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July 8, 2015

Dustin Hoffman says it’s a great era for television, the worst ever for film

While television has never been better, according to veteran actor and two-time Oscar winner Dustin Hoffman, film has never been worse.

The star of the iconic Mike Nichols 1960s film “The Graduate,” who felt he was miscast because the main character, Benjamin Braddock, seemed to him appropriate for a WASP rather than a Jewish actor, observes that Hollywood is too obsessed with their bottom lines and budgets. He noted that “The Graduate” was a labor of love which screenwriters spent three years developing and took 100 days of shooting in a rather simple set.

The typical time for shooting a movie nowadays is only 20 days, which may be partly attributable to advances in digital technology, but may also be because of dwindling budgets per film to ensure that a larger number of movies get churned out.

Hoffman admits that in Los Angeles he felt encouraged to downplay his Jewishness, although he adds his non observant family did not emphasize being Jewish in the first place. He says the first time he became conscious that he was Jewish, about ten, he was tempted to go to a deli, buy bagels and decorate the Chanukkah bush with them.

“There was insidious anti-semitism in Los Angeles,” Hoffman told JC.com, and he looked forward to moving to New York at the age of 21. “New York was a town that had not had a face lift. It had not had a nose job.”

Hoffman’s first wife, Anne Byrne, was a ballerina of Irish Catholic extraction, and his second wife, Lisa Gottsegen, with whom he has been married for 23 years, has emphasized carrying on their Jewish tradition. Hoffman notes that the children have had bar and bat mitzvahs and they celebrate the holidays. He traces his love of herring and vodka to his Russian and Romanian heritage and adds, “I have a strong reaction to any antisemitism.”

He recalls being confronted in an upscale, pastry cafe outside of Hamburg, after visiting Bergen Belsen with a man screaming “Juden! Dostin Hovvman! Juden!” While the man was escorted out, Hoffman says he feels he should have gone up to the man and said, “Yeah? And? And? What of it?”

The dramatic ending of “Marathon Man” that had Dr. Szell, a Nazi dentist played by Laurence Olivier, falling to his death while trying to retrieve his diamonds, resulted from Dustin Hoffman’s refusal to shoot him point blank, as was written in the script.

He told JC.com, “I won’t play a Jew who cold-bloodedly kills another human being. I won’t become a Nazi to kill a Nazi.”

Hoffman hasn’t abandoned film as a pursuit, and recently starred in a film “The Choir,” about a director of a boarding school choir. He feels his having a leading role may be attributable to the fact he is already a big name, and laments that as actors get older, they are usually relegated to supporting roles. He said his role in “The Choir” should really be a supporting one, since it is “really the story of the boy.”

After 50 years in show business, Hoffman is still going strong. He directed “The Quartet” in 2012, about a group of retired musicians. He experienced disappointment when the HBO TV Series “Luck” was cancelled after its second season.

Dustin Hoffman says if he had not been an actor, he would have been happy being a jazz pianist, but he didn’t feel he was skilled enough to play professionally.

His Aunt Pearl told him that he should not try to be an actor because he was “too ugly,” and his mother suggested that he follow her lead and also get a nose job, reassuring him with “you’ll feel better.”

Mike Nichols asked Hoffman to give a screen test for the part of Benjamin Braddock in “The Graduate,” after seeing Hoffman perform on Broadway, even though Hoffman confessed he imagined an actor like Robert Redford getting the role.

Dustin Hoffman says it’s a great era for television, the worst ever for film Read More »

An optimistic entrepreneur earns his (Akiva) Stripes

While some people wear their hearts on their sleeves, Georgia native Cameron Alpert prefers the front of a T-shirt or a hoodie. That’s what led him to start Akiva Stripe, a Los Angeles-based and Jewish-inspired urban clothing line, with the hope that others will proudly do the same.

“I always thought about ways I could express my Jewish identity in a fashionable way, and I had not found anything in the marketplace that would allow me to do that,” Alpert recalled. “I began to create the shirts and hoodies as an outlet where I could express myself. However, when I started wearing them out in public, I found my friends liked the idea and rallied behind it. From there, I decided to extend my idea into a fully functioning brand.”

