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April 29, 2009

Unlikely Trio Uncover Tales of Wartime Rescues

Perhaps the only aspect more unusual than the three creators of the film “The Rescuers” is the cast, which includes, among others, Britain’s Prince Charles.

The feature documentary, which is currently in production and not due out until next year, documents the incredible stories of 12 non-Jewish diplomats from 11 countries, who, against the orders of their governments and alongside other envoys, helped save an estimated 200,000 European Jews during World War II.

In addition, there were other men and women of great courage and compassion, such as Princess Alice of Greece, who hid Jews in the royal palace in Athens during the German occupation and withstood interrogations by Nazi officials.

Princess Alice was the paternal grandmother of Prince Charles, who pays tribute to his “very remarkable” ancestor in the film.

The film is the work of three unlikely collaborators. One is the distinguished British historian Sir Martin Gilbert, official biographer of Winston Churchill and author of 81 books.

The second is Michael King, an African American documentary filmmaker, and the third is Stephanie Nyombayire, a Rwandan human-rights activist, who lost more than 100 family members in her country’s genocide.

Gilbert and King are working in tandem on parallel projects and recently returned from a joint 40-day trip, during which they interviewed men and women who had known the diplomats or were saved by their intervention.

The result of this collaboration is the film “The Rescuers: Heroes of the Holocaust” and Gilbert’s book “Noble Diplomats: Saving Jewish Lives in the Nazi Era,” which are to be released simultaneously in the early part of next year.

Among the diplomats, only the name of Sweden’s Raoul Wallenberg is widely known, but they include a member of the Nazi Party and a Turkish Muslim, as well as two Britons, two Americans and former envoys from China, Japan, Poland, Switzerland, Holland, Portugal and Italy.

In an unorthodox approach, the various rescue efforts are seen through the eyes of Nyombayire as one survivor of a recent genocide viewing the desperate struggles of earlier Holocaust survivors. As Gilbert said, “I was moved by her personal story of the fate of her family in Rwanda, by her own activism with regard to Darfur, and her strong desire to do something, to make a difference, as those diplomats had done 70 years ago.”

Holocaust scholar Deborah E. Lipstadt, in a letter supporting the film, called the inclusion of the young Rwandan woman “a brilliant concept.

“When the Holocaust is linked to other subsequent tragedies, particularly those of such proportion as Rwanda, it helps give added educational relevance. Teachers and other educators will be drawn to using it in their classes.”

The trio returned in April from their interviewing, filming and writing tour of European cities, bringing their individual perspectives and backgrounds to the combined work.

King, who lives in La Quinta, near Palm Springs, is a film teacher and producer best known for his documentaries on inner-city teenagers. He won an Emmy for the PBS special “Bangin’,” which dealt with youth violence.

His most recent work was “Rapping With Shakespeare,” in which an English teacher uses hip-hop and rap to help his students in South Los Angeles connect with the Bard’s characters.

It may be quite a stretch from Los Angeles’ mean streets to Holocaust rescuers, but the 50-year-old dreadlocked King quickly explains the connection.

“I’ve always made socially conscious films, and I have always been fascinated by the mystery of goodness,” King said, sipping coffee in a French cafe in Westwood.

“The story of the rescuers, who risked their careers by choosing God over their governments, has universal significance.” Besides, he added, “If Steven Spielberg can make ‘The Color Purple’ [on the lives of black women in the Deep South], why can’t I make a film about the Holocaust?”

As an indicator of his seriousness, King notes that he has spent weeks at Yad Vashem in Jerusalem, researching its archives on Righteous Gentiles.

His interest in the rescuers was triggered when he learned about their deeds in Eric Saul’s exhibit “Visas for Life” at Ellis Island and thought: “What a great story for kids to learn.”

As King found out more about the rescuers, he realized that here was a story for all ages and nationalities. “I was overwhelmed by the courage of the diplomats, who risked their own careers to aid the hunted Jews,” he said.

“They worked days and nights to issue visas, passports and protection and transit letters, established safe houses, snatched Jews from death marches and deportation trains, smuggled Jews across borders and hid them in their own embassies.”

Given the chaotic wartime conditions and the clandestine nature of the rescue efforts, it is difficult to state with any precision how many Jews were saved through the bravery of the diplomats selected for the film and book. Also, in many cases, as in Budapest in 1944, envoys from different countries joined together in identical rescues. However, if one takes the approximately 80 diplomats who assisted the persecuted, it is estimated that together they saved between 200,000 to 250,000 Jews, with the cited diplomats in the first ranks of the rescuers.

