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January 30, 2025

What I Learned as a Designer on a TV Home Makeover Show

Have you ever wanted to get your home redecorated on a television show? Several years ago, I was actually cast as an on-camera designer for a cable home makeover series. 

It was a fun being on the show, and I enjoyed the challenge. Besides the demands of decorating a room under a strict budget and a tight timeline — all while smiling for the camera and making sure I didn’t have lettuce stuck in my teeth from lunch — I had to please the producers as well as the homeowner. The experience helped me to be better at thinking of solutions on the spot, making fast purchasing decisions, and holding clients’ hands to assuage their fears. 

The makeover show also taught me some valuable lessons about design that have greatly influenced how I approach decorating.

Color transforms a room

I’ve always loved color. But for makeover shows, a paint job is the most important ingredient of a good “before and after” video montage. Without a pop of color, there is simply not big enough of a difference. And we’re not talking a nice shade of tan here. The more vibrant the color, the more dramatic the reveal. 

But I also learned from filming the show that people can respond very negatively to color, especially when they’ve been used to white or off-white walls for so long. On one episode, I had painted a room a rich shade of green that I thought felt very “zen.” However, the homeowner stole a peek at the room before it was ready, and she freaked over the new color. To help get her “green light,” if you will, to continue with the makeover, I showed her other color swatches she could choose from. She eventually chose another green color that was really quite similar to the one I had first chosen. The homeowner loved this new green, but I think that one of the reasons why was she had time to get used to the room not being white anymore. 

Now when I work with design clients, I warn them that there is a chance they may hate the color when it first goes on the wall because they aren’t used to it. With that warning, they usually end up loving it.

Clutter ruins the shot

Nothing looks worse on camera than clutter. The first time I was ever on television, my home was featured on HGTV, and the host took me under her wing to show me how things looked through the lens. She pointed to a bookshelf full of tchotchkes that was on the playback monitor and said, “Look how busy that looks. The camera picks up everything.” I never forgot that. We get used to the clutter in our lives and don’t even notice it anymore. But the camera sees it and accentuates it.

When I started doing television makeovers, I was keen to make sure clutter disappeared. I didn’t accomplish this by putting everything in the driveway while we filmed. That would be cheating. Instead, I purchased bookcases and cabinets so that everything had its place. In fact, all of my on-screen clients were short on storage spaces. They actually piled things up on the floor rather than stashing them away. I have a saying: “If there’s room for junk, there’s room for bookcases.” Organizing clutter and hiding it in cabinets resulted in some spectacular before and afters.

The same goes for my “real life” decorating clients. I find that a trip to IKEA — or a similar furniture store — for a storage shopping spree is often the first step in decluttering and beautifying a home. 

Good design solves a problem

Perhaps for dramatic purposes, there was always a decorating dilemma I had to solve in each of the television makeovers I did. One person wanted her “girly” bedroom to be more adult. One needed a garage converted into a home office. Another person who worked out of his home needed his living room to be a comfortable meeting space for clients. 

But even though these challenges were put in the script to create a more interesting show, they reminded me that good design isn’t about making things pretty, it’s about making things better. Having concrete goals in mind in these home makeovers actually made the task easier because it narrowed down the possibilities. I knew exactly what the problem was, so I was able to create a solution. 

When redecorating a space, we need to think of how it fits into one’s lifestyle. What is working about it, and what isn’t? How can the design help with the space’s intended use?

I once designed an office space for a therapist who specializes in teens. My objective was to create a welcoming space that was calming for the young clients, but also reassuring for their parents. Everything I chose, from the wall colors to the style of furniture to the accessories, was geared toward those intentions in mind. Having the quandary of making the space suitable for teens resulted in a much better design than if I were creating an attractive, but generic, office.

Personality is everything

When casting for homeowners who needed makeovers, the producers looked for people with big personalities. It made for more interesting television. And you know what? It made for more interesting design. I had one on-screen client who was a poet who exuded warmth and positivity. She was one of those people who made you feel good just by talking with them. So even though my initial assignment was to create an office space for her, I gave the space a dual purpose as a meditation room, decorating the walls with life-affirming lines from her poetry so she would be surrounded by positive insights as she worked. It captured who she was.

