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November 22, 2016

Letters to the Editor: Election, Amona

As the Election Results Sink In

“Have you no sense of decency, sir?” 

                                        — Joseph Nye Welch, 1954

As a 12-year-old Holocaust survivor, I came to the United States in late 1949. Even at that young age, I was aware of the McCarthy hearings and witch hunts of the times. Since then, I felt that throughout my adult life, we have been on a trajectory of ever-expanding inclusion, tolerance, decency and economic progress. The institutions that make America great enabled me and my family to thrive. Unfortunately, this has not included many Americans whose jobs have been eliminated by technological advances and globalization. This is the challenge that we, as a decent people, must face.

What I just experienced was a revolution, largely powered by those left behind. In their anger, they attacked the institutions and politics that could and still can help them, in favor of slash and burn. They elected a president who appeases their anger by directing it toward immigrants and minorities. Who do you think is next?

I hope that the great promise of America is still alive and this detour in our progress is just that, a short detour. We must make it so.

Michael Telerant, Westwood


The Electoral College is one of the many imaginative ideas that the founders instituted that has helped preserve the stability of our system of national government for well over two centuries. Any system will favor larger states over smaller ones, as should be the case. Because all states are guaranteed a representative in the House and two senators, their contribution to the college can’t fall below a certain threshold (3/538, or about 0.6 percent), even if their population is less than this as a percentage of the total. Wyoming, for example, has under 0.2 percent of the U.S. population. With direct voting, the marginal votes in large states like California will matter even more, and candidates will have a greater incentive to ignore small states and concentrate on large ones.

The Electoral College is what primarily preserves our strong two-party tradition, forcing national candidates to the center and requiring broad-based coalitions to govern. Ross Perot got almost 19 percent of the popular vote in 1992 but zero electoral votes. Without the college, we would have factious multiple parties, leading to presidents without the consensus to lead and unstable, revolving-door coalition governments. In a large and diverse nation such as ours, the college prevents single-issue and geographical fragmentation, leading to more truly egalitarian election results, not less.

In close presidential elections, like the one in Florida in 2000, the Electoral College serves to quarantine voting disputes. The 1960 election between John Kennedy and Richard Nixon was decided by less than 1/5th of 1 percent of the vote, or fewer than one vote per precinct. Without the college, such a situation could lead to a “Florida” everywhere, leaving us without a clear winner long afterward.

With direct voting, it would be much easier for a candidate to win while losing a majority of the states. We are the United States of America, not the United People of America. We should be very wary of tinkering with this elegant constitutional establishment.

Brian J. Goldenfeld, Woodland Hills


Bet all the bad Americans at the Journal are having spasmastic crying fits over the fair and legal election of Mr. Trump. Now, at last we have a good American at the helm for at least the next four years.

Lynda Wadkins via email

Keep Up the Good Work

Interesting headline (“Jews and Hillbillies,” Nov. 11). The column by Rob Eshman was very well written, a broad and in-depth analysis of our society’s socio-economic challenges, especially as they pertain to economic disparity. Thank you!

Steve Klein via email


Amona Sends Wrong Message

The enclave called Amona (“Will Israel Evacuate the Settlers of Amona?” Nov. 18) must be dismantled for Judaic moral and ethical reasons and because its existence sends to the Muslim world exactly the wrong message as to what Judaism means. Judaism is based upon the core concept of moral and ethical justice. While the other Jewish communities that have been built were built for legitimate defensive and historical reasons, Amona was built to assert the primacy of Jewish legal and political rights over Palestinian legal and political rights. Its existence sends exactly the wrong message, the message of dominance of one people over another to Israelis, to Jews, to Arabs, indeed to the entire world.

Israel will continue to survive and to thrive without Amona. The existence of Amona is an existential threat to the meaning of Judaism.

William E. Baumzweiger, Studio City


Israel and the U.S. Election

I think that what Shmuel Rosner said in the “The Downside and Upside of Israel-less Election” (Nov. 11) about Israel not being part of the election is a bad thing. If Israel is not spoken about enough, more anti-Semitism will spread throughout the world. Also, people who don’t know a lot about Israel can get information through politicians. Lastly, voters whose main concern is Israel cannot get a good idea of whom to vote for. In the future, we should hope that Israel is one of the main topics throughout politics and the election, and only positive things are said about it.

Jaron Cohenca Via email 


Shmuel Rosner states that Israel was absent from the campaign trail this year because of previous years when they had “overrepresentation” and it caused a headache (“The Downside and Upside of the Israel-less Election,” Nov. 11). After President Obama concluded the Iran deal, Israel felt that it was in great danger. So, Israeli leaders cannot speak up now because they are in danger, not because they were overrepresented in past years. The article also states that Israel did not speak up because it causes problems during the election. There is always lots of publicity when one candidate favors Israel. Donald Trump had no fear, and spoke up for Israel. He believes in and loves the Jews. Therefore, I am surprised [that he lost the popular vote]. Earlier in the article, Rosner wrote that he talked to Debbie Wasserman Schultz and asked if this could this be an opportunity to begin an era of civility in Jewish political discourse. 

He then writes that he got a puzzled look because of how much of an over statement this was. However, I don’t believe it might be an overstatement, because there could always be an argument if President-elect Donald Trump crosses the line of acceptability that Republican leaders draw.  

Eliezer Lasry Via email


Shmuel Rosner’s article “The Downside and Upside of the Israel-less Election” was very interesting and honestly surprising. Throughout the election, teachers in my school would ask which candidate we thought would be the best choice for Israel. This really made me think because neither of them seemed particularly good or bad for Israel, as Rosner said that Israel did not play such a big role in the election. I remember asking my father what he thought about this topic and he said there is honestly no way to know. But in school, most people were convinced that Donald Trump was the better choice for Israel. After reading this article and the part where “American-Israelis” and “Israeli-Israelis” have different opinions, I think what my father said about not knowing for sure makes more sense than acting like we know who is better for Israel. 

Shiffy Rav-Noy, Los Angeles


Rabbi Abraham Cooper’s View of Hate

I was shocked to read an article by the Simon Wiesenthal Center’s Rabbi Abraham Cooper about hate “on both sides.” But Cooper presented a distorted image of reality: He treats leftist hate as a footnote to sporadic alt-right violence, which he portrays as widespread — which it is not — but it is the alt-left [that is] clearly the mainstream norm of hate today led by a dangerous, self-hating Jew George Soros — who was not even mentioned in the article! He is alleged to have been funding the anti-Trump protests throughout the nation — Soros was the founder of Boycott, Divestment and Sanctions movement and the anti-Israel and anti-Semitic group prevalent on college campuses today, as he is alleged to fund the Black Lives Matter lobby — another anti-Israel, anti-Semitic lobby organization.