Gilbert’s interest in the rescuers is of much longer standing than King’s. The historian began his research on the subject 30 years ago and distilled his findings on the “ordinary” men and women who saved Jews in “The Righteous” (Black Swan), published in 2003.

“Through Michael King’s vision for this film, I saw an opportunity to pass on knowledge and experience to the next generation,” he wrote in an e-mail.

“To educate, encourage, inspire and empower today’s students by the story of the diplomats, who did not turn the other way, to help the audience understand that there is indeed something individuals can do, even when they have no orders to help — and have even been ordered not to help.”

The three principals in the project came together last November at the 70th reunion in London of the Kindertransport — children from Germany and Austria who had found safety in England in the late 1930s. Both Prince Charles and Gilbert were featured speakers, and the historian took the opportunity to introduce his collaborators to Prince Charles and discuss the film project with him.

At this point, King is faced with the job of whittling some 40 to 50 hours of film from interviews with World War II eyewitnesses, survivors, and friends and descendants of the diplomats, down into a 90-minute documentary. He expects to add another 20 hours worth of footage when he goes to Jerusalem in May.

King hopes to bring in the film on a $2 million budget. About half that amount has been contributed and raised by Joyce D. Mandell, a Hartford, Conn., business and community leader, who is the film’s executive producer.

The roll of honor of diplomats profiled in both the film and Gilbert’s book reads:

Hiram Bingham IV, U.S. vice consul in Marseilles.

Georg Ferdinand Duckwitz, Nazi party member and German diplomat in Copenhagen, who alerted the Danish government to the impending deportation of the country’s Jews.

Frank Foley, British vice consul in Berlin until 1939.

Feng Shan Ho, Chinese consul general in Vienna.

Angelo Rotta, Papal nuncio in Budpest.

Varian Fry, American journalist and relief official, who rescued many leading artists and intellectuals.

Necdet Kent, Turkish consul general in Marseilles.

Carl Lutz, Swiss consul in Budapest.

Aristides de Sousa Mendes, Portuguese diplomat in Bordeaux.

Giorgio Perlasca, Italian working in Spanish embassy in Budapest.

Henryk Slawik, Polish diplomat in Budapest.

Chiune Sugihara, Japanese consul in Kaunus (Kovno), Lithuania.

Raoul Wallenberg, Swedish special envoy in Budapest.

Jan Zwartendijk, Dutch consul in Kaunus.

In addition, Sir George Ogilvie Forbes, Charge d’Affaires, British embassy in Berlin, is included in Gilbert’s book.

Unlikely Trio Uncover Tales of Wartime Rescues Read More »

From the Old Middle East to the Modern World

Modern classical music may be a paradoxical term, but composer Avner Dorman revels in such contradictions. An Israeli transplant to Los Angeles, Dorman is a fan of Prince and Beethoven, John Cage and Shalom Hanoch, and is perhaps the only person to create an arrangement of the Israeli national anthem for mandolin, singing saw, prepared piano, oboe and Tibetan ting sha bell.

He is also a rising young star on the international music scene. His work has been performed by the Israel Philharmonic, the Munich Philharmonic, the UBS Verbier Festival Orchestra, Nashville Symphony, the Hamburg Philharmonic and the Cabrillo Music Festival, among others, under world-famous conductors such as Zubin Mehta, Marin Alsop, Asher Fisch and Simone Young. On July 28, his new work, “Spices, Perfumes, Toxins!” will have its West Coast premiere, with Marin Alsop conducting the Los Angeles Philharmonic and PercaDu at the Hollywood Bowl. The work puts Middle Eastern drums, rock drums and percussion front and center before a large classical orchestra.

The work was first performed in 2006 by the Israel Philharmonic Orchestra (IPO), conducted by Mehta, followed by premieres in Europe and the Far East in 2006 and 2007.

Nothing sums up the contradictions of today’s Middle East — modernity versus tradition, overindulgence contrasted by austerity, extreme summer heat broken by chill winter rain — more than the three substances named in “Spices, Perfumes, Toxins!” All, in small doses, can be beneficial, but in excess the results can be dangerous, even deadly.

“I think it’s very much connected to the old Middle East, but also the modern world,” Dorman said in an interview. “We wanted the piece to be very representative of young Israeli culture. Many people have told me that it sounds very Israeli, which I’m proud of.”

A Variety of Influences
Dorman was born in 1975 to a musical family. “My dad is a classical musician. He plays bassoon and is a conductor with the Israel Philharmonic Orchestra. My mother teaches literature but we were a family that appreciated music. My father’s mantra was, ‘As long as you listen to music that’s good, it doesn’t matter what kind of music it is.’”