I’ve seen a lot of home makeover shows where they create beautiful rooms, but the spaces end up looking alike in every episode because they don’t reflect the homeowners’ unique personalities. That’s why I encourage people not to decorate their home so they look like a page from a furniture catalog, but to create a space that shows off who they are — quirks and all. You are not generic; your home shouldn’t be, either.

Sometimes it takes a village

On television, with the magic of editing, we tried to make it look like it was easy for me to redo someone’s space in a matter of hours — by myself. But the reality is there was an entire team of people behind the scenes doing all the work, from painting to carpentry to furniture moving. In fact, I didn’t do any of those things because it was against union rules. For example, the painter would paint the whole wall, and then they’d film me holding the paintbrush doing the finishing touches. 

The lesson here that I try to impart to do-it-yourself decorators is to give yourself a break. If you can’t finish your home project in a weekend, don’t worry about it. You’ll finish it when you finish it. When I’m decorating, either in my own home or for a client, I don’t have the resources of an entire television construction crew doing all the work for me. You don’t, either. So feel good in knowing that, considering you’re doing it on your own, you’re very much a design star.

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The Magic of Quiet Chesed (Loving Kindness)

This is a story about two modest women who, after the Shoah, rebuilt their lives and were instrumental in a secret Chesed in Jerusalem.

A few weeks ago marked the 25th yartzheit of my mother-in-law, Leah Greenwald of blessed memory. I had known that she was a woman of great kindness, and since we married in 1976, I had many years getting to know her. My husband, Yaakov, remembers how, as children, they would carry pots of food to the indigent for whom his mother cooked. She also volunteered at the Jewish Institute for the Blind in Jerusalem and at Shaare Zedek Hospital, and more. 

Before making aliyah from Czechoslovakia, in 1949, she had been a teacher, but her Hebrew was not up to scale to teach in Israel. (In 1992, Czechoslovakia split into the Czech Republic and Slovakia. My in-laws lived in the part that became Slovakia.) She eventually became the administrative director of the Baka mikvah, a position she held for 18 years, until her retirement in mid-1977. At that time, it was known as the largest, nicest mikva in Jerusalem. Even though she wasn’t usually the mikva attendant (who watched the women immerse), but the administrator, the Jerusalem Rabbinical court that oversaw conversion so respected and trusted her that they asked her to be the one to be personally present and involved with the female converts who came to immerse as part of their conversion process.

 But only about three years ago did I hear an incredible story of Chesed that involved Leah and her best friend, Piri Ganz, who passed away at the age of 105 and three months. Piri’s daughter, Judith Dasberg Savitz, shared a heart-warming story at Piri’s shiva.

But first, some background. 

Leah and Menahem, my father-in-law, were in hiding in a village on the outskirts of Trnava during the Shoah. Most of their families were murdered in Auschwitz, where two of Leah’s sisters (the three of them the survivors among 13 siblings) spent three years and even survived the death march. 

As my husband Yaakov relates, “In 1949 they got on a boat with my older brother David, and my younger sister Rivka, and me, and we arrived in Haifa. From there we were sent to Be’er Yaakov, where we lived for six months in a ma’abara (transit camp) next to Rishon L’Tzion. 

“We arrived in Jerusalem in 1950. My parents received two rooms in an old house in Baka from the government. It was a very poor neighborhood at that time – years before it became gentrified – and they were among a small group of Ashkenazi Jews who came mostly from Hungary, Czechoslovakia and Romania, who started the Emek Refaim shul [known today as the ‘Yael Shul’], and had a very close-knit community. 

“Our home was about one mile from what was in those years the Jordanian border.” During the Six Day War, Yaakov fought with the Jerusalem Brigade in Abu Tor, near the Old City of Jerusalem, less than half a mile from his home, and his brother, David, fought on Jerusalem’s Ammunition Hill as a paratrooper and was wounded there.

Judith’s parents, Piri and Menahem Yisrael Ganz, also came to Israel in 1949. They had lived in Bratislava but during the Shoah hid in a town called Nové Mesto nad Váhom; Judith said it means “the new city on the Váh River.” It was part of what became Slovakia. 

“In the beginning they didn’t have to hide,” says Judith, “because that town was ‘under the leadership’ of the local rabbi and the Nazis had said to him, ‘Whoever is under you is a Yehudi mukar [a “recognized Jew”].’ But then the Nazis took the rabbi and killed him and took his list of the Jews, and they all went into hiding.” 