Yet the few far-right groups that are easy to dismiss preoccupy Cooper’s emphasis. Is Cooper insinuating that Trump’s election was the reason for the recent outbreak of hate “on both sides”? That is a clear untruth: Obama has polarized both sides for the last eight years, and the overwhelming violence and enemies of free speech in this country especially on college campuses is the far-left, which has infiltrated and now dominates the Democratic party. This factor doesn’t appear to concern Rabbi Cooper, and that is quite troubling.

Richard Friedman, Culver City


Rabbi Meir Kahane’s Israel

Nov. 5 marks the 26th year since we lost Rabbi Meir Kahane (May God avenge his blood).

Kahane, assassinated in a New York hotel November 1990, truly believed that he represented mainstream Judaism. Because of sensitivity to his militancy, the rabbi wanted people to know that he was also a scholar and that, under certain circumstances, he could be as prominent as King David. Kahane never perceived himself to be a radical fundamentalist and thus was certain that the rest of the world had wrongly perceived him. He was equally certain that his message was the most important thing that had happened to Jews in the last quarter of the 20th century. His rise to power in Israel, Kahane believed, was just a matter of time.

Kahane ran his movement in a very personal way. He raised its money, wrote its pamphlets and made all its important decisions. 

Rather than political, Kahane’s long-term success was cultural. The Israel to which he emigrated in 1971 had its problems and was never a model democracy. But certain ideas were anathema. Violence against civilians was considered an un-Israeli act, as was the idea of a mass expulsion of Arabs.

The Israel that Kahane has left as a legacy is far different. It is still democratic, open and free. It is also brutal and violent. Its schools, universities, military camps, markets and synagogues are increasingly filled with populist chauvinism and crude anti-alien sentiment. Most noticeable are neo-religious ideas about redemption, the expurgation of the Temple Mount, the indivisibility of the Land of Israel and the necessity to transfer out the Arabs.

Kahane should by no means be held responsible for all these ills. The Jewish state has come a long way since the early 1970s, shaped, in part, by the necessity to carry on in a world full of Arab terrorists. But not a single Israeli I know has made a greater contribution to the brutalization of the nation and its public spirit than did Kahane. What was especially different about the rabbi from Brooklyn was his conscious theological and educational effort to destroy the mechanisms of Jewish moral engagement among his followers, an effort unfortunately crowned with great success.

Brian J. Goldenfeld, Woodland Hills


CORRECTIONS: The article “Largest Schindler Archive Finds a Home at Chapman University” (Nov. 18) misspelled the name of the Rodgers Center for Holocaust Education at Chapman University.

Letters to the Editor: Election, Amona Read More »

Going to the well

Isaac had just come back, having gone to Beer-lahai-roi, for he was settled in the south. And Isaac went out to meditate in the field toward evening, and looking up, he saw camels approaching. 

— Genesis 24:62-63

Isaac is in a lot of pain. He is in deep mourning for his mother. He is traumatized by his father. His faith is in crisis. Isolated in his suffering, he wanders out at twilight, a blurry silhouette, in search of solace. 

Long ago, before Isaac was born, his parents had an Egyptian maidservant named Hagar who was carrying Abraham’s first son, Ishmael. Isaac’s mother afflicted the pregnant woman, and she fled into the wilderness, wishing to die rather than face her mistress’ abuse. 

She collapsed. She called out to God. And God spoke to her. In the ecstasy of revelation, Hagar gave God a new name, El-roi, “God Who Sees Me.” 

It is a unique endearment, personal and intimate. Rabbi Aybu said the name means “you identify with the embarrassment of those who have been insulted and humiliated” (Genesis Rabba 45). She named the place Beer-lahai-roi, “The Well of The Living One Who Sees Me” (Genesis 16:13-14).

Of all places, Isaac goes to The Well of The Living One Who Sees Me, the place where God answered Hagar. What was Isaac seeking there? Commentators suggest he had gone to the well to fetch Hagar. Sarah had died and he was bringing Hagar back to his father, Abraham, so they could be wed. But that assumes Isaac is on good terms with his father and psychologically
prepared to help him replace his mother. I’m doubtful.

Isaac was the son of a charismatic leader and conqueror. He was upper-middle class, if not wealthy elite. His family had amassed a fortune and many followers and cattle. Isaac could talk to the teachers at his acclaimed school, the mentors he surely had acquired, his therapist, nutritionist, tea-leaf reader, career counselor, yogi, guru. Why does Isaac carry his burden, his pain, his grief to the well of Hagar — his parents’ maid, a domestic worker, an immigrant? 

Perhaps he identifies with Hagar, both suspended between the matriarch’s anguished longing for a child and the patriarch’s tragic servility to God. Perhaps Isaac, too, needed a new name for God, because The Name that blessed and spoke to Abraham sent Hagar into the wilderness nearly to die and Isaac up the mountain nearly to die. 

Perhaps, in the way that all sadness seeks to understand its own origin, Isaac sought one who also shared his home and who might have secrets about this family and this faith. Perhaps he was looking for a mother figure. Perhaps he was yearning for his brother. 

Isaac goes to the place seeking the kind of healing that only can come from one who sees and you. He seeks to be seen. And he is. “Looking up, he saw camels approaching. Raising her eyes, Rebecca saw Isaac” (Genesis 24:63-64). 

Somehow, the waters of Hagar’s well succeed in eroding the calcified walls around Isaac’s heart, opening him to the great spirit of life. His emptiness is quenched. The clog is unstopped, and the mysterious river of life that courses through every artery and flower stem now rushes freely through. His solitude dissolves into oneness. 

Would that we could find the place, The Well of The Living One Who Sees Me, where the embarrassed are elevated, the insulted are invited, the humiliated are humanized. At The Well of The Living One Who Sees Me, the abused are answered, the battered receive blessings, the oppressed are honored, the silent are summoned, the invisible come into view and light shines on the shadow dwellers. At The Well of The Living One Who Sees Me, the barren are beheld for their fruitfulness, the deprived for their dignity, the orphans for their
offering, the wounded for their infinite worth. 

Would that we could go there in dusk, when details are hard to decipher, and we could meditate, joining our pain to the pain of others, in empathy and appreciation. 

Would that we could go there and be seen, heard, valued and loved. 

Would that we could go there and be found, and in being found, find each other.