His father’s open-minded attitude shaped Dorman’s approach. “He bought me a radio-tape player when I was about 4 years old, and from a very young age we all had access to our own kind of music. As a kid I was very much into Prince, Led Zeppelin — I think those two are representative of the hard rock and funk influences that have stayed with me. And I really like Indian music,” he said.

Growing up in the Tel Aviv suburb of Ramat Hasharon, Dorman studied cello. “I wanted to learn drums but my parents really didn’t like that,” Dorman said. Then came piano and by the age of 14 Dorman took up composing.

The school music program was also very encouraging. “The jazz department isn’t separate from the classical, so that also sort of encouraged this mixture — and I think that in hindsight this was very helpful to me,” he said.

Dorman spent his army service in the IDF culture division, where he began composing arrangements for the military orchestra. He then attended a select interdisciplinary program at Tel Aviv University (TAU) where he majored in music, musicology and physics, and studied with Israeli composer Josef Bardanashvili.

The Go-to Guyfor Marimba
It was also at TAU that Dorman began working with Tomer Yariv and Adi Morag, who were forming Percussion Duo, also known as PercaDu. “First of all, we were just buddies and they were looking for new pieces because they were building a repertoire. One of the problems in the percussion world is what do you play? At the time, I had a rock band and they thought that I would be the right person to write something for them,” Dorman said.

Funnily enough, “Spices, Perfumes, Toxins!” harkens back to his student days at the TAU music academy, when PercaDu pegged him as their go-to guy. “I didn’t like marimba so much then — which is ironic since I’ve written so much for it today — but the moment of revelation for me was when I started to write Indian music for marimba. The sound of felt cloth hitting wood … there’s something about the mid-low that sounds like the tabla. And that’s when I wrote the pieces that form the basis of the first movement,” he said. 

His first professional encounter with Mehta was around that time, when the IPO was presenting a piece by modern composer George Crumb, which uses a mandolin, singing saw, prepared piano, Tibetan instruments and oboe. “They realized they couldn’t play Hatikvah [the Israeli national anthem]. But the pianist had played some arrangements of tangos that I’d done, and she recommended me,” Dorman said. “Overnight I wrote an arrangement of Hatikvah for this bizarre ensemble.”

Also at that time, Dorman began winning major awards. In 2001, at age 25, he became the youngest composer to win Israel’s prestigious Prime Minister’s Award for his Ellef Symphony. That same year he was awarded the Golden Feather Award from ACUM (the Israeli Society of Composers and Publishers). In 2002, he won the Israeli Ministry of Culture prize for best performance of Israeli music.

In 2003, he was again brought to Mehta’s attention when the conductor auditioned PercaDu, and the band played a Dorman work. At the same time, the IPO’s new music committee decided to premiere a Dorman composition. “Zubin [Mehta] looked at it and said, ‘Oh, I’ll do it,’” Dorman said.

Having completed both a bachelor’s and master’s at TAU, Dorman went on to study for his doctorate at the Juilliard School, where he studied with well-known composer John Corigliano.

Since that time, Dorman has also received several international awards including ACUM Best Composition of the Year Award 2004, top prize at the Asian Composers League Festival 2004 and the ASCAP Morton Gould Young Composers Awards 2003-2005. He served as composer in residence for the Israel Camerata from 2001 through 2003 and was a composition fellow at the prestigious Tanglewood Music Center.

Jerusalem Mix & Hollywood Bowl
He also developed a reputation for his innovative use of percussion, and two of his percussion concerti quickly became staples of the repertoire. He has also made significant contributions to the repertoire of other unique instruments and ensembles, with compositions such as Mandolin Concerto, Piccolo Concerto, Saxophone Concerto, Concerto for Violin and a Rock Band, and Boaz, for soprano, harp and two pianos.

On the more conventional side, Dorman has composed two string quartets, a violin sonata that premiered in Carnegie’s Weill Recital Hall, Jerusalem Mix, a piano and woodwind quintet that was commissioned by the Jerusalem International Music Festival and the Chicago Chamber Musicians, two piano trios and numerous piano solo works. Signing with music publisher G. Schirmer has brought in more offers, he says. “Orchestras are more willing to take a chance because they trust a reliable source.”

He is currently completing a piece commissioned by the San Francisco Symphony Orchestra, another for the Hollywood Bowl Orchestra, and — in a new venture — did the orchestration for feature film “Street Fighter” that was just released in the United States. “I like that combination of high art and popular culture,” he said.

