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April 9, 2026

Rationales of the Passover

In theory we should engage
with four sons, whom I list below,
including, at the top, the sage,
at bottom one who doesn’t know
how questions should be asked, and in
the middle the outsider who
considers rituals a sin,
and one who’s simple, but heart true.

We teach Passover laws to those
who’re wise … and welcome to our table
the wicked sons who are our foes,
but do not make our lives unstable.
Though sons who’re simple fail in schools
to learn the facts of Jewish life,
we must not let them think they’re fools,
but tell them of God’s strength. Our wife
is suited best to teach our son
who does not yet know how to ask,
while we provide for him some fun,
with afikoman-search his task.

The spice of life, variety,
is what on Passover we choose
to celebrate; society
does not allow us to refuse
a welcome to a left-outs-on,
so even those who have the label
of wicked we refuse to shun,
with wine and matzoh on our table,
and having poured non-PC wrath
on fatal foes, pour for Elijah
a glass on wine-stained tablecloth
for this great guest, noblesse obliger,
to drink, performing what we’re told
by Malachi he’ll do: join Jews
to one another, young and old,
divided no more by vile views.

Elijah’s the antidote of awesome
destruction on a doom-date day
of Jews, when for the seder’s foursome
he’ll Malachi’s last words unsay,

for only three sons contribute
to Israel’s redemption every year,
opposing wicked sons who contribute
only confusion. This I fear

prevents today’s solution
like that which Edward Countryman
said programmed the US Revolution,
cooperation of its sundry men,

as does the wicked son, identifiable
as oto haish, vaguely degrading Jesus,
if the Yerushalmi version is reliable,
though it all interfaithful folk displeases,
oto haish perhaps not ever been used
before medieval texts, where he’s abused,
and shamefully by Jews abused,
anonymously accused.

This contrasts with how we are told
that someone who is labeled “you”
should teach the fourth son, young or old,
the reason all Jews should review
the exodus’s tale is that it’s the tail
that wags the dog—the reason why
we must remember each detail,
and only by remembering rely
not on the answers of our question but
on willingness to ask them — as excited
about the present as the past, the strange word ut
denoting “you,” when Israel is united.

Jer. 31:28-31 states:

כח  בַּיָּמִים הָהֵם–לֹא-יֹאמְרוּ עוֹד, אָבוֹת אָכְלוּ בֹסֶר; וְשִׁנֵּי בָנִים, תִּקְהֶינָה. 28 In those days they shall say no more: ‘The fathers have eaten sour grapes, and the children’s teeth are set on edge.’

כט  כִּי אִם-אִישׁ בַּעֲוֺנוֹ, יָמוּת:  כָּל-הָאָדָם הָאֹכֵל הַבֹּסֶר, תִּקְהֶינָה שִׁנָּיו.  {ס} 29 But every one shall die for his own iniquity; every man that eateth the sour grapes, his teeth shall be set on edge. {S}

ל  הִנֵּה יָמִים בָּאִים, נְאֻם-יְהוָה; וְכָרַתִּי, אֶת-בֵּית יִשְׂרָאֵל וְאֶת-בֵּית יְהוּדָה–בְּרִית חֲדָשָׁה. 30 Behold, the days come, saith the LORD, that I will make a new covenant with the house of Israel, and with the house of Judah;

לא  לֹא כַבְּרִית, אֲשֶׁר כָּרַתִּי אֶת-אֲבוֹתָם, בְּיוֹם הֶחֱזִיקִי בְיָדָם, לְהוֹצִיאָם מֵאֶרֶץ מִצְרָיִם:  אֲשֶׁר-הֵמָּה הֵפֵרוּ אֶת-בְּרִיתִי, וְאָנֹכִי בָּעַלְתִּי בָם–נְאֻם-יְהוָה. 31 not according to the covenant that I made with their fathers in the day that I took them by the hand to bring them out of the land of Egypt; forasmuch as they broke My covenant, although I was a lord over them, saith the LORD.

The mishnah in Yerushalmi responds to the question of the wicked son regarding the avodah, a word which can denote both slavery and the sacrificial Paschal offering of the Passover, by responding to his question with the words im hayaha sham oto haish lo haya nigal, “If that man had been there he would not have been redeemed,” instead of the conventional text, im hu hayah sham lo hayah nigal, “if he had been there he would not have been saved.’ The use of the mishnah in the Yerushalmi of the words oto haish to identity the wicked son, might imply that they identity this wicked son as Jesus, who is given this name in it almost a thousand years before this name is used in medieval Jewish texts that involve Jesus.

This is the question of the fourth son in the haggadah:

וְשֶׁאֵינוֹ יוֹדֵעַ לִשְׁאוֹל – אַתְּ פְּתַח לוֹ, שֶׁנֶּאֱמַר, וְהִגַּדְתָּ לְבִנְךָ בַּיּוֹם הַהוּא לֵאמֹר, בַּעֲבוּר זֶה עָשָׂה יְיָ לִי בְּצֵאתִי מִמִּצְרָיִם.

And the one who does not know how to ask, ut, you, must open [the story] for him, as it is said: “And you shall tell your child on that day, it was because of this the LORD acted for me, when I came out of Egypt.”

