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September 9, 2015

How do ‘twice-a-year Jews’ feel about that loaded label?

For most of his life, Matthew Michel has walked through the doors of a synagogue on only two occasions every year — the two weightiest holidays in the Jewish calendar and the two that involve the most self-reflection and introspection: Rosh Hashanah and Yom Kippur.

“I grew up going for those high holidays, and it feels like the right thing to do,” Michel, a 29-year-old real-estate professional in Los Angeles, said. 

There is a term for Jews like Michel, who typically attend synagogue only a few times per year, at most, but always go on the High Holy Days, on Rosh Hashanah and Yom Kippur — which, combined, could easily exceed eight to 10 hours in a synagogue over a 10-day span.

That term is “twice-a-year Jews,” and it’s widely known among synagogue-goers who regularly attend services and then see the pews fill up during High Holy Days season with people they hadn’t seen since the previous year’s Days of Awe. The term also carries a bit of a judgmental tone, as noted by several rabbis and self-described “twice-a-year Jews” interviewed for this story.

Michel had never heard about “twice-a-year Jews” before he was asked for this story how it made him feel, and though at first he was apathetic about it — “I’m not taking it too personally. I’ve never heard it before, but it’s funny” — he eventually changed his tune.

“I guess I don’t think it’s a very nice way of putting it,” said Michel, who often goes to Wilshire Boulevard Temple for the High Holy Days but said he’s not yet sure where he’ll get this year’s tickets for himself and his girlfriend. “I don’t really appreciate that kind of comment and being labeled and judged on my level of commitment to my religion.”

Irene Dreayer, who produced the ’90s hit show “Sister, Sister,” said that when she grew up in Florida, her parents, although they were involved in Jewish life and in their synagogue, would typically attend services, and bring Irene, only during the High Holy Days. Now living in Los Angeles, Dreayer said she usually goes to either Sinai Temple or IKAR for Rosh Hashanah and Yom Kippur, but made the argument that it is a mistake to think that “twice-a-year Jews” restrict their Jewish observance to those two days.

“Does that mean you don’t have Rosh  Hashanah dinner? You don’t fast on Yom Kippur? You don’t celebrate Chanukah? I light candles,” Dreayer said.

“Many of our congregants might be categorized as ‘twice-a-year Jews,’ but the truth is they are much more connected than that,” said Rabbi Laura Geller of Temple Emanuel of Beverly Hills, a Reform synagogue. “They might only come to synagogue twice a year for services, but they come to their rabbis; they come to life-cycle events.”

Geller said that while she’d “love to see them more often,” she believes “it’s a mistake to be pejorative about ‘twice-a-year Jews.’ ”

“They are Jews who come to synagogue,” Geller said. “Jews who don’t do anything else or minimally do anything who are still drawn back into a community for the High Holy Days. … There’s power in that.”

Rabbi Ed Feinstein of Valley Beth Shalom (VBS), a Conservative synagogue in Encino, said he’s in “awe” that many Jews feel such a strong desire to reconnect during the High Holy Days and that most who come to VBS stay for the entire service.

“For these people, it’s a very deeply felt commitment, and I [view] that with great respect,” Feinstein said. “I know there are lots of rabbis who have lots of mixed feelings about this, but I’m not one of them. I think this is amazing. I think it’s wonderful.”

Sara Nachlis, a 29-year-old self-described “twice-a-year Jew,” said she takes no offense to the term and enjoys going to Temple Israel of Long Beach for the High Holy Days. For Nachlis, her tradition is “familiar” and “just what you do,” and it “makes [her] mother happy” (of course), but now she also enjoys it. “I go because I want to,” she said.

“I don’t feel like its derogatory, and I feel like it does describe me,” Nachlis said. “I don’t feel bad for going only then.”

And although her religious observance outside of the two biggest holidays is minimal, Nachlis said she has no “set of rules” that she follows. For example, she said she will light Shabbat candles with her mother if they’re having dinner together on a Friday night.

“If someone says, ‘Hey, I’m going to temple on Friday, do you want to come?’ I’m not going to say, ‘No, I only go twice a year!’ ” Nachlis said. “I feel more spiritually Jewish than I feel the need for the actual synagogue experience, except for on High Holy Days, because I feel like you need that then.”

But a few rabbis said that if someone is going to come to synagogue only a handful of times during the year, Rosh Hashanah and Yom Kippur may not be the most representative of what Judaism has to offer.

“I actually feel kind of sad that they only come twice a year,” said Rabbi Susan Nanus of Wilshire Boulevard Temple. “I wish they would give synagogue a chance during the year because, really, High Holy Days are the most somber, the most serious time of the year.”

“Pick two other days,” Geller said, “because the real significance of the high holidays is only fully understood within the context of a more full Jewish year.”

Geller said her top picks are Sukkot and Passover, but she tempered that by adding, “I’m also not naive enough to believe that would happen. There’s something very powerful about these high holidays.”

Rabbi Kalman Topp of Beth Jacob Congregation, a Modern Orthodox synagogue, rejected the term “twice-a-year-Jew.” “Every Jew is a Jew all year round,” he said, but added that attending a synagogue’s Shabbat service and meals is also important in order for someone to get the “full flavor of Judaism.”

“One can make the argument that even though Yom Kippur is the holiest day of the year, perhaps it’s better to attend a regular Shabbat,” Topp said. “Rosh Hashanah, Yom Kippur [and] Pesach night are very intense events. They are holy, cathartic, transformative — but extreme. You have the long days at shul, no eating on Yom Kippur, [a] never-ending meal on Pesach.”

Still, for Topp there’s “tremendous value” in coming just twice a year, both in the inherent significance of attending synagogue and in the potential for more.