ZOE KLEIN is senior rabbi of Temple Isaiah.

Going to the well Read More »

Obituaries: Week of November 25, 2016

Sol Berger died Oct. 3 at 96. Survived by wife Gusta; daughter Marlene Morris; son Jack; 4 grandchildren; 6 great-grandchildren. Chevra Kadisha

Jerome Blake died Nov. 12 at 92. Survived by wife, Lynda; daughter Shelly Lewis; son Michael; 2 grandchildren; 4 great-grandchildren. Mount Sinai

Norman Brokaw died Oct. 29 at 89. Survived by wife Marguerite; daughters Wendy (John) Brokaw Kretchmer, Barbara, Lauren; sons David, Joel (Birte Kalz), Sanford (Katie); 4 grandchildren. Hillside

Murray Codman died Oct. 31 at 93. Survived by daughters Sandy (Gary Peltz), Nina. Hillside

Beate Czarlinski died Nov. 8 at 84. Survived by daughter Sally (Tony) Lepore; 2 grandchildren; 2 great-grandchildren; sister Reha Salomon. Mount Sinai

Paula Danziger died Nov. 1 at 96. Survived by daughter Rachel (Douglas) Pardee. Hillside

Betty Desatnik died Oct. 30 at 94. Survived by daughter Nancy (Ronald); son Russ Rosen; 3 grandchildren. Hillside

Lin Dorfman died Oct. 26 at 100. Survived by daughter Terri (Maynard) Rosen; sons Dennis (Susie), Rick; sister Chicki Sloan; 6 grandchildren; 8 great-grandchildren. Hillside

Parvin Famili died Nov. 8 at 89. Survived by daughters Jila (Kamran) Hekmat, Shahla (Saeed) Hakim, Riva (Albert) Mikail; sons Morice (Rita), Davis; 9 grandchildren; sister Mahin Mikhail; brothers Manny Idjadi, Fahad (Margaurite) Idjadi. Mount Sinai

Lillian A. Fisher died Nov. 10 at 94. Survived by daughters Peggy, Arlene (Herb) Kramer, Sherrie (Mark) Bobrosky, Debra (Michael) Lichstein; 7 grandchildren; 2 great-grandchildren. Mount Sinai

Richard Emmett Freed died Nov. 9 at 94. Survived by daughter Donna (Martin) Paul. Mount Sinai

Richard Gigger died Nov. 13 at 87. Survived by wife Ellen Kaminer-Gigger; daughters Zoe (Peter) Marcus, Aimmee (Steve) Calvano; sons Richard Jr. II, Jerry, Terry; 6 grandchildren. Mount Sinai

Harold Glass died Oct. 28 at 83. Survived by wife Ruth; daughters Linzi, Caron (Wayne) Hyland, Nicola (Doug) Meyer; 5 grandchildren; 2 great-grandchildren. Hillside

Benita Mae Goldhammer died Nov. 8 at 81. Survived by daughter Sandra (David) Tepper; son Gary (Christine); 2 grandchildren. Mount Sinai

Anita Hyman died Nov. 10 at 88. Survived by daughters Sara, Marsha (Jeff) Rapp. Mount Sinai

Norman Lapin died Oct. 29 at 63. Survived by stepdaughters Megan Cohen, Danielle Abergel; brother Steve (Phyllis). Hillside

Carolyn Lewis died Sept. 6 at 75. Mount Sinai

Bonnie Beth Lookofsky died Nov. 14 at 70. Survived by husband Louis; daughter Abbie; sons Jeremy (Summer), Noah; 1 grandchild; mother Evelyn Gietter; brothers Michael Gietter, David Gietter. Mount Sinai

Dorothy Naiman died Nov. 10 at 93. Survived by daughter Marlene (Ken) Jones; son Alan (Sandi); 4 grandchildren. Mount Sinai

Rose Newman died Oct. 28 at 90. Survived by sons Michael (Susan), Martin; 2 grandchildren; 3 great-grandchildren; sister Pauline Romano. Hillside

Walter Notkin died Nov. 14 at 97. Survived by wife Ruth; daughter Adria (Phil) Metson; son Harvey; 2 grandchildren; 6 great-grandchildren. Mount Sinai

Lawrence Pleet died Nov. 6 at 81. Survived by wife Phyllis; sons Loren (Kyoko), Joe Powell; 1 grandchild; sisters Linda (Ed) Buttwinick, Helaine (Jerry Bock). Mount Sinai

Alexandra Post died Nov. 9 at 24. Survived by mother Sindy; brother Adam; grandmother Merle Schwartz; grandfather Wilfred (Lita) Schwartz. Mount Sinai

Tamar Rakos died Nov. 1 at 84. Survived by husband Paul; son Andrew; brother Oscar Ross; 4 grandchildren. Hillside

Stanford Craig Redisch died Nov. 14 at 65. Survived by cousins Steven Patler, Sherri, Joane Cohen, Arlene. Mount Sinai 

Eugene Roberts died Nov. 8 at 96. Survived by wife C. Ruth. Mount Sinai

Barbara Rae Rolbin died Nov. 13 at 72. Survived by sons Michael, David. Mount Sinai

Shirley Schatz died Nov. 13 at 92. Survived by husband Burton; daughter Wendy (Richard) Love; son Andrew (Jenny); 4 grandchildren; 1 great-grandchild. Mount Sinai

Michael S. Simonoff died Nov. 9 at 49. Survived by sons Joel, Sam; mother Carol; father Jerome; sister Rachel (Eric) Wexler; brother Zachary (Lisa). Mount Sinai

Edna Statman died Oct. 27 at 96. Survived by daughters Ani (Sid) Dylan-Fishman, Rachel (Lee) Greenberg; son Jan; 7 grandchildren; 5 great-grandchildren. Hillside

John Terracina died Oct. 30 at 85. Survived by daughters Angela, Cathy; 2 grandchildren; 2 great-grandchildren. Hillside

Barry Trop died Oct. 27 at 64. Survived by sisters Anne, Paula Benson; brother Steve. Hillside n

Obituaries: Week of November 25, 2016 Read More »