The answer given to the fourth son corresponds to the text in Exod. 10:1-2:

וַיֹּ֤אמֶר יְהֹוָה֙ אֶל־מֹשֶׁ֔ה בֹּ֖א אֶל־פַּרְעֹ֑ה כִּֽי־אֲנִ֞י הִכְבַּ֤דְתִּי אֶת־לִבּוֹ֙ וְאֶת־לֵ֣ב עֲבָדָ֔יו לְמַ֗עַן שִׁתִ֛י אֹתֹתַ֥י אֵ֖לֶּה בְּקִרְבּֽוֹ׃

Then GOD said to Moses, “Go to Pharaoh. For I have hardened his heart and the hearts of his courtiers, in order that I may display these My signs among them,

וּלְמַ֡עַן תְּסַפֵּר֩ בְּאׇזְנֵ֨י בִנְךָ֜ וּבֶן־בִּנְךָ֗ אֵ֣ת אֲשֶׁ֤ר הִתְעַלַּ֙לְתִּי֙ בְּמִצְרַ֔יִם וְאֶת־אֹתֹתַ֖י אֲשֶׁר־שַׂ֣מְתִּי בָ֑ם וִֽידַעְתֶּ֖ם כִּי־אֲנִ֥י יְהֹוָֽה׃

and that you may recount in the hearing of your child and of your child’s child how I made a mockery of the Egyptians and how I displayed My signs among them—in order that you may know that I am God.”

Verse 10:2 implies that the rationale of God’s instruction to Moses to instruct Pharaoh about the disaster that would befall him if he did not respond to the warning I give him with my plagues is not in order to warn Pharaoh about the disaster that would befall him if he did not obey Moses’s demands, but to instruct the Israelites about this story.  This is essentially why the Haggadah states that the explanation for the Passover rituals that should be given to the son who asks no questions, is the language in Exod. 10:2, “And you shall tell your child on that day, it was because of this the LORD acted for me, when I came out of Egypt.”

The rationale for the warning God instructs Moses to give Pharaoh is the tale of the exodus, a warning that not only should have wagged the tail of the Egyptian dog that did not bark with awareness, but in the future should during the seder wag the child that asks no questions with firm, pedagogical and tradition-binding awareness.


Gershon Hepner is a poet who has written over 25,000 poems on subjects ranging from music to literature, politics to Torah. He grew up in England and moved to Los Angeles in 1976. Using his varied interests and experiences, he has authored dozens of papers in medical and academic journals, and authored “Legal Friction: Law, Narrative, and Identity Politics in Biblical Israel.” He can be reached at gershonhepner@gmail.com.

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A Moment in Time: “Chol HaMoed – When the Ordinary Reveals Holiness”

Dear all,

This stretch of Passover is known as Chol HaMoed—the days between the holy festivals that frame the beginning and the end of the holiday.

But the Hebrew carries a tension worth noticing. Chol doesn’t just mean “intermediate.” It means ordinary. These are, quite literally, the “ordinary days” set between moments of sanctity.

And I’m not sure I accept that so easily.

Because what if the distinction isn’t about the days themselves—but about our attention?

After all, every day holds the possibility of something extraordinary, something sacred—if we are willing to notice it.

This past Monday, many of us in Los Angeles stepped outside to witness the launch of a SpaceX Falcon 9 rocket, its contrails streaking across the sky in a breathtaking display.

And that very same day, my son stood transfixed by the slow, determined path of an ant across the pavement. And my daughter paused, quietly captivated by the delicate flutter of a butterfly.

Holiness is not confined to the edges of our calendar. It reveals itself whenever we make space for wonder—whenever we choose to see.

So perhaps Chol HaMoed is not a compromise between sacred and ordinary.

Perhaps it is a challenge.

To take what we call “ordinary”…

and, through the simple act of paying attention, allow it to become extraordinary.

The question is not whether holiness is present.

The question is: will we take a moment in time to notice?

With love and Shalom,

Rabbi Zachary R. Shapiro

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A Bisl Torah — Reconsideration

As Passover winds down, we look back at the annual retelling of the story of our people.

Mark Gerson in his “The Telling” explains why we use the framing of “retelling” and “reliving” when conveying the exodus from Egypt. He cites Russian novelist Vladimir Nabokov who said, “A good reader, a major reader, an active and creative reader is a reader.” Gerson extrapolates, “When we read something for the first time, we are consumed with grasping the plot, following the story or comprehending the argument…but as the earliest designers of our Pesach celebration knew thousands of years before Nabokov, the genuine experience of a truly great work is in its reconsideration.”

Gerson asks us to reconsider the Passover story in comparison to our younger years. Who were we years prior when encountering Dayeinu or Mah Nishtana? He encourages us to reconsider the Passover story without our precious departed sitting around the table. How does our story change without those we love physically sharing this moment? He teaches us to reconsider the exodus story told around the world at various points in history. We aren’t merely rereading a story. We are sharing our own story reconsidered through the lenses of past, present, and future.

Passover is not a recitation of verses, a rote theatrical performance. Passover is our annual reconsideration of self within the greater Jewish story. This year, what kind of Jew am I, how have I changed, and how do I belong? And with each reconsideration, rereading, and reliving, we continue our story forward, enabling future generations to reconsider their own place within the pages of Jewish faith.