Like many of his peers, Dorman finds residing outside Israel a necessity in building an international career. (“Hopefully, at a certain point, it won’t matter anymore, but that point hasn’t arrived yet.”) His work is also performed by many Israelis on the concert circuit who are asked to play new Israeli works.

“For me, at least, the fact that there are so many Israeli soloists and instrumentalists has been very helpful,” he said. “I’m writing a concerto for a pianist named Alon Goldstein, [pianist] Eliran Avni has played my music quite a bit, Asher Fisch has conducted my music in America, [pianist] Einav Yarden, [violinist] Itay Shapira … we’re such a small country so it’s amazing for a composer to have so many world-class performers and conductors. I think Israel probably has one of the highest ratios of great musicians to population.”

From the Old Middle East to the Modern World Read More »

Israeli Cafe Culture Rocks Sunset

Last September, when the Israeli Consulate raised the Israeli flag over Wilshire Boulevard at a festive ceremony with the mayor, it was seen as an historic symbol of deepening Israeli-Angeleno ties. Around the same time, however, another significant event took place blocks away, on Sunset Boulevard, as Israeli Angelenos raised their first mugs of hafuch (cappuccino) at the opening of Aroma Bakery & Café’s Hollywood branch.

First established in Encino in 2005, Aroma is more than a cafe — it’s like an unofficial branch of the Israeli Consulate. Walk in, and you might as well be in Israel. Cute Israeli waitresses serve customers like they’re still jet-lagged from their flight here. Tel Aviv-style Israeli posses dressed in nightclub gear spread their chairs and legs out like they own the place, cigarettes in tow, cell phones on tabletops. And like back home, the action takes place late into the night.

For many Israeli transplants, Encino’s Aroma is an absorption center, community center and employer. “It’s the first place you take Israelis,” said Shanni Sabban, 19, waiting in line for a table at Aroma Encino one Wednesday night.

As I waited for a seat on the packed patio, the hostess related it was her first job after she landed. Her thick Israeli accent probably wouldn’t suffice as a Starbucks barista; here, English isn’t required.

“Shalosh!” (three!) demanded one lady. “Eser dakot!” (10 minutes), the hostess replied over an Israeli rock song.

The Sunset branch, however, is poised to spread Israeli cafe culture to L.A. residents who could care less about Zion. Located on the site of the former “Rock ‘n’ Roll” Denny’s (nicknamed so for its proximity to the Guitar Center and the Sunset Strip), it has imported design motifs from Encino: a wide outdoor patio conducive to people watching; a fireplace for that “home away from home” vibe; and valet parking (“so Israelis can show off their cars,” said one patron).

Whereas the Encino branch respects Jewish tradition with its all-dairy menu (not kosher certified, though) and a day of rest on Saturday, the Sunset branch is more chiloni (secular). The spiral-bound menu reads like an illustrated book for Middle Eastern Californian cuisine, with prices more befitting a restaurant than a cafe. Ahi tuna shwarma with hummus and ahi tuna kabob are a few of the more creative dishes served with pastas, sandwiches, steaks and Israeli comfort foods like shakshuka, malawach and burekas. A glass showcase features gargantuan desserts, among them Middle Eastern specialties like khadif and baklava.

One Saturday afternoon, the restaurant was full, but no waiting list. Israeli patrons were identifiable not only from appearance, but from their loud decibel of Hebrew. I was greeted unofficially by a party promoter, who immediately added me to his SMS party invite list. I felt like I was back in Tel Aviv, where cafes are prime recruitment ground for partiers.

Sitting inside was another Israeli nightlife player, Motti Aivas, owner of the Avalon nightclub in Hollywood, dipping pita in hummus with two friends. “The food reminds me of ha’aretz [the Land] — and the people, sometimes you want to be with Israelis,” he said.

Not Rami, though, a yored (immigrant from Israel) since 1994. His friends dragged him there. “It’s mostly for arsim, and people who don’t know what arsim are.” For those who fit into the latter category, arsim refers, usually pejoratively, to uncouth Israelis. As for the menu, “It reminds of me of Kapulski” (the once-popular Israeli cafe chain that’s now a favorite among pensioners). He says he prefers the boutique cafes on Third Street for menus — and clientele — with a little more sophistication.

Rami was part of the entourage of an Israeli musician known as HaSaruf, The Burnt Man. With unmistakable long, stringy hair, he got the nickname from a publicity stunt he pulled in 2000, when he made an album disguised as a man crippled from severe burns. (He eventually revealed the scam and took on a new stage name, Zino.)

“What are you doing in Los Angeles?” I asked.