Calendar: November 25- December 1

MON | NOV 28

HILLEL AT UCLA ART EXHIBITIONS 

Three art exhibitions are on display at Hillel at UCLA. “Seek My Face: The Art of Joshua Meyer, 2000-2016” features the work of Lubbock, Texas-born oil painter Joshua Meyer. He went to school at the Bezalel Academy of Arts and Design in Jerusalem before attending Yale University. He currently works in Cambridge, Mass. Every painting he makes is “intentionally Jewish,” he says. The exhibition “WINGS” features the works of Harriet Zeitlin, who earned a bachelor’s degree at the Pennsylvania Academy of the Fine Arts. Later, she studied printmaking at UCLA and photography at Santa Monica College. She has been an artist for six decades, and has had 25 solo shows and exhibited in more than 100 group shows. The exhibition “The German Roots of Zionism” explores the dream of refuge from anti-Semitism, freedom from despots, and a place for Jewish religion and culture to flourish. 10 a.m to 4 p.m. Monday-Friday. Through Dec. 9. Free. 574 Hilgard Ave., Los Angeles. (310) 208-3081, ext. 108. TUES | NOV 29

MAINSTAGE

MainStage is the Jewish Federation of Greater Los Angeles’ annual young adult fundraising event. It inspires and entertains the crowd as leading innovators and influencers take the stage. Join hundreds of other young Jewish Angelenos on Giving Tuesday for a night of food, drinks and special guests. The talent lineup includes James Corden, host of “The Late Late Show With James Corden” on CBS; Ben Winston, the show’s executive producer; Kevin Demoff, chief operating officer and executive vice president of the Los Angeles Rams; Milana Vayntrub, comedian, actress and director; and other guests. 7 p.m. $130. Avalon Hollywood, 1735 Vine St., Los Angeles. (323) 761-8054. ” target=”_blank”>mainstagela.org.

“IRVING BERLIN’S WHITE CHRISTMAS”

For one week only, come see Broadway’s Tony Award-winning “Irving Berlin’s White Christmas” in its new production. The musical tells the story of two show business friends staging a production at a beautiful Vermont inn. Along the way, they find their perfect mates. Enjoy dancing, romance, laughter and songs, including “Count Your Blessings (Instead of Sheep),” “Happy Holidays,” “Sisters,” “Blue Skies” and the unforgettable title tune, “White Christmas.” Starring Sean Montgomery as Bob Wallace, Jeremy Benton as Phil Davis, Kerry Conte as Betty Haynes and Kelly Sheehan as Judy Haynes. 8 p.m. Tickets start at $35. Pantages Theatre, 6233 Hollywood Blvd., Los Angeles. (323) 468-1770. Calendar: November 25- December 1 Read More »

After Trump: Can Bipartisan friendships be saved?

OK, I’ll come clean: I voted for Donald J. Trump. More accurately, I voted against Hillary Clinton. Trump was a bully and a braggart, poorly read yet untroubled by it, unfiltered and sexist, who made outrageous claims about deporting millions of undocumented immigrants. His cruel digs at Sen. John McCain and the Khizr Khan family were unforgivable. And I haven’t even started on that hair! (I’m sure Melania has done her best.) 

Conservatives like me faced a dismal choice in this election. Leading conservative thinkers brawled over our embarrassing nominee and divided into “never Trump” versus “never Hillary” camps. I was proud that at least our party was having a healthy knock-down, drag-out fight about our identity, but that would be cold comfort during a third Clinton administration. Many of my conservative friends voted for third-party candidates, and I nearly did, too. Ultimately, after Trump picked Mike Pence as a running mate and released a list of Supreme Court nominees who were constitutionalists and not judicial activists, he earned my reluctant vote. I was shocked and relieved when he won.

I have relatives and some friends whose politics are as blue as mine are red. With anti-Trump fury and dismay seething throughout the land, it has been hard to avoid some run-ins. One relative messaged me on Facebook after the election, asking me what I thought. I knew he had voted for Clinton, and I didn’t really want to engage. I thought the country needed a change. He shot back a barrage of anti-Trump invective, asking me if I was ready for “this racist bigot … a friend of the KKK … ” and more. 

“I’m not willing to be attacked,” I answered. “I never even said I liked Trump.” 

He apologized, but I am not eager to hear from him anytime soon. 

Fiery political debate is as old as human society, but more friendships seem to be splintering now. My friend Rebecca, also a writer and Torah-observant Jew, posted on Facebook that she planned to vote for Clinton, to show that not all Orthodox Jews were Trump voters. This triggered a fusillade of vitriolic responses from both the left and the right. Rebecca was shocked.   

“When people hated on the people who voted opposite them and showed no empathy for their concerns, many of which were genuine, I wasn’t sure I wanted their friendship anymore,” she told me. 

I had planned to keep my vote quiet. But after seeing the incessant stream of melodramatic posts by liberal Facebook friends portending doom and taking cheap shots at Trump voters, I caved in. Almost lockstep, the posts accused us of being “racists, bigots and misogynists.” There was a link to a Slate article called “There’s No Such Thing as a Good Trump Voter.” Yes, that’s the spirit, you campaigners for diversity and tolerance! 

One “friend” said she wanted to understand (unfathomable) people like me. OK, here goes, I thought. I respectfully listed about a half-dozen concerns of most conservatives: The need to repeal or drastically overhaul the political and structural chaos of Obamacare, now imploding, as many had predicted. Worry about the erosion of our religious liberties and even freedom of speech. Resentment that a belief in secure borders translated into our being “racists” and that belief that marriage is between one man and one woman made us “haters” and “homophobes.” Disbelief that Democrats seemed more worried about transgendered bathroom accessibility than home-grown Muslim extremism.  Concern over President (“I’ve got a pen and I’ve got a phone”) Obama’s executive overreach, whose multiplying defeats in the courts now prove the haughty lawlessness of his actions. 

She failed to address any of these points and repeated her demand that I prove I was not a racist-misogynist-bigot. See, my vote made me guilty until proven innocent. Worn down and convinced that she had only posed as intellectually curious, I withdrew from the conversation.  

A few years ago, I tried to engage a good friend, a staunch Democrat, in a conversation about our differing views. She refused categorically. Many of my conservative friends have similar stories, that liberal friends and relatives will not enter debate. How odd. If they are so certain their viewpoints are right, that facts and evidence are on their side, why not? Based on what I’ve seen, read and heard, I think they have more emotion than facts in their arsenals. 

On the other hand, liberal viewpoints are often presumed to be the “right” and normal views, certainly in “blue” territories. None of my conservative friends would dare to share their political views at the office or by having a political bumper sticker on their cars. They stand by uncomfortably when a colleague or the boss makes snide comments about Republicans or conservative policies. This is exactly the kind of political correctness that Trump has rightly called out as a suffocating menace in our culture today. 

The day after this election, one of my husband’s employees came to work fuming. In front of my husband, who wears a kippah and signs her checks, she compared Trump to Hitler. Arrogant and ignorant, yes. Unusual? No.