Shabbat Shalom


Rabbi Nicole Guzik is senior rabbi at Sinai Temple. She can be reached at her Facebook page at Rabbi Nicole Guzik or on Instagram @rabbiguzik. For more writings, visit Rabbi Guzik’s blog section from Sinai Temple’s website.

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‘Unbroken’: Bar Kupershtein Recounts 738 Days in Hamas’ Hands

On April 1, Bar Kupershtein celebrated his 24th birthday and his first Passover with his family in Israel since being kidnapped by Hamas on Oct. 7, 2023. Kupershtein had been working as a paramedic and deputy security officer at the Nova music festival when he was abducted. He spent 738 days in Gaza’s tunnels, enduring severe physical torture.

In his book “Unbroken,” published in Hebrew by Yedioth Sfarim just before Passover this year, Kupershtein recounts his harrowing experience in Hamas captivity. He writes about the holiday he spent underground in Gaza, forced to dig tunnels with his bare hands under the watch of his captors. He was held in complete darkness nearly 50 meters underground, with little air and no certainty about his fate. Kupershtein endured extreme hunger, inhumane conditions and constant psychological torment. Yet even in those depths, he fought daily to preserve his humanity.

“Six months since the abduction, and Passover is approaching — the holiday of freedom — and with it, my birthday,” he writes. “We have no matzah, of course, and no birthday cake, but suddenly the terrorists throw out a comment: ‘They tried to bring matzah for you prisoners, but they didn’t give food to us Gazans.’ That casual, seemingly meaningless sentence encourages me like a small gift. Despite having no medicine, no conditions and certainly no matzah, it is a greeting from home. They are thinking of us. They have not forgotten us.”

The book also recounts the story from the perspective of Kuperstein’s parents, Julie and Tal. Julie had to stay strong for her four younger children and her husband, who was a volunteer with United Hatzalah and was severely injured seven years ago after stopping to help victims of a car accident. He suffered a stroke that left him permanently disabled and confined to a wheelchair. Bar supported the family financially by taking on odd jobs, something he was allowed to continue even after enlisting in the IDF. His status as a soldier was kept secret out of concern that it could lead to harsher retaliation and further torture.

This, of course, didn’t prevent Hamas from torturing him — at one point, he was beaten until he lost consciousness

“My child will be 22,” Julie Kupershtein writes. “I wonder how to mark that day. I don’t want balloons or cakes. I am searching in my own way for him. What will Bar do without matzah? The child who was born on Passover and has never eaten leavened bread on the holiday.”

She turned to contacts involved in efforts to help the hostages and asked them to try to send matzah through a humanitarian convoy.

“Through the military and relevant negotiating channels, I send the following message: ‘My Bar has been held hostage in Gaza for 188 days. I wish he and the others will not be there for Passover. Bar is Jewish. Bar has never eaten leavened bread on Passover. Bar will not eat leavened bread on Passover. I fear for his life.”

Working on the Sabbath had caused inner conflict and discomfort for Kupershtein, especially in relation to his mother, who turned Orthodox 14 years ago. However, because the family needed the money in order to move into a more accessible rental apartment, he could not give up the job. He had tried to refrain from working on Shabbat but was told by the head of security that he was urgently needed that day. “I called my mother and told her I wouldn’t be coming home for the holiday because I had to work,” Kupershtein recalled. His mother told him she wasn’t upset. Later, he would revisit that decision, wondering what might have happened had he stayed home for Simchat Torah. He might not have been kidnapped.

That thought was ultimately put to rest after he met a police detective who told him that his actions on Oct. 7 had helped save more than 2,000 people at the Nova festival. When Hamas militants launched their attack, Kupershtein had an opportunity to escape — but chose to stay and treat the wounded until he was abducted and taken into Gaza.

“I’m often asked if I would have done anything differently that day,” Kupershtein said during one of his lectures in the U.S. “My answer is always no. I would have done exactly the same.”

A couple of days before Passover, Kupershtein visited the office of Israeli President Isaac Herzog, and gave him a copy of the book. He also played a recording of the president from Holocaust Remembrance Day the previous year, in which the president vowed to do everything possible to bring the hostages home. Kupershtein described how, deep inside the tunnels, the hostages who heard the president’s words on the radio drew strength and renewed hope from them.

Being in captivity, Kupershtein writes, made him realize what truly matters. He felt that God had saved him, sending signs that things would eventually be okay and that he would survive. On his 23rd birthday, while 30 meters underground, he heard his mother speaking on the radio — a rare moment when they managed to find a frequency. In his book, he writes, “I wake everyone up and we huddle around the radio. Her incredible voice comes out of the device.”

Julie invited people to arrive at the Hostage Square in Tel Aviv to study Torah together and pray for the safe return of the hostages. “I can’t stop the tears from the emotion, and I cry such a big cry. There, this is Mom, this is that incredible woman I know. Mom usually doesn’t agree to be interviewed or photographed, and if she goes on the radio on my birthday it’s crazy, a special gift for me.”

When Kupershtein was 10 years old, his mother became observant, a change he initially resisted as he chose to remain secular. Yet in the tunnels, something shifted. He made sure to recite Kiddush, sing Shabbat songs and found himself longing for a deeper connection to Judaism. Each morning, he would wake up and pray, promising that once he was released, he would begin putting on tefillin.

