fbpx

Big Screen, Bigger Picture

From films on the killing fields of the Khmer Rouge regime of Cambodia and civil war in Sudan to mental illness and homelessness in America, the series will allow viewers to take a second look from a Jewish perspective.
[additional-authors]
July 31, 2003

Rabbi Ari Hier doesn’t like to just watch nonfiction films, he likes to ask questions about them — usually Jewish questions.

"My motivation has always been, ‘What questions would I ask the filmmaker at my own dinner table, no holds barred?’" said Hier, the director of the Simon Wiesenthal Center’s Jewish Studies Institute (JSI).

Presuming that others share in his curiosity, Hier has launched "Take Two," a free discussion series sponsored by the JSI, featuring films produced by "Point of View," which, according to the PBS Web site is "public television’s premiere showcase for independent, nonfiction films."

From films on the killing fields of the Khmer Rouge regime of Cambodia and civil war in Sudan to mental illness and homelessness in America, the series will allow viewers to take a second look from a Jewish perspective.

"We felt that we wanted to be very diverse," Hier said. "We will show a Jewish film now and then, but I believe that the world interfaces with Judaism all the time. We live in a world, not just a Jewish community."

"Take Two" began on July 20 with Joscelyn Glatzer’s "The Flute Player," a new documentary about Arn Chorn-Pond, a Cambodian musician who survived during the brutal Khmer Rouge regime by playing propaganda songs on the flute for his captors. Hier and two Cambodian guests led an audience discussion examining issues such as what Judaism says about life-and-death decisions, and whether Judaism has a monopoly on the term "Holocaust."

The discussion was heated. "Some [Cambodians] said that God went out the window," Hier said, noting that it bothered a number of the religious audience members.

But he hopes the series in general will cause people to think about things in a new light.

"My goal isn’t necessarily to move people to be involved in that particular cause," Hier said, "but to articulate and sharpen their own thinking."

The series continues on Aug. 17 with "West 47th Street," a portrait of four people struggling to recover from serious mental illness; and on Sept. 14 with "The Lost Boys of Sudan," which follows two young refugees of the Dinka tribe, who were forced to flee and resettle in the United States. To R.S.V.P., call (310) 552-4595 ext .21.

Did you enjoy this article?
You'll love our roundtable.

Editor's Picks

Latest Articles

The Joy Within

Sukkot asks us to receive the harvest that has actually come in—not the one we imagined or wished for.

A Bisl Sukkot ~ Don’t Be Afraid, Go Outside

The sukkah reminds us to go out into the world, especially when the comforts of insularity beckon us closer—to explore paths we have yet to take and seek journeys ready for wandering.

A Harira Hug in the Sukkah

I love making soup for this holiday because even if the days are still warm, the cooler evenings make you start craving something warm and comforting.

The Beat Goes On

While so much of the world seems obsessed with and consumed by its hatred of Israel and Jews, Israelis continue to build, create, work, celebrate, argue, raise families, and plan for the future.

Viral AI Video Targets Jewish Comedian

“The biggest concern is that people now have a pathway to shut down Jewish voices through complete falsities that people will believe. … For the future of Jewish entertainment, it’s very scary.”

Yiddish Historians: Writing in Their Own Language for Their Own People

Mark Smith has compiled an important anthology of Jewish history using 49 works by Yiddish historians to recreate or at least open the door to a world of Jewish thought that was once almost mainstream, but which no longer exists, except in the minds of too few specialists.

The Everlasting Melody

Most Jews who have sung “Eitz Chaim” over the past half-century probably never knew Portnoy. They did not know when he wrote the melody or how young he was when he composed it. They simply knew the song.

More news and opinions than at a Shabbat dinner, right in your inbox.