“If it’s twice a year, he or she should be open to four times a year next year, or perhaps even, eventually, four times a month,” Topp said.

Perhaps many “twice-a-year Jews” do use the High Holy Days as a stepping stone to increased observance or increased synagogue attendance. Michel, for example, said he feels a pull to connect more often during the High Holy Days season.

“Whenever I’m at temple, I always get the feeling like, ‘Oh gosh, I actually do enjoy it. I should come more frequently.’ And then I get back to my normal life, and I don’t,” he said. But even if Michel gets back to his “normal life” every year and doesn’t increase his rate of attendance, the way he put it, he and his girlfriend will be religiously attached to the High Holy Days forever.

“I picture when we start our own family I’ll have that same type of [approach] — ‘OK, we go at least once a year, at most twice a year.’ ”

How do ‘twice-a-year Jews’ feel about that loaded label? Read More »

Calendar: Sept. 11-17

FRI | SEPT 11

A SPECIAL MORNING WITH DANIELLE BERRIN

The letters “r-e” begin some of the most powerful words in the English language. Jewish Journal’s senior reporter and columnist Danielle Berrin will start off this morning discussing “Re-start, Re-claim, Re-vive: The Great Spiritual Power of a Prefix.” It is a call to activate, literally meaning “once more,” “afresh” or “anew.” What do we do to reinvent our careers? Reclaim our purpose? Rekindle love? Berrin, who was named top columnist at the 2015 L.A. Press Club’s Southern California Journalism Awards and served as an American Jewish World Service Global Justice Fellow, will share her spiritual journey. Timed for the High Holy Days, which call us to “return” (teshuvah) to who we are meant to be in this world, the program is presented by University Women at the American Jewish University (AJU). University Women also assists future leaders by raising funds for student scholarships and supports AJU libraries. 10 a.m. Free for University Women members; $36 for nonmembers. Includes a light breakfast. American Jewish University Familian Campus, 15600 Mulholland Drive, Los Angeles. ” target=”_blank”>music.usc.edu/events

SAT | SEPT 12

LORRAINE BUBAR: “NOT HOME”

Lorraine Bubar’s new artwork addresses our relationship and connection to “home,” exploring urban settings and an ever-evolving political and social landscape through multilayered, textured and colorful paper formed into intricate shapes. Her painterly influences, her love of Japanese woodblock prints and her connection to the heritage of traditional paper cutting is also evident in this work. As she reflects on the congestion of urban life, her imagery becomes more dense and complex. 5 p.m. Free. TAG Gallery, Bergamot Station, 2525 Michigan Ave., Santa Monica. (310) 829-9556. SUN | SEPT 13

GOURMET ROSH HASHANAH DINNER

Join the Chabad of Toluca Lake for a traditional yet gourmet Rosh Hashanah dinner. This delicious kosher meal follows a free, joyful and inspiring High Holy Day service. This will be a night to remember with family and friends. Seats are limited, but everyone is included. There is a playground for children, and luxury accommodations for those who would like to stay overnight. Dinner: $18; $12 for children. RSVP required at THURS | SEPT 17

THIRD ANNUAL WOMAN-TO-WOMAN CONFERENCE: “LIVING YOUR AUTHENTIC LIFE”

Come listen to four highly accomplished women from very different professions as they inspire with their stories of adversity on their paths to success. This year’s speakers include Kristi Funk, a surgeon and co-founder of the Pink Lotus Breast Center; Anita Mann, Emmy Award-winning choreographer, dancer and producer; Ethel L. McGuire, former FBI special agent and current Los Angeles World Airports assistant police chief for Homeland Security and Intelligence; and Heather Thomson, cast member of Bravo’s “Real Housewives of New York City” and designer of the fashion brand Yummie. Kiki Elrod, former Miss North Carolina and second runner-up to Miss America, will serve as event host. Presented by Jewish Vocational Services (JVS) Women’s Leadership Network (WLN), a nonprofit organization working to help support women in transition by focusing on confidence building, leadership training and networking. The mission of JVS Los Angeles is to help lift people out of poverty and assist them to overcome obstacles to employment. WLN works to assist JVS with efforts such as WoMentoring, a career-mentoring program that matches women in career transition with mentors who are accomplished professionals. 8 a.m., continental breakfast and networking; 9 a.m., program and luncheon. $200. Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles.” target=”_blank”> jewishla.org/yala

Calendar: Sept. 11-17 Read More »

Preparing for the year end and the new year

The beginning and end of each year are times that stimulate all of us to think. Even those who are not in the habit of making a daily “accounting of this world” (Bava Batra 78b) tend to do so at these moments, these days that are so conducive to examining, summing up and planning. 

Beloved are the People of Israel. The Almighty gave us times and festivals at the beginning and end of each year, for contemplation; for receiving answers to our most urgent questions; and for confronting the challenges that we may face in the (hopefully better) days ahead. 

And if this is true every year, how much more must we think, repent and make good decisions when the days of the year give us no rest, and when the routine of daily life blurs our most fundamental thoughts: What is life about? What do we live for? Where are we going? 

The days of the month of Elul, and the following month — the seventh month, Tishrei, with its numerous festivals and special days — are bountiful both in their commandments and in their prayers. All this is so much to take in, we may become insensitive to the days’ messages. Furthermore, the month of Elul and the festivals of Tishrei each demand very different intentionalities on our part. 

The month of Elul does not have a specific focus, unlike Yom Kippur, which is a single day of total concentration. And the Days of Awe between Rosh Hashanah and Yom Kippur, which have a stern aspect to them, are not at all like the days of Sukkot and Simchat Torah, days of relaxation and joy. 