Kupershtein also dedicated a special section of the book to commemorating the 2,032 soldiers and civilians who were killed on Oct. 7 and during the war, with their names appearing at the end.

On April 12, Kupershtein will travel to the United States to share his remarkable story in coordination with the Mitzvos for the Israel Defense Forces (IDF). The organization, led by Rabbi Dovid Caytak, is dedicated to raising funds to support the spiritual and physical well-being of IDF soldiers.

Bar Kupershtein will be speaking in Los Angeles on April 21, 22, and 23 at Aish Hatorah, Hillel Hebrew Academy, and a community gathering. Communities interested in hosting Bar Kupershtein or arranging a speaking engagement, email at dovid@mitsvosidf.com.

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‘The Comeback’: Lisa Kudrow Returns to Stage 24, Where It All Began

With the third and final season of ”The Comeback,” now streaming on HBO Max more than two decades after its 2005 debut, Lisa Kudrow, 62, returns to her cult-favorite role as Valerie Cherish, a veteran sitcom actress navigating a career comeback in a rapidly changing Hollywood — much like Kudrow herself — with the same biting humor and emotional precision that has defined the series.

Created by Kudrow and Michael Patrick King, “The Comeback” was canceled after its first season in 2005 due to low ratings and a mixed reception. Over the years, the show developed a devoted cult following, and by 2014, reality TV culture had evolved to make its satire of celebrity and media more resonant. Recognizing the show’s growing reputation, HBO revived “The Comeback” for a second season in 2014, and now, 12 years later, it’s back for its final run.

But Kudrow’s connection to comedy runs deeper than her Hollywood career. As the granddaughter of Holocaust survivors, she grew up in a family where humor wasn’t just entertainment — it was a way to cope.

“My father is really funny and my brother and sister, my whole family is really funny and I’m the youngest, so I was just trying to keep up always,” Kudrow said during an interview at Warner Bros. Studios in Burbank. “It was the coping for our household. Also, you know, for my grandparents. I didn’t realize it then, but no matter what was going on, someone would make a joke, even at a funeral. It’s just needed. It’s a needed release.”

Kudrow was seven years old when her paternal grandmother told her how her parents, brothers and sisters had been murdered by Hitler. Years later, as an adult, Kudrow traveled to Ilya, Belarus, where she visited the site of a mass grave in which approximately 900 Jews were killed, including members of her family.

While participating in the U.S. version of “Who Do You Think You Are?,” she also traveled to Gdynia, Poland, where she discovered that a cousin had survived the war but changed his name to pass as Polish. Kudrow later helped reconnect him with her father, Dr. Lee Kudrow, a specialist in treating headaches, who is now 93. Her mother, Nedra, a travel agent, came from a Jewish Eastern European family that immigrated to the United States years before World War II.

Kudrow was born in Encino and attended Portola Middle School in Tarzana and Taft High School in Woodland Hills. She earned a Bachelor of Arts degree in biology from Vassar College in New York and initially planned to join her father’s medical practice. However, after encouragement from her brother’s friend, comedian and actor Jon Lovitz, Kudrow discovered her comedic talent and enrolled in The Groundlings, an improv and sketch comedy school

During our interview, she reflected on her more than four-decade career in comedy, spanning television, film and improvisation, saying, “There’s just nothing better than making people laugh … it’s so healing, cathartic and satisfying to do something that actually brings joy to others.”

This dedication to performance is evident in her work on “The Comeback,” where she balances humor with emotional depth, even as the show now confronts modern challenges, including the rise of artificial intelligence and the ways people curate their own realities.

In season three, set in 2026, Valerie returns after a self-styled sabbatical during the 2023 Hollywood labor disputes and is cast in a new sitcom at her former network — only to discover it is entirely written by AI. Her life is documented by her social media manager Patience and returning producer Jane, who follow Valerie as she grapples with technology’s impact on her craft, her public image and her personal life, exploring the challenges of performing in an AI-dominated industry.

Asked why the third season focuses on artificial intelligence, Kudrow said, “Just as reality TV was sort of the almost-extinction event at the time for scripted television, it’s the same feeling about AI.” Positioning Valerie’s struggles within a landscape where technology has transformed not only how shows are made, but how people perform and present themselves, Kudrow said she does not believe AI will entirely replace human creativity. “I firmly believe an audience will always let you know what it likes and what it doesn’t,” she said. “There might be some AI entertainment that audiences like, but it’s not going to take over everything.

Kudrow, who shot to fame as Phoebe Buffay on the iconic sitcom “Friends” in 1994, returned to the same stage for “The Comeback’s” third season.

The show includes a few nods to “Friends” — a choice Kudrow said she couldn’t resist. “It just felt like there was an easy joke there that Valerie didn’t even pay attention to — she was only looking at the movies on the plaque — she didn’t even see the TV show and just, you know, like ‘We’re going to be the first hit for Stage 24!’”

Kudrow’s son, Julian Murray Stern, 27, her only child with husband Michel Stern, makes his acting debut in the final season as an AI tech expert.  Reflecting on acting alongside him, Kudrow said, “That was heaven. And a little bit of guilt because I forgot that he was my son. … It was really thrilling.”

The experience was also surreal for the actress because this was the same stage where she used to shoot “Friends” when her son was just a toddler. “I have a picture of him at two years old in the craft service kitchen washing his hands. And then there he is, back there and acting. Oh my God, and he’s part of this finale,” she said.

