Survivor Celina Biniaz: The youngest of Schindler’s Jews
“Get in rows. March,” the block leader ordered the nearly 300 women in the Auschwitz barracks who had arrived from the Plaszow concentration camp only weeks earlier, in mid-October 1944.
Thirteen-year-old Celina Karp dutifully obeyed, though this was the first time in Auschwitz that she had been separated from her mother, who earlier that morning had volunteered to peel potatoes, along with 29 others, hoping to pilfer a few skins.
Celina and the others were marched to another barracks, where they were ordered to strip and form a single line. Dr. Josef Mengele stood facing them, pointing with a yellow pencil in one direction or another as each prisoner drew near. Most were shunted to his left, rapidly exiting the barracks. Celina was directed to his right, frightened to find herself on the wrong side. Then unexpectedly, Mengele ordered Celina’s group to repeat the inspection. This time, as Celina approached Mengele — “I don’t know what made me do it,” she recalled — she looked up at him and said, “Lassen sie mich.” (“Let me go.”)
He pointed to his left. She grabbed her dress and ran out, crying hysterically. “I’m 13 years old and I’ve just been given life by Dr. Mengele,” she recalled.
That was just one of the twists that allowed Celina to survive. Perhaps more famously, Celina is alive today, at age 85, because of the actions of Oskar Schindler, the Czech businessman memorialized in Steven Spielberg’s 1993 film “Schindler’s List.” She is the youngest of the roughly 1,200 Jews Schindler rescued.
But she credits Spielberg, who brought to the screen so many of the horrendous incidents that she witnessed, with enabling her to speak about those experiences.
“I always tell Steven Spielberg that he gave me a voice,” she said. “I say, ‘You are my second Schindler. He gave me life, but you gave me a voice. Because for 40 years, I never was able to talk about it because I didn’t think that anybody would understand.’ ”
Celina Biniaz, since her marriage in 1953, was born in Krakow, Poland, on May 28, 1931, the only child of Ignac and Felicia Karp.
Both parents were accountants, and the family was comfortably middle class, living in a mixed neighborhood in a two-room apartment with a kitchen and bathroom. They celebrated Jewish holidays but were not strictly Orthodox.
After Germany attacked Poland on Sept. 1, 1939, Celina’s parents decided that she would have to relinquish her beloved puppy, a white Spitz. Several days later, as they took the dog to the animal shelter, they saw from a distance three bombs fall on the radio station — the beginning of the Nazi occupation of Krakow — and ducked into a nearby building. They then continued to the shelter, where Celina painfully surrendered her dog.
Celina was eager to enter third grade, but schools didn’t open that fall. Additionally, Jews couldn’t work, and Ignac joined the many Jewish men who began walking eastward, fearing capture by the Germans. But as winter approached, he returned.
By that time, the Jews were being conscripted into slave labor. Celina and her parents worked, shoveling snow.
By late fall 1940, the Karp family, along with most of Krakow’s Jews, had been relocated to a ghetto in the city’s Podgorze section. Celina’s parents, who were given blue cards, or work permits, were assigned to work at a factory outside the ghetto that was owned by Julius Madritsch.
Madritsch, a 34-year-old businessman and anti-Nazi from Vienna, had been named administrator of the F.A. Hogo shirt factory in Krakow, which he relocated to Podgorze and converted to sewing army uniforms. Ignac, who had been an accountant for F.A. Hogo, became Madritsch’s accountant, helping him manage the business. Felicia worked as a bookkeeper.
Celina, meanwhile, worked in the ghetto, making envelopes and brushes. But as roundups increased, Celina’s parents, worried she would be apprehended, procured a blue card for her, falsifying her age as 12, two years older than she was. Celina joined her parents at the factory, sewing uniforms.
“[Madritsch] was an amazing human being,” Celina said. He and Raimund Titsch, his factory manager, hired as many Jewish workers as possible, training them and providing them with extra food and medications.
When the Krakow ghetto was liquidated on March 13 and 14, 1943, those working in the Madritsch factory, who were essential to the war effort, were transferred to Plaszow, which was then a labor camp, rather than deported to a concentration camp.
During the liquidation, Celina witnessed German soldiers swinging infants by the feet, bashing their heads against stone walls. “I kept asking my mother, ‘How could God allow this?’ ” she said. “I lost my faith.” The experience also reinforced her fear of authority, which has never left her.
In Plaszow, Celina and her mother lived in a women’s barracks, walking to and from the factory daily in groups of five. She often saw her father there.
Inside the camp, however, where Amon Goeth was the commandant, fear ruled. “He was a beast,” Celina said. She witnessed hangings, shootings and beatings.
During one of the selections, Celina watched as the Germans rounded up 10 or 15 children. They then trucked them up a hillside and shot them, while the German lullaby “Gute Nacht, Mutter” (“Good Night, Mother”) played on the camp loudspeakers. “So sadistic,” Celina said. “You can’t imagine.”