“Working for the agalot,” he joked, referring to the carts at malls manned by Israelis. In fact, he was in Los Angeles for a music convention. Other Israeli musicians touring here have made a stop at Aroma, too — among them Hadag Nachash and Shlomo Artzi.

But Aroma Sunset wants American celebrities and entertainers to feel at home there, too.

Local singer Alexis Miranda had no idea it’s an Israeli hangout. “It was always packed, like 24-7.” She figures the food must justify the crowd. “It was amazing. Grade A,” she said of the chocolate soufflé and chocolate cake.

Actor Eric Reinholt was also there for the first time. “It was the best pizza I ever had,” he said, although he found the service lacking. “I think she was new,” he offered with classic American politeness.

But Aroma Sunset isn’t always packed. On one early Monday morning, Mark Shields from West Liberty, Iowa, population 3,000, was among five patrons. He was in Los Angeles as part of a traveling exhibition on the Oregon Trail. “We passed by yesterday and thought this looks like a great place to spend time,” he said over coffee and two chocolate croissants.

When I told him it’s an extension of a cafe in Encino, he was floored. Turns out he had eaten at the Encino branch last year. He had just passed by and liked it. “It feels ethnic, cultured,” he said. “Everyone sitting around tables, drinking, eating, being happy. Maybe I should go to Israel if this is what it’s like.”

Israeli Cafe Culture Rocks Sunset Read More »

Calendar Picks and Clicks May 2–8

SAT | MAY 2

(HOME & GARDEN)
The 2009 Venice Garden & Home Tour takes you to 25-30 gardens and homes in the historic Venice neighborhood. The self-guided walking tour includes restored beach cottages along the Venice canals, sleek contemporary cubes in the Windward Circle neighborhood, homes designed by famous architects such as Steven Erhlich and Frank Gehry, lush landscaping, eco-friendly building, and wildly creative and unusual home designs. The tour is a fundraiser for the Neighborhood Youth Association’s Las Doradas Children’s Center, which provides childcare to low-income working families. Sat. 10 a.m.-5 p.m. $60 (advance), $70 (day of). Free for children under 12. Tour starts at Las Doradas Children’s Center, 804 Broadway St., Venice. (310) 821-1857. ” title=”www.laemmle.com” target=”_blank”>www.laemmle.com.


SUN | MAY 3

(BOOK TOUR)
Jewish dairy farmer Max Yasgur became part of rock and roll history when he agreed to host a music festival on his farm in Bethel, N.Y. in 1969. “Max Said Yes! The Woodstock Story,” by Abigail Yasgur — the farmer’s second cousin — and her husband, Joseph Lipner, is a colorfully illustrated children’s book that recounts how the generosity of one man who valued community spirit and respected the scale of the organizers’ dream opened the door to a legendary cultural happening. The picture book incorporates historical details, such as an illustration of the $6-a-day ticket, period clothing and hairstyles, Jimi Hendrix on stage and lyrics from a Joni Mitchell song that pay homage to Yasgur. Sun. 11 a.m. Free. Book Soup, 8818 Sunset Blvd., West Hollywood. (310) 659-3110. Also, May 4 at Memorial Branch Library in Los Angeles and May 20 at Every Picture Tells a Story in Santa Monica (R.S.V.P. required for this event). ” title=”www.cjs.ucla.edu” target=”_blank”>www.cjs.ucla.edu.

(FILM)
In celebration of Israel’s 61st Independence Day, the North Hollywood Regional Library is screening “Exodus,” the 1960 epic film that chronicles the birth of the State of Israel. Based on the book by Leon Uris, the film stars Paul Newman and Eva Marie Saint. Free popcorn will be provided. Sun. 1:15 p.m. Free. North Hollywood Regional Library, 5211 Tujunga Ave., North Hollywood. (818) 766-7185.

(MUSIC)
Internationally acclaimed sitar maestro Purbayan Chatterjee will perform tonight in “An Evening of Classical Indian Music” at the Skirball. Chatterjee first picked up the sitar at age 4 and performed a year later at the prestigious India Festival in Basel, Switzerland. He is the recipient of the President of India Award, a high honor bestowed upon him for his musicianship. Chatterjee will be accompanied by virtuoso percussionist Anubrata Chatterjee on tabla. Sun. 7 p.m. $20 (members), $25 (general). Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. (877) 722-4849. ” title=”www.ictlongbeach.org” target=”_blank”>www.ictlongbeach.org

(YOM HAATZMAUT)
The biggest celebration of Israel’s Independence Day in Los Angeles takes place every year at Woodley Park in Van Nuys. This year’s festival for Israel’s 61st will feature round-the-clock entertainment on three stages, a skydiving show, a fashion show, youth activities, Israeli folk dancing, hundreds of booths, kosher food stands, a petting zoo and more. A special feature of this celebration is the commemoration of Tel Aviv’s centennial. Sun. 10 a.m.-7 p.m. $5 (admission). Parking is free. Woodley Park, Woodley Avenue between Burbank and Victory boulevards. (800) 644-9505. ” title=”cicisrael.org” target=”_blank”>cicisrael.org.

