fbpx

January 26, 2017

McVeigh documentary examines the rightward path of extremists

In the wake of dozens of recent bombing threats to synagogues and Jewish institutions throughout the United States, Barak Goodman’s new documentary, “Oklahoma City,” seems particularly relevant. The film traces how the deadliest domestic terrorist attack ever committed on American soil sprang from roots in the white supremacist movement.

The film includes familiar and not-so-familiar imagery of the April 1995 blast that destroyed Oklahoma City’s Alfred P. Murrah Federal Building and killed or injured more than 800 people: charred bodies being removed from the structure’s mangled remains; a surgeon amputating the leg of a trapped young woman, using his pocket knife to finish the job after his other blades break; a bystander remembering the children’s bodies lined up on the sidewalk as a nurse placed toe tags on their feet.

Bomber Timothy McVeigh, who acted with limited help from two accomplices, was executed by lethal injection in June 2001. “But you cannot exonerate the white supremacist movement for the Oklahoma City attack,” Goodman, who lives in New York, said in a telephone interview. “McVeigh was deeply influenced by the ideas and literature of the radical right.”

Groups such as Aryan Nations have long asserted that Jews run the U.S. government and that whites must save America by asserting their white Christian identity. In the 1980s, a paramilitary offshoot of that organization, The Order, named itself after the terrorist cell described in William Pierce’s novel “The Turner Diaries.” The book’s heroes violently overthrow an American government they perceive to be dominated by Jews. Members of The Order in real life robbed banks and armored cars to fund their attacks, and in 1984 four of them murdered Denver Jewish radio host Alan Berg.

McVeigh did not grow up in a white supremacist milieu, but he did develop from his grandfather an enthusiasm for guns and gun owners’ rights while growing up in Pendleton, N.Y. Tall and thin, McVeigh was often bullied by his classmates, who called him “Noodle McVeigh,” leading him to develop what the film describes as his lifelong hatred of bullies.

McVeigh began to see the federal government as the most extreme of bullies while serving in the Army in Iraq, the documentary asserts. Back in the U.S., he became increasingly hostile toward the establishment after he was rejected from an elite Army training unit. His stridency grew even stronger when he was unable to find work despite his military experience. McVeigh then discovered far-right government conspiracy theories and became enamored of “The Turner Diaries,” which he began selling at gun shows around the country. It was at these shows that he met members of white supremacist groups and eventually visited some of their paramilitary sites.

The documentary details how McVeigh became livid upon learning of the deadly confrontations between antigovernment groups and law enforcement in Ruby Ridge, Idaho, in 1992 and at the compound of the apocalyptic Christian Branch Davidians in Waco, Texas, the following year. When the Brady Handgun Violence Protection Act passed in November 1993, an enraged McVeigh was spurred to action.

He built a five-ton fertilizer bomb, placed it in a Ryder rental truck, parked the vehicle in front of the Oklahoma City federal building and lit two fuses. Moments later, the explosion killed 168 people and injured 675 others.

While McVeigh’s primary motivation was his hatred of the U.S. government, whether he was also racist “has been a controversial area,” Goodman said. The filmmaker said he agrees with Leonard Zeskind, author of “Blood and Politics: The History of the White Nationalist Movement From the Margins to the Mainstream,” whom he interviews in the documentary. “[Zeskind] argues that McVeigh was quite racist and quite anti-Semitic,” Goodman said. “I don’t think you can possibly go around sharing ‘The Turner Diaries’ and touting it as a great book unless you also harbored some of those beliefs.”

Goodman, 53, grew up in a Philadelphia-area home where Judaism was inextricably linked to social justice and civil rights. That philosophy, he said, has strongly influenced the more than 30 documentaries he has produced since attending Harvard and the Columbia School of Journalism. Goodman earned an Academy Award nomination for his 2001 film, “Scottsboro: An American Tragedy,” which recounts how nine African-American teenagers were falsely convicted of raping a white woman in Alabama in the 1930s.

When Mark Samels, an executive producer of PBS’ “American Experience” series, approached Goodman to write and direct “Oklahoma City” about two years ago, the filmmaker quickly signed on. He was intrigued by Samels’ idea to trace McVeigh’s roots to the far right, and he also remembered his shock upon seeing television images of the bombing.

“So much terrorism has happened since in this country, but at the time, this was utterly new within our shores,” Goodman said. “We’d seen these kinds of things happening in Lebanon, but nothing remotely like this had ever happened here in my lifetime. So what we really tried to get across in the film was how people had no context or experience with anything like this.”

As research for his documentary, Goodman conducted about 100 interviews throughout the country, including conversations with an Anti-Defamation League expert, law enforcement officials, first responders, survivors and others. He also perused 65 hours of audiotaped jailhouse interviews with McVeigh, some of which are heard in the film.

Regarding why McVeigh committed his crime, Goodman said, “I think he had a grandiose notion of his own destiny that was totally at odds with the reality of his life. His anger was partly because his circumstances didn’t match his self-regard. He was a smart guy — he had a high IQ — but he had washed out of the military, he was unemployed, and he had had no success with women, even though he thought he was a hot deal. I think a lot of guys who fall under the sway of these right-wing ideologies are looking for something to match their sense of grandness in the world.”

These days, the American public’s focus may be on radical Muslim terrorists, but more than 400 militant white supremacist groups now exist across the country, Goodman said. “The FBI will tell you that they are as aware of the domestic as the foreign terrorists,” he added. “They’re very frightened by them.”

