fbpx

Jennifer Aniston plays Barbra Streisand — but without the Jewish nose

[additional-authors]
August 9, 2010

If you ever wondered about Jennifer Aniston’s Jewish connection, alas, here it is: The sitcom star turned screen queen portrays Barbra Streisand in a special photo tribute to the legendary diva in the September issue of Harper’s Bazaar.

If, like me, you’re thinking, wow, those brilliant magazine editors couldn’t possibly have chosen anyone better to represent the original Funny Girl, you’ll be glad to know that Babs herself agrees. In a statement on her Web site, Streisand pointed out how apt the choice was:

“I was very flattered that Jennifer Aniston chose to interpret my style with the photos in Harper’s Bazaar. She’s a delightful person, and I think she did a wonderful job,” Streisand wrote. “If only she had a bump on her nose.”

That last bon mot is a snarky reference to the nose job—or, excuse me, deviated septum—Aniston fessed up to in 2007. Streisand, on the other hand, endured much criticism over the years for refusing to have rhinoplasty in the event it might compromise her voice. Streisand’s nose, at first suggestive of her Jewish ethnicity, soon became a symbol of artistic defiance. Stereotype or not, Streisand’s refusal to go the plastic surgery route, some say, caused a decline in the number of Jewish girls and women who wanted to be rid of their Jewish noses.

In a 1999 New York Observer article about plastic surgery, University of Chicago professor Sander L. Gilman was interviewed about his book, Making the Body Beautiful: A Cultural History of Esthetic Surgery and recounted a 1989 New York Magazine article citing the rise of rhinoplasty among Jewish women:

“By the mid-60’s, an upturned nose had practically become a middle-class status symbol, and hundreds of teenage girls in New York (read: Jewish girls) seemed to be wearing the same design. The bone was narrowed, the tip pinched into a triangle, and there were two distinct bumps above the nostril.’’ Jewish girls, convinced their noses are “too Jewish,’’ that is too big, want to look like typical American.

Gilman, who is also the author of “Jewish Self-Hatred” and “The Jew’s Body” talked about the implications of Streisand’s decision to keep her “too Jewish” nose.

Guess Jennifer Aniston didn’t want us getting the wrong idea.

Did you enjoy this article?
You'll love our roundtable.

Editor's Picks

Latest Articles

The Joy Within

Sukkot asks us to receive the harvest that has actually come in—not the one we imagined or wished for.

A Bisl Sukkot ~ Don’t Be Afraid, Go Outside

The sukkah reminds us to go out into the world, especially when the comforts of insularity beckon us closer—to explore paths we have yet to take and seek journeys ready for wandering.

A Harira Hug in the Sukkah

I love making soup for this holiday because even if the days are still warm, the cooler evenings make you start craving something warm and comforting.

The Beat Goes On

While so much of the world seems obsessed with and consumed by its hatred of Israel and Jews, Israelis continue to build, create, work, celebrate, argue, raise families, and plan for the future.

Viral AI Video Targets Jewish Comedian

“The biggest concern is that people now have a pathway to shut down Jewish voices through complete falsities that people will believe. … For the future of Jewish entertainment, it’s very scary.”

Yiddish Historians: Writing in Their Own Language for Their Own People

Mark Smith has compiled an important anthology of Jewish history using 49 works by Yiddish historians to recreate or at least open the door to a world of Jewish thought that was once almost mainstream, but which no longer exists, except in the minds of too few specialists.

The Everlasting Melody

Most Jews who have sung “Eitz Chaim” over the past half-century probably never knew Portnoy. They did not know when he wrote the melody or how young he was when he composed it. They simply knew the song.

More news and opinions than at a Shabbat dinner, right in your inbox.