In each case, we will not be able to understand or fathom the significance of the answers that we may receive, unless we first pose the appropriate questions. It is said that the wise person’s question contains the seed of the reply. Therefore, to prepare for the end of the year and the beginning of the next, we first need to contemplate the questions that ought to be asked. By honing our questions, we create the soil upon which the answers can sprout into substantial influence. 

This kind of preparation for the festivals is an ancient custom. Our rabbis say we should begin public study of an upcoming festival quite a long time before its arrival (Pesahim 6a). Beyond the need to teach and remind ourselves of the festival’s laws, there is also a psychological purpose to this study: to prepare ourselves both for the rituals that we will do and for our mindset, how we are going to enter into the festival. This is the work of plowing, which prepares the soil to take in the gifts of heavenly bounty and make them grow. 

In all aspects of spiritual life there is, of course, room for a great amount of privacy and individuality. In the words of the wisest of all men (Proverbs 14:10): “The heart knows its own bitterness, and no stranger has a part in its joys.” Private, inner experiences cannot be fully shared with others. Perhaps it is only the ministering angels who can “accept from each other” (see Targum Yonathan to Isaiah 6:3). 

Still, “He fashions their heart alike” (Psalms 33:15), which could also be translated as, “He creates their hearts together.” Despite all the differences and partitions dividing one soul from another, Jewish souls are bound in some way. This closeness enables us to be givers and receivers even in those things that come from the innermost recesses of our hearts. We must therefore try to receive from each other virtues and emotions that will help each and every one of us find our own personal path to the Almighty Creator. 

Rabbi Adin Even-Israel Steinsaltz is a leading Jewish scholar and author of more than 60 books, including an acclaimed commentary on the Talmud.

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Blowing the shofar can be a dangerous exercise in chutzpah

“Hold her tongue!”

That’s what I remember: my sister calling out for someone to hold my tongue. 

I remember how my vision turned black, how my knees buckled and my body collapsed — a thud onto the bimah like the drop of a heavy curtain.

My oxygen supply was cut off to my brain, something called cerebral hypoxia. I fainted and convulsed, my body uncontrollably jolting. I heard the members of the congregation, too, and how far away they sounded.

“Is there a doctor?” voices called out. (And for the first time in High Holy Days history, there were absolutely none.)

Not much later, I was sitting in an emergency room at Cedars-Sinai Medical Center. 

“I was blowing on a ram’s horn, and I lost consciousness,” I said while lying down in a curtained room with an I.V., as men and women in scrubs scribbled down notes.

“A shofar?” one of them asked. (And that’s when I found my Jewish doctor.)

This all happened last Rosh Hashanah, and I haven’t blown a shofar since. About a year after the incident, I decided to see where I went wrong and got on the phone with “master blaster” Michael Chusid, author of “Hearing Shofar: The Still Small Voice of the Ram’s Horn.” If there’s such a thing as a shofar professional, Chusid is the man. 

“Had you been practicing throughout the month of Elul?” he asked me.

“No,” I told him. I hadn’t practiced. 

Elul is the Hebrew month of preparation before the High Holy Days. A well-versed shofar blower such as Chusid, who lives in the San Fernando Valley, uses this month to exercise his pipes — the ancient instrument is traditionally blown almost every day during this time. Perhaps if I had done likewise, I could have avoided the spectacle.

“How could I have so much chutzpah to attempt to blow the shofar with no preparation?” I sighed.

“Don’t be so hard on yourself! That chutzpah was your preparation!” Chusid consoled.

To Chusid, the shofar is an act of devotion, for which he is the conduit. 

“It’s not me blowing the shofar. Yes, the air comes from my body, but that’s not where the sound comes from. When I’m sounding the shofar, I sometimes disappear. I’m not aware of my own body. I’m not aware of blowing the shofar. I’m just completely tuned into hearing it,” he said, taking long thoughtful pauses between words, stretching out the syllables.

“It took me 40 years and five minutes to learn to blow the shofar,” he said. “It’s about rite,” meaning that it’s a rite of passage; it happens when the right time comes.

I realized, suddenly, that I had never learned — or even tried to learn — to actually play the shofar. I’d taken a few trumpet lessons a few years back, convinced I was the next trumpet virtuoso — which, I soon found out, was not the case — so I used my cumulative three hours of training in that arena and tried to apply them to the shofar. Chusid made sure to mention that there are drastic differences in playing the two.

“Do you have a shofar there?” Chusid finally asked. “It’s Elul. I haven’t heard it yet today.”

He caught me off guard. I called him because he was a certified expert on the shofar, but now he was asking me to perform over the phone. I was hesitant — the last time I’d attempted this, my driver’s license got revoked. (It’s since been reinstated.)

“Not with me, but I can get one in a second,” I said. 

For the next hour, Chusid became the Mr. Miyagi to my Karate Kid. We switched from phone to Skype to commemorate the shift.

“When a student is ready, a teacher appears,” he said in a calm sage-like way. 

My grandfather’s shofar — the one I used in shul a year ago before collapsing during the tekiah gedolah — is yellow with striations and milk spots. The mouth of it, broken in from too much use, sinks down like a sealed cave. The shofar twists like a ring of smoke, spouting up and out. It smells like animal and tastes like sour bone.

“Are you wearing shoes?” he asked as I settled back onto the floor with the horn. I wasn’t. “Good,” he said, “the place you’re sitting is holy.” 

Here we were, centuries after Abraham and Isaac and the ram that got its horns stuck in the thicket, continuing an ancient tradition, taking turns sounding the shofar over Skype. We went through the scales, the mouth positions, the context (about echoing the tears shed by the mother of Sisera as she mourned the death of her son in the Book of Judges) and the mental approach.

“The shofar blower is supposed to blow as if this is his or her last breath,” Chusid said.