It shouldn’t be this way. Both sides should give each other the benefit of the doubt. We all love this country and want opportunity, safety and prosperity for all. Dialing back the name-calling and hate-mongering is a good place to start.


Judy Gruen’s books include “Till We Eat Again: A Second Helping.” She is working on a memoir about her unexpected path to Torah observance.

After Trump: Can Bipartisan friendships be saved? Read More »

Love Language

Every year, my husband and the other clergy at our synagogue, decide on a theme for the High Holy Days. This year, the decision was to keep the theme throughout the year, a kind of backdrop for programming and the like. When he told me the theme, I thought it sweet. Love. Always a good one. Not too difficult to discuss, and hey, who doesn’t like to be loved?

Little did any of us know how much we would need such a theme right now. I am struck, as we all are, by this country so rattled and divided. I am struck as an American whose father is a Middle Eastern immigrant. I am stuck as the mother of a budding artist who passionately goes to school with other young artists who by virtue of their trade are all questioning their sexual identities and freedoms. I am struck by my own insecurities as a woman, and with the  judgments and opinions I have developed over the navigations of my life. It feels hard to remain curious and open. And loving.

Last week, my husband offered the last of a  3 part series on a book called LOVE LANGUAGES  by Gary Chapman. The first class, only one person attended. The second, the night of the election itself, no one came. But at this third class? The room was full. The discussion was as lively and diverse as the people participating. I was so glad to be there. So glad to be perhaps a MOMENT of the solution rather than a continuance of the problem.

The basic premise is this: we all have a language that best translates to us as feeling loved.  Chapman identifies 5 of them: Verbal Affirmation, Physical Touch, Acts of Service, Quality Time, Gifts. The work becomes FIRST to identify your own language. Of course, there is often a bleeding over between categories. The quest is to really sit long enough with your own honest observations about your interactions with others so that you can begin to identify what works for you as you communicate with others. Some of us were confused. Our language needs can feels different with a spouse than with kids, or  co-workers or parents. However, usually there is a through line, and once you can identify WITHOUT self judgment, the whole process becomes a lot easier.

I got home and realized immediately how the category I thought I fell into was not really the crux of my love language at all. Once I realized that, I immediately realized that I tend to judge my loved ones because their languages can seem foreign or petty to me. And then, I immediately forgave myself for all of it. We are not taught from an early age to do anything remotely like this. At least, for the most part I think. But boy, what if we were?? What if our schools or religious schools used these kinds of books/tools as part of the curriculum? Not with any God or religious speak, as the task of even that word translation can alienate one from another, but more in these simple, human categories? Can you imagine a world where this was something we are “graded” on?  Where parent/teacher conferences are yes, about learning our A, B, C’s,  but more about how we identify our own needs and show tolerance and curiosity for others?

A pipe dream, I know… Maybe. Maybe a theme to put in the suggestion box at the White House as they plan their immediate future. I love the pursuit of communication, and I want to work open heartedly toward making the communication of love between people something to be cherished without fear.

Come practice this with me this WEDNESDAY MORNING as we meet at 9:15 in our little studio on Clark Street, in Beverly Hills. Maybe we can spread the word, one breath, one mat, at a time.

In peace and thanks-giving,

Michelle

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Jackie Hoffman gets her Scrooge on in ‘Chanukah Charol’

Bach! Chumbug!

Jackie Hoffman has got the guttural “ch” sound down like nobody’s business. And she’ll be showcasing her throat-clearing Hebrew in her upcoming one-woman show “A Chanukah Charol” on Dec. 7 at the Skirball Cultural Center.

An actress, singer, comedian and self-proclaimed “self-loathing Jew” (all in good jest), Hoffman doesn’t tiptoe around political correctness. “Gays and Jews are my best audiences,” she said. Quick-witted, outrageously funny and brashly honest, Hoffman’s face has graced many Playbill covers (including those for “The Addams Family,” “Hairspray” and, most recently, “On the Town”). Her Wikipedia entry says she’s “known for her facially contorting expressions and one-woman shows of Jewish-themed original songs and monologues.” 

Which brings us to her upcoming show at the Skirball, a pseudo-autobiographical production inspired by Patrick Stewart’s “A Christmas Carol” that she co-wrote with the show’s director, Michael Schiralli, and performed off-Broadway. In the show, which will be making its Los Angeles premiere, Hoffman impersonates Stewart and plays a slew of ragtag characters, including Yiddish theater starlet Molly Picon.

Hoffman is a bicoastal member of the tribe who hops between Los Angeles TV shoots and Manhattan, where her 95-year-old mother resides. Living in the two cities has given Hoffman some insight into the differences between East Coast and West Coast Jews, which she’s simplified into one sentence: “L.A. Jews have avocado on the menu.” 

“I rarely go to shul when I’m home in New York, but when I’m in Los Angeles, there are no atheists in foxholes and L.A. is my foxhole,” Hoffman said. So, in the proverbial foxhole she calls a second home, Hoffman regularly attends services at different synagogues. Her first week in Los Angeles, she attended Shabbat services at Temple Emanuel of Beverly Hills. 

Hoffman currently is taping a new FX show called “Feud,” which dramatizes a notoriously catty rivalry between Joan Crawford (played by Jessica Lange) and Bette Davis (Susan Sarandon) on the set of their 1962 film, “What Ever Happened to Baby Jane?”

When she’s not on a TV set, Hoffman said, you might find her browsing the aisles at Ralphs (she loves big supermarket chains, with Ralphs topping her list) or doing the very un-L.A. act of walking to a destination (“Mostly, I try to avoid being run over”).

During a phone interview for this story, Hoffman was in New York celebrating her mother’s birthday. “It’s a Jewish interview, nothing can be easy,” she said, kicking-off the conversation with a brief rant about her “farkakteh headphones.”

With her “mellow Orthodox” upbringing and nine years of yeshiva, how did Hoffman become such a ham? “I was blessed with a really funny family, and they’re all extreme characters, so it just fed me,” she said. “And I was imitating people since as early as I can remember.” At 21, she scored her first paid gig as Plain Jane Wayne, the Terror of the Plains, in “Shootout at the Trailblazer Saloon,” a six-times-a-day show at Hersheypark. (“It’s a theme park near the Hershey factory in Pennsylvania, and the lamps were shaped like Hershey’s Kisses,” she recalled.) Since that fateful gig, she has expanded her credentials, from performing with Second City in Chicago to playing roles in the movies “Birdman” and “Kissing Jessica Stein.” 