(SCIENCE)
Dr. Ronald Levine, a clinical psychologist and an ordained rabbi, will lead a four-part lecture series on “Torah, Brain Science and Sex.” Serving as Temple Beth Am’s scholar-in-residence, Levine will teach a course on how Torah and science both provide insights into sexuality and sexual satisfaction. The four evenings will be divided into the following topics: the brain and sex, the body and sex, the mind and sex, and the soul and sex, with excerpts from the Torah informing the discussions. Tuesday evenings, May 5-26. 7:45-9:30 p.m. $50 (members, entire series), $60 (general, entire series). Temple Beth Am, 1039 S. La Cienega Blvd., Los Angeles. (310) 652-7354, ext. 215. ” title=”bighollywood.breitbart.com” target=”_blank”>bighollywood.breitbart.com.


THU | MAY 7

(ELECTIONS)
Fifth District City Councilman Jack Weiss and former Deputy District Attorney Carmen Trutanich will face off at the Los Angeles City Attorney Candidates Debate, hosted by the National Council of Jewish Women/Los Angeles. ABC/TV news reporter John North will moderate the discussion. Each candidate will have the opportunity to present prepared remarks, after which the moderator will ask questions and allow audience members to submit their own in writing. Thu. 7-9 p.m. Free. NCJW/LA, 543 N. Fairfax Ave., Los Angeles. (323) 852-8503. {encode=”ruth@ncjwla.org” title=”ruth@ncjwla.org”}. ” title=”www.westcoastensemble.org” target=”_blank”>www.westcoastensemble.org.

Calendar Picks and Clicks May 2–8 Read More »

Friends Flock to Saban ‘Self-Worth’ Launch

When you’re Cheryl Saban and you’re throwing a party to launch your inspirational new book, “What’s Your Self-Worth: A Woman’s Guide to Validation” — in hot-pink hardcover — your best friends line up to come. All 500 of them. And this measure isn’t simply about quantity; it’s about quality.

On April 23, you could hear the thrum of power clinking their glasses on the top floor of the Pacific Design Center, where the only thing brighter than Saban’s book cover were all the ring-finger rocks worn for the occasion. Saban and mogul-hubby Haim leveraged all their Hollywood and political clout to assemble a crowd worthy of a literary lion: California first lady Maria Shriver; Universal COO Ron Meyer and wife Kelly; MGM Chairman Harry Sloan and wife Florence; actor Sidney Poitier; former Gov. Gray Davis and his wife Barbara; columnist Arianna Huffington; film producer Arnold Kopelson; billionaire former chairman of Univision Jerry Perenchio; novelist Jackie Collins; LAPD Chief William Bratton and wife Rikki Klieman; Mallika Chopra, Deepak Chopra’s daughter; and no Jewish party is complete without Fran Drescher.

Amid long wet bars stocked with champagne and spirits, black-and-white suited waiters serving crab cakes and chicken dumplings, Sherry Lansing ascended the stage to introduce the book.

“In my life I’ve never seen so many people attend a book party,” Lansing told the crowd. “And we all share one thing in common: Each and every one of us loves Cheryl Saban.” Especially the former head of Paramount Pictures — the first female in such shoes — who ruminated on Saban’s lovely essence (“she’s beautiful, intelligent, compassionate … can write a book …”) and hailed their decade-long friendship. 

“She gives the greatest gift of all,” Lansing emoted, turning toward her girlfriend. “Unconditional love.”

Saban, standing tall and slender to my right, high cheekbones, camel cape, ooh’d and ahh’d to Lansing’s every praise. “Cheryl is one of the reasons I’m a happy person.” And the crowd collectively sighed.

The book party was a generous tribute to its author, who has promised to donate 100 percent of the proceeds to benefit women in need. Once one herself, Saban was twice married, divorced, with two children and bereft of health care before she married billionaire media entrepreneur Haim Saban.

After his wife was praised as an “entrepreneur, doctor [she has a doctorate in psychology], writer, philanthropist, mother, etc.,” Haim felt left out.