Tekiah gedolah is the last movement. After tekiah, after shevarim, after teruah, tekiah gedolah is the show-stopper, the final encore. When it’s called, the chazzan is crying, “This is the end.” 

The shofar is a siren. At this time of year, it is a wake-up call. In battle, it’s a cry. Joshua and his army circled the walls of Jericho seven times. On the seventh, they brought out their horns, pigeon-breasted. Tekiah gedolah broke through stone and mortar.

Dipping in and out of connection, and rattling through my computer speaker’s static, Chusid blew the shofar. The noise sounded pixelated and warped, but still, it sounded. 

“It’s magical to make the noise because it’s not far away on some mountaintop, or deep in the ocean, but on your lips,” he said. 

Together, we went through the movements in order: tekiah: unbroken and singular; shevarim: three hiccups; teruah: nine whiplashing stutters. And then the last, at long last, tekiah gedolah.

At first, I was anxious and unsure, my palms sweaty. But Chusid was right there with me, streaming through my webcam. I took a deep breath, filled my lungs to the brim with air, set my lips to the horn … and I wailed. 

Blowing the shofar can be a dangerous exercise in chutzpah Read More »

A Truer Place

I'd like to do tsuvah to be unified in deed and action, self and action

hide not from What I Am, hide not from myself.

Release it and transmute all in this

lay down that life which is not mine

to be myself and return all else

make amends by 

stiching her back into the whole

in a different place than where I have held it captive. 

That's called putting the kingdom back together

ciclical

All has a truer place. 

A Truer Place Read More »

‘Weeds’ star Justin Kirk: From rolling papers to ‘paper bullets’

Justin Kirk is perhaps best known for playing one of the naughtiest Jewish characters ever to have graced the small screen: On Showtime’s “Weeds,” he portrayed Andy Botwin — brother-in-law to Mary-Louise Parker’s pot-selling widow — who dodges military service by signing up for, of all things, rabbinical school.

“It comes up that my character had, years before, enlisted in the reserves, drunkenly, to impress a girl,” Kirk said recently at the Geffen Playhouse, over lunch between rehearsals of Rolin Jones’ racy “These Paper Bullets! A Modish Ripoff of William Shakespeare’s ‘Much Ado About Nothing,’ ” which opens Sept. 16.

“When my character gets called up to go to Iraq, I explore various ways to get out of it, and I find that one way is to become a clergyman. And so I go to rabbinical school, where I meet a very tough and sexy teacher played by the Israeli actress Meital Dohan.”

What ensues is one of the more memorable scenes involving a Jewish communal worker on TV: “I get particularly hot for Meital’s character but I’m too, sort of, soft for her taste,” Kirk, who has mischievous blue eyes and is still boyish at 46, said with a laugh. “She usually likes big, strapping Israeli military guys. But then she says to me, ‘You do have the qualities that I look for when I have sex with women.’ So when we finally get down to business, let’s say things proceed in a way where she is more dominating.” 

“The crazier something gets, the better I like it,” Kirk said of all his work.

He’ll have plenty of opportunities to show off his broad comedy chops as he plays another libidinous character in “These Paper Bullets!” The show resets Shakespeare’s “Much Ado” in 1960s London and reinvents the romp’s returning war heroes as a rock ’n’ roll band, not unlike The Beatles, that has just arrived home from “conquering” fans in the United States.

While the Bard’s characters dwell in the Italian city of Messina, “Bullets’ ” pop quartet immediately takes up residence at a fictional London hotel, also called the Messina, where they’re hemmed in by screaming fans as they attempt to cut a new album. Kirk plays Ben, a riff on “Much Ado’s” warrior character of Benedick, who faces off in hilariously prickly dialogue with his past and future love interest, Bea. 

“Ben is cynical about love, but in a different way than in the classic ‘Much Ado,’ ” Kirk said, picking off onions from his turkey sandwich so as not to offend his co-star during a kissing scene in an upcoming rehearsal. “[Benedick] is a bachelor because he’s just not [into marriage], whereas Ben is single because he’s a rock star and has lots of groupies every night.”

Kirk sings and plays guitar in the eight songs throughout the play, all written by Green Day frontman Billie Joe Armstrong; for the actor, it was a way to return to the musical roots of his 20s, when he performed in bands in New York. 

Kirk also was drawn to the project because playwright Jones, a 2006 Pulitzer Prize finalist for his play “The Intelligent Design of Jenny Chow” as well as a former writer on “Weeds,” “is not only one of my dearest friends but also one of our finest writers,” he said. “And what makes this play so special is not only Rolin, but also Shakespeare and Billie Joe.”

Jones, for his part, said he is such a fan of Kirk that he wrote the character of Ben and, indeed, the entire play especially for him. “There’s a winningness Justin has that makes audiences root for him, whether he’s exuding the immaturity of the Botwin character or the cynicism of Ben,” Jones said in a telephone interview. “It makes everyone want to lean in and hang out with him.”

Kirk’s childhood was distinctly Bohemian. His mother, who hails from a Russian-Jewish family, was a chanteuse who met his Danish-English father while performing in a coffee house in Oregon in the early 1970s. The couple never married, and Kirk’s father went on to become a photographer in the pornography industry in Van Nuys. 

“I have a framed picture of my dad arm in arm with John Holmes — my father fully clothed and Holmes stark naked,” Kirk said.

His observations of the “Boogie Nights”-era “probably informed various things in my life; I mean everything does when you’re that age,” Kirk said. “As for what, you’d have to ask my shrink or past paramours.” 