In 2011, Hoffman decided she wanted to try something new. “I normally do many more cabaret shows with a lot of salty banter and, I think, very funny songs. But I wanted to do something that was more like a play with me playing all the characters,” she said. Mentored by the late Roger Rees (with whom she performed in the Broadway adaptation of “The Addams Family”), she entered unprecedented territory: “I’d never done anything autobiographical before.” 

Hoffman has vivid memories of sitting around the TV with her family, watching the 1951 version of “A Christmas Carol” with Alastair Sim. “It was the only Christian-related thing my family would do,” she said of their annual tradition. It’s no surprise, then, that Hoffman would turn to Dickens for inspiration when creating her one-woman show. 

“If there ever was a female Jewish Scrooge, you’re talking to it right now,” she said. “So there is no better character to be visited by three ghosts.”

Of course, the ghosts have been tailored to fit Hoffman’s rendition of the holiday classic, including a gay Broadway dancer and Shelley Winters.

With minimal props — only lights, a chair and Hoffman onstage — the performance is painfully intimate. Granted, it’s comedic and satirical, but the underlying themes delve deeper, forcing Hoffman to contemplate and ultimately choose between two conflicting factors: fame or family. What makes this production so timely and relevant to Hoffman is her current situation —  working and living part-time in Los Angeles, away from her mother in New York. “I had to leave her at 95 years old to do ‘Feud,’ ” she said, referring to it as a “tremendous conflict.” 

“Whoever’s lucky to be there [at the Skirball],” she quipped, “will see me have a complete emotional breakdown.”

Jackie Hoffman will perform her one-woman show, “A Chanukah Charol,” Dec. 7 at the Skirball Cultural Center. For more information, Jackie Hoffman gets her Scrooge on in ‘Chanukah Charol’ Read More »

Play about Chaplin’s ‘Great Dictator’ echoes politics of today

In the late summer of 1939, Europe’s statesmen and generals were worrying about whether and when Adolf Hitler would launch his military to start World War II.

In Hollywood, the gossip mills were grinding about Charlie Chaplin. The beloved tramp of the silent movie era, it was rumored, was embarking on his first speaking role. And not just in any movie, but in a biting anti-Nazi satire called “The Great Dictator.”

Both events, one world-shaking, the other less so, come together in the Theatre 40 production of “The Consul, the Tramp and America’s Sweetheart,” which bears some resemblance to current events in America. It will run through Dec. 18 at the Reuben Cordova Theatre in Beverly Hills.

The title characters are, respectively, Georg Gyssling (played by Shawn Savage), the German consul in Los Angeles, tasked with pressuring Hollywood moguls from making any movies that might reflect badly on the Third Reich (or include Jewish actors); Chaplin (Brian Stanton); and Mary Pickford (Melanie Chartoff), America’s sweetheart of the silent screen and now the most powerful woman in Hollywood as co-founder (with Chaplin, Douglas Fairbanks and D.W. Griffith) of the United Artists studio.

There is a fourth character in the play, Miss Hollombe (Laura Lee Walsh), Pickford’s sassy new secretary, who provides for the audience background on ’30s  Hollywood

In the opening scene, gossip columnist Hedda Hopper has just revealed that Chaplin plans to direct and star in “The Great Dictator,” with United Artists as producer and distributor.

Gyssling arrives at Pickford’s office to stop the project. He points out that Germany, including the recently absorbed Austria, is Hollywood’s third-largest market, after the United States and England. Of course, any insult to the Führer would result in a German boycott of all Hollywood films.

Pickford immediately calls in Chaplin, and while the actor and consul exchange a few insults, she phones some other Hollywood moguls, all of whom urge her to kill the project, rather than offend Hitler and lose the German market.

That part of the play touches on the still-controversial issue of whether Hollywood’s studio chiefs and power brokers, predominantly Jewish, were complicit in vetoing anti-Nazi movies during the ’30s to maintain a low profile and continue the screening of their films in German theaters.

To execute the film’s death warrant, the principals scheduled a meeting for Sept. 1, 1939, which turned out to be the day Germany invaded Poland. Though the United States officially was neutral, President Franklin D. Roosevelt let it be known that he expected Hollywood to turn out strong anti-Nazi films to buck up the Allies’ fighting spirit — and nobody was willing to go against the commander in chief.

 “The Great Dictator,” released on Oct. 15, 1940, became a huge critical and commercial success, as well as a high point in Chaplin’s career. His opponent, Gyssling, returned to Germany and was put in charge of anti-American propaganda after the U.S. entered the war following the Japanese attack on Pearl Harbor in December 1941. 

Jules Aaron, the play’s award-winning director, noted in an interview with the Journal that the play would open nine days after the U.S. presidential election, and he pointed to some analogies between the main characters in the 1939 and 2016 settings.

 “The Mary Pickford persona is that of a very smart, very powerful woman, often resented for holding a powerful position usually reserved for men, certainly a problem that Hillary Clinton has had to deal with,” Aaron said.

On the other hand, Nazi consul Gyssling seems unable to censor himself or keep from making nasty cracks (“I’ll wring your little Jewish neck,” he tells Chaplin at one point). In a director’s touch, Gyssling keeps circling Pickford during their encounter, similar to President-elect Donald Trump walking around and in front of Clinton during their second debate.

In that sense, Aaron observed prior to the U.S. election, the play is “unfortunately” still relevant.

John Morogiello, the author of “The Consul” and 28 other produced plays, got the idea for his current drama after reading an article about Gyssling, a regular at Hollywood parties, long after the latter’s death. An ardent fan of old movies, Morogiello said that by the late ’30s, Chaplin felt he wanted to make an impact beyond his film persona as a silent clown and risked his career on his first talkie.

The actual circumstances surrounding the near death of “The Great Dictator” differ from those of the play but in a sense are as dramatic as the playwright’s imagination. All the characters in the play, aside from the secretary, actually existed, but their interactions were rather different.

For one, there never was a meeting between Chaplin, Pickford and Gyssling, Morogiello said. The consul’s job was, indeed, to keep Hollywood from making anti-Nazi films, but in real life, he would have turned to the man powerful enough to censor or abort movie projects — Joseph Breen, enforcer of the movie industry’s Hays moral code and a notorious anti-Semite. One clause in the code forbade any Hollywood film to insult the head of a foreign state, and in real life Breen himself would have confronted Pickford and told her to scuttle any idea of producing “The Great Dictator,” Morogiello said. (In actuality, Breen did not get involved in this particular case.) 