Judith continues. “My parents came to that city by chance, for a visit, and they didn’t know any non-Jews [to hide them], other than a Christian woman my father had found in the street to help my mother give birth to my brother … it’s a complicated story … and my parents were hidden by their family, at first in a haymow [a part of a barn in which hay is stored], and when the winter came, they hid them in the cellar.”

Most of Piri’s family were also murdered in the Shoah. Judith says that her mother’s parents and her mother’s sisters were among the Jews who were herded into the shul in the town of Michalov on Simchat Torah and the Nazis burned the shul down with all the people in it. Piri’s two brothers survived Auschwitz but when the Allies gave the released prisoners food to eat, as happened with others, their bodies could not handle it and they died from it.

When Piri and Menahem Ganz made aliyah, they lived in the same transit camp as Leah and Menahem Greenwald and that is where they became friends. Judith’s father worked in a government office.  

“It was very difficult in the transit camp,” Judith said, “but then the government offices were moved to Jerusalem.” At that point they received an apartment from the government, also in Baka. Judith says that her father, together with a man named Fritz (Shlomo) Goldschmidt, were the lead founders of the shul. 

All the members of the Emek Refaim/Yael shul were survivors of the Shoah. Judith says she remembers the chilling moment when, during the reciting of Yizkor, every single adult remained in synagogue while the children left.

Judith relates that her mother had concluded her medical studies in Czechoslovakia and planned to become a doctor. But when it came time for final exams, the authorities removed the Jews from the school so they would not become certified. 

In Israel, in addition to raising her children, Piri sometimes administered shots, and, like Leah, she volunteered at the Jewish Institute for the Blind, working with the blind who were elderly and disabled, and at Shaare Zedek Hospital. Judith says that Piri was also very proud of a Parshat Hashavua [Torah Portion] class, led by various rabbis, that she organized for 25 years, when she moved to the Bayit Vegan neighborhood, a class that started in her home and eventually moved to a local shul where 200 women would attend.

Judith’s two brothers and her three sons all became paratroopers in Israel.

Here now is the story that Judith told at Piri’s shiva. 

A rabbi had already been accepted to lead their little shul in Baka, but later another rabbi, who they had known in Czechoslovakia, from the town of Vrbové, made aliyah. “There he was considered a serious rabbi,” says Judith. “He had led a shul and been a teacher. Suddenly he came here and nobody knew him and there was no job for him in Jerusalem.”

Judith told us that her mother, Piri, contacted a woman that Piri and her husband knew who worked in the Jerusalem Municipality. They made a deal with her. Every month, Piri and Leah Greenwald would secretly solicit funds from their small, financially struggling community, asking them to donate their ma’aser k’safim – their 10% tithe money – as tzedakah. They would bring the money to their friend in the Jerusalem Municipality, and she would write a check to the rabbi for the official position of neighborhood rabbi in Baka. 

The rabbi never knew that his salary came from his neighbors. He thought it was the city that employed him.

I checked with my husband’s siblings. They knew their mother collected charity, but they didn’t know it was for that rabbi. Both Piri and Leah wanted to ensure that it never got out, in order to not embarrass the rabbi. 

This story reminds one of Maimonides’ eight levels of tzedakah. In fact, the story combines levels one and three. Like the first level, it was providing someone with a livelihood, and like the third level, the donors knew the recipient, but the recipient did not know the donors (the neighbors).

Thus, two ladies, and their husbands and families, and their entire small community, among many other communities, began their lives again following the devastation of the Shoah. Their children and most of their grandchildren went on to serve in the IDF or perform National Service, and they also carry forth the torch of tzedakah handed to them by their foremothers and forefathers.

May it be a bright light for others, as well.


Toby Klein Greenwald is an award-winning journalist, theater director and editor-in-chief of WholeFamily.com. She and her husband live in Efrat and their children and grandchildren live throughout the land of Israel. 

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WIZO CA Holds Screening, The Braid Launches New Space, Holocaust Council Appointees

On Jan. 20, WIZO California held a sold-out screening in Beverly Hills of the powerful documentary, “Beyond October 7th,” shedding light on the profound impact of the Oct. 7 tragedy.

The evening was made even more special by the presence of Israeli director Jasmine Kainy, who joined for a thoughtful Q&A session led by WIZO California board member July Hodara Sultan. Before the screening of the 65-minute documentary film, kosher refreshments were served.