The designs for the men’s and women’s tops, developed by hand at a studio in Los Angeles and launched earlier this year, are inspired by various aspects of Jewish and Israeli history, from geographic locales to key events in Jewish history to Jewish iconography.

“For the initial run, I looked for symbols and images I had been exposed to during the course of my lifetime that really spoke to me as touchstones the Jewish wearer could relate to,” said Alpert, 26. “One of my favorite designs, and one of the most popular in sales, is the shirt with the Kohen hands. When I traced my family tree, I had discovered there were Kohen priests in my bloodlines, and the image of the hands themselves were emblematic as a Jewish reference.”

Other designs make use of the Star of David, the hamsa, a kabbalah-inspired Tree of Life, and an image of southern Israel paired with the words “Eretz Yisrael.” Another shirt, called “LAX>TLV,” features abstract artwork of the two cities. 

In his journey to embrace his Jewish identity during college, Alpert was a member of Jewish fraternity AEPi, participated in Hillel and Chabad, and staffed a Birthright trip for USC Hillel. However, the experiences that led him to create Akiva Stripe also had a lot to do with growing up in Georgia in a single-parent home and having mostly non-Jewish friends. He said developing the brand is an outgrowth of his continued desire to celebrate pride in his identity, especially after his move to Los Angeles and his activities during college.

As for the company name, it carries personal and biblical meaning.

“Akiva has always been my favorite Hebrew name, and it’s also a cognate of Jacob, my middle name,” said Alpert, who also works full time as an advertising consultant. 

Akiva means “protector” in Hebrew, and the phrase Akiva Stripe, he said, is intended to hark back to the Exodus, when the Hebrews marked the frames of their doors as protection from the plagues.

Alpert said the clothing emphasizes fit, high-quality fabrics and uses only biodegradable, water-based and discharge inks. Although Akiva Stripe is currently available only online ( An optimistic entrepreneur earns his (Akiva) Stripes Read More »

Bulgarian Jewish group protests partnership with rightist lawmaker

A Jewish group in Bulgaria protested the cooperation of other Jewish organizations with a nationalist lawmaker at the European Parliament.

In a letter sent Monday by the Sofia lodge of the B’nai B’rith Jewish lobby group, the lodge president, Solomon Bali, chided the Simon Wiesenthal Center for cooperating with Angel Dzhambazki, who represents the Bulgarian nationalist VMRO Party, a member of the European Conservatives & Reformists bloc, in Brussels.

Last week, Dzhambazki co-hosted, along with the Wiesenthal Center and the European Jewish Association, a June 30 conference at parliament on Hamas’ anti-Semitism. Shimon Samuels, the center’s director of international affairs, said the meeting was part of a series that is exposing groups to Hamas’ anti-Semitism at each of the European countries’ parliaments that voted in favor of recognizing a Palestinian state last year and earlier in 2015.

“You can see Dzhambazki supporting all anti-gay, anti-Roma, anti-migrant and ultranationalist violent events,” Bali wrote. “It is ridiculous to see Jewish organizations giving legitimacy to such MEPs,” or members of the European Parliament.

A senior representative of Bulgarian Jewry disputed the characterization. Speaking anonymously because he was not authorized to speak on individual political parties, the representative said, “Dzhambazki is a nationalist and his party may have issues with Roma, but there is nothing to prevent cooperating with him or almost any other politician.”

Dzhambazki called Bali’s allegations a “defamation.”

The Shalom Organization of Jews in Bulgaria, the community’s main representative body, is open to cooperation with all parties, including VMRO, except for the far-right Ataka Party, a Shalom spokesman told JTA on Tuesday.

The European Jewish Association wrote about Dzhambazki in a statement following Bali’s letter that he is a “supporter of the fight against anti-Semitism across Europe, as well as being sympathetic to issues of concern for Europe’s Jewish communities. His party is a mainstream right-wing organization.”