Kirk first appeared onstage in Bertolt Brecht’s “The Caucasian Chalk Circle” at an Oregon community college when he was 7; he went on to attend New York’s esteemed Circle in the Square drama school and held down a variety of odd jobs early in his career. The most unusual was his short stint working the midnight shift at a gay porn theater: “I thought it seemed very titillating and very dark,” he said of why he took the job. “Once an hour, I would walk through the theater sweeping up cigarette butts and, if there was anything untoward going on, I would shine a flashlight and say, ‘Take it into the back room, guys.’ ”

Eventually, Kirk made his Broadway debut playing a paralyzed young man in Frank D. Gilroy’s “Any Given Day”; he starred as a Jewish piano prodigy whose Austrian teacher might be a Nazi in Jon Marans’ “Old Wicked Songs” and portrayed the gay character of Prior Walter in HBO’s movie version of Tony Kushner’s “Angels in America.” 

Kirk began his television career, in earnest, on the WB comedy drama “Jack and Jill” in 1999 and recently starred as a mysterious American businessman in the FX drama “Tyrant” — before strife in Gaza forced the production to relocate from Israel to Istanbul.

“We had air-raid sirens go off every day,” Kirk recalled of his time living in Tel Aviv.  “It was wild. But as horrific as all that was, I was glad to be able to witness it.”

Kirk said he was unable to perform in the original production of “These Paper Bullets!” at the Yale Repertory Theatre last year “because I was in Israel dodging rocket fire.” But he’s grateful for the opportunity to star in the Los Angeles production, which will move to New York’s Atlantic Theater Company later this year.

“Theater can be a grind; doing eight shows a week can be a crazy life,” Kirk said. “But I feel like I could do this play for a long time. It’s so pleasurable to do this piece of theater.

‘Weeds’ star Justin Kirk: From rolling papers to ‘paper bullets’ Read More »

New Machzor offers progressive take on gender equality, LGBT acceptance

From the Reader’s Kaddish to Ralph Waldo Emerson, a new set of High Holy Days prayer books for the Reform movement is filled with an eclectic mix of texts. 

“The purpose of the book is to be open to everybody. So if someone doesn’t connect to a prayer, there are many alternatives,” said Rabbi Denise Eger, rabbi at Congregation Kol Ami in West Hollywood and president of the Central Conference of American Rabbis (CCAR), which publishes the machzors. 

But the changes in the two-book set, “Mishkan HaNefesh” (Sanctuary of the Soul), go much deeper than the addition of poems, essays, meditations and even artwork to its 1978 predecessor, “Gates of Repentance.” The standard prayers — in Hebrew and English text, with full transliterations — are part of volumes that offer a progressive take on gender equality and LGBT acceptance.

One noticeable difference is the changes when referring to God’s gender. Unlike traditional Hebrew prayer, where God is exclusively referred to as “He,” the new prayer book uses gender-neutral terminology, according to Rabbi Hara Person, publisher and director of CCAR Press.

“For the most part, we didn’t change the Hebrew text, except for a couple of instances, where we give a version in the feminine,” Person said. “There are places where we used both male and female imagery when referring to God. We’ll also use one image when it works, and another image when that works best. It’s gender neutral except when we’re trying to invoke a certain feeling.” 

Also, while congregants traditionally are called up to the Torah by their Hebrew names, which includes being identified as the son or daughter of their parents, “Mishkan HaNefesh” includes a third option. For those who do not identify as “ben” (son) or “bat” (daughter), they can be described as “mi-bayit,” or coming from the house of their parent.

The two-volume machzor includes separate books for Rosh Hashanah and Yom Kippur. They will be used at about 300 Reform congregations in the U.S. this year, as well as in several Hillels and hospitals with Jewish chaplains, according to Eger. 

Although officially making its debut now, the book has been in the works for years and has been test piloted by congregations across the country. 

“We field tested it with members of our synagogue and overall had such a positive response,” Rabbi Suzanne Singer, senior rabbi of Temple Beth El in Riverside, told the Journal. “There were a few passages that we didn’t like — we didn’t think they inspired awe, and were [not] uplifting — and when we told them about it, they addressed those concerns.”

The CCAR’s previous prayer book for the High Holy Days featured only Hebrew prayers and translations, along with scattered commentaries. Rabbi Morley Feinstein of University Synagogue in Brentwood views the book as a stepping stone for himself and his colleagues.

“[The book] challenged us as clergy to make decisions on how to go from the beginning of a service to the end,” Feinstein said. “There are times when we only use the traditional Hebrew, and there are other times when we also want to incorporate something new, where someone who is having difficulty relating to the text can find another way.”

For those who do not connect with the classical liturgical text, there are counter-texts that argue with the prayer. “A Prayer of Protest,” for example, is offered as an alternative to the prayer of Avinu Malkeinu, which discusses God’s compassion. 

“Some of us have cancer. Some of us can’t find work. … Some of us have lost a child,” “A Prayer of Protest” says. “Avinu Malkeinu, why? Avinu Malkeinu, are you there? Do you care? Restore our faith in life. Restore our faith in you.”

“Many people are really struggling and are sitting there angry at God,” Person said. “ ‘A Prayer of Protest’ acknowledges that struggle.”

There is also an alternative for those who have trouble with the frequent standing that the service requires. On the page opposite Asher Yatzar, which thanks God for a healthy human body, it acknowledges one’s physical struggle:

 “I can look at my body as an old friend who needs my help,” it says. “Or an enemy who frustrates me in every way with its frailty and inability to cope. Old friend, I shall try to be of comfort to you to the end.”

Despite all of the additions to the machzor, it was a case of subtraction that got the notice of some congregants testing the prayer book at Beth Chayim Chadashim on West Pico Boulevard. Rabbi Lisa Edwards, whose essay on women’s roles in Rosh Hashanah is included in the prayer book, spoke about some members’ concerns on the shortening of some prayers.