During that time, six children managed to hide in the latrines. Madritsch’s workers later smuggled them out to the factory under big coats, two with Celina’s group, and they were placed with Catholic families.
In September 1943, a new edict forbade prisoners from leaving Plaszow’s confines. In response, Madritsch opened a factory inside the camp.
A year later, as the Russians approached, the Germans ordered all factories in the Krakow area closed. Schindler suggested that Madritsch, who had become his friend, join him in relocating his factory to Czechoslovakia. Madritsch declined, but sent 50 or more of his workers, including Celina and her parents, with Schindler’s group.
The men were shipped out first. Two weeks later, the 300 women were loaded into cattle cars. A day and a half later, in mid-October 1944, the train came to a screeching halt. As the door banged open, the women heard, “Raus, raus” (“out, out”) and dogs barking. “All of a sudden, we realized we’re someplace we’re not supposed to be,” Celina said. “Auschwitz.”
The women were marched into a barracks marked “sauna” (bath) and told to strip. Celina’s hair was clipped very short, others were shaved, and all were shoved into the shower room. “This is when we don’t know … is it going to be water or gas?” Celina said. She was incredulous when water burst from the showerheads. “That meant we had another day.”
The women were given dresses and taken to a barracks. Mostly they remained inside, except for the three times a day they stood in roll call, often for hours in the cold.
A few weeks after Celina’s run-in with Mengele, the women were unexpectedly loaded into cattle cars, pulling into the town of Brunnlitz, 140 miles northeast of Prague, three days later. Schindler had secured their release with bribes.
The women slept in the attic of the factory, where components of V2 rockets were manufactured. “Schindler told us from the very beginning that nothing was going to leave that factory that would be useable,” Celina said. With her small hands, she was put to work cleaning the insides of the large machinery. She also worked on a lathe and a calibrating machine.
On May 7, 1945, Germany surrendered. Schindler escaped, but not before giving each family two bolts of fabric and five pairs of scissors to use as barter.
Two days later, the Soviets officially liberated the prisoners, and Celina and her parents walked and hitchhiked back to Krakow, a two-week journey. Celina was almost 14. She weighed 70 pounds.
Celina spent the summer being tutored and was accepted into high school in September. But four weeks later, a pogrom hit eastern Poland, and the Karps fled.
They were smuggled over the border into Slovakia and eventually reached the displaced persons camp in Landsberg, Germany. But after two weeks, having had enough camp life, they moved to Mindelheim, a small community about 20 miles east, where they shared an attic apartment with the widow of a Nazi.
Celina attended school in a semi-cloistered convent where an elderly nun, Mater Leontina, 90, taught her German and English. “She was the first human being who accepted me for who I was, a 14-year-old girl who needed help,” she said. Celina studied with her from December 1945 until May 1947, when she left for the U.S., and the two continued to correspond until Mater Leontina’s death at age 94.
Ignac’s brother, David Karp, who had sent affidavits for the family, met them when their ship docked in New York in June 1947 and drove them to Des Moines, Iowa, where he lived. Celina attended summer school, entering North High School for her senior year.
She attended Grinnell College, majoring in philosophy, and then Columbia University in New York, where she earned a master’s degree in education and where, in the international dormitory, she met Amir Biniaz. They married on Sept. 12, 1953, and moved to Wantagh, a town on Long Island, where Amir opened a dental practice.
In 1963, when their children — Robert was born in 1954, Susan in 1958 — were older, Celina began teaching elementary and learning disabled students. She retired in 1992. A year later, they moved to Camarillo, Calif. They now have four grandchildren.
The Holocaust taught Celina that “Evil can happen anywhere, with any human being, if you give it a chance.” But when Celina speaks about her experiences, which she has done since becoming active in the USC Shoah Foundation when it opened in 1994, she tells people:
“Don’t hate. Try to see the good in people. Nobody is better than anyone else.”
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Great Uncle Harry is terrible at hiding the afikomen. All the kids anticipate his usual hiding places, and so the search isn’t very fun. But young Rachel hatches a clever plan and offers him the option to let her hide the matzo this year. She then creates a family scavenger hunt containing a variety of rhyming clues. With each solved riddle, the other children get a part of a puzzle that, when pieced together, contains the biggest clue about where the afikomen is hidden. Information regarding the symbols on the seder plate is included within the clues, and even Uncle Harry is in on the merriment by the end. A fun game that could become a future family tradition.
Last year, we learned from this same author-photographer team how a Torah is made. Now, kids get to meet the people who make matzo (heralded as “the ultimate fast food”), either by hand or by machine, but always within 18 minutes. One of the matzah-makers states, “Making matzah teaches us to work together. It is not possible to make matzah alone.” These books are special because of their innovative graphic design, various Passover do-it-yourself projects and depictions of diversity throughout more than 100 engaging photos. Plus, there is a recipe for homemade matzo and, of course, a recommendation to “Watch the clock!”