President Donald Trump’s racist, xenophobic rhetoric “has provided a kind of catalyzing effect for their ideas … now there’s a kind of license for them to come out and talk more openly,” Goodman added. “[White supremacists] have exchanged their camouflage for suits and ties, but they’re the same people with the same ideas…. We ignore the terrorists in our midst at our own peril.”

“Oklahoma City” will open Feb. 3 in Los Angeles theaters and air Feb. 7 on PBS.

McVeigh documentary examines the rightward path of extremists Read More »

Leon Wieseltier on Jewish journalism: ‘Investigate and analyze Jewish identity’

Leon Wieseltier is one of America’s best-known public intellectuals and has spent the better part of his career critiquing the values that underlie American culture and politics. For three decades, he served as literary editor for The New Republic, where it was common for Wieseltier to bring his Jewish background and education to bear upon the pressing issues of the day.

Educated at Yeshiva of Flatbush in New York City, Wieseltier is firmly rooted in Jewish study, even though he broadened himself in other subjects at Columbia, Oxford and Harvard. Author of the 1998 book “Kaddish,” Wieseltier has demonstrated throughout his career how a grounding in Jewish particularism is a useful lens through which to view the world, both because it encapsulates the wisdom of a long-enduring people and because Jewish values are the progenitors of universal humanism.

On the occasion of the Journal’s 30th anniversary, we caught up with Wieseltier to talk about why, in an increasingly global world, Jewish journalism still matters.

Danielle Berrin: You’ve said that Jewish journalism is essential because it gives the Jewish community a sense of itself and captures the lived experience of the Jewish people. Why does it matter to American democracy? 

Leon Wieseltier: In an open society, the reporting of unpleasant truths and the criticism of leaders is an essential feature of [democracy]. It’d be impossible to imagine democratic life without journalism, and since Jews in the United States have been among the groups that have kindled most ferociously to democratic habits and practices, Jewish journalism is our community’s way of affirming its belief in democracy and in an open society.

“In an open society, the reporting of unpleasant truths and the criticism of leaders is an
essential feature of [democracy].” — Leon Wieseltier

DB: What do you make of the argument that critical Jewish journalism makes Jews look bad?

LW: For a variety of reasons, [Jews] have had mixed feelings about airing truths about their communal realities. For a long time. they worried that the goyim would overhear and it would somehow weaken the position of the Jews in the host culture of wherever they were living. There is something about the ethic of journalism that defies certain traditional Jewish ethics — I sometimes think of Jewish journalism as the professionalization of lashon harah [gossip]. We are taught not to say bad things about people, not to circulate the bad things that we know about people even if they’re true. And then along comes this profession that basically consists of that; that has to have a critical and skeptical attitude if it is to meet its own standards. It would be a travesty if Jewish journalism consisted merely of the praise of important Jewish figures and institutions, because it would violate the principles of journalism and it would deprive members of respective communities of information that they need. People used to complain in the old days that Jews suffer from self-hatred; the problem now is that they suffer from self-love.

DB: You’ve said, “Self-criticism is the hallmark of a mature community.” But how do you encourage self-criticism when the Jewish self-understanding has been shaped, in part, by an excess of outside criticism?

LW: There’s a sentence in Maimonides that is fundamental in many contexts, including this one: Qabel et haemet mimi sh’amra — “Accept the truth from whoever utters it.” The first question is: “What is true?” Not: “Who is saying it?” It may be that this truth is being directed at us by enemies, but we cannot use the motives of certain critics to discredit what they say. If it’s true, it’s true. The American Jewish position is the strongest it has been in any Diaspora community in Jewish history — the eruption of the anti-Semitic sewer in the Trump campaign notwithstanding. If Merrick Garland had been confirmed to the [Supreme Court] as he should have been, there would have been four Jewish justices on the Supreme Court [and] pretty soon we would have had to worry about establishing a goyish seat! Given our security here, I’m not especially worried about external criticism.

DB: Since the Jewish community as a whole is more powerful than at any other time in Jewish history, should our standards for self-examination change? 

LW: Insofar as we have become more powerful, we can expect more interrogation and more hostility. [But] our security and our strength in this country doesn’t absolve us of our ancient Jewish obligation of self-reckoning. That obligation applies to the strong as well as to the weak — none of us are exempt from it, individually or communally. The Jews in the exile never used the fact that they were surrounded by hostility as an excuse to lower their standards for themselves. In the Torah, [it says] “Hoche’ah tochi’ah et amitecha — You must rebuke your fellow” — Leviticus 19:17. If anyone wondered about the ultimate license in Judaism for critical journalism, it’s in that verse.

DB: How would you characterize the landscape of American Jewish journalism today? What are we getting right and what can we do better?

LW: Oh, I think American Jewish journalism is never as good as it should be. I think there are a few islands of excellence and it’s better than it was 30 years ago. Sometimes I think there’s too much noise and not enough sharpness. And every evidence of Jewishness has suddenly become charming and fascinating. I probably wish there was less, but better.

DB: If you were running a Jewish newspaper right now, what issues would you cover?