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Jewish Learning Exchange recovers from car crash

The floor of the sanctuary was filling with water. Debris was strewn across the sidewalk and front entrance. There was a car where the staff’s office used to be. 

But that could wait. Rabbi Avrohom Czapnik, director of the Jewish Learning Exchange (JLE), had a 6:30 a.m. class to teach. 

“I don’t know what happened,” Czapnik recalled telling his students, “but we have to learn. Let’s do what it is we can do.” 

That was the scene at the nonprofit on the  morning of June 10, a few hours after a car slammed through the front wall of the Hancock Park facility. In addition to crashing into the staff’s office, the vehicle struck a water main, flooding the entire bottom floor of the North La Brea Avenue building. News reports have indicated that the two passengers in the car were not injured and no charges were filed.

The class ended up meeting as planned in an upstairs classroom, and in the weeks since the accident, events, classes, camps and services have continued on their normal schedule at JLE, which promotes participation in Jewish life among Jews of all backgrounds. 

“It’s the Jewish way,” said Czapnik as he gave a tour recently through the bustling building. As staff worked upstairs, an all-girls Jewish summer camp used the rest of the space to prepare for a field trip.

Despite JLE’s perseverance, Czapnik acknowledged that there have been disruptions. All the books in the sanctuary have been stored in boxes, and for the time being, Czapnik and his staff are working out of the upstairs library. Some computers were damaged, as were many files. 

And the building itself will require extensive repairs. On the morning of the accident, the fire department punctured holes in the lower sections of many of the interior walls, cutting some sections of plasterboard off completely. To mitigate the potential for water damage and mold, fans and humidifiers blasted in these areas for over a week. 

An insurance appraiser is still assessing JLE’s coverage, but no matter the outcome, Czapnik said, the incident is certain to cost the nonprofit a significant amount of money. 

And there are less tangible costs: “We don’t have use of our books. You can’t quantify that,” he said. 

JLE accepts donations, but more important, Czapnik insisted, is that people “get more involved Jewishly.” 

JLE was founded more than 25 years ago and offers a variety of classes, services and lectures; it also has a Jewish library and offers one-on-one learning. Although the synagogue is Orthodox, Czapnik emphasized that Jews of all traditions and levels of familiarity are welcome to use its resources, most of which are free. 

The community also offers home hospitality on Shabbat, including meals and a place to sleep. Last month, Czapnik began teaching an introductory Torah study course — a follow-up to his “Crash Course in Reading Hebrew.” 

Czapnik took over for the center’s founder, Rabbi Yitzchok Kirzner, about 20 years ago, and said he has no plans to slow down despite current challenges.

“We are juggling, but we are trying to keep all of our programs running at the same time,” Czapnik said. 

Jewish Learning Exchange recovers from car crash Read More »

Lines, color and war: Painting as a form of healing

In the summer of 2014, images of war filled our television and computer screens as Israel bombed the Gaza Strip and Hamas launched rockets into Israel. Palestinian casualties heavily outnumbered Israeli deaths (more than 2,100 Palestinians compared with fewer than 100 Israelis, according to the United Nations Office for the Coordination of Humanitarian Affairs). As tempers flared and fingers were pointed, media reports of the war’s toll in Gaza were criticized as anti-Israel propaganda.

Los Angeles artist Jaime Scholnick watched the bloody images with horror and helplessness. Not knowing what else to do, she printed out copies of the photographs that filled her Facebook feed, and began drawing over them with a metallic pen and acrylic paint.

Fifty of those images are on display in an exhibition titled “Gaza: Mowing the Lawn,” at the CB1 Gallery in downtown L.A. through July 18. The exhibition’s name comes from a term the Israeli military uses to explain the occasional bombing of Palestinian residents. The number of images corresponds to the 50 days of Israel’s systematic bombardment of Gaza in July and August last year.

“I could have looked away,” Scholnick said in an interview at the gallery. “That’s my problem, I guess. I keep wondering, ‘Are you a masochist? Do you like feeling pain?’ I don’t know.”

