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July 31, 2003

Writer’s Race to the Chuppah

If the summer’s wackiest movie groom is Jewish, credit "American Pie" franchise creator Adam Herz. The Jewish screenwriter based the fictional Jim Levenstein (Jason Biggs) and friends on himself and his high school pals. His iconic 1999 "Pie," with its infamous pastry-nooky scene, drew on their teenage sexual peccadilloes. The equally raunchy sequel explored how they struggled to stay friends after graduation.

For his third slice of "Pie," Herz upgraded to wedding cake because "I was hosting bachelor parties and going to like, 10 weddings a year."

The movie revolves around Jim, his ex-band geek fiancée (Alyson Hannigan) and "the as — who wants to crash the wedding," he said.

Levenstein’s stereotypically kvetchy bubbe isn’t thrilled about the non-Jewish bride, which also drew on Herz’s experience. "My grandparents are terrified I’m going to interrupt the bloodline," he said. "But I have a Jewish girlfriend now, which should make them happy."

Herz, 30, was anything but happy while struggling to finish the "Wedding" script in March 2002. Universal had commissioned it after the first two "Pies" devoured close to $250 million domestically — even though the actors had sworn they wouldn’t return.

"So the pressure was on, and I just couldn’t crack the story," he said. "I went through the depths of, ‘I’m horrible and I’ll never work again.’"

When Herz begged a Universal executive for more time, he sounded like the bumbling Levenstein pleading for an extension on his homework.

"But she said ‘I don’t care if you scribble a few lines on a napkin, I need something funny to show the actors," he said.

Herz burned the midnight oil and, two weeks later, he delivered a script that convinced everyone to sign on.

"Adam has the gift of embellishment to the point of creating scenes that are shocking but hysterical," said Eugene Levy, who plays Jim’s dad.

In the nuptial sequence, Levy gets to look aghast when the bride’s clueless father toasts, "Let’s hope we can sit many happy shivas together."

The Jewish actor likes that pere Levenstein comes off as the quintessential, supportive Jewish dad.

"He’s not prudish about sex," Levy said. "He thinks the idea that his son is messing around with a girl instead of baked goods is a good thing."

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Ziering Dominates With Blonde Ambition

"People are shocked to discover I’m Jewish," Nikki Schieler Ziering said.

In her red, white and blue string bikini on the cover of July’s Playboy, the blonde model-actress looks like a sexier version of the all-American girl. She is better known for playing bombshells in films such as "Serving Sara" than, say, making a brisket.

But on radio’s "Loveline" recently, Ziering — who plays a campy dominatrix stripper in "American Wedding" — revealed that she cooks brisket and practices Judaism. When co-host Adam Corolla countered, "You’re not a real Jew," she said she converted before her 1997 wedding to actor Ian Ziering and that she’s continued practicing since they separated in 2001.

"People always ask me, ‘Are you still Jewish?’ and I say, ‘Of course,’" she told The Journal over breakfast at the Four Seasons Hotel. "I fell in love with Judaism because it’s all about family values and having good morals. It’s something I made a commitment to and that I take seriously."

So seriously that she easily beat Corolla at an impromptu "Jew off" game featuring questions such as, "How many candles are there on a menorah?"

"I had you at ‘Shalom,’" she said.

Ziering, 31, didn’t know many Jews growing up in a mostly Christian area of Brea, but her own household wasn’t religious. Her Norwegian American mother, who had rebelled against her own strict, Protestant upbringing, didn’t baptize Nikki or require her to attend church.

During a period of adolescent soul-searching, Ziering, then 15, had herself baptized and started frequenting a hip, Orange County church.

"It was a phase," she said.

By the time she graduated from high school, she was more focused on jump-starting her career — which began when a modeling scout discovered her while she was working as a dental assistant around 1993. Ziering went on to model for companies such as Frederick’s of Hollywood, to pose nude in Playboy and to be one of "Barker’s Beauties" on CBS’ "The Price is Right."

In 1994, she met her future husband while playing a bit part on his series, "Beverly Hills, 90210." "I had never had anyone close in my life who was Jewish," she said.

As she fell in love with Ian Ziering, she also fell in love with his religion.