There is one more Jewish aspect in the play, but Morogiello asked it not be revealed so as to not spoil the surprise for audiences.

“The Consul, the Tramp and America’s Sweetheart” runs through Dec. 18 at  the Reuben Cordova Theatre in Beverly Hills. For tickets and more information, visit Theatre 40.

Play about Chaplin’s ‘Great Dictator’ echoes politics of today Read More »

Klezmatics bringing a healthy dose of heresy on tour

Grab your children and your grandparents! A band of Yiddish heretics are zingen their way to Southern California!

Not that you should worry. These heretics, the Klezmatics, are happy and coming to share their zest for Eastern European Ashkenazi-inspired music.

What is so heretical about a long-established Grammy-winning group setting out on its 30th anniversary tour with December stops in Los Angeles and Costa Mesa? Along with the usual Yiddishe party music — which also includes songs by Woodie Guthrie — the band will perform songs from its new album, provocatively titled “Apikorsim/Heretics.”

For many Jews, the Yiddish word apikorsim — used as a cutting term by one Jewish denomination to describe the perceived religious deficits of another — is mostly familiar through its use in Chaim Potok’s best-seller from the mid-1960s, “The Chosen.” But Lorin Sklamberg, the Klezmatics’ longtime lead vocalist and accordion, guitar and piano player, doesn’t see it that way. For him, the word’s meaning moves beyond a Jewish showing of disrespect to representing one of the joys of the Jewish world.

“It’s not unusual for us to take things that have a stereotypically negative connotation and turn them around,” Sklamberg said in a recent phone interview the morning after he had flown to New York following a Klezmatics performance in Poland. 

As Sklamberg explained, the band likes to find a “positive aspect of something that might be somewhat controversial.” For instance, the title track of the new album, “Apikorsim,” represents the coming together of a traditional Yiddish dance tune by Klezmatics co-founder, vocalist, and horn and saxophone player Frank London with lyrics by contemporary Yiddish linguist Yuri Vedenyapin, who the band asked to write on the topic. “They just completely went to town on it,” Sklamberg said. And with lyrics like “Happy heretics don’t think about God … Happy heretics have no rabbi … Happy heretics don’t get circumcised,” it’s clear the writers not only had “gone to town,” they had left the shtetl

“You could take it literally or you could take it metaphorically,” Sklamberg said when asked about the song’s provocative lyrics. For him, the song invokes the thoughts that “you don’t need to have all those strictures in your life to enjoy life” and that “you don’t have to abide by Orthodoxy,” he said. 

“One of the nice things about the Jewish world,” he added, “is that there is a tacit acceptance that people allow everyone else to be Jewish in their own way.”

Sklamberg described the band’s following as comprising “everything from religious Jews with yarmulkes and beards to hipsters with tattoos and beards.”

“All of these Jewish worlds have been allowed to co-exist. I think that’s one of the delights of being Jewish,” said the musician, who had a Conservative upbringing at Temple Beth Torah in Alhambra.

Another song on the “Apikorsim/Heretics” album shows the group’s knack for turning around meaning. “Ver Firt Di Ale Shifn?” (Who Guides the Ships?) — with Yiddish lyrics by Zishe Landau (1889-1937) and music by Chava Alberstein — asks, in the form of a riddle, “Who plays with the children, and takes some of them away?”

Sklamberg said initially he was puzzled by the song’s lyrics. “As it turns out, Landau had lost a child, an infant when he was young,” and the poem “was kind of a lullaby for the child,” Sklamberg explained. But he sings the song with a broader meaning. It’s “for all parents who have had the tragedy of losing a child,” he said. “It’s one of the most well-received songs in our concerts.”

Growing up in Monterey Park, Sklamberg was in high school when he began playing accordion in a band called Rimonim that performed Israeli folk-dance music at weddings and bar and bat mitzvah parties.

“I didn’t know how the music was connected to my heritage and how the music I was hearing in shul was related to what we were playing,” he recalled. “There were people around I could have asked, but I didn’t think to do it.

“When I moved to New York and started studying Yiddish and getting involved with the Klezmatics, I started to see how all these things that I had grown up with were interconnected,” said Sklamberg, who as an original member has been with the band for 30 years.

His experience with listening to Chasidic music in shul and studying Hebrew at his synagogue’s school and Los Angeles
Hebrew High School helped ease his evolution to klezmer. “All these tools were really helpful in becoming proficient in Yiddish instrumental and vocal music,” he said, voicing a conclusion he laughingly acknowledged would make his Hebrew school teachers happy.

One of the ways the Klezmatics keep their audiences happy is when they conclude each show with “Mazel Tov,” a “little lullaby waltz” written by Yiddish singer, actor and impresario Boris Thomashefsky. The group plays it at the end to “wish everyone well and off into the night,” said Sklamberg, who sings it sweetly and innocently — without a heretical note.

“Every star that shines above us,” it begins, “should always shine on our future.” 

The Klezmatics will perform Dec. 19 at the Pico Union Project in Los Angeles and Dec. 22 at the Segerstrom Center for the Arts in Costa Mesa. For more information, visit Segerstrom Center for the Arts in Costa Mesa or Pico Union Project.

Klezmatics bringing a healthy dose of heresy on tour Read More »

Moving and Shaking: Israel Film Festival, Tour de Summer Camps and more

Choking back tears, Israel Film Festival (IFF) founder and director Meir Fenigstein thanked the 500 guests who attended a gala event Nov. 9 at the Beverly Wilshire hotel marking the 30th anniversary of the annual festival in the Los Angeles area.

“Thirty years ago, I could not have imagined how far this event would come. This festival has now brought over 1,000 Israeli films and hundreds of filmmakers to reach over 1 million people here in the United States,” he said.

Fenigstein recalled how he started the festival in Boston with only six Israeli films over four days. Today, the festival screens more than 30 Israeli films, including features, documentaries and students’ films and runs close to two weeks, ending this year on Nov. 23. The festival previously took place in other U.S. cities as well but has been only in Los Angeles the past few years. 

At the gala, a day after the presidential election, actress Natalie Portman accepted the Israel Film Festival Achievement award. Israeli-born Portman, who is pregnant with her second child and who supported Hillary Clinton, discussed the election without mentioning the winner, Donald Trump, by name.

“Let’s look into each other’s hearts, express our own and use our curiosity against future simplification and fanaticism. Fanatics have no sense of humor and very seldom are they curious. Tonight, let’s celebrate these curious artists exercising, in the words of Amos Oz, ‘the moral virtue of curiosity,’ ” she said.