The images are abstract, with lines of red, yellow, black, white and blue obscuring the details of the photographs. Yet the emotional impact is felt just as strongly. If anything, the comic-book-like illustrations heighten the drama of the suffering victims. Crying fathers holding their children’s bodies; a group of women in chadors huddled together; clouds of smoke and flame set amid a mosque’s minarets — these images are powerful, regardless of the viewer’s political views.

One work includes a boy holding a large stuffed animal, the big, yellow toy in sharp contrast with the gray rubble of a bombed-out neighborhood. Another is of a boy leaning in to kiss a baby’s corpse, adorned with flowers.

“It’s such a poignant picture. It’s like, these are just children. They’re looking at this little infant. He’s dead,” Scholnick said. “They’re so young to see death.”

Scholnick was born in Brooklyn, N.Y. Her family moved to Southern California when she was in third grade, and she grew up in Tustin. She studied art at CSU Sacramento and later at Claremont Graduate University. She decided to move to Japan after attending a 1990 show at the Los Angeles County Museum of Art titled “A Primal Spirit: Ten Contemporary Japanese Sculptors.” She went to the show four times, calling it “life-changing.” She lived in Japan for five years, teaching English and studying papermaking. She said her painting style draws from Japanese design aesthetics.

“I’m really interested in material and paper,” she said. “I’m kind of into minimalism. I’m very conscious of color and line, and I think that’s a very Japanese thing.”

Scholnick is Jewish, though she’s not religious and bristles at the idea of Jews as God’s “chosen people.” She’s never been to Israel and has conflicted feelings about the Israeli-Palestinian conflict. She said she has received some criticism for her subject matter, including from other artists, which left her feeling wounded.

“I’ve had more disapproving looks from artists who are Jewish,” she said. “I’ve had more comments, and I’m like, ‘You guys, as artists, it’s your job to be above all this.’ ”

Scholnick said she began these drawings because she didn’t know how to look at the images. Covering them up felt natural, because that’s what we do with things that make us uncomfortable. But while photographs can be easy to ignore, she said, art is harder to avoid.

The photographs invite empathy, and yet, seen through Scholnick’s colorful lines, they take on an emotional distance. Seeing the horrors of war behind the paint brings to mind our own screens of perception, which filter such images through a system of rationalization. While a photograph of war suggests an objective reality, a painting represents one person’s perspective. Scholnick’s work shows that we all approach photographs with our own biases. 

“The photographed images of suffering … [do] not necessarily strengthen conscience and the ability to be compassionate. It can also corrupt them,” Susan Sontag wrote in her landmark collection of essays “On Photography.” “Once one has seen such images, one has started down the road of seeing more — and more. Images transfix. Images anesthetize.” 

The piece that has probably received the most negative attention in the exhibition is of a crowd of Israelis at an outdoor gathering, watching the bombings and devastation in Gaza. News outlets had reported the phenomenon: Israeli friends and families sitting on couches and chairs on hillsides, looking through binoculars and watching the bombs drop.

“They set up these lawn chairs and kegs and they go out and watch them blow up the settlements, and they cheer,” Scholnick said, her voice full of disgust and anger. 

Despite receiving criticism for her paintings, Scholnick said she’s concerned with honoring the dead, not trying to push an agenda. She wants viewers to see a deeper story, and was inspired, she said, by Pablo Picasso’s “Guernica,” Francisco Goya’s “The Disasters of War,” Pieter Bruegel’s “The Triumph of Death” and Andy Warhol’s “Electric Chair.”

“It’s almost like they’re universal themes of life and death,” she said. “I don’t want it to be just about this conflict.”

Jaime Scholnick’s exhibit “Gaza: Mowing the Lawn” runs through July 18 at CB1 Gallery, 1923 S. Santa Fe Ave., Los Angeles. More information is at Lines, color and war: Painting as a form of healing Read More »

JNF reveals finances for first time, holds $2 billion in land

The Jewish National Fund, releasing its finances for the first time, revealed that it owned $2 billion of land as of last year.

