then we began hearing about the massacres and all the atrocities that had taken place. It was an attempt to commit genocide by Hamas against Jews. Not just Israelis, but Jews. That’s how Hamas refers to us.”

For many international viewers, the episodes proved particularly difficult to watch. Social media was flooded with emotional reactions from viewers outside Israel, some of whom said they had not fully understood the scale of the atrocities until watching the series.

One viewer, who said he wasn’t Jewish, wrote that he had cried throughout the episodes. A viewer from Bangladesh described feeling shaken to his core, saying the episodes made his heart race and his blood boil.

Another viewer from Japan wrote that Episode 8 had left her unable to sleep, while a woman in France described the experience as particularly painful because she personally knew victims of the attacks.

Despite the growing wave of anti-Israel sentiment around the world, Issacharoff said he was pleasantly surprised by the international response to the fifth season. He admitted that he had initially worried the political climate might discourage viewers from watching.

The series reached Netflix’s Top 10 in 41 countries, including several Arab nations. Particularly surprising was its success in Lebanon, where he said it held the number one spot for more than two weeks. But does watching “Fauda” actually change how those audiences perceive Israel? “I think it opens a window, gives people a glimpse into another perspective,” he said. “But I don’t know whether it actually changes their opinions.”

Two days after the Oct. 7 attack, Issacharoff and Raz traveled to the southern Israeli city of Sderot with volunteers from Brothers in Arms, an Israeli civilian organization, to help evacuate residents. “It was a very difficult experience to see people in genuine distress,” he said. “The government wasn’t functioning either. It’s terrible to witness the helplessness of people who couldn’t get themselves out of the line of fire.”

One encounter that stayed with him involved a woman who had immigrated from the former Soviet Union. She spoke little Hebrew and had no idea what was happening around her. Her neighbors had already left, but she was terrified of leaving her home.

“She kept asking, ‘Who are you? Who are you?’ We tried to explain that we were a group of volunteers and that we had come to help,” Issacharoff recalled.

“She replied, ‘Listen, I’m not educated, but I know one thing, you shouldn’t be the ones doing this. The government should!’”

Issacharoff makes little effort to hide his anger and disappointment over the Israeli government’s response to Oct. 7. Asked whether he believes “Fauda” can help the world better understand Israel and improve its image abroad, he argued that explaining Israel’s position to the world is the government’s responsibility, not filmmakers’. “Just as it wasn’t the responsibility of ordinary Israelis to defend the Gaza border communities on Oct. 7,” he said. 

While “Fauda” offers international audiences a glimpse into the Israeli experience and perspective, other productions present a sharply different picture. One such film is the documentary “NAZA,” which opened Oct. 9 at Laemmle theaters in Los Angeles and offers a critical portrayal of Israel and the IDF’s military operations and tactics in Gaza. Asked about the film and its potential damage to Israel’s image, Issacharoff said he had not seen it and therefore could not judge it firsthand, but added, “It gives ammunition to those who criticize Israel.”

Like many Israelis, the cast and crew of “Fauda” were personally affected by the events of Oct. 7 and the war that followed. The production team, which included Jews, Muslims, Druze and Christians, came together with a shared mission: to tell the world what had happened to Israel and its people.

Among those wounded was actor Idan Amedi, who plays Sagi Tzur in the series. In January 2024, Amedi was seriously injured while serving in Gaza during an operation to demolish Hamas tunnels. His experience underscored just how thin the line can be between the fictional world of “Fauda” and the real lives of the actors who bring its characters to life.

“There were some very difficult scenes, especially those dealing with grief and loss,” Issacharoff said. “Everything involving Eli was particularly hard for me to watch. It was chilling. Entire conversations were taken straight from real life.” Eli, played by Yaakov Zada-Daniel, is the commander of the undercover unit.

As for the future of “Fauda,” Issacharoff said it remains uncertain whether the series will return for a sixth season. A feature film based on the series, however, is in development.

‘We Had a Mission to Tell the World Our Story’: ‘Fauda’ Creator Avi Issacharoff Read More »

Three Years Later: 1-in-5 Israelis Report Severe Mental Health Impairment

One-in-five Israeli adults report severe impairment in daily functioning from psychological distress. A day prior to the three-year anniversary of the Oct. 7 attacks, one of Israel’s largest health care providers, Clalit Health Services, is sounding the alarm about it.

“The problem is that we’re stuck in this one-in-five reality and the numbers don’t go down,” Prof. Ran Balicer, Clalit’s chief innovation officer and deputy director general, said. “And still to this point, one-in-five adult Israelis has a significant struggle in their daily function and has not returned to normal life.” Among the other figures presented: 35% of women ages 18 to 35 reported severe functional impairment; PTSD diagnoses among children and adolescents rose almost 2.5-fold after Oct. 7; and residents of communities near Gaza had PTSD diagnosis rates about 10 times those of the rest of the population. 

The findings were presented in a media briefing held with the Israeli Embassy in the United States. Clalit has more than five million patients in Israel, 14 hospitals and over 1,600 community clinics.