“You said many things but you forgot to say she is also a wife,” he said, adding that even the director of Pacific Design Center thanked him as “Mr. Cheryl Saban,” which he said, he’ll learn to live with.

After a breezy intro, Cheryl Saban took the stage and waxed lyrical on self-worth; she alluded to her painful past.

“I realized that though I couldn’t change the facts of my life, I could change the way I thought of those facts,” Saban said. “My goal is to make every woman who feels worthless feel worth it.”

And let’s not forget about the boys club in the room: “While this book is about and for women,” she explained, “men don’t have to be allergic to all the pink. When the woman in your life feels good, believe me, you’ll benefit.”

Friends Flock to Saban ‘Self-Worth’ Launch Read More »

Don’t Do Well — Do Good

This week’s Torah portion lays out a comprehensive array of divinely ordained commandments that define the range of Judaism’s unique values. Legislated to an assemblage of just-liberated slaves, these are the concepts and aspirations taught orally to Moshe at Mount Sinai and thereafter transmitted in an appendix — the written Torah. Through them we were sculpted into an entity greater than mere physical emancipation could have offered. We were made holy.

In Judaism, “holiness” is epitomized by separateness. “Behold [they comprise] a Nation that shall dwell alone” (Bamidbar 23:9). We are holy because we are separate.

These laws separated us from the practices of the surrounding world. Don’t just fear your dad but also your mom; don’t just cuddle up to mom with honor but also honor dad. And yet remember that both your parents, no less than you, answer to the Creator; their authority extends only within Torah’s parameters. 

Yes, be really careful to observe all the detailed rituals governing animal sacrifice, and carefully observe all kinds of esoteric laws: Refrain from donning garments made from a combination of both linen and wool. Don’t shave with a razor blade or obliterate your sideburns or get caught up in a societal tattooing craze (tat-too shall pass). Don’t go to fortunetellers, and don’t erect statues.

But also remember that, as part of being holy — of being different — your Creator will hold you accountable for cursing deaf people and for tripping up the blind, even if they are oblivious to your deeds. He will demand you account for conducting business dealings deceitfully, for failing to leave a corner of your field’s produce as open pickings for the poor. Don’t you dare steal or deal falsely. If you invoke His name in a false oath, if you perjure yourself in a court filing, you will have to account. Don’t you dare cheat your neighbor, and don’t you rob, and don’t you withhold your employee’s wages past payday. Don’t you dare.

Maybe the late-night television talk show hosts make fun of elderly people, but not you. When you see someone with white hair, you get up from your cozy chair and you stand out of respect, and you honor that timeworn face. She has endured it all, and she has earned your reverence.

So it’s not just about meticulously observing 39 rules that define Jewish Sabbath observance — although that, too, is central to the very concept of a Jewish People. Nor is it only about eating kosher and avoiding forbidden mixtures. Rather, it also is about being honest, ethical, trustworthy and thus noble. Your scales must be honest when you weigh a pound of meat or a hill of beans. Your every transaction must be honest; even your résumés must be truthful: where you went to school, the degrees you truly earned. A holy nation is not led by crooks, nor does it honor them.

That is what makes a great people. Such separateness makes “holy.”

Greatness is not measured by the size of your bat mitzvah smorgasbord or the layout of your backyard pool, but by how you acquired them. Your fancy car, your home landscaping and the jewelry in your safe do not define you. Your deeds define you. As Rabbi Emanuel Rackman taught: It is not enough to do well; you must do good.

Whom do we honor? At our every organizational banquet, our every special event, do we make room on the dais to honor at least one person of modest means whose presence is grounded exclusively in her kindness, her goodness, her nobility of character?

Money is great. And many profoundly wealthy people also justly populate the platform of the noble, those blessed with dignity and grace of character. But is wealth the standard we employ in selecting our nobles, our honorees? Can a holy nation count among its leaders those whose wealth is bound with mendacity? Those who became rich by ruining others or those who climbed ladders by destroying the reputations of others?

Not a holy nation. Not a nation separated and set apart by the command of their Creator to deal honestly, to judge honestly, and never to do unto others what they would not want done to them.

That is the striking message of this week’s Torah portion. It should be mandatory reading for every banquet committee and every nominating committee in organized American Jewish life. Its message is that extraordinary. And we all should study it, too.

Rabbi Dov Fischer, adjunct professor of tort law and of civil procedure at Loyola Law School, is the rabbi of Young Israel of Orange County, a modern Orthodox congregation in Irvine.