The JNF report comes amid recent criticism of the group’s quasigovernmental status that allows it to avoid state comptroller audits and official oversight, Haaretz reported. Yair Lapid, a Knesset member and former finance member, called JNF a corrupt organization in February.

The report shows that the JNF, which does not receive support from the Israeli government but enjoys tax-exempt status, generated $567 million in revenue last year, including $35 million in donations. About $20.2 million of the donations came from North America, the J reported.

“The publication of the JNF financial report is a major step toward revealing the fund’s activities to the wider public and provides a final answer to the false and disingenuous claims about a lack of transparency,” the JNF said in a statement quoted by Haaretz.

The JNF, which was founded in 1901 to develop land in prestate Israel, controls about 13 percent of the land in Israel. It has kept its finances under wraps for years despite attempts to redefine its status as a public-benefit corporation that would be forced to reveal its records. A Knesset bill aimed at making the organization more transparent was rejected last week, the Times of Israel reported.

Haaretz noted that the average salary for JNF’s 950 employees worldwide was nearly $80,000. The organization, also known as Keren Kayemeth LeIsrael, allotted $21.3 million for educational purposes and donated $15.1 million to the World Zionist Organization.

JNF reveals finances for first time, holds $2 billion in land Read More »

Real-estate mogul Fred Sands talks business, giving and rock ’N’ roll

If the name Fred Sands sounds familiar, that’s because it was once ubiquitous on real-estate signs across Southern California. That was before Sands sold his business, Fred Sands Realtors, to Coldwell Banker in 2000. 

Today, the 75-year-old Wilshire Boulevard Temple congregant, who lives in Bel Air with his wife, Carla, serves as chairman of Vintage Real Estate, a company that purchases regional shopping malls in distress and transforms them into successful enterprises.

Philanthropy is his other business: In 2012, he donated $500,000 to his synagogue, and he recently donated what he described as “many millions of dollars” to endow the Fred Sands Institute of Real Estate at the Graziadio School of Business and Management at Pepperdine University. The school honored him June 24 with a gala event at the Beverly Wilshire Hotel, and a week later he participated in an hourlong, freewheeling conversation with the Journal at his Brentwood-based office about shopping malls, his love of music and Donald Trump running for president. An edited version of that interview follows. 

Jewish Journal: Why did you decide to give a donation to Pepperdine?

Fred Sands: Pepperdine is a wonderful school, and they are going to have a real-estate program [like USC and UCLA do] now. [Pepperdine President] Andrew Benton, he is an amazing man. At the [June 24] event, he got on the stage and rocked: singing, playing guitar — the president!

JJ: Did you rock out?

FS: Yeah, absolutely. In many facets. 

JJ: Do you play anything?

FS: No.

JJ: But you enjoy music?

FS: I like rock. I like classical. The Hollywood Bowl — you have classical and you also have jazz. I love blues and jazz. I love music. … I love James Brown. I saw James Brown at the Hollywood Bowl. Quite a life, the rockers. Getting arthritis these days, but they perform well. Look at the Rolling Stones.

JJ: How do you feel about the new program at Pepperdine being named after you? 

FS: I have mixed feelings. When I sold my company, I said to Coldwell Banker, “In a year, it’s a transition away from Fred Sands.” I got tired of being so well known. It was great for restaurant reservations, but I said I wanted to be out of the limelight. … But Benton said, “It’s got to be the Fred Sands Institute of Real Estate.” So, I’m back in the limelight again, but not in the same way as before. 

JJ: Do you think a mall can be used to revitalize neighborhoods? Have you seen that happen? 

FS: [Yes, in] Carson. We bought a mall during bad years and turned it around, and Carson has improved. We just got them a 12-screen movie theater. They hadn’t had a theater in 30 years, and it sort of revitalized the neighborhood, and it’s good. People shop; go to the movies and restaurants.

JJ: What do you think of an outdoor mall versus an indoor mall?