“Some people expected the traditional Torah portion to be complete, which it isn’t exactly,” Edwards told the Journal. “We used a prayer book called ‘Wings of Awe,’ which had a bigger Torah portion. By and large, though, I couldn’t be more thrilled about this new book, and neither could our congregation.”

Still, Person said, “The Hebrew text was barely touched, and the Torah portions in this book have more of the text than ‘Gates of Repentance’ did.” 

Each volume of two — with covers made from recycled soda bottles — costs $42, but synagogues that purchased them early received discounts. While some congregations asked members to buy their own books, others provided them with the help of sponsors. 

Although the covers state that they are for Rosh Hashanah and Yom Kippur, some people, including Eger, think they will be of use all year round.

“While on one hand there is tradition, this new book is something very special,” she said. “This is the people’s machzor, and it’s one that you’re going to want to take home and study and enjoy in your free time, too.” 

New Machzor offers progressive take on gender equality, LGBT acceptance Read More »

Khamenei says Israel will not last 25 more years; will not negotiate with U.S. beyond nuclear talks

Iran's Supreme Leader has said Tehran will not negotiate with the United States on any issue after the landmark nuclear deal with world powers in July and that Israel “will not see next 25 years” and adds that the Jewish state will be hounded until it is destroyed, according to his official website on Wednesday.

The comments appeared to contradict more moderate president Hassan Rouhani, who said on Tuesday the Islamic Republic was ready to hold talks with the United States on ways to resolve Syria's civil war.

“We negotiated with the U.S. on the nuclear issue for specific reasons. (The Americans) behaved well in the talks, but we didn't and we won't allow negotiation with the Americans on other issues,” Ayatollah Khamenei was quoted as saying.

“The Americans are not hiding their animosity towards Iran… Americans in the Congress are plotting and passing bills against us… Negotiations are a tool for them to influence Iran and to impose their will,” Ayatollah Khamenei said to hundreds of visitors to his offices.

Following the nuclear deal between Tehran and world powers, several high diplomatic delegations from Europe have visited Iran, in a possible sign of a thaw after a decade of isolation brought on by international sanctions.

But long-time rivals Tehran and Washington have yet to normalize relations or open a dialogue on their contending policies in the war-torn region.

President Barack Obama on Tuesday secured 42 votes in the U.S. Senate to secure the nuclear deal of which Republicans and pro-Israel lobbies disapprove.

Israeli Prime Minister Benjamin Netanyahu has been a vociferous opponent of the Iran deal, calling it a threat to his country's existence.

“God willing there will be nothing left of the Zionist regime in 25 years,” Khamenei said. “Meanwhile, the heroic jihadi Islamic spirit will not leave the Zionists in peace for a second.”

Khamenei says Israel will not last 25 more years; will not negotiate with U.S. beyond nuclear talks Read More »

The Holocaust in a new and revelatory light

Scholars are notoriously critical and even cranky readers, especially when it comes to the Holocaust. Lucy Dawidowicz (“The War Against the Jews 1933-1945”) was bitterly disparaged by Raul Hilberg (“The Destruction of the European Jews”), and Hilberg was faulted by Hugh Trevor-Roper for inspiring Hannah Arendt’s tendency to blame the victims in “Eichmann in Jerusalem.” Daniel Goldhagen’s “Hitler’s Willing Executioners” may have been a best-seller but he endured a dismissive backlash from his colleagues, ranging from Walter Laqueur to Yehuda Bauer to the inevitable Hilberg, who complained that Goldhagen was “totally wrong about everything.”

So it was not without risk that a young historian named Timothy Snyder ventured into these treacherous waters in 2010 when he published “Bloodlands: Europe Between Hitler and Stalin,” a highly original study of mass murder during World War II that courageously compared the victims of both Nazi and Soviet terror and, intriguingly, reframed the history of the second world war by pointing out that a stretch of territory in Eastern Europe and Western Russia has been mostly overlooked as the ground zero of mass murder in the mid-20th century.

Now Snyder tightens his focus on the Holocaust itself in “Black Earth: The Holocaust as History and Warning” (Tim Duggan Books), and so far he has elicited only the highest esteem of his colleagues. “Timothy Snyder is now our most distinguished historian of evil,” Leon Wieseltier declares. “As he did in ‘Bloodlands,’ ” Deborah Lipstadt adds, “Timothy Snyder makes us rethink those things we were sure we already knew.” To which I must add my own praise: No matter how many histories, biographies and memoirs you may have already read, “Black Earth” will compel you to see the Holocaust in a wholly new and revelatory light.

From the outset of “Black Earth,” Snyder characteristically challenges the whole body of conventional wisdom about the Holocaust. “Our intuitions fail us,” he writes. “We rightly associate the Holocaust with Nazi ideology, but forget that many of the killers were not Nazis or even Germans. We think first of German Jews, although almost all of the Jews killed in the Holocaust lived beyond Germany. We think of concentration camps, though few of the murdered Jews ever saw one.” Above all, he insists that we have not yet fully understood the Holocaust, even after more than 75 years of effort. “The history of the Holocaust is not over,” Snyder writes. “Its precedent is eternal, and its lessons have not yet been learned.”

Hitler’s murderous intent toward the Jews has been no secret since 1925, when “Mein Kampf” (“My Struggle”) was first published, but Snyder allows the modern reader to see Hitler’s Jew-hatred in a wholly new and unexpected context. “An instructive account of the mass murder of the Jews of Europe must be planetary, because Hitler’s thought was ecological,” Snyder writes. “As in Genesis, so in ‘My Struggle,’ nature was a resource for man: but not for all people, only for triumphant races.” The brave new world that he envisioned would be not only Judenfrei, but also cleansed of all human beings whom he regarded as unworthy of life, and all in order to make room for the master race: “After murder, Hitler thought, the next human duty was sex and reproduction.”