LW: The most important subject facing the American Jewish community is the new financial and power structure of the community. The Jewish community and its institutions have never been more dependent than they are now upon the largesse of spectacularly wealthy people — families and foundations — and I think that the prestige of wealth has never been greater. So one of the things Jewish journalism should cover in a very, very strict way are the foundations [and] the benefactors. It should also make an extended effort to cover the nature of Jewishness of American millennial Jews, because they are the successor generation; it needs to cover the impact of the internet on Jewish life and identity; the condition of the various rabbinates in the various denominations; and the holy grail would be the kosher meat industry. I don’t want to read about Jewish celebrities. I don’t want to hear that some Jewish movie star or non-Jewish movie star was seen eating kreplach. I’m tired of the reduction of Jewish journalism to a celebration of ethnic tics. Enough Seinfeld. Enough Larry David. Enough Barbra Streisand.

DB: You’ve said that the people who own and operate media companies have a responsibility to publish articles with which they do not agree. But in our online age, the public finds itself in so-called “echo chambers” where we can consume journalism that confirms what we already believe and rarely do we have to confront other perspectives. How can Jewish journalism bypass this?

LW: Too many people think that the purpose of Jewish journalism is to strengthen Jewish identity. I think the purpose of Jewish journalism is to probe and investigate and analyze Jewish identity. All Jewish life cannot be an experience of affirmation.

DB: Does journalism need to reassess itself in the age of Trump? 

LW: Relations between the president and the media are going to be bad. The role of the press in covering power is adversarial, and it should be adversarial. My working rule is: The more power, the less pity. I think the media has some self-reckoning to do about the astonishing gift of free media to Donald Trump during the campaign. And the other thing they have to think about is the religion of data, and the reverence for numbers and polls. Because something went badly wrong. So they have a cheshbon [accounting] to do.

But they also have a job to do, which is to cover the new president as obnoxiously and relentlessly as they can, which, by the way, was their job in covering Obama. The obligation remains the same. The media has to be pitiless about every powerful individual in our society, because power has to be held accountable. And one of the main instruments of our accountability is public opinion, and public opinion will only be as good as its sources of information. Journalism plays a central role in that. And so, in order for Americans to have a shot at correct, knowledgeable and factual options, they need the institutions and the people that govern them to be covered ruthlessly.

Leon Wieseltier on Jewish journalism: ‘Investigate and analyze Jewish identity’ Read More »

Obituaries: Week of January 27, 2017

Miriam Bell died Jan. 6 at age 86. Survived by husband Sam; daughters Frances (Mike), Helen (Stephen); 4 grandchildren. Mount Sinai 

Gertrude Ann Black died Jan. 17 at 97. Survived by daughter Susan (Mark) Erkkila; son Martin (Rosalie); 3 grandchildren; 1 great-grandchild. Mount Sinai

Glenn Ross Bobrow died Jan. 2 at 45. Survived by mother Holli; father Allan; brother Scott. Mount Sinai 

Annette T. Cohen died Jan. 12 at age 92. Survived by daughters Barbara, Donne E. (Acy) Prather; son Jeff (Sheila); 4 grandchildren; 3 siblings. Mount Sinai

Frederick Derfler died Jan. 4 at 90. Survived by wife Adeline; daughter Donna; brother Martin. Hillside

Shirley “Cookie” Dorenfeld died Jan. 15 at 81. Survived by daughters Robyn, Deborah (Mitchell) Clousner; son David (Stacy); 5 grandchildren; sisters Rita Goldman, Lillian Berman, Bernice Schiffman; sister-in-law Rochelle Abrams. Mount Sinai

Carole Dulberg died Jan. 7 at 87. Survived by daughter Jan Isselmann; son Ellis; 5 grandchildren; 3 great-grandchildren. Mount Sinai

Myrtle Feenberg died Jan. 10 at 101. Groman Eden 

Fredric Sheldon Feldman died Jan. 8 at 87. Survived by daughters Donna (Michael) Steiger, Windy; stepdaughters Diana Hathaway, Janice (Peter) Kupratis, Joyce Grosvenor; stepson Daniel Hathaway; 2 grandchildren; 6 stepgrandchildren; 3 great-stepgrandchildren. Mount Sinai

Irene Feldman died Jan. 11 at 99. Survived by daughter Norma (Scott) Damschroder; son Sanford (Lynda); 3 grandchildren; 1 great-grandchild. Mount Sinai

Janet Fink died Jan. 8 at 70. Survived by husband Alan; daughters Robyn (Michael) Lazans, Melissa (Steven) Sale. Mount Sinai 

Heather Nash Frankle died Dec. 23 at 71. Survived by husband Nick; daughter Donna (Joe) Sartor; son James (Jacqui); 3 grandchildren; 2 great-grandchildren; sister Barbara (David) Goldstein; brothers Paul (Amy) Nash, Bob (Diane); brother-in-law Alan (Janice). Mount Sinai

Esther Gerst died Jan. 14 at 85. Survived by daughter Rachel Molin; son Harry (Diane); 3 grandchildren; 1 great-grandchild. Mount Sinai

Marian Rebecca Ginsberg died Jan. 11 at 95. Survived by 3 grandchildren; 5 great-grandchildren. Mount Sinai

Lillian Goff died Jan. 11 at 95. Survived by son Leonard. Mount Sinai

Jerome Goldblatt died Jan. 14 at 90. Survived by daughters Gayle (Marshall) Lambert, Laurie (Larry) Borenstein; son Neal; 6 grandchildren; 1 great-grandchild; brother Seymour (Shelley). Mount Sinai 

Ruthanne M. Goodfarb died Jan. 3 at 53. Survived by brother Steven (Kit).