In an interview with Conan O’Brien a few years ago, she recalled how her co-star Jennifer Aniston used to play with Julian on set and he thought she was his mother. “She’s a love bug and that made sense. I was always glad for anyone that Julian felt love for and felt from,” she said. “But then at home, she’d be on TV and he’d go: ‘Mommy!”

Looking ahead, Kudrow will return to another beloved role, Michele Weinberger, in a sequel to “Romy and Michele’s High School Reunion” alongside Mira Sorvino and Alan Cumming. The film is currently in preproduction.

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Israeli Guitarist Nili Brosh Releases Signature Ibanez Guitar

Her signature guitar had been in development for years before Nili Brosh ever held the finished version in her hands. On Jan. 22, she posted a video of herself opening it at her home studio in Las Vegas, while her dog Micah looked on. “Today is my ultimate new guitar day. I’m actually a little bit nervous, but I’m about to unbox my very first Ibanez signature model,” Brosh said.

After dropping an “Oh s—, I mean, sorry” as she took it out of the box, she said, “Fourteen years with Ibanez in five years of research and development. We are finally here.”

Ibanez has hundreds of artists on its roster. But being on that list isn’t the same as getting a signature guitar. That’s a much shorter list.  It means you’ve reached a level where your sound and style are so popular, the company believes your name on an instrument will spark sales. Signature players include Steve Vai at one end, and punk guitarists like Noodles Wasserman and Dexter Holland from The Offspring on the other. Kiss’ Paul Stanley plays Ibanez, as well as metal players like Daron Malakian from System Of A Down and Eyal Levi from Dååth.

That’s where Brosh is now.

Her signature guitar, named “The Answer,” is based on the Ibanez RG series (short for “roadster guitar”) and features a purple finish with neon yellow pickups made by Santa Rosa-based EMG. Between the frets, the wood is inlaid with dark exclamation points.

Brosh, 37, was born in Rishon LeZion, Israel, a city that also produced the late singer Shoshana Damari, “the Queen of Hebrew Music.” Brosh began playing classical guitar as a child before her family moved to Boston, where she shifted into hard rock and metal after discovering bands like Limp Bizkit and Iron Maiden and her favorite, Extreme. She attended Berklee College of Music, and after graduating in 2009, released her debut album “Through the Looking Glass” in 2010. She became a first-call touring and session guitarist.

The talk of her getting a signature guitar began during the pandemic, when it was estimated that the guitar wouldn’t be fully developed until 2024. She wanted to make it right and take the time to do so, yet some of the design decisions were locked in early.

“It had to be an RG series because we don’t see too many of those signature models these days,” Brosh said. “I didn’t want to see the RG kind of falling back by the wayside because it’s something that’s very synonymous to people with Ibanez.” She wanted a guitar that’s easy to play, one that could be used for different kinds of styles, different kinds of gigs. “It’s a versatile workhorse that’s able to carry you through a lot of different kinds of situations.”

Brosh has been busy across the live rock music spectrum. Since 2020, she has performed with Danny Elfman, and done several of his annual “The Nightmare Before Christmas” shows at the Hollywood Bowl. She has been with metal band Dethklok for almost seven years, and appears regularly in Cirque du Soleil’s “Michael Jackson ONE” in Las Vegas — with a guitar that shoots fire over 10 feet into the air.

The process stretched across several years, from the first conversations during the pandemic to the final version she unboxed in January. The delays, the prototypes and the back-and-forth all led to a point where the guitar reflects the way she plays and the settings she moves between.

“Eventide,” her fourth studio album — and first in six years – was released March 13. The album includes new material along with reworked versions of “Estranged,” originally released in 2020, and her 2023 songs “Song for Hope” and “Lavender Mountains,” which were written during the pandemic and designed to be played back-to-back.

Outside of gear and touring, Brosh is concerned about the threat of AI in the music industry. Every musician he knows is against using AI to create music. “It’s an impressive thing that it can do and that’s all it is to me. It’s just like, look at what my computer can do. Isn’t this cool? And then I’d leave it at that. It’s like, okay, great. Now let’s write the song.”

Brosh’s signature guitar made its public onstage debut in Dusseldorf, Germany on March 23. The U.S. leg of Dethklok’s tour kicks off in Phoenix on April 15.

Though her signature guitar is not available for purchase just yet, Brosh is already fielding lots of questions from fans, guitarists and gearheads about when they can get their own. She shared a video of her briefly noodling on the upper frets before telling her more than 140,000 Instagram followers, “You’ll be able to get yours really soon.”

Until then, her signature guitar can be seen when she plays May 22 at the Hollywood Palladium.

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Netflix Doc Shows Hillel Slovak Sparking the Rise of the Red Hot Chili Peppers

In a chilling moment during the new Netflix documentary “The Red Hot Chili Peppers: Our Brother, Hillel” we hear guitarist Hillel Slovak say: “F— drugs. Music is my destiny.” The Haifa-born Slovak died of a heroin overdose at the age of 26 in 1988.

Tons of high school boys in LA dream of being rock stars but the dream never comes true. “The Red Hot Chili Peppers: Our Brother, Hillel” shows that the genesis of the band was a stroke of luck. While all attended Fairfax High School, Anthony Kiedis and Michael Balzary, known as Flea, hitched a ride with Slovak, who drove a green Datsun in North Hollywood.