FS: Every mall we own is an outdoor mall, and people said they are not building them anymore, that they are going to go away. Every one [of the 12] we bought, we turned them around. We are still turning them around. It’s good. 

JJ: Who are people you respect in the real-estate world? 

FS: [Westfield Corp. Co-CEO and TRIBE Media Corp. Chairman] Peter Lowy is someone I admire. I really admire his father [Frank Lowy]. That’s a story — his formal education ended at age 13. … He was hiding from the Nazis, would go out at night and steal food for his mother. He then went to Israel, fought the Arabs, went to Australia, opened a deli. There was land behind it called the West Field and he built a whole shopping center, and the rest is history. He became the second-wealthiest man in Australia. … His story is amazing. 

JJ: What are your thoughts on real-estate mogul Donald Trump running for president? 

FS: He’s a joke. He likes the publicity because that’s how he lives. He’s not really a real-estate guy. He licenses his name and surrounds himself with publicity. And he might show up in the polls right now, but that’s going to go away. 

JJ: He’s not really a real-estate guy?

FS: He’s done some deals in his life but has made his money off of licensing fees. Trump this, Trump that, and he gets fees on his business. 

JJ: What’s next for you?

FS: To continue to take care of my health. I work out almost everyday. I’ve had some issues not taking good care of myself, so from now on, it’s working out every day. It’s all fun. Philanthropy, good friends. Going to see people out in Malibu this weekend. It’s all good. It’s all good. 

Real-estate mogul Fred Sands talks business, giving and rock ’N’ roll Read More »

U.S. Supreme Court ruling, Israel and religious hypocrisy

Last week, along with the enlightened world, we celebrated the dramatic ruling of the U.S. Supreme Court. The cause of same-sex marriage enjoys wide support in the Jewish community, and in Israel the majority of the Jewish population also supports it. Thirteen American-Jewish organizations were among the 25 organizations that supported the petition via amicus brief.

Marriage freedom is a key pillar of our advocacy efforts at Hiddush — Freedom of Religion for Israel. The United States’ recognition of same-sex marriages encourages all supporters of religious freedom, and reinforces our commitment to achieve marriage freedom in Israel as well. After all, doesn’t Israel pride itself on being the only democracy in the Middle East? And yet, how is that Israel is the only Western democracy in the world that denies its citizens the right to marry? Not only same-sex couples are discriminated against, but also every couple that does not meet the approval of the state’s official religious functionaries. This includes non-Orthodox marriages (because only Orthodox rabbis are recognized as legitimate marriage officiants by the state), as well as civil marriages, leaving hundreds of thousands of Israeli citizens deprived of the right to marry and millions more denied the right to marry in a ceremony of their choice. 

Even as we celebrate with our brothers and sisters in North America, we are disheartened that only some of the Jewish organizations at the forefront of this battle for equality and defense of marriage have been active or even supportive when it comes to advocating for marriage freedom in Israel. After all, religious prejudice has also been translated into Israeli civil law, but worse, it is Jewish religious prejudice. Further, some organizations that publicly profess their commitment to religious freedom and the upholding of democratic principles trample these very principles or choose to stand idly when they are denied in Israel. 

After the Supreme Court’s ruling, we noted with great satisfaction the public statement of the Union of Orthodox Jewish Congregations of America (OU), America’s largest Orthodox Jewish organization, which, while expressing its religious opposition to same-sex marriage, nevertheless professed great respect for and acceptance of the Supreme Court ruling. The OU invoked core democratic principles, including, “We recognize that no religion has the right to dictate its beliefs to the entire body politic,” “Judaism teaches respect for others,” and “We are grateful that we live in a democratic society.” This is a profound exposition of the right balance between religious convictions on the one hand, and democracy and respect for civil liberties on the other.