Myer Grossman died Jan. 13 at 107. Survived by daughter Marsha Kent. Mount Sinai 

Miriam Jalowitz died Jan. 6 at 103. Survived by daughters Ettie Councilman, Shandell Graham, Tema (Jim) Smith, Fayga (Michael) Murane; 9 grandchildren; 12 great-grandchildren. Mount Sinai

Mildred Marcia Karp died Jan. 14 at 101. Survived by daughter Doreen (Donald); son Richard; 5 grandchildren; 8 great-grandchildren. Mount Sinai 

Jerome Koenigsberg died Jan. 11 at 77. Survived by wife Marilyn; daughters Raquel (Cary) Schnitzer, Diana (William Howard), Angie. Mount Sinai

Ruth Martin died Jan. 16 at 95, Survived by daughters Fae (Chuck) Lipeles, Iris Greenberg, Eileen (Barry) Kaplan; 6 grandchildren.  Groman Eden

Ronald A. Meyer died Dec. 23 at 77. Survived by wife Rachel; daughter Sabrina. Chevra Kadisha

Florence R. Neyer died Jan. 9 at 92. Survived by sons Todd (Karyn), Nelson (Lisa); 2 grandchildren; 1 stepgrandchild; 2 great-grandchildren. Mount Sinai

Edward Pildesh died Jan. 5 at 75. Survived by wife Svetlana; daughters Ellen (Igor) Drabkin, Irina Akselrud; 3 grandchildren. Mount Sinai

Maurice P. Samson died Jan. 11 at 98. Survived by daughter Karen (William J. Smith) Samson Smith; son Donald (Claudia); 3 grandchildren. Mount Sinai

Rehla Schneier died Jan. 5 at 87. Survived by husband Bernard; sons Neal, Marc; 4 grandchildren;  brothers Joseph Fremont, Albert Fremont. Mount Sinai

Maurice Shapiro died Jan. 15 at 93. Survived by daughters Beth (Richard) Frank, Ellen (Gregory) Simon; 5 grandchildren; 1 great-grandchild; sister Edith Stahl; brother Fred (Shelly Rochelle). Mount Sinai

Paul Siener died Jan. 8 at 95. Survived by son Michael (Madhya Regnier); sister-in-law Frances Cooper. Mount Sinai

Gloria Stein died Jan. 16 at 84. Survived by husband Joe; daughter Sheri Stein-Lentz; sons Jason, Marc (Sylvia); 5 grandchildren. Mount Sinai

Bette L. Varon died Jan. 9 at 87. Survived by daughter Michelle; 6 grandchildren; 6 great-grandchildren; brother Frank Singer. Mount Sinai

Joseph Witkow died Jan. 4 at 99. Survived by sons Jerry (Sue), Barry (Linda), Robert (Roberta), Stanley (Susan); 7 grandchildren; 5 great-grandchildren. Groman Eden

Obituaries: Week of January 27, 2017 Read More »

Survivor Eva Trenk: In camps and in hiding throughout Slovakia

It was Chanukah 1941 and 4-year-old Eva Trenk (née Juskovicova) sat at the dining room table with her parents and older brother, Artur, in their home in Backov, Slovakia. “It was a special dinner,” Eva recalled. They had lit the candles, and Eva’s mother, Berta, had led the singing of Chanukah songs in her beautiful voice. Eva’s new doll, with its red-and-white polka dot skirt and blond hair, just like hers, joined them at the table.

Suddenly, loud pounding on the front door interrupted their celebration. Eva’s father, Ernest, went to investigate, reappearing some minutes later looking troubled. After conferring with Berta, the family silently finished dinner. “We noticed the worries in our parents,” Eva said. Soon after, Ernest told Eva and Artur that some bad people were making problems in this world. “You just have to be good children,” he said. They promised.

Eva grew up in Backov, a village in eastern Czechoslovakia that was ceded to Hungary in November 1938. Four months later, it became part of an independent Slovakia that declared allegiance to Nazi Germany.

Financially well-off and traditionally observant, Eva’s family lived in a comfortable two-story house with a large yard. Berta worked in her parents’ textile business, and Ernest sold farm equipment, sometimes bringing home ponies from his farmer clients for Eva to ride.

“We had devoted parents. Our childhood was very happy,” Eva said, adding that her parents had shielded her from Slovakia’s alliance with Nazi Germany and the country’s increasing anti-Semitism.

But the December 1941 Chanukah visitors, who turned out to be two Hlinka guards — Slovak fascists — put an end to Eva’s idyllic childhood. They told Ernest that the family businesses would be confiscated a few days later, though Ernest and Berta would continue as employees.

By late 1942, the Jews of Backov — including Eva, her parents, brother and maternal grandmother, Antonia Wirstafterova — were ordered to pack one suitcase apiece and report to a large hall next to the synagogue. The Jews — “hundreds,” according to Eva — were bused to Kosice, where they were transferred to austere train cars. After riding an entire day, they arrived at Zilina, a transit and labor camp in northwestern Slovakia, 170 miles from Backov.

There, the Hlinka guards immediately separated the men, women and children. “I will come to see you,” Berta told a saddened Eva, who grabbed her suitcase and followed Artur as far as the boys building.