Newly elected WIZO California Board members (from left) Dianna Mannheim Sternberg, Laura Stein, Sheila Mirharooni and Deborah Harris welcome guests to the recent screening of “Beyond October 7th.” Courtesy of WIZO California

“The event was a deeply meaningful and touching experience, as attendees came together to reflect, share, and support one another during this difficult time,” WIZO California leadership said. “We are grateful to everyone who joined us for this unforgettable evening.”

“Beyond October 7th” follows three generations of a family that survived the Oct. 7 attack on Israel.

WIZO, or Women’s International Zionist Organization, is a nonprofit organization of members in more than 50 countries working together to improve the lives of women, children and the elderly living in Israel. WIZO California, established in 1985, works to support and fund WIZO projects in Israel.


Ronda Spinak (front row, far left) and Susan Morgenstern (front row, far right) pose with some of the newest Abby Freeman Artists-in-Residence at The Braid. Photo by David Chiu

The Braid — the go-to Jewish story company and nonprofit for celebrating Jewish culture — recently held an open house for its newly launched space in Santa Monica. 

The new space, according to the Braid’s leadership, will serve as a creative hub for performances, art exhibitions and community events designed to celebrate and explore contemporary Jewish life.

The grand opening of the new physical venue, on Dec. 14, kicked off a run of productions — including a reprise run of Monica Piper’s hit one-woman show, “Not That Jewish” — that will showcase diverse expressions and experiences of Jewish life.

The current season at the Braid also features “Traveler’s Prayer,” about Jewish travels stories; “Two Faiths, One Love,” about interfaith families; and “For the Love of Animals,” focused on Jewish connections with animals. A recent photography exhibit at the Braid’s new space, “How We Watched, How We Performed,” captured the resilience of theater during the pandemic-prompted lockdown.

Actors from The Braid’s recent salon show, “Here I Am.” Photo by David Chiu

In a statement, Ronda Spinak, founder and artistic director at the Braid, said that Jewish storytelling was more important than ever at a time of rising antisemitism. And the new physical venue will be a global hub for such stories, Spinak said.

“I love stories,” Spinak said. “They entertain, educate, inspire and move us to action. They’re a portal to human connection. And right now, we need Jewish stories more than ever.”

The Braid describes itself as the country’s largest independent Jewish theater organization, known for its pioneering work at the intersection of storytelling and stage performance. Shows at The Braid have explored stories about Jews of color, Persian Jews, Latin Jews, Sephardic Queer Jews, Israeli Americans, Asian Jews, Soviet Jews, Southern Jews and more.

The organization democratizes storytelling by inviting writers to submit autobiographical stories reflecting the variety of contemporary Jewish life that are then carefully curated and woven together into original shows.


Two Los Angeles leaders, each of whom have been active in raising awareness about the current rise of antisemitism, were recently appointed to the United States Holocaust Memorial Council.

Matthew Segal

Local entrepreneur and media executive Matthew Segal as well as human rights activist Mandana Dayani, the former president of media and philanthropic company Archewell, were recently appointed to the Council.

Former U.S. President Joe Biden named Segal and Dayani to the Council ahead of his official exit from office on Jan. 20.

Segal is the CEO of ATTN:, a Los Angeles media company that describes itself as being developed “for the attention era.” It specializes in social video while also serving as a production studio and creative agency. Along with her work as a businesswoman and media executive, meanwhile, Dayani is the founder of I Am a Voter, a nonpartisan organization aimed at educating and mobilizing voters.

Mandana Dayani

The two have been vocal, particularly in the aftermath of Oct. 7, in speaking out against the rise in antisemitism. The Iranian-born Dayani, for her part, has called out the lack of global outrage over the sexual violence that was perpetrated against Israeli women by Hamas during the terrorist group’s unprecedented attack against Israel.

The U.S. Holocaust Memorial Council was established by Congress in 1980 to lead the nation in commemorating the Holocaust and to raise private funds for and build the Washington D.C.-based U.S. Holocaust Memorial Museum. Today, the Council is the governing board of trustees of the museum.