Such vaunting aspirations would have remained nothing more than the broodings of an eccentric if Hitler had not also been a master strategist, or so Snyder allows us to see. By 1939, Hitler had succeeded in placing Germany under his totalitarian rule, pushing its boundaries to the outermost limits short of war, and preparing for the war that the Western democracies were willing to do almost anything to avoid. It is no coincidence, Snyder suggests, that the first shots of World War II were fired in Poland, the home of
3 million Jews and the place where the machinery of the Holocaust would be built and operated.

Along the way, Snyder reveals little-known facts that cast a new light on what may seem like a familiar history. Vladimir Jabotinsky, the leader of right-wing Zionism, argued that the mandate to govern Palestine should be given to Poland, which had a more urgent motive than Great Britain to permit the entry of Jews by the millions. And when Snyder considers the so-called Madagascar Plan, a fantasy of some European diplomats based on the transfer of the Jewish population of Europe to that island in the Indian Ocean, he decodes the phrase: “It was synonymous with a Final Solution; or, in Himmler’s words, ‘the complete extirpation of the concept of the Jews,’ ” he writes. “German leaders would later continue to speak of ‘Madagascar’ even after their men had killed the Jews who were supposed to emigrate there.”

Snyder is a disciplined historian whose stock in trade is the documentable fact, but he has an obvious appreciation for poetry and an appreciation of poetic justice. The book opens with fragments of evocative verse, and Snyder pauses here and there to observe, for example, that the invasion of Poland was “a bloody tragedy that was equal to the darkest poetic fantasy.” At the same time, he marks it as a momentous event in Hitler’s grand strategy, which was fixed on the conquest of the Soviet Union: “The Polish state was to be destroyed because in 1939 Hitler was angry and impatient and had no better way of approaching the Soviet border than by obliterating the country that lay between.” And, at the same time, the outbreak of war was a necessary precondition to the Holocaust: “In the zone of double darkness, where Nazi creativity met Soviet precision, the black hole was found.”

A toolmark of Snyder’s study of history is his insistence on reminding us that, when Germany invaded Poland from one side and the Soviet Union did the same from the other side, “[T]he Soviets were the senior partners in political violence.” And it is a measure of Snyder’s vigor as a writer that he memorably describes their policy of murdering the Polish intelligentsia and terrorizing the rest of the population as “the Soviet decapitation of society … accompanied by a zombification of the social body.” But he also concedes that the Nazis engaged in “unprecedented mass murder” when they convinced themselves, in 1941, that “all Jews under their control could be eliminated,” and set out to do so. “By the end of 1941, the Germans, with help from Soviet citizens, had killed some one million Jews in the occupied Soviet Union.”

Although “Black Earth” is an overview of the Holocaust, no telling detail escapes Snyder’s attention. He ponders (and explains) the fact that Estonia and Denmark have much in common and yet 99 percent of the Jews in Estonia were murdered by the Nazis and their collaborators, while 99 percent of the Jews who held Danish citizenship survived. He compares the fate of three important chroniclers of the Holocaust — Victor Klemperer, Anne Frank and Emanuel Ringelblum — and explains why only Klemperer survived. And he explains why some of Germany’s allies did not bother to send their Jews to the Bloodlands, but killed them in home-grown Holocausts of their own.

Perhaps the most emblematic moment in “Black Earth” — a moment that is reminiscent of “Bloodlands” — is when Snyder considers the irony of Auschwitz, which was both a death camp and a labor camp and, for that reason, a place where a few Jews could and did survive. “Almost literally no Jew who stood at the edge of a death pit survived, and almost literally no Jew who entered Treblinka or Belzec or Sobibor or Chelmno survived,” Snyder writes. “The word ‘Auschwitz’ has become a metonym for the Holocaust as a whole. Yet the vast majority of Jews had already been murdered, further east, by the time that Auschwitz became a major killing facility. Yet while Auschwitz has been remembered, most of the Holocaust has been largely forgotten.”

This, of course, is exactly what Snyder sets out to correct. “The Holocaust is not only history, but warning,” he writes, and it is a warning that we ignore at our own peril. 

Jonathan Kirsch, author and publishing attorney, is the author of “The Short, Strange Life of Herschel Grynszpan,” which is quoted and cited in “Black Earth.”

The Holocaust in a new and revelatory light Read More »

Historian Timothy Snyder presents a provocative, new take on the Holocaust

Yale historian Timothy Snyder is among the world’s leading scholars of Eastern Europe. Educated at Oxford, he is the author of five award-winning books, including the acclaimed “Bloodlands: Europe Between Hitler and Stalin,” about Nazi and Soviet mass killings in the 20th century. The book received the Leipzig Prize for European Understanding, the Ralph Waldo Emerson Award in the Humanities and has been translated into more than 20 languages. Snyder’s latest work, “Black Earth: The Holocaust as History and Warning,” explores the events, ideology and political machinery that made mass extermination possible. 

Danielle Berrin: What drew you to the subject of Eastern European history?

Timothy Snyder: The revolutions of 1989. That was the moment that drew me into Eastern Europe and I just stayed. With time, I came to realize that this thing — the Holocaust — was also an Eastern European history, and that it was the responsibility of people who work on Eastern Europe to make sense of the Holocaust; that this was, in a way, the central subject; that there was this kind of dark center to everything. 

DB: What has the world most misunderstood or not understood well enough about Hitler and his thinking?