Next door was the girls building, where Eva shared a room with 14 others. “We became pretty friendly,” she said. Everyone was assigned jobs, with Eva mopping floors and cleaning bathrooms. They were fed twice a day, mostly potatoes and soup, and Eva was often hungry. Sometimes — “for no reason,” she said — guards woke them at night, forcing them outside to run for 30 minutes or more.

Eva occasionally saw Berta, who visited whenever she could. She sometimes spotted her father, who waved when he saw her as he worked with concrete, constructing new barracks. Sometimes, he was even able to hug her.

In the summer of 1943, Antonia learned that Ernest had been deported to Auschwitz. Deciding that the remaining family should escape from Zilina, she bribed a Hlinka officer to assist them, using gold jewelry she had smuggled in.

The night of the escape — Berta told Eva the plans only a few hours earlier — Eva put on three or four dresses, slipped out of her bunk and, though frightened, walked the half block to a designated bungalow, where another man, a friend of the Hlinka officer, awaited the family.

The accomplice took them by truck to Zemianska Kerta, a village about 100 miles south, dropping them at the house of a Christian family. The next day, he took them to meet a man who created false identification papers for them, turning Eva Juskovicova into Margaret Sabor.

A few days later, feeling unsafe, they boarded a bus for Nemecka Lupca, about 125 miles northeast of Zemianska Kerta. There, posing as a widow from eastern Slovakia, worried about her two small children, Berta found an older Christian couple, Olga and Yanni Savkova, who took them in. “Don’t talk. Just be nice and say thank you,” Berta warned her children.

Berta did chores around the farm while Antonia helped in the kitchen and Eva and Artur dug potatoes. They all lived together amicably in the farmhouse and even attended mass at the Greek Orthodox church on Sundays. “The couple treated us nice,” Eva said.

Almost a year later, sometime in the summer of 1944, Nazi soldiers appeared, accusing Berta of being a partisan and a traitor and imprisoning her. “One of the neighbors must have reported us,” Eva said. Over the next two weeks, Berta was held in custody and abused — Eva doesn’t know the details — before Berta convinced the Nazis that she was a simple Christian woman, and they released her.

“We have to leave,” Berta said when she returned. The next day, against the wishes of the Savkovas, they boarded a bus, ending up in the mountains in central Slovakia, where they hid, along with partisans and other Jews, sleeping on piles of leaves in makeshift campsites. The partisans, who knew they were Jewish, shared their food.

Then, in September or October, amid an increasing sense of uneasiness, partisans urged Eva’s family to leave, telling them, “It’s very dangerous.” The following morning, the partisans disappeared, leaving Eva and her family, as well as the 60 or 70 others, surrounded by Hlinka soldiers. “March,” they commanded as they led the mostly Jewish group down the mountain and loaded them into trucks. “I was scared to death,” Eva said.

The drive was long and cold, Eva recalled, but they finally arrived at Sered, then a concentration camp in western Slovakia, where Eva’s family shared a barracks with several families.

The children attended two hours of class each morning before going to work, which lasted until dark. For Eva, that entailed caring for the camp’s Angora rabbits. The conditions were less harsh than those at Zilina. Still, many prisoners were killed or deported to other concentration camps.

One day around March, Eva (“I will never forget this,” she said) saw the sky fill with airplanes. “Look at those silver birds,” she said to Artur. Frightened, and unaware that the planes were American, they hid. “We were praying that the war should end,” Eva said.

On April 1, 1945, Eva and her family awoke to fierce shooting and screaming. They remained in their barracks for several days as the fighting continued. Finally, it was safe to leave. They had been liberated by the Russian army. Eva was 8 years old.

The family soon left Sered for Bratislava, where Berta met an Auschwitz survivor who said, “I saw your husband almost toward the end of the war.” But Ernest was never found, and Eva believes he was murdered. They returned to Backov, only to find their house and all but two or three others had been burned to the ground. “I don’t have a picture of my father,” Eva said.

The family settled in Secovce, a town just south of Backov, where, Eva said, “We started from the beginning.” She attended second grade with all Christian classmates; the Jews of her generation were gone.

After elementary and high school, Eva studied economics in Humenne, a town about 25 miles north. She returned to Secovce and in 1956 secured a job at a savings and loan. Eva later met Tibor Trenk, and they married on Dec. 29, 1963. Their son, Peter, was born two years later.

In August 1968, when Russia invaded Czechoslovakia, Eva and Tibor decided to leave, taking only two suitcases and their son. They traveled to Vienna, then Rome, before arriving in Los Angeles on Sept. 28, 1969. Tibor worked as an electrician and Eva attended night school at Fairfax High to learn English.

In 1970, she began work as a bookkeeper, later moving into real estate sales, then accounting. She retired in 2010.

Eva and Tibor divorced in 1982. Berta, who divided her time between Los Angeles and Israel, where Artur had settled, died in November 1989. In January 1998, Eva experienced “a big tragedy” when Peter died at age 33.

This year marks Eva’s fourth time participating in the Bearing Witness program with UCLA students. For the last two years, she has taken part in the Los Angeles Museum of the Holocaust’s L’Dough V’Dough program, making challah and sharing her story. She also speaks to school groups.

Eva tells her story so that students understand the reality of the Holocaust.

“This tragedy really happened,” she tells them. “I lost 80 percent of my family [15 aunts, uncles and first cousins]. I’m living proof that these things happened.”