If your haggadah is too dull for the kids at your seder table, consider this charming new offering that features the talkative Frog commenting on the traditional text. Large, engaging photos — often paired with interesting family discussion-starters — ensure that this year will be more fun for everyone. Frog is depicted as hopping from page to page as he spreads his froggie puns and wisecracks. Examples include finding a “piece of toadst” while searching for chametz, and penciling in (with green crayon, of course) a suggestion to include a “Frog’s cup” along with Elijah’s. But the strengths of this family-friendly haggadah are in the flow of its storytelling, its compelling content and design, and the inclusion of Hebrew transliterations. The content is mostly English, but main passages such as blessings, the Four Questions, the Ten Plagues and parts of songs are included in Hebrew.
The Exodus story meets H.G. Wells in this tale of Max and his professor dad, who has invented a time-traveling machine. The standout 3-D illustrations will highly engage children. They remind the reader of a mix of Claymation and a video game, and seem to be partially painted and partially computer-generated. The story follows Max, who has inadvertently taken the time machine to ancient Egypt. By the Nile River, he meets young Moses and young Ramses with Pharaoh’s daughter and is taken to meet Pharaoh. Max is imprisoned, but then freed by Moses. The two travel through time together to Mount Sinai so Max can show Moses what his future will be. Exciting illustrations depict the burning bush, how the stone tablets could have been written, the golden calf, and Moses breaking the tablets. Max eventually gets back home to the present day by tricking Pharaoh and using the convenient “rewind” button to delete the experience from the memories of those he left behind. (It should be noted that the author used the term “Old Testament” to refer to the Hebrew Bible.) The book is available inexpensively in e-book format from the author’s website as well as in a hardcover version.
A young girl practices the Four Questions in Hebrew and travels, as usual, to her grandparents’ house for the seder with her extended family. She loves the repetition of the yearly rituals, but this year her “heart hurts” because Grandpa was in the hospital recently and cannot leave his bed to lead the seder. She cleverly solves the problem of how Grandpa still can be included with the rest of the family and learns that when things change, they also can remain the same in many ways. The well-written and poignant tale provides us with a young person’s view of the meaning of joyful Passover family traditions.









The rabbi, educator and author of “Morality for Muggles: Ethics in the Bible and the World of Harry Potter” takes the Passover story out for a wizardly whirl, comparing the Boy Who Lived to the original iconoclast, Abraham. This haggadah also points out contrasts between what it means to be Voldemort’s “most faithful servant” and what it means to be a servant of God in Jewish texts, and parallels between the Exodus narrative and Harry’s emergence from the Muggle world (where he was forced to live in a room under the stairs) into a world of wizardry and freedom.
This haggadah “not only teaches about the suffering during slavery and miraculous exodus from Egypt, it also celebrates the 3,000-year-old connection of the Jewish people to the land of Israel,” StandWithUs co-founder Jerry Rothstein told the Journal, pointing to “original artwork, traditional text in Hebrew and English, and stirring quotes, all meant to inspire people of all ages about the Jewish connection to our ancestral homeland, Israel.” The center pages are full-color depictions of Israel as a place for Jews who “barely survived, but never lost hope.” It charts the journey from modern Israel’s emergence after the Holocaust and the 1948 War of Independence through the intifadas, culminating in Israel’s modern identity as “Startup Nation.” It also includes readings from a variety of sources, including Rev. Martin Luther King Jr., Shimon Peres and Mark Twain.
American Jewish World Service (AJWS) this year focuses its haggadah on connecting the traditional story of Passover, with its narrative arc of slavery, to freedom and the social activism responsibility of contemporary American Jews. For example, the four cups of wine are meant to symbolize a four-part framework for social justice activism: awakening, solidarity, action and freedom. The collection of sources contains original readings, discussion questions and quotes from leading Jewish public figures, including Supreme Court Justice Ruth Bader Ginsburg and actor Mandy Patinkin.
This Passover supplement is meant to spur challenging and meaningful conversations on racial justice. In presenting four
In light of the debate over President Donald Trump’s executive orders banning refu
Those who prefer their own mix of readings and activities on various themes can cull custom content for personalized haggadot on Haggadot.com. Site founder Eileen Levinson said that this year marks a considerable rise in feminist, activist and political content on the site, where users can create, upload and share their content with others. Some recently uploaded examples of this year’s content include the Beyonceder, a mashup of Beyoncé lyrics and Passover images; updates to the “Women’s Seder Haggadah,” including text and images about and from the Women’s Marches in January; and the creation of the Baltimore Social Justice Seder, focusing on criminal justice reforms and racial bias in incarceration.