The question we feel compelled to raise, though, is whether the OU would also apply these principles to the challenges facing Israel in the confrontation between Israel’s established religion and the people’s civil liberties, let alone respect for others’ religious or secular choices. The unholy alliance of religion and state in Israel is based on the exact opposite view, namely, that religion does have “the right to dictate its beliefs to the entire body politic” and will do so if and whenever it can. The result is that not only are same-sex couples denied the right to marry, but so are masses of other Israeli citizens. As of yet, the OU has kept its peace regarding this drastic deviation from the principles it espoused last week.

This episode brings to mind the hypocrisy of the ultra-Orthodox Agudath Israel of America, the sister religious movement of Israel’s Agudath Israel, which uses political clout in Israeli government coalitions to impose religious coercion, discriminate against non-Orthodox Judaism and deny hundreds of thousands of Israeli citizens the right to family. However, when the movement’s own rights as a religious minority were threatened in the U.S. or Europe, it sung religious freedom’s praises. In 1993, for instance, when President Bill Clinton signed into law the Religious Freedom Restoration Act, which Agudath Israel had strongly advocated for in an attempt to undo the Supreme Court ruling that curtailed religious freedom in the case involving the use of peyote in religious rituals of Native Americans. 

Agudath Israel publicly proclaimed at the time: “This is a proud and auspicious day for freedom of religion and freedom of conscience in this country. … The Supreme Court’s majority in the peyote case asserted, astoundingly, that America could no longer ‘afford the luxury’ of treating religious liberty on par with other fundamental freedoms. Congress and the president have now utterly rejected that disheartening attitude, and have declared with resounding affirmation: religious liberty is a fundamental freedom of the highest order.”

Frankly, we could not have put it better: “Religious liberty is a fundamental freedom of the highest order.” The challenge is that Agudath Israel seems to only apply this principle to defend its own religious rights. In Israel, where it has political clout, it has no inhibitions about denying that liberty to others, especially to fellow Jews. To date, this hypocrisy has never been seriously challenged by America’s Jewish communal leadership, which Agudath Israel surely sees as an acceptance and legitimization of its double standard. 

Agudath’s conduct brings to mind the immortal account we find in Judah HaLevi’s classic text, “Ha’Kuzari” (written circa 1140):

Engaged in a debate with the King of Khazars, a rabbi expounds upon Judaism’s moral superiority. In response, the King challenges him, saying, “That might be so if your humility were voluntary; but it is involuntary, and if you had power you would slay,” to which the rabbi replies: “You have touched our weak point, O King of the Khazars.”

Agudath Israel proves the King’s point, as the American historical experience has proven as well. (The early pilgrims, escaping religious persecution in Europe, lost no time before persecuting others such as Quakers, Jews, etc. Thus, America came to understand the need to safeguard religious freedom, passing the First Amendment to the Constitution. Israel still needs to learn that lesson!)

Will the OU rise above this hypocrisy and join with forces for democracy in Israel in realizing its own statement of values? Will it join the efforts that have been launched by the Jewish Federations of North America, the American Jewish Committee, Hiddush’s Rabbis for Religious Freedom and Equality in Israel and others in promoting its own very laudable principles, not only within the borders of the United States, but in the Jewish state as well, and not only when Jews are a minority seeking protection but also when they are a majority in their own state?

Rabbi Uri Regev heads Hiddush – Freedom of Religion for Israel, Inc., a trans-denominational Israel-Diaspora partnership for religious freedom and equality in Israel.

U.S. Supreme Court ruling, Israel and religious hypocrisy Read More »

‘Inside Out’ and Iran

You want to understand the Iran nuclear negotiations? Read the analyses in Foreign Policy and the Washington Institute for Near East Policy.  Read the pundits and editorials from left to right. Then, basically, ignore the pundits, and instead pay close attention to what the bipartisan experts like Gary Samore, Dennis Ross and Olli Heinonen have to say.  But what you should really do is go to your local cineplex and see “Inside Out.”

Yes, “Inside Out.”

Pixar’s animated feature won’t tell you whether the deal President Barack Obama and Secretary of State John Kerry and other nations are trying to reach with the Iranian mullahs will make the world more or less dangerous. But it will give you as good as insight as any into the minds of the various players. 