Survivor Eva Trenk: In camps and in hiding throughout Slovakia Read More »

His vision: To eradicate blindness

When Sherwin Isenberg, then a UCLA student, was in Israel during the Six-Day War, he visited Gaza and saw Arab children leading around blind older women and men suffering from trachoma, a preventable and curable disease.

“It was my first encounter with mass blindness,” Isenberg — now Dr. Isenberg, a UCLA professor of ophthalmology — told me as we sat in his office in the Jules Stein Eye Institute. “It still haunts me today.”

Haunted enough to help him choose to specialize in the eye — especially children’s eyes. “It’s the most interesting organ in the body,” he said. “And I love kids.” And he saw that the trachoma infection that caused the blindness was curable and preventable.

“The Israeli army, in its wisdom, put the few L.A. people on a kibbutz [where Isenberg did farm work]. A friend arranged for me to spend a day in Gaza,” Isenberg recalled about his visit.

The summer and the war over, Isenberg returned to UCLA and then went on to medical school, choosing ophthalmology as his field and still remembering the blind people he saw in Gaza. By then, trachoma had been vanquished there. “The Israeli army came in and within a year eradicated trachoma … from Gaza,” Isenberg said. “Did the Israeli army ever get credit for this? Of course not.”

He returned to UCLA as a faculty member at the School of Medicine and, among his other posts there, became chief of ophthalmology at Harbor-UCLA Medical Center.

Harbor is a 470-bed county hospital located in Carson that serves the South Bay area. I’ve visited it while reporting on medical care for low-income Angelenos and was impressed by its large, no-frills campus and by the quality of the medical personnel I interviewed. Harbor, said Isenberg, is “a unique blend of county hospital and people doing research. It is a wonderful place to be.”

To Isenberg, medical practice was more than the important function of treating patients. He approached it as a scientist. I asked why. Was it the complexity of the eye and the problems it posed that appealed to his scientific nature?

Sight “is our main way of communication with others,” he replied. “It entails some chemistry, some physics, which I was always interested in. Optics is mostly physics. And it’s the way to take a science and relate it directly to people.”

He specialized in pediatric optometry and began working with the late Leonard Apt, the first pediatric ophthalmologist on the West Coast and a founder of UCLA’s Jules Stein Eye Institute. They focused on severe eye infections in infants, neonatal conjunctivitis, which causes many thousands of cases of blindness. The infants get infected during delivery, when they are exposed to bacteria or viruses in the mother’s vagina, often from sexually transmitted diseases.

Silver nitrate or antibiotics, Isenberg explained, have long been used against infections. They are applied to the babies’ eyes immediately after birth. But the drugs are too expensive for poor countries. And some infants develop redness and swelling.

Doctors thought a common antiseptic — povidone-iodine or Betadine — might work on eyes if diluted. “Here’s this drug Betadine, been around a long time, sort of obvious but nobody thought of it [for eyes],” Isenberg said.

Doctors tried a diluted form on eye surgery patients and found it worked better than silver nitrate and cost much less. They thought it would help babies in poor communities in the developing world. It worked and the rate of infections plummeted worldwide.

Now Isenberg and his colleagues are turning their attention to the infectious eye disease trachoma. “Trachoma is the No. 1 cause of infectious blindness in the world,” he said, and he believes povidone-iodine “should be effective against trachoma.”

“I have organized a consortium of four universities to look into this project,” he said. “UCLA is the primary one.” The others are UC San Francisco; Hawassa University in Ethiopia; and Tel Aviv University.

Isenberg is seeking a $400,000 grant for the project. LA BioMed, the research support arm of Harbor, is helping secure the grant. Isenberg recently was named an LA BioMed Legend by the organization.

What struck me about Isenberg’s story was that it reflected the international aspect of medical research and other scientific fields. It’s good to remember this in a time when nationalism is growing in the United States and other countries.

“Medicine has become broader,” he said. “We have this wonderful organization, Doctors Without Borders. People go into [medicine] for an altruistic desire, and often the greatest need is outside America.”

That was the case here, where an idea grew from a young man’s visit to Gaza years ago. The idea developed into a treatment, developed at Harbor UCLA Medical Center in Carson and by researchers in India, the Philippines, Ethiopia and other places. Today, it’s preventing blindness around the world.

His vision: To eradicate blindness Read More »

A paper evolves and innovates

In 1986, Elie Wiesel received the Nobel Peace Prize, the Soviet regime released refusenik Anatoly (Natan) Sharansky from prison, the New York Mets won the World Series, and “The Cosby Show” ranked No. 1 on television.

In the same historic year, The Jewish Journal of Greater Los Angeles published its inaugural issue on Feb. 28.

On the 40-page newspaper’s first cover, above the headline “Bobbi and the New Jewish Right,” was a photo of Congresswoman Bobbi Fiedler, who had sparked the movement against the busing of school children to further the integration of public schools.

In many ways, that first issue, with its mix of politics, personal voices, solid reporting and spirited editorial independence,  has endured as a model for an organization that has grown and changed greatly in the decades since.

In the early 1980s, involved Los Angeles Jews had a choice of two privately owned weeklies, the venerable B’nai B’rith Messenger and the free-swinging Heritage, plus The Federation’s Jewish Community Bulletin.

jj_cover_040904The Federation’s lay and professional leadership felt that none of the three publications adequately served the community, and in 1983, a six-person committee set to work to explore the creation of a newspaper.