"The family aspects appealed to me, because my parents divorced and I didn’t have that," she said. "Initially, I worried that his parents would reject me as ‘the shiksa,’ but they were totally accepting."

Although there was no pressure to become Jewish, Ziering decided to enroll in the 22-week conversion class led by Rabbi Jonathan Aaron at Temple Emanuel in Beverly Hills. "I think it’s important to raise your children with something, so I just went in with an open mind, not specifically to convert," she said.

Studying Judaism changed her mind. "I loved that on Yom Kippur, you are not only supposed to ask for forgiveness, but also to forgive," she said. "I love how you cover the challah when you say the blessing over the wine because you don’t want to ‘hurt its feelings.’ That’s such a great way to teach children compassion; it’s just such a sweet thing."

On the morning of her conversion, Ziering felt nervous. "It was that residue of what you’re taught as a Christian — that everyone else is going to hell," she said. She relaxed while answering questions in front of the bet din (the rabbinical court): "I just felt so accepted, I started crying and I knew I was doing the right thing."

Ziering then immersed in the mikvah; in the temple that evening, she carried the Torah, "which was quite an honor," she said.

When she got married under a chuppah at the Beverly Hills Hotel in July 1997, she said it was the first Jewish wedding she had ever attended.

Over the next few years, observing rituals such as lighting Shabbat candles proved easier for Ziering than mastering some cultural aspects of Judaism.

For example, she said, "I learned how to not use the word, schmuck."

Then there was the Rosh Hashana dinner for 20 guests she prepared as her mother-in-law guided her by phone from New Jersey. "I hung up before she told me what to do with the gefilte fish, but as I’d been cooking for two days, I was feeling all confident, and I figured, I’ll just pop them in the oven for 20 minutes,’" she recalled. "My guests laughed hysterically that I not only cooked the gefilte fish, I burned them."

Ziering has continued to observe the holidays since separating from her husband — and to field questions about being Jewish. When people ask why a nice Jewish girl is appearing topless in films such as "American Wedding," (her Officer Krystal dominates the outrageous bachelor party sequence) she says, "I have no problems being naked because the human body is beautiful."

When they ask if she’s really Jewish, she tries to maintain her sense of humor. As she told Corolla: "I used to be a ‘shiksa,’ but now I’m a Jew."

"American Wedding" opens today in Los Angeles.

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Big Screen, Bigger Picture

Rabbi Ari Hier doesn’t like to just watch nonfiction films, he likes to ask questions about them — usually Jewish questions.

"My motivation has always been, ‘What questions would I ask the filmmaker at my own dinner table, no holds barred?’" said Hier, the director of the Simon Wiesenthal Center’s Jewish Studies Institute (JSI).

Presuming that others share in his curiosity, Hier has launched "Take Two," a free discussion series sponsored by the JSI, featuring films produced by "Point of View," which, according to the PBS Web site is "public television’s premiere showcase for independent, nonfiction films."

From films on the killing fields of the Khmer Rouge regime of Cambodia and civil war in Sudan to mental illness and homelessness in America, the series will allow viewers to take a second look from a Jewish perspective.

"We felt that we wanted to be very diverse," Hier said. "We will show a Jewish film now and then, but I believe that the world interfaces with Judaism all the time. We live in a world, not just a Jewish community."

"Take Two" began on July 20 with Joscelyn Glatzer’s "The Flute Player," a new documentary about Arn Chorn-Pond, a Cambodian musician who survived during the brutal Khmer Rouge regime by playing propaganda songs on the flute for his captors. Hier and two Cambodian guests led an audience discussion examining issues such as what Judaism says about life-and-death decisions, and whether Judaism has a monopoly on the term "Holocaust."

The discussion was heated. "Some [Cambodians] said that God went out the window," Hier said, noting that it bothered a number of the religious audience members.

But he hopes the series in general will cause people to think about things in a new light.

"My goal isn’t necessarily to move people to be involved in that particular cause," Hier said, "but to articulate and sharpen their own thinking."

The series continues on Aug. 17 with "West 47th Street," a portrait of four people struggling to recover from serious mental illness; and on Sept. 14 with "The Lost Boys of Sudan," which follows two young refugees of the Dinka tribe, who were forced to flee and resettle in the United States. To R.S.V.P., call (310) 552-4595 ext .21.

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