The movie follows the adventures of 11-year old Riley as she moves from Minnesota to San Francisco. But we experience the move from, as the title says, the inside out, as  Riley's emotions, each one a distinct character — Joy, Sadness, Fear, Disgust and Anger — manage the control room inside her brain. 

We humans are emotional apes — we can indulge our feelings, repress them, watch them or confront them — but we can’t ignore their power over our lives and decisions. The creators of “Inside Out” found a brilliant way to dramatize what Jung called “the alchemical fire” that is the source of consciousness itself.

In the life of Riley, these five emotions have a pretty easy dilemma to confront. But as I sat in the theater, surrounded by an audience of 10-year-olds, it dawned on me that I was watching the most sophisticated analysis of politics since, well, Aristotle’s “Politics.”

I was watching Riley– but thinking of Iran.

When Jews read about the negotiations, their brains look exactly like the scene in “Inside Out” when Anger takes over the controls. He’s a fireplug-shaped bright-red man — voiced, of course, by Lewis Black — who spews invective and spouts fire from the top of his head. Meanwhile, in the background, Fear — tall, purple and cowering — stands just behind Anger, expecting the whole world to blow up at any second.   

For nearly a decade now, Prime Minister Benjamin Netanyahu has been running around screaming that Iran is just months, days, minutes from getting a bomb. I stood 20 feet from him at the Los Angeles Convention Center when I first heard him say, “It’s 1938, and Iran is Germany.” And that was in 2006.   

This past Tuesday, at a state memorial service for Theodor Herzl, Netanyahu was at it again. “The true aim of Iranian aggression,” he declared, “is to finally take over the world!” 

The geniuses at Pixar would have gone to town inside Bibi’s brain.

But, there isn’t a Jewish brain in the world — mine included — that doesn’t emotionally connect with what Bibi is saying. How do I know that? “Inside Out.” In Riley’s brain, her outside experiences turn into little marbles, each bearing the color of a different emotion, and those roll down a series of tracks and get stored either on the short-term memory shelf or in the long-term memory vault. Sadness colors those marbles blue — and after 3000 years we Jews have a lot of blue marbles rolling around our brains.

The geniuses at Pixar would have gone to town inside Bibi’s brain.

As the Iran deal nears, and Bibi proclaims that it will mean the destruction of Israel and the Middle East and the world, the Anger at his control center speaks directly to the Sadness and Fear at ours, and, frankly, it’s hard to think straight.

And we know exactly which Pixar character is fully in control behind the smooth, charming exteriors of the Iranian negotiators: Disgust. The mullahs loathe America. They despise Israel. If they could press a button and make us disappear tomorrow, you just know they would. 

Meanwhile, you might wonder, who’s at the controls in Obama’s brain? Fear? Anger? Sadness? Disgust? Joy?

The answer is: Who the hell knows?

And that, I think, is why the Jewish world is so beside itself over this deal. We can read Bibi, and we respond to him with all our marbles. But the control room inside Obama’s brain is — to leap movie metaphors —   like the deck of the Enterprise and our president is Mr. Spock. Calm. Quiet. Dispassionate. We know which characters are battling at the control panels inside our brains, but inside his — what? And the lack of craziness drives us crazy. With the stakes so high, how can he stay so calm?  Riley’s brain was a fury of clashing emotions — and all she was facing was a move to a $2 million Bay Area Victorian. Obama is taking us to the edge of Armageddon, and we can’t get a fix on him.

So, here’s my advice to the president, courtesy of the political philosophers at Pixar: In the coming days, if the Iran deal concludes, you will have to sell it to the people who are most agitated and against it. You’d better step off the starship deck and connect with at least some of our feelings. We’re Scared. We’re Angry. We have long, Sad memories. Get inside our heads, and make us feel Safe.


Rob Eshman is publisher and editor-in-chief of TRIBE Media Corp./Jewish Journal. E-mail him at robe@jewishjournal.com. You can follow him on Twitter @foodaism.

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