TS: Hitler’s anti-Semitism is not really about Jews so much as it is about making sense of the world. So when we say that he’s an anti-Semite, that’s true, of course, but in some sense it’s not sufficient. He placed the responsibility on the Jews for all ideas of ethics, all ideas of science, anything that got in the way of making the world the bloody, competitive place that he thought it always was and should be in the future. His anti-Semitism is the matter of a complete worldview; he sees the world as a terrain with finite resources and life as a bloody, racial competition for those resources. He was a kind of anarchic thinker; he wasn’t concerned with making the German state big, strong, precise, bureaucratic and administrative — all these stereotypes we have in our heads — his view is that the state is secondary; the race is what matters. 

DB: How was Hitler able to sell this primitive race ideology — that basically ascribed all of humanity to a dog-eat-dog competition for resources — to a modern, civilized nation such as Germany? Was it his political genius or a more deeply rooted malaise in German society?

TS: Hitler was a very gifted politician. He was good at not revealing the extremity of his views when it wasn’t necessary to do so; it’s all there in the book [“Mein Kampf”], but in his public speeches, he would often be much less radical. Part of his idea is that German patriotism is a force that one has to manipulate in order to [compel] the Germans into the racial war. The second thing is, although Germany in the 1930s was a modern society, there was a very real and legitimate concern about food supplies. The country had been blockaded during the first world war, suffered during the Great Depression and was dependent upon international freight and food. [So] it’s a scenario where a functioning state has a population which is used to a certain standard of living and which is afraid of losing it. 

DB: You claim that the breakdown of states and institutions is what, on a practical level, enabled the mass extermination of Jews. Does that mean part of the answer is to shore up the nation-state system? Because in many parts of the world today, the nation-state is under attack.

TS: If we look at it statistically, we see that in places where the state was destroyed, Jews had a 1 in 20 chance of surviving. In places where the state wasn’t destroyed, it was about 1 in 2. Whenever you wipe out states, it is always ethnic minorities who end up getting treated the worst. I come to the conclusion that it’s important that states — even imperfect states — stand, because the process of destruction is harmful for everyone, but especially for minorities. 

DB: Any thoughts on why Jews, in particular, are subjected to history’s hatreds and persecutions repeatedly?

TS: The Jewish international conspiracy, although it is ridiculous as a factual matter, is a way of making a globalized world make sense. You have to think in planetary terms. Hitler’s anti-Semitism is not so much about the Jews in Germany, because there aren’t that many Jews in Germany — and they’re basically all assimilated — it’s about turning these individuals into a symbol of a world plot that one has to fight against. And that is characteristic of certain moments in world history.

DB: The Soviet Union plays an ambivalent role in the book. On the one hand, you write that the USSR “taught” the Nazis a lot about mass murder. But, on the other hand, the Red Army ultimately did more than any other force to stop them. How should we understand its role?

TS: Since the Soviet Union ended up fighting against Nazi Germany and also ended up being an American ally, the 1939 part of the story about the Soviet-German alliance generally gets swept under the rug. During the war, Americans obviously had no reason to point that out, because the Soviets were our most important ally. And then after the war, the Soviets themselves did a very good job of building up this myth of the liberation of Europe. But looking at this scientifically, you’re going to find all kinds of pieces that don’t really fit together, because that’s the way life is. Before the war, the Soviets had a policy of eliminating anti-Semitism and all other forms of ethnic discrimination. [But] when Germany actually invades the Soviet Union, it turns out that Soviet citizens are willing to collaborate in large enough numbers that the Holocaust can take place as a major shooting campaign [there]. Then it turns out that the major force resisting Hitler is the Red Army, and that [it] actually wins the war in large measure. It’s complicated. 

DB: Poland figures as an interesting case as well — sharing in the prevailing anti-Semitism of the day, but also, actively Zionistic, providing arms and military training to Polish Jews who eventually emigrated to Palestine and became the Irgun [a pre-Israel Defense Forces fighting force]. 

TS: The story about the relationship between the Polish government after 1935 and the origins of the State of Israel was a story worth telling, because it’s not very well known. In the Nazi case, you have this anti-Semitic elite that wants to destroy states, whereas in Poland, you have anti-Semitic politics, but the idea is never to destroy states, the idea is to support the building of a state for Jews. 

DB: Elie Wiesel once said that the lesson of the Holocaust is that you can get away with it. What would you say is the lesson?

TS: One thing that I would like to get across is that even the most horrible events do have explanations that we can understand. And it’s not always comfortable for us to understand, because in order to understand, we have to see how we’re not so far away from the people in question. For me, it’s very important that we have a sense in human history how these things arise, because without that sense, we’re going to be vulnerable in the future.

DB: That’s exactly why “Never forget” became the post-Holocaust mantra of the Jews.

TS: Remembering is very important, but there’s the question of remembering “what?” And that’s where history comes in to complement memory. Remembering has to be more than just the individual and collective experience; it has to be an event that people can understand. 

DB: So what, then, do the historical realities of the 1930s tell us about the world we live in today?

TS: I see a couple of things that trouble me a lot. The first thing is ecological panic: What the 1930s show is that a developed, competent, modern, educated society can get into a situation where worries about standards of living can justify horrifying bloodshed. And we are now drifting toward a world where that kind of thing can very well become likely again, as [we see] poor societies becoming richer societies. The second trend is the state. Everyone seems to take the state for granted. In 2003, we casually did away with the Iraqi state, without really having anything to replace it with, and look how wonderful things are now. And Russia is nihilistically casual with the Ukrainian state, thinking it’s not really a real place. And if you look at our political dialogue in the U.S., there isn’t very much respect for the state either. And [all this] worries me. There is an atmosphere of dread, wherever you go almost — whether it’s Beijing or Tokyo or Kiev or Moscow or Berlin — there is this sense that things are making a turn in the wrong direction.

Historian Timothy Snyder presents a provocative, new take on the Holocaust Read More »