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My Son’s Own Promised Land – A poem for Parsha Bo

God spoke to Moses saying, “Consecrate to Me, from among the Israelites, every firstborn of man or beast—the first issue of every womb; it is Mine.” ~ Exodus 13:2

Sometimes I want to tell my son
I’ll turn this thing right around
whatever the thing might be.

The car, the TV show, the video game,
the dinner, the stereo, the movie,
the allowance – I’ll turn it all right around.

You never know when he’s louder than
I want him to be, or I find popcorn embedded
in the carpet leading to his room

Or his hamper door isn’t closed as
much as I think it should be. Did I mention
he’s louder than I want him to be, sometimes?

I’m in a constant state of wanting to
turn the whole thing right around.
I realize now, as my first-born

he isn’t even mine. The Holy One
laid claim to him right after we
were brought out of Egypt –

right after the first-born of the
Egyptians were taken. God, apparently
has a thing for firsts.

I’ll send you right back to the Holy One
I could tell him when the steering wheel
of my car, which he drives around

like he’s number one, is stickier than
I want it to be. (Hand washing isn’t just
a pandemic comfort thing.)

But I won’t tell him any of these things
because, like me, and like us, he’ll
have his own things to tell his first-born
about what they should do

with all the knowledge he learned
about how to do the things he does
on his way to his own promised land.


Rick Lupert, a poet, songleader and graphic designer, is the author of 28 books including “God Wrestler: A Poem for Every Torah Portion.” Visit him at www.JewishPoetry.net

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“I Wouldn’t Say It If It Wasn’t True,” Steve Wynn’s Rock Memoir

“For me, everything is improvising,” Steve Wynn, the one-time frontman and main songwriter for The Dream Syndicate, said talking about his new book, “I Wouldn’t Say it if it Wasn’t True: A Memoir of Life, Music, and the Dream Syndicate,” from his home in Queens, New York. “All my favorite things, everything day-to-day life, cooking, walking down Roosevelt Avenue here in Queens, getting on tour, obviously music recording in the best of circumstances, everything, all my favorite things are jamming.”

For those who were not in LA during the 1980s or a fan of what was the first inklings of Alt-Rock or Post Punk bands, the Dream Syndicate (Wynn, guitar and vocals, Karl Precoda, lead guitar, bassist Kendra Smith and drummer Dennis Duck) were part of the early 1980s LA scene, alongside the Bangs (later the Bangles), the Rain Parade, Green on Red and the Three O’Clock), dubbed “The Paisley Underground” for the groups’ shared love of mid-60s pop.

The Dream Syndicate (who took their name from LaMonte Young’s early 1960s ensemble) were both a success story and a cautionary tale. They were signed, first to local powerhouse Slash Records (home to many of LA’s most popular post-punk bands, including the Blasters and Los Lobos), and in 1983 released their debut album, “The Days of Wine and Roses.” Taking advantage of the newly formed infrastructure of clubs, booking agents and radio stations that nurtured non-mainstream bands, they earned a reputation as a solid live band, mixing the aggressive thrum of the Velvet Underground with the sprawl of Neil Young and Crazy Horse.

The band then ascended to the holy grail of rock bands — a major label contract with A&M Records. Paired with Sandy Krugman (best known for his work producing Blue Öyster Cult and the Clash), the sessions for their sophomore album, “Medicine Show” were a monthslong slog that left Wynn alienated from his band (Wynn admits he has not spoken to Precoda in over 30 years), and himself, shuttling between apartments, drinking a bottle of bourbon a day.

One thing he really wanted to get across in the book “is how quickly something that’s really so wonderful and improbable as you and your close friends and people who you are aligned with musically and philosophically about music, how quickly can go from incredibly wonderful and magical and successful to within a year or two falling apart.”

The band — who took it as a point of pride in never playing the songs the same way twice — were a tough fit for the majors, a point Wynn learned when he approached his A&R (Artists and Repertoire) exec with what he considered a can’t miss proposition: “We’re a touring band with a good following,” he said. “We can go into the studio, make an album for a modest budget, get out there and tour our asses off and sell 50,000 copies, which means everyone would turn a profit.” The response: “We’re not in the business of selling 50,000 records.” The band continued releasing two studio albums with a new line up before splitting up in 1988.

“LA is in my bones and my DNA. I can still picture what it was like to be there.”

