The Mensch List: Connecting for cultural continuity
For thousands of years, Jews have lived as minority populations in various regions worldwide, surviving largely through their strong commitment to community.
For thousands of years, Jews have lived as minority populations in various regions worldwide, surviving largely through their strong commitment to community.
“When the ILC told me they planned to sell 6,000 tickets to this concert, I was skeptical,” Israeli media mogul Haim Saban said onstage at the Israeli Leadership Council’s “Do Something for Someone” community concert on Nov. 20. “I thought it was too tall an order.”
The first issue of TRIBE, with a great cover story about Latino converts to Judaism, hit newsstands in December 2009. The magazine’s goal, as Publisher and Editor-in-Chief Rob Eshman wrote in this column, was to bring our readers the world through Jewish eyes. Another important aim was to bring the tribe closer together.
The old stereotype of Mizrahi music — an Israeli genre created by immigrant Jews from North African and Arab countries — was of teary, sorrowful love ballads: tales of lost loves, broken hearts and dashed hopes. You could say Mizrahi music was Israel’s version of country music.
The old stereotype of Mizrahi music — an Israeli genre created by immigrant Jews from North African and Arab countries — was of teary, sorrowful love ballads: tales of lost loves, broken hearts and dashed hopes. You could say Mizrahi music was Israel’s version of country music.
When Eli Tene, co-chair of the Israeli Leadership Council (ILC), first called to tell me about a new initiative they had cooked up, I knew it was something big. I could hear it in his voice.
Later this month, the Gibson Amphitheatre at Universal CityWalk will become Caesarea, the Israeli amphitheater renowned for its magical atmosphere and unparalleled performances.