Portman also talked about her directorial debut, “A Tale of Love and Darkness,” based on the autobiography of Israeli author Oz. Portman also wrote the script and starred in the film.  

Actress Sharon Stone, the recipient of the IFF Career Achievement award, spoke of her friendship with the late Israeli President Shimon Peres, with whom she co-founded the YaLa young leaders’ peace movement, a global online organization. Peres “was one of the most brilliant people I’ve ever met and I’m truly going to miss him,” she said.

Jay Sanderson, president and CEO of the Jewish Federation of Greater Los Angeles, received the Community Leadership award.

Ayala Or-El, Contributing Writer


Sam Grundwerg, consul general of Israel in L.A., with fellow riders at the Tour de Summer Camps fundraiser. Photo by Howard Pasamanick Photography

Despite a brief bout of inclement weather, the Jewish Federation of Greater Los Angeles hosted its fourth annual Tour de Summer Camps cycling fundraiser on Oct. 30.

The community-wide event raised $1.2 million to provide youngsters with scholarships to Jewish summer camps. The goal is to provide children with an opportunity to make lifelong friends and build a strong connection to Judaism through their camp experience.

More than 560 registered riders chose one of the four routes, which began at Camp Alonim at the Brandeis-Bardin campus of American Jewish University in Simi Valley. The routes were 18 miles, 36 miles, 62 miles and 100 miles in length. Among the riders this year was Sam Grundwerg, consul general of Israel in Los Angeles.

Jay Sanderson, president and CEO of Federation, said in a statement, “Sunday was a once-in-a-lifetime experience as we set the record in raising money for scholarships to send kids to Jewish summer camp. We couldn’t have predicted the [rainy] weather — but in the end, the rain combined with the excitement of the riders made for an unforgettable day. This was our most successful Tour de Summer Camps to date. The community truly came together for an important cause.”

The $1.2 million raised by the event is enough to provide 1,500 children with camp scholarships.

— Julie Bien, Contributing Writer


From left: Philanthropist Claude Mann at the L.A. Sephardic Film Festival with Sephardic Legacy Award recipient Jeannine Sefton, SEC director Rabbi Daniel Bouskila, Cinema Sephardic Lifetime Achievement Award recipient Enrico Macias, SEC president and film fest co-founder Neil Sheff and film fest co-founder Sarita Fields. Photo by Michelle Mivzari

During the recent 13th Los Angeles Sephardic Film Festival, three honorees received the Sephardic Educational Center (SEC) awards. 

The Maimonides Leadership Award went to Rae Cohen, community activist and past president of the Los Angeles Sephardic Home for the Aging (LASHA); Jeannine Sefton, founding member of the SEC, received the Sephardic Legacy Award; and French singer Enrico Macias received the Cinema Sephardic Lifetime Achievement Award.

Algerian-born Macias, who fled to France following the Algerian War of Independence in 1961, gave an emotional speech. “You are my family, my people,” said the 77-year-old chansonnier. “Whenever I come to Los Angeles, I feel like I come home because I have friends here who accept me with lots of love.” 

Macias talked about his desire to see an end to the conflict between Jews and Muslims: “I want to have peace between all the people, no more wars, no more conflicts, only friendship and love. I also don’t want to see separation between Sephardic and Ashkenazi [Jews]. Our people had suffered and known tragedies throughout our history and I want to reunite them all to be stronger and united.”

Attorney Neil Sheff, SEC president, who helped create the film festival, and Rabbi Daniel Bouskila, SEC director, gave each honoree a golden menorah. 

“Being a Sephardic Jew in this day and age is no longer an ethnic definition — it’s open to Jews of all backgrounds, whether they are Sephardic, Ashkenazi, Reform or Orthodox,” Bouskila said.

Macias performed some of his signature songs: “Je quitte mon pays” and “Le millionnaire du dimanche” to the delight of the audience, which sang along with him in French. 

The SEC, an international nonprofit education and cultural organization, was founded 36 years ago and has a campus in Jerusalem. The weeklong film festival, which ended Nov. 20, featured 10 films about Jewish and Middle Eastern communities in Greece, Italy, Australia and Israel, and was held at Laemmle’s Music Hall Theater in Beverly Hills. 

Ayala Or-El, Contributing Writer


Members of the Jewish Venture Philanthropy Fund gather with JVPF-LA grantees from ITIM, Jewish Women International and TRIBE Media Corp. Photo by Jonathan Gerber

At a Nov. 10 dinner in Brentwood, the Jewish Venture Philanthropy Fund–LA (JVPF-LA) awarded a total of $175,000 in investment grants to the nonprofits ITIM, Jewish Women International and TRIBE Media Corp., parent organization of the Jewish Journal.

JVPF-LA, which was founded in 2003, is an independent giving circle of individuals who pool their financial resources to fund innovative programs consistent with Jewish values. 

More than 30 JVPF-LA members gathered at the home of Steve and Julie Bram to celebrate the three final awardees, which were selected from a pool of 73 applicants. “Our JVPF awards dinner is hands down my favorite night of the year,” said Julie Bram, “We shine a light on remarkable organizations doing great work.”

ITIM helps people in Israel navigate the religious bureaucracy, providing Israelis with information and free advocacy services in order to simplify processes like conversion. JVPF-LA granted ITIM a $60,000 challenge grant to fund a conversion program for Russian Jews. 

Jewish Women International received $50,000 from JVPF-LA to expand one of its flagship programs, the Young Women’s Leadership Network (YWLN), to Los Angeles. YWLN helps  Jewish professional women in their 20s and 30s grow as leaders in their workplaces, communities and personal lives. 

TRIBE Media Corp. received $65,000 to significantly increase and expand video content. “This grant will enable us to bring our editorial vision and award-winning journalism to one of the most transformative and important mediums of our time” Journal Editor-in-Chief/Publisher Rob Eshman said. As a result, the Journal will be able to “dramatically increase the number of people we connect, inform and inspire on a daily basis, thus deepening connections to the Jewish community and understanding of the issues and events that shape our lives,” he added. 

“ITIM, Jewish Women International and the Jewish Journal serve diverse populations with different needs in the Jewish community,” said Gary Braitman, co-chair of JVPF-LA. “By investing in these three particular grantees, we are staying true to our mission to contribute to the strengthening of the entire Jewish community.” 

— Julia Moss, Director of Community Engagement


ryant@jewishjournal.com.

Moving and Shaking: Israel Film Festival, Tour de Summer Camps and more Read More »