Balicer presented findings from a nationwide Clalit-Brookdale study of more than 2,500 respondents using standard measures of depression, anxiety, post-trauma symptoms and daily functioning. In the first round, 34% crossed the survey threshold for depression symptoms. The figure in a previous study was as high as 25%. Anxiety fell from 27% to about 20%, while post-trauma symptoms fell from 30% to about 20%.

“Now talking about symptoms is not enough,” Balicer said. “We should think about the impact on daily lives.”

Prof. Amir Krivoy, director of Clalit’s Geha Mental Health Center in Petah Tikva, said that the number of new PTSD diagnoses from October 2023 through December 2025 were over 30,000 among Clalit members, and could be more than 60,000 nationwide. 

Krivoy researched Clalit medical record data to examine diagnosed PTSD. He found that acute stress reactions rose in October and November 2023, but then fell. The rate of new PTSD diagnoses stayed elevated through 2024, 2025 and 2026.  Krivoy said that many people who meet the criteria for PTSD have not availed themselves of any mental health treatment. He spent more than a year seeing patients in a community near Gaza that came under attack on Oct. 7. Two years after the attack, he said almost every person he saw there had not received a PTSD diagnosis despite meeting the full criteria for the disorder.

“They were afraid to get out of home. They were avoiding the situation,” Krivoy said.

Clalit has begun contacting patients who may need mental health care but have not requested it. Balicer said the health system contacts about 8,000 patients per week through an electronic outreach program. More than 1,500 had crossed a clinical threshold and received follow-up from a health care provider.  

“We said, as Oct. 7 happened, there are so many patients that are silent, but not because they’re not in need, but because they don’t have the strength to get themselves up and request care,” Balicer said. He said that Israel’s mental health system had problems before Oct. 7 and that mental health care did not come under HMO responsibility in Israel until a 2015 reform.

“We said, as October 7th happened, there are so many patients that are silent, but not because they’re not in need, but because they don’t have the strength to get themselves up and request care.” Prof. Ran Balicer, Clalit Health Services chief innovation officer and deputy director general.

“For the mental healthcare system in Israel, this was an acute injury on a chronic problem of lack of resources,” Balicer said. “The system was heavily underbudgeted, saturated, long waiting times, half integrated into the [General Practitioner] clinics and suddenly Oct. 7 hits.” Balicer’s presentation showed that 75% of people seeking private care secured an appointment within a month, compared with 57% seeking public care. Clalit created a round-the-clock call center, where one option was a series of three calls with a social worker. Clalit also retrained primary-care doctors, added digital mental health questionnaires and created a mental health coach role to reduce wait times.

Developmental psychologist Nufar Bar Lipshatz said clinicians have seen sleep problems, nightmares, toileting regression, aggression, separation problems, withdrawal and changes in play among children. “We see them play sirens, we see them play soldiers hiding, running to the shelter,” Bar Lipshatz said. “You can see a kid taking all the animals and running to the shelter as rescue games.” Bar Lipshatz said more children began coming to her unit with stuttering during the war. The unit created group treatment with a speech therapist because a child could wait half a year for one-on-one care.

“Children just can’t wait,” Bar Lipshatz said. “They don’t have the time.” During one group session for children ages 3 to 4 and their parents, Bar Lipshatz and a speech therapist received an early warning on their phones that a siren was expected. Bar Lipshatz said they told the children that a siren was coming and that they would go to the shelter together. “We were not following any treatment protocol,” Bar Lipshatz said. “In many ways we are creating it while living through the situations ourselves because there’s no protocol written about what happens if there’s going to be a missile attack in the middle of the treatment.”

During the siren, Bar Lipshatz said she did yoga and a movement course with the children while the speech therapist worked with the parents. “We said, ‘there’s a siren, there is something happening, but this is how we’re going to deal with it,’” Bar Lipshatz said. 

Irit Ben-Aryeh, an administrative manager for Clalit in southern Israel, is the widow of Haim Ben-Aryeh, a school bus driver who transported survivors from the Be’eri area on Oct. 7 to hotels at the Dead Sea that day. Ben-Arye said Haim returned home around 5 a.m. crying and in shock.

“And he had one thing to tell me,” Ben-Aryeh said. “He said, ‘I could not help them.’”

Haim drove south again on Oct. 10. After that trip, Haim stayed home and began watching television and news for long periods, which Ben-Aryeh said was out of character. Haim died by suicide on Oct. 25.

During shiva, Ben-Arye gathered the couple’s eight children and made them promise to ask for help if they were in pain. “We have to tell our story,” Ben-Aryeh said. “We cannot have anybody die of shame. We have to make people understand they need to ask harsh questions sometimes. They need to look around to see if there’s somebody in pain.”

Balicer said Israel will need to keep building mental health care for years. “This is going nowhere in the sense that a very large proportion of the population needs care and needs relief,” Balicer said.

Three Years Later: 1-in-5 Israelis Report Severe Mental Health Impairment Read More »