Wynn, who once had ambitions of becoming a sportswriter, and considers himself as, more than anything, a writer, is a deft storyteller, one not afraid to call out his own bad behavior. Although he’s been a New Yorker for 31 years, he said “LA is in my bones and my DNA. I can still picture what it was like to be there.” He takes readers on a tour of 1980s LA club scene, as Wynn either performs, DJs or sees bands at Raji’s, Club 88, Hong Kong Garden and Cathay de Grande, and works at the Rhino Records store in Westwood. There are behind the scenes stories of tours with a pre-superstardom U2 and R.E.M. He’d been thinking of writing a book for years, but it took the COVID pandemic to get him to knuckle down. “I had the time. I’m not going to be on tour, so it’s a good time to see what I can do.” He originally had as goal of writing 500 words a day, but he ended up writing around 3,000 each day. The hardest part, he said, was editing.

The time it takes to write a book was also daunting. “A lot of my favorite songs I’ve written in 10 minutes or less. I mean, when you get inspired, when you hear the song in your head, when you kind of know what you’re going for when you’re just not filtering yourself. Songs come quickly and you say, yeah, I’m game with that. That feels good. You can’t do that with a book. It doesn’t matter how inspired you are, now much coffee you drink, how early you wake up, you’re not going to ride it in 10 minutes or 10 days even. So that’s a big difference. I hadn’t done this before.”

Wynn, who has been releasing albums steadily since 1988, and touring as a solo act, fronting his own band, the Miracle Three (which includes his wife, Linda Pitmon, on drums) and a revitalized Dream Syndicate, and various side projects/collaborations, including the Baseball Project, featuring Pitmon, one-time Young Fresh Fellow Scott McCaughey, and former R.E.M. guitarist and bassist Peter Buck and Mike Mills, which has released four albums of original, baseball-themed songs.

He turns philosophical when discussing his current attitude toward the music business. If he’s learned one thing, it’s not to let others impose their views on your work. “There are always going to be bumps in the road,” he said, “but at this point, I play music with other people my age, and we all know how to roll with things. And if somebody says something kind of annoying in the van one day, you go, he just didn’t get enough sleep. Or I’ll steer clear that guy for a couple hours.”

Wynn, who said he’s been a “working musician” since he was 25, is currently on tour, promoting both the book and his latest solo album, “Make it Right.” He’ll be performing an acoustic set and reading from the book. His favorite part of these shows is when he brings someone from the audience on stage to ask him three questions. He’s playing a McCabe’s Guitar Shop in Santa Monica Jan. 31, with Thee Holy Brothers — Willie Aron and Marvin Etzioni — opening.

Wynn’s McCabe’s show is sold out, but his book, “I Wouldn’t Say it if it Wasn’t True” can be purchased at Amazon or through Wynn’s website, https://www.stevewynn.net.

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A Bisl Torah — God’s Signs

As Pharaoh’s heart hardens, God continues to prove God’s existence and subsequently, God’s strength. Plagues are unleashed and God’s signs ultimately convince Pharaoh to let the Hebrew slaves leave Egypt.

In the Torah, God’s signs come in the form of locusts and darkness. Today, we often see God’s signs through the courage displayed by human beings. In the Middle East, we are hearing reports of hostages asking for other hostages to be released first, trying to get the elderly and ill out of harm’s way. One hostage, Agam Berger, braided other hostages’ hair as an act of defiance and hope. Liri Albag was said to have convinced her captors to stop abusing another hostage. All are wonders of the human heart’s ability to push the limits we think are set before us. God’s signs are in motion in the moments we feel most depleted.

Mitzrayim, Egypt, is translated as narrowness. It is a transition out of narrow thinking and narrow believing that allows God to enter this world. God’s signs abound.

May our narrowness dissipate, hearts expand and God’s presence flood the world with a renewed and lasting hope.

Shabbat Shalom


Rabbi Nicole Guzik is senior rabbi at Sinai Temple. She can be reached at her Facebook page at Rabbi Nicole Guzik or on Instagram @rabbiguzik. For more writings, visit Rabbi Guzik’s blog section from Sinai Temple’s website.

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A Moment in Time: “The True Meaning of ‘Shalom’”

Dear all,

One of the first words Jewish kids learn is “shalom.” As children, we are told it means “hello” and “goodbye.”

How odd that one word can have polar opposite meanings.