They first performed comedy skits inspired by the Three Stooges and called themselves The Faces. They’d hang out all the time and smoke weed. “We were teenage boys wreaking havoc,” Kiedis says of himself and Flea.

The two came from broken homes and would often hang out at Slovak’s home because he had a better stereo system and his Israeli mother was kind. They describe Slovak as the poetic and artistic one, painting, drawing and dressing cool with long hair. “He was cool man, and not in the I’m the popular kid at school,” Flea says. “Like, he was just more thought out.” Flea and Kiedis would jump 30 feet from a bridge into a river and tried to convince Slovak to take the leap. “He held up his finger and he said, ‘Jews don’t jump,’” Flea recalls Slovak saying.

Slovak’s mother and grandmother escaped the Nazis and made it to Israel, then moved to LA., but director Ben Feldman doesn’t indicate that any specific trauma impacted Slovak, other than Flea saying he was sometimes depressed.

Slovak invited Flea to play in his band, Anthym. “He believed in me, he saw me,” Flea says, tearing up and saying that Slovak touched his heart, and he learned to play for a show in two weeks. “It changed my life forever,” he says. “Hillel gave me that gift.”

They graduated from high school and in 1981, they were exposed to punk rock, rap and shows where there were mosh pits. The band changed its name to What Is This. “It didn’t sound like a guy playing guitar, it sounded like a guy playing himself,” Kiedis said of Slovak.

Kiedis went to the rehearsals and tried but left UCLA, then couch-surfed. He heard “The Message” by Grandmaster Flash and the Furious Five, appreciated the lyrics and the funk; it made him want to write poetry. They met performance artist Gary Allen, who had been Elton John’s chef.

“I was a gay Black guy growing up in Los Angeles, completely smothered in fashion,” Allen says, He saw a What Is This gig and knew Flea would be famous and Slovak was a funk magnet.

Then the guys would do rap battles in the restaurant at the top of the Continental Hyatt House on Sunset Boulevard. Allen suggested Flea, Slovak and Kiedis open for him at the Grandia Room on Melrose Avenue. Kiedis thought rapping might be fun for one night. The song was “Out in LA.” They were invited back.

Kiedis recounts that “it was like time stood still.” He took $250, all the money he had, so they could record a demo. Allen gave the group its name based on the response from the audience. While they had dabbled in cocaine, Slovak and Kiedis would both struggle with heroin use. Slovak was unable to perform at one show.

Slovak was in both What is This and the Red Hot Chili Peppers, who were both offered record deals the same week. Slovak chose What Is This, but later rejoined the Red Hot Chili Peppers and their album was produced by George Clinton.

“My heart feels like an anvil soaked in lead” we hear Slovak’s voice say after Kiedis was fired from the band due to drugs. He went to rehab and came back strong for the song “Fight Like A Brave.” But it was Slovak whose heroin use became worse, and we hear him say: “Fleeting feelings of self-dread and that I’ve allowed myself to sink into a very scary and trick place. It sneaks up on you.” Flea says his “anger was selfish” and he didn’t know how to help his bandmates.

While the documentary succeeds in showing the band’s power and chemistry, and is full of energy, one is left wondering, what would have happened if Slovak lived. Replaced by John Frusciante, the band soared to elite status with the 1991 album “Blood Sugar Sex Magik” featuring hits like the funky and energetic “Give It Away” and the sweet, melodic and lyrically impressive “Breaking The Girl.”

Flea is the most emotional, crying at times in the film.  He visits Slovak’s grave every day, while Kiedis says Slovak’s death festered in him.  It may be surprising to some that all three present as thoughtful and sensitive people, as we sometimes think rock stars are larger than life.

It is easy to be judgmental and wonder why Slovak’s family and or his band mates didn’t do an intervention. It’s also easy to wonder why a young attractive man living a dream life with millions of dollars ahead of him would throw it away on drugs. But quick fame can impact people in different ways. While the film could have gone deeper, it is a fitting testament to the groundbreaking guitar style and impact of Slovak in founding one the best groups of all time. Rockers are not known to have small egos and Kiedis and Flea could have easily refused to take part in the documentary or downplayed Slovak’s role. They did the opposite. We are also left wondering if his parents’ divorce could have affected Slovak, though divorce is common and many children whose parents break up don’t turn to heroin.

The documentary in no way explores Slovak’s Jewish or Israeli identity and depicts him as a generally reserved person who didn’t reveal much.

The movie is both a cautionary tale about how drugs can drain a wonderful life away, and an inspirational one of following one’s dreams, as a group that came together by happenstance and considered their first performance something as a joke became loved by millions. There is a line where Kiedis says they didn’t understand the consequences of drugs and we wonder why they did not.

Whether you’re a fan of the historic group or not, it’s worth seeing “Our Brother, Hillel” to appreciate the magic of how supreme gifts and wishes can be quickly granted, but also abruptly taken away.

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A Semester to Remember: de Toledo High School Students Study in Israel Under Fire

DeToledo High School 10th-grade students will never forget their semester in Israel in March 2026. Shortly after arriving for the exchange program, the war with Iran began on February 28.

