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A Super ‘Schmooze’ Move

The unforgettable superheroes of comic strips became the stuff of endless Hollywood big-budget sequels. But more often than not, they began in the fevered imaginations of struggling young Jewish guys, whose wildest dreams could be hemmed in only by four panels and black ink.
[additional-authors]
May 25, 2006

The unforgettable superheroes of comic strips became the stuff of endless Hollywood big-budget sequels. But more often than not, they began in the fevered imaginations of struggling young Jewish guys, whose wildest dreams could be hemmed in only by four panels and black ink.

“In June 1938, Superman appeared,” Michael Chabon writes in his 2000 novel “The Amazing Adventures of Kavalier and Klay.” “He had been mailed to the offices of National Periodical Publications from Cleveland, by a couple of Jewish boys who had imbued him with the power of a hundred men, of a distant world, and of the full measure of their bespectacled adolescent hopefulness and desperation.”

It’s not an insurmountable leap from those days to these, from the pioneers like “Superman’s” Joe Shuster and Jerome Siegel to masters like Art Spiegelman, to the talented Jewish comic strip artists of today.

In that spirit, we premiere this week, “Schmooze or Lose,” our first, weekly serialized comic strip. Read more about the creators, writer Jake Novak and illustrator Michael Ciccotello at www.jewishjournal.com, and follow the further adventures of their very L.A. Jewish characters in this space each week.

 

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