In truth, “shalom” is about more than hello and goodbye. Shalom is about “completeness.” It’s about understanding and accepting, embracing and fulfilling. It’s about being able to see multiple perspectives in complicated times. It’s about making an effort to realize that not everything is black and white – but rather, the world is an ever interweaving mass of ideas and perspectives.

Back in 2018, when President Trump oversaw the transfer of Israel’s US Embassy from Tel Aviv to Jerusalem, a friend of mine approached me and asked, “What do you think about Jerusalem as the capital of Israel?”

I responded, “Jerusalem IS the capital of Israel.”

He looked at me and asked, “Are YOU a Trump supporter?”

I told him that when I pray, I don’t face Tel Aviv. Rather, I face Jerusalem. Jerusalem has always been the capital, and this should never be considered a political statement. It’s not about Democrats or Republicans.

Sigh…. It’s so hard in our day to share a thought without being named called, targeted, and cancelled.

So we think again about the word “shalom.” It’s not about hello vs goodbye. Rather – it’s about seeing from beginning to end and gaining perspective in any given moment in time that can bring completeness to our world.

As we enter this next chapter of our country, let’s remember to be pursuers of shalom, chasing understanding and peace wherever we can.

With love and Shalom,

Rabbi Zach Shapiro

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Disparagement of the Diaspora by the Septuagint

Per ardua ad astra,
through adversity Jews reach the stars,
and with luck often Venus, although Mars
is thought by the diaspora
sometimes politically
incorrect, a view that can’t be changed
by those who’re from reality estranged,
hypocritically,
far too often, claiming
that in the hunt for land they have no dog,
living in what I would call the fog
of peace at which they’re aiming.

Deuteronomy implies, in the Septuagint.
that Jews’ diaspora would be a curse,
producing a prediction that is hardly worse
than lies their enemies polemically still print.


In “Scattered Seeds: The Origins of Diaspora,” Jewish Review of Books, Winter 2025, Malka Z. Simkovich points out that the Bible’s first reference to the diaspora of the Jews is made by the Septuagint’s translation of Deut. 25:28. She writes: 

Whenָ the Septuagint’s translators arrived at a verse in which Moses predicts that the Israelites would become a horror (za’ava) before the foreign nations if the terms of God’s covenant were violated, they searched for the right Greek word to describe the Israelites’ condition. Although they were not emissaries of the high priest of Jerusalem, the translators seem to have had personal ties to the Land of Israel, which influenced the word they chose. In fact, it was one that didn’t yet exist in that form: “diaspora,” from dia-, meaning over or through, and -sperein, meaning to scatter like seeds (the modern word “spore” is also derived from the verb).

The crucial verse in Deuteronomy is one in which Moses predicts that if the Israelites violate the covenant, God will respond by ensuring that they are vanquished by their enemies and humiliated before other nations. The New JPS translation reads:

The LORD will put you to rout before your enemies; you shall march out against them by a single road, but flee from them by many roads; and you shall become a horror [za’ava] to all the kingdoms of the earth. (Deut. 28:25)

Eleven verses later, Moses clarifies the nature of this humiliation by forecasting that the people will be expelled from their land: “The Lord will drive you, and the king you have set over you, to a nation unknown to you or your fathers” (Deut. 28:36). The Septuagint scholars read this horrifying vision of expulsion back into the earlier verse, and za’ava became “diaspora.”

Simkovich’s article suggests to me that the hateful statement made by Nazi antisemites, “the Jews are our misfortune” was implied by its translators in their transformation of the plain meaning of Deut. 25:28.

Meanwhile, fires have been destroying large areas of Los Angeles County, where I live. This has caused me to realize that the survival of the diaspora identified by the Septuagint’s translation of Deut. 25:28 is comparable to the א֖וּד מֻצָּ֥ל מֵאֵֽשׁ, a brand plucked from the fire, that Zechariah described in Zech. 3:2:  

וַיֹּ֨אמֶר יְהֹוָ֜ה אֶל־הַשָּׂטָ֗ן יִגְעַ֨ר יְהֹוָ֤ה בְּךָ֙ הַשָּׂטָ֔ן וְיִגְעַ֤ר יְהֹוָה֙ בְּךָ֔ הַבֹּחֵ֖ר בִּירֽוּשָׁלָ֑͏ִם הֲל֧וֹא זֶ֦ה א֖וּד מֻצָּ֥ל מֵאֵֽשׁ׃

But [the angel of] GOD said to the Accuser, “GOD rebukes you, O Accuser; GOD who has chosen Jerusalem rebukes you! For this is a brand plucked from the fire.”