At 8:30 a.m., while staying in an apartment building in Jerusalem, the students heard sirens and quickly rushed six floors down to the underground parking garage. “No one panicked,” recalled Head of School Mark Shpall. “They handled it with great calmness. It helped that they were already awake and weren’t jolted out of bed.”

What may have also eased the students was the almost nonchalant way Israelis around them reacted. Some even set up folding tables and chairs for a picnic right there in the parking garage. Yes, Iran was sending ballistic missiles to Israel, but life, and meals, must go on.

“I was most surprised by the strength of the community here,” said student Aiden R. “Even in such a difficult time, people are active, joyful, and present in a way that’s really inspiring.”

The Jewish high school, located in West Hills, was founded in 2003 and has been running an exchange student program for 23 years. Each year, Israeli students arrive in Los Angeles in the fall and stay with deToledo families; in the spring, American students travel to Israel and stay with the same families they hosted.

This year marked the first trip to Israel since the October 7 attack. Initially, nearly forty students were scheduled to depart, but some parents, concerned about the possibility of war with Iran, withdrew their children.

In the end, twelve students participated in the extended three-month program beginning February 15, and a week later, fifteen students joined the shorter three-week program. All were excited to reunite with their Israeli friends, whom they had met a few months earlier at their school.

The American students said that despite coming from different countries and realities, they felt they were similar in many ways.

“We talk about school, friends, music, and what we want to do in the future,” said student Aiden R. “But there’s also a difference in perspective. Israeli teens carry a sense of responsibility and maturity that comes from living in Israel. Conversations about army service or security are just part of their reality. At the same time, there’s a shared understanding of what it means to be Jewish that creates an immediate connection between us.”

On March 28, after visiting Kibbutz Lotan in the Negev, the two student groups from Los Angeles met in Jerusalem to spend the weekend together before joining their host families in Tel Aviv and Ramat Gan.

Once the war began, Shpall informed the parents back home that they were going to arrange for their kids to return to Los Angeles as soon as possible.

“Most parents actually advocated very strongly to keep the kids there,” said Shpall. “They wanted their kids to have the experience of being with their host families and living in Israel. There was a hope that the war would end quickly.”

The students were well prepared for the possibility of war. Prior to their arrival in Israel, they were briefed on what to do in the event of sirens. Upon arrival, they were also shown where the mamad (reinforced safe room) was located.

“They were not exhibiting any fear, but after the fourth and fifth times they heard the sirens—about every two hours—and needed to rush to the mamad, they started getting annoyed,” recalled Shpall.

Once they got to the mamad, they were usually on their phones, played card games or went to sleep.

It was a surreal experience for students who had never heard sirens in their lives, let alone the sound of explosions. From the moment the war began, there were no more trips, sightseeing, visits to the Old City of Jerusalem, or outings to the market to shop for souvenirs.

“At first, it was intense. Hearing sirens and running to shelters is something you only see on the news,” said deToledo student, Beckett F. “Once the shock passed, we felt connected to the Israelis and found a lot of strength from one another. I don’t regret going. If anything, it made me feel more connected to Israel and to the Jewish people.”

Soon after the war began, the group moved to a hotel in town that had a mamad on every floor. Students were allowed to go out to nearby restaurants on Ben Yehuda Street that remained open, but were required to stay within 60 seconds of the hotel so they could return quickly if sirens sounded again.

With Ben Gurion Airport closed and flights canceled, the students had to travel to Taba, Egypt, near the Israeli border. From there, they flew to Rome on March 5 and then continued to Los Angeles the following day.

The second group—who were still waiting for flights—joined their host families in Ramat Gan and later flew back to Los Angeles from Ben Gurion Airport on El Al on March 20.

“They are proud and glad that they went,” said Shpall. “Nobody said they wish they hadn’t gone. Their parents were happy about it as well, and they were quite appreciative of everything we did for them.”

The school also has additional exchange student programs with schools in Madrid, Rome, Mexico City, Hungary, Uruguay, and Istanbul, but the Israel program is considered its most significant.

“We are 100% committed to our exchange programs, and we definitely plan to continue our program in Israel,” said Shpall.

He added that the experience was one deToledo students will never forget, giving them a real-life understanding—far beyond what any classroom could teach—of what it means to live in Israel during wartime: not only the tension, the destruction, and the constant need to ensure safety, but also the resilience and strength of the Israeli people during such times.

When asked if they would consider going back despite their scary experience, the students all agreed that they would. Beckett F. said that the experience has only strengthened his connection to Israel. “I would absolutely come back. Both to see it in a different moment and to explore all the places we didn’t get to visit. I can’t wait.”

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NASA’s Jewish Administrator and Jewish Astronauts Reflect on Artemis II’s Historic Moon Flyby

As the crew of Artemis II looped around the far side of the moon on April 6, the astronauts on board broke a human distance record set more than half a century ago.

The four astronauts aboard NASA’s Orion spacecraft — Reid Wiseman, Victor Glover, Christina Koch and Jeremy Hansen — traveled roughly 252,756 miles from Earth, surpassing the record set by the crew of Apollo 13 in April 1970.

At one point during the flyby, Orion passed within about 4,000 miles of the moon’s surface. As it moved behind the moon, the crew entered a planned 40-minute communications blackout before reestablishing contact.