Attorney Richard Volpert served as committee chair, and, after a year of deliberations, he handed in a report recommending the establishment of a new weekly, financially supported by the Federation, but with complete editorial independence.

At the time, that last suggestion constituted a fairly radical step. Almost all other Jewish weeklies in the country were owned and run by local federations, which rarely, if ever, brooked criticism of Jewish institutions or Israeli policy.

The new editorial concept wasn’t an easy sell to many of Los Angeles’ Federation board members. Quite a few thought, “If we pay for the paper, then we run it,” Volpert recalled, “but I felt that without independence, the paper would have no credibility.”

Eventually, Federation started the paper, investing $660,000 and subsidizing subscriptions for its donors.

One of the strongest advocates for independence was Jonathan Kirsch, the youngest committee member, whose combined background as magazine writer, book critic and attorney specializing in publishing and libel law proved invaluable.

Kirsch has served as pro bono legal counsel for The Journal since its inception.

The next step was to select an editor. Gene Lichtenstein, who had edited a Jewish weekly in the Boston area, written for major national magazines and taught journalism courses at East and West Coast universities, was the pick.

His first two hires were his competitors for the editor’s slot, local writer Marlene Adler Marks and journalist Yehuda Lev, while Volpert became the first board chairman — in effect, publisher — of the fledgling weekly.

jj_cover_051305As editor, Lichtenstein made it his priority to publish as many diverse viewpoints as possible, recruit talented writers and columnists, and insisted, at all times, on good writing.

“I wanted an American newspaper, Jewish but connected to the larger world,” he said more recently. “It wouldn’t just reflect the viewpoint of The Federation or be mainly about fundraising. It wouldn’t print only favorable stories about the Jewish community and Israel.”

In the beginning …

“There were no computers,” recalled Toni Van Ness, now an advertising senior account executive at the Journal. “All invoices were typed on an IBM Selectric. There was no email. Ad proofs were copied and then sent by messenger or delivered by sales reps for approval. There were about 20 full-time people on the staff.”

Van Ness shared a small office with Janet Polyak, and the two personified the diversity of the personnel.

“I was a girl from South Central [Los Angeles] who spoke Ebonics, and Janet had a thick Russian accent,” Van Ness recounted. “In the beginning, there was a lot of, ‘What did you say? I didn’t understand you. Can you repeat that?’ ”

Naomi Pfefferman joined the Journal as a reporter in the fall of 1986.

She wrote her first cover story about the rising tensions between Jewish and African-American students on the UCLA campus. Pfefferman soon focused increasingly on movie and art stories, and now is the Journal’s longtime arts and entertainment editor.

jj_cover_062102“It became easier to line up Hollywood celebrities as the paper kept gaining exposure and credibility,” she said.

In its first few months, the Journal received kudos for lively writing, outraged comments from some Jewish organizations and a weak response from advertisers.

Almost from the beginning, the paper was hemorrhaging money, and some influential Federation leaders demanded more control over the paper.

Lichtenstein was meeting monthly at Nibblers restaurant with a four-member Federation subcommittee to chart progress and iron out problems.

Three months after the paper launched, a very influential member of the committee demanded that, from then on, all the paper’s articles be vetted by the committee’s members.

Lichtenstein says he told the committee that “this was a really bad idea.” The proposal was put to a vote and defeated, 3-1.

Nevertheless, dissatisfaction with the editorial and business performance of the Journal continued, and the Journal came close to being sold to an East Coast Jewish newspaper publisher.

At this critical point, major Federation leaders, with Edward Brennglass, Stanley Hirsh and Osias Goren in the lead, rode to the rescue, personally underwriting a loan from City National Bank to provide working capital for the paper to be an independent entity and continue publication. The group founded Los Angeles Jewish Publications as an independent nonprofit to serve the Jewish community, and the Journal lived to fight another day.

jj_cover_092900Brennglass soon became publisher, and, over the decade of his tenure, he stabilized the paper, which slowly established a solid reputation and started to make a profit. After Brennglass’ death in 1997, Hirsh, an influential businessman and Democratic heavyweight, took over as publisher.

However, by 2000, strong editorial and personality differences between publisher and editor led to a parting. Lichtenstein resigned and was succeeded by the managing editor, Rob Eshman, who had first joined the staff as a reporter in the mid-’90s.

Changing of the guard

The transition from Lichtenstein to Eshman represented a generational shift in the leadership of the Journal. In addition, Eshman was a local, from a family deeply rooted in the Los Angeles Jewish community. Eshman, a fluent and prolific writer whose interests and expertise range from politics to food, also had lived in Israel and spoke Hebrew.

At the turn of the century, Hirsh’s health deteriorated, Irwin Field took over as acting publisher, and, upon Hirsh’s death in 2003, Field became publisher.

Following on the heels of managing editors Amy Klein and Howard Blume, Susan Freudenheim, previously a longtime arts editor at the Los Angeles Times, joined the Journal as managing editor in 2005, eventually becoming executive editor before departing in 2016 to run Jewish World Watch.

Always forward-thinking, Eshman recognized early on that the future of journalism was rapidly evolving beyond the printed page. His vision was to use digital technology to turn a small, local paper into a media enterprise that reaches deeply into the community, as well as around the world.

“Jews see the world through a particular set of values, and those values shape our journalism,” Eshman said. “The digital revolution has suddenly made it possible to share that point of view with everyone, instantly, Jews and non-Jews.”