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Trial to begin of 27 connected to murder of French Jew

Three years ago, Ilan Halimi was found unconscious near railroad tracks in Paris. Halimi was naked, gagged and handcuffed; his body showed tremendous signs of torture. The New Yorker later reported:

The police traced the crime to a group that became known as “the gang of Barbarians” allegedly led by Youssouf Fofana, the twenty-five-year-old son of African immigrants, and determined that Halimi had been abducted because he was Jewish. Eighteen people were arrested in France, and after a manhunt that led to the Ivory Coast, Fofana was taken into custody. Fofana denied killing Halimi, and that his actions were motivated by race, but other detainees told the police that “Jews have money,” and that they believed that Halimi’s parents, a working-class couple, or:the rabb” would pay half a million dollars for Halimi’s release.

The case is fraught with religious overtones and socioeconomic undertones. And this week, the long-awaited trial of Fofana and 26 others implicated in Halimi’s murder will begin. Most of the men and women face lesser charges than Fofana, who is accused of murder and conspiracy.

The trial will be closed to the public, but its outcome, regarding a case that rocked France and Jews around the world, will be closely followed.

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Catching up with atheist evangelists

“More Atheists Shout It From the Rooftops.”

That was the headline from a New York Times article Sunday that covered familiar ground: The number of Americans not belonging to a religion has grown dramatically in recent years and atheist evangelists are attracting attention by proclaiming their godlessness.

An excerpt:

Polls show that the ranks of atheists are growing. The American Religious Identification Survey, a major study released last month, found that those who claimed “no religion” were the only demographic group that grew in all 50 states in the last 18 years.

Nationally, the “nones” in the population nearly doubled, to 15 percent in 2008 from 8 percent in 1990. In South Carolina, they more than tripled, to 10 percent from 3 percent. Not all the “nones” are necessarily committed atheists or agnostics, but they make up a pool of potential supporters.

Local and national atheist organizations have flourished in recent years, fed by outrage over the Bush administration’s embrace of the religious right. A spate of best-selling books on atheism also popularized the notion that nonbelief is not just an argument but a cause, like environmentalism or muscular dystrophy.

Ten national organizations that variously identify themselves as atheists, humanists, freethinkers and others who go without God have recently united to form the Secular Coalition for America, of which Mr. Silverman is president. These groups, once rivals, are now pooling resources to lobby in Washington for separation of church and state.

A wave of donations, some in the millions of dollars, has enabled the hiring of more paid professional organizers, said Fred Edwords, a longtime atheist leader who just started his own umbrella group, the United Coalition of Reason, which plans to spawn 20 local groups around the country in the next year.

Despite all the hype, and the success of atheist authors, I’ve yet to see the fruit of these labors. Americans remain suspicious of atheist values and polls regularly show Americans would be more likely to vote for a presidential candidate who is female, African American, Latino, Catholic, Jew, Muslim or Mormon than for an atheist.

Not sure how Thomas Jefferson snuck in, but that was a different era. In fact, U.S. Rep. Pete Stark remains the only modern member of Congress to be an “out-atheist.” 

I’ve blogged quite a bit about the New Atheists and their mission, and back in 2006 I wrote a lengthy feature for the LA Daily News about atheists “coming out of the closet” and engaging the political process just like religious folks have done for decades.

My entire article, “Got God? No Way,” appears after the jump:

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Florida gets rid of Shylock

There is a reason the Great Schlep urged young Jews to travel to Florida in the weeks leading up to the 2008 election, and it wasn’t just so they could experience “Recount” the reality tour.

Florida is for many Jews, particularly those from the East Coast, where their bubbes and zadies go to die. (Cue Jesse Jackson.) The association makes this bit of news all the more surprising: Until yesterday there were laws in Florida against usury that included the term shylock.

“Today I am proud to sign legislation that honors Florida’s Jewish community by removing harmful language from Florida’s criminal money-lending laws,” Gov. Charlie Crist said. “Harmful terms that communicate hate have no place in our society—and especially not in our laws—and the removal of this language is long overdue.”

Shylock, of course, was a key character in Shakepeare’s “The Merchant of Venice.” A Jewish moneylender who demanded a pound of flesh for an unpaid debt, Shylock has done more damage to the Jewish reputation than anyone short of Judas, who I also think is unduly considered one of history’s greatest villains. And calling someone a Shylock or Judas, as opposed to Heeb or Yid, is a serious slur.

Before there was Bernie Madoff, there was Shylock; before there was the myth of the money-grubbing Jew, there was Shylock. And I guess before Monday, there were anti-Shylock laws in Florida.

Quite the legacy for a man who never lived but did embody the European resentment and distrust of, as Yuri Slezkine would say, the Mercurian Jew.

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