The comparison of the survival of the diaspora, which survived the dire fate predicted by the Septuagint in Deut. 25:28,  to survivors whom Zech. 3:2 applied the term “ a brand plucked from the fire,” reminded me of survival after fires in Los Angeles of victims  who had taken the precaution to fireproof their homes (see the article by Eli Saslow in “They Built Their Fireproof Dream Home. Even if It Lasted, Would They?” NYT, 1/19/25).


Gershon Hepner is a poet who has written over 25,000 poems on subjects ranging from music to literature, politics to Torah. He grew up in England and moved to Los Angeles in 1976. Using his varied interests and experiences, he has authored dozens of papers in medical and academic journals, and authored “Legal Friction: Law, Narrative, and Identity Politics in Biblical Israel.” He can be reached at gershonhepner@gmail.com.

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EU Delegation and Yad Vashem Commemorate International Holocaust Remembrance Day at Beit Juliana

In a poignant ceremony marking the 80th anniversary of the liberation of Auschwitz-Birkenau, the European Union Delegation to Israel, in collaboration with Yad Vashem, held a moving commemoration on January 21, 2025. The event took place at Beit Juliana, a nursing home in Herzliya, and brought together Holocaust survivors, EU ambassadors to Israel, and local high school students preparing for an educational journey to Auschwitz in Poland. Together, they honored the memory of the six million Jews who perished in the Holocaust.

“You are living witnesses to history and a source of hope for us all. Your voices urge us to ensure that ‘Never Again’ is not just a pledge, but a reality,” declared EU Ambassador Dimiter Tzantchev. He emphasized the urgent need to combat antisemitism, warning, “We are currently witnessing the highest levels of antisemitism since the Shoah, alongside a dangerous rise in Holocaust distortion and trivialization. That is totally unacceptable, and we are determined to fight these odious developments to ensure that Jews can live and thrive – in Europe, Israel, and around the globe.”

Yad Vashem Chairman Dani Dayan reflected on the resilience of survivors and the enduring scars of the Holocaust. “For many, liberation brought immense relief but also marked the beginning of a long and painful struggle of recovery. The scars of the Holocaust did not simply fade with time but shaped the rest of their lives,” he said. He urged attendees to honor both the victims and the extraordinary survivors who rebuilt their lives and shaped the future. “Even in the darkest times, light can be created and spread,” Dayan added.

The director of Beit Juliana, Iris Friedman Sade, offered a deeply personal perspective on the strength and resilience of the home’s residents. “Especially in these complex times, I learn from Beit Juliana’s residents about the power of faith and overcoming impossible obstacles. They teach us that even from the depths of hell, one can rise and build a new life,” she said.

During the ceremony, Holocaust survivor Jakub Weksler-Waszkinel delivered a powerful testimony that left a profound impact on all present. The event underscored the EU’s ongoing commitment to Holocaust memory and education, as outlined in the Comprehensive Strategy on Combating Antisemitism and Fostering Jewish Life. Launched in 2021, this framework focuses on education, security measures, and cultural initiatives to support Jewish communities across Europe.

Beit Juliana, established in 1979 by Dutch immigrants, houses around 200 residents. Tragically, on the eve of Yom Kippur last year (October 11, 2024), a drone launched from Lebanon struck the building’s facade, destroying an apartment. Fortunately, residents survived unharmed by taking shelter moments before impact. Following the ceremony, Ambassador Tzantchev visited the apartment of Holocaust survivor Rachel Fisch, whose home was hit in the attack. He expressed solidarity with the residents and sought to understand the emotional and physical toll of the incident.

In a meaningful intergenerational dialogue, students from Rishonim High School connected with survivors, highlighting the critical role of youth in preserving Holocaust remembrance. These conversations served as a reminder of the responsibility that younger generations carry to uphold and transmit the lessons of the Shoah.

This ceremony is part of a broader series of International Holocaust Remembrance Day events. Yad Vashem will host additional commemorations on January 23-24, with the participation of European diplomatic representatives.

Those who wish to explore more can view highlights from the event on Instagram and Facebook.

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