“It is so great to hear Earth again,” Koch said after the signal returned.

The mission also produced an image seen by only a small number of people in history: Earth rising over the lunar horizon.

Jared Isaacman, a Jewish entrepreneur appointed by President Donald Trump to serve as NASA administrator, called the occasion “a milestone.” For the first time in more than half a century, he said, “humans are laying eyes on this side of the Moon again. Artemis II’s trajectory will also reveal parts of the Moon no human has ever seen before. This is how we push the frontier forward.”

At the mission’s furthest point, Isaacman pointed to the distance achieved by the crew. “Reid, Victor, Christina and Jeremy have traveled farther from Earth than any humans in history and now begin their journey home,” he said.

Isaacman is a billionaire entrepreneur, pilot and commercial astronaut who commanded the first all-civilian orbital mission in 2021 and later became the first private citizen to perform a spacewalk. Trump nominated him to lead NASA as part of an effort to expand partnerships with private space companies and accelerate human spaceflight.

Astronaut Jessica Meir, who participated in the first all-female spacewalk in 2019, shared an image on social media of the moon during the historic flyby. “Turns out my four NASA Artemis friends are somewhere in that frame, too,” Meir wrote on X. “As are the rest of you, as the blue glow of Earth’s atmosphere draws the Moon in.”

Jeffrey Hoffman, who in 1996 became the first Jewish astronaut to read from a Torah in space, talked about how confined it was when he first went to space — even on the Space Shuttle. “Those quarters, it’s funny, if they had to do that on the surface of the Earth, in gravity, it would be almost intolerable,” he said on TikTok. “But there’s something about when you’re in zero gravity and you’re floating around, somehow you don’t get claustrophobic in the way that you do normally in a similar volume on Earth.”

Between 1985 and 1996, Hoffman spent over 50 days in space, including 25 hours of extravehicular activity (EVA) outside of the orbiter. He flew on five space shuttle missions. The crew capsule, Integrity, has 60% more space for the crew than the last missions to the moon in 1972.

“So they’re going to be doing just fine,” Hoffmann said about the Artemis II astronauts. “Even back on Gemini, when two people spent 14 days in a tiny little Gemini capsule, they couldn’t have done it on the Earth, but in space, they said it was okay.”

Hoffman also compared the Artemis II flyby to Apollo 8. “Apollo 8 took place at the end of 1968, when there were tremendous disturbances in our country. There were riots in the street, and here we are now going around the moon again while the country is at war,” Hoffman said. When Apollo 8 orbited the moon in 1968, commander Frank Borman, Command Module pilot James A. Lovell Jr. and Lunar Module pilot William A. Anders became the first humans to go beyond low-earth orbit.

“Apollo 8 was often referred to as the one good thing that happened in 1968. And I wonder if maybe this Artemis mission, despite all the problems that our country is having and that we’re having in the world, this at least is something good that humanity is doing, and that we can look at with pleasure and say at least something is going right at the moment.”

As the crew approached the moon, they also heard from one of the last generation of astronauts to make the same journey. Lovell, who was also the commander of Apollo 13, died in August 2025 at age 97. Before he passed away though, he recorded a message that Mission Control transmitted to Artemis II during the flyby.

“Hello, Artemis 2, this is Apollo astronaut Jim Lovell. Welcome to my old neighborhood,” Lovell said in the recorded message. “When Frank Borman and Bill Anders and I orbited the moon on Apollo 8, we got humanity’s first up-close look at the moon, and got a view of the whole planet that inspired and united people around the world. I’m proud to pass that torch on to you as you swing around the moon and lay the groundwork for missions to Mars for the benefit of all. It’s a historic day, and I know how busy you’ll be, but don’t forget to enjoy the view. So, Reid, Victor and Christina and Jeremy, and all the great teams supporting you, good luck and Godspeed from all of us here on the good Earth.”

The first Jew in space was Boris Volynov, a Soviet cosmonaut, in 1969. The first Jewish astronaut in space was Judith Resnik, who flew aboard STS-41-D in 1984 on the first flight of Space Shuttle Discovery. She later died in the Space Shuttle Challenger disaster. The first Israeli astronaut was Ilan Ramon, who flew on STS-107. He died in the Space Shuttle Columbia disaster in 2003. Ramon had brought a Holocaust-era Torah and a drawing of the moon made by a teenager murdered in Auschwitz. Both were lost in the disaster.

By some measures, 16 Jews have been to space. Some do not count space tourists such as actor William Shatner, who flew aboard the Blue Origin capsule in 2021. Since the Blue Origin vehicle is autonomous, some do not count that as going to space even though it climbed over 100 km (62 miles) above earth. Though there is no identifiable boundary of where earth’s atmosphere ends and space begins, for the sake of determining who has been to space, scientists have accepted the Kármán Line, 100 km (62 miles) above earth as the boundary.

Reid Wiseman, the Artemis II commander, is not Jewish. But during the flyby, a tribute was made to his late wife. Jeremy Hansen proposed naming a lunar crater in honor of Wiseman’s late wife, Carroll, who died of cancer in 2020. “It’s a bright spot on the moon, and we would like to call that Carroll,” Hansen said.

The Orion spacecraft is now on its way back to Earth, with splashdown expected in the Pacific Ocean on April 10.

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