The Journal had already launched its first webpage in 1996, but that early effort served primarily as an electronic reprint of the articles and columns running in the weekly print edition.

But gradually, especially with the appointment of Jay Firestone as web and multimedia editor in 2009, jewishjournal.com has evolved into a 24/7, constantly updated news machine with original writing, foreign reporting, videos and dozens of blogs.

After Firestone went on to a post at Facebook, his successor, Jeff Hensiek, oversaw a complete renovation of the site — which goes live this week.

“As the Jewish Journal moves into the next 30 years, we are staying ahead of the curve by drastically expanding our multimedia efforts,” Hensiek said. “We are introducing a new digital media team, partnering with content producers and even entering the world of virtual reality.”

The next chapter

With millions of page views from around the world each month, jewishjournal.com is among the most-viewed Jewish news websites and by far the largest Jewish website in Los Angeles, according to Google Analytics.

In the midst of the 2009 financial crisis, local philanthropists Peter Lowy and Art Bilger, along with Irwin Field and an anonymous donor, stepped in to make major contributions to shore up the paper’s recession-battered finances and to help position it for more aggressive growth.

Lowy and Bilger said they were inspired by the growth of the Journal beyond its original scope and audience, and by its record of community service.
“The future for print media isn’t the rosiest, but this is a way we can add philanthropy to a business enterprise,” Lowy told the Los Angeles Times at the time. “This is an experiment in what I would call a community media group. The Journal is very important to the Jewish community. But we think this might work for any communal group.”

With the addition to the board of Lowy, Leon Janks, an additional member and Bilger (who has since stepped down), the Journal  undertook a major reorganization and diversification of its corporate structure, forming TRIBE Media Corp. to reflect its broader vision and ambitions.

Part of the changes included hiring columnist David Suissa as president of TRIBE Media Corp. when Eshman was made publisher/editor-in-chief.

Suissa, with 30 years of experience in advertising as founder of Suissa/Miller, and deep roots in Jewish life, increased the paper’s advertising and fundraising efforts.

jj_cover_110708“[N]o other Jewish institution can offer this breadth of Jewish experience in such a convenient and mobile package,” Suissa wrote of the Journal. “This makes Jewish journalism — whether offered digitally or on paper — the ultimate modern-day vehicle to ignite Jewish sparks and keep us continually connected to our community, our tradition and one another.”

Suissa and Eshman’s often contrasting points of view have made news themselves. During the Iran nuclear deal debate, JTA reported on how the Jewish Journal stood out among Jewish news outlets for offering sharply divergent opinions in its pages.

Who we are now

Led by Eshman and Suissa, TRIBE Media Corp. consists of four divisions. They are the weekly Jewish Journal; jewishjournal.com; the production of live events and videos; and JewishInsider.com.

TRIBE acquired Washington, D.C.-based Jewish Insider in 2015. Founded and edited by Max Neuberger, Jewish Insider (JI) provides breaking news, curated sources and politcal analysis. Its Daily Kickoff newsletter has become a must-read for diplomats, journalists, activists and philanthropists around the world. This year, JI expanded to include full-time New York and Capitol Hill correspondents.

In 2016, Julia Moss joined TRIBE as director of community engagement as the company seeks to bring its content to the community through events and video.  TRIBE’s many online videos and live feeds have attracted millions of viewers, including its annual live cast of Nashuva congregation’s Kol Nidre services, which last year attracted 90,000 views. A 2016 Jewish Venture Philanthropy Fund grant will enable TRIBE to develop a dedicated video production team.

Moss also has increased the Journal’s fundraising efforts among foundations and individuals.

None of this has weakened the Journal’s devotion to its founding principles of independent, high-quality journalism.

Over the years, it has been the big story — often an unpredictable disaster — that pushes Journal reporters and editors to battle deadlines and transmit the first drafts of history to their readers. To mention only a couple of examples, in the 1990s there were the Northridge earthquake and the shooting spree by a white supremacist at the North Valley Jewish Community Center.

In the first decade of this century, the Journal broke news on the killing of Daniel Pearl by terrorists and murder at the Los Angeles International Airport’s El Al ticket counter.

In its coverage, the printed and electronic Journal count on a large roster of experienced and diverse correspondents in the field, be it an Egyptian reporter filing from Cairo or Israeli journalists tracking the crises and achievements of Israeli politicians, entrepreneurs and average citizens.

jj_cover_120304In another category are the long-range investigative and analytical stories, such as the lengthy survival battles of the Los Angeles-area Jewish community centers or the successes and weaknesses of institutions such as the Simon Wiesenthal Center, American Jewish University and Federation.

During the Iran nuclear debate, the Journal conducted a national scientific poll that made international news, showing that a plurality of American Jews supported the deal. Its coverage of the Charlie Hebdo attacks in France earned the Journal a special commendation from the Los Angeles Press Club (LAPC).  And senior writer Danielle Berrin’s 2016 cover story on sexual harassment made international news.

As a model, the new corporation “is redefining community journalism for the digital age,” Eshman said, and outside observers seem to agree.
The Jerusalem Post, Israel’s English-language daily, noted that “The Jewish Journal of Los Angeles … is truly cutting edge in pursuing a 21st century platform mix.”

Former Los Angeles Times media critic James Rainey wrote in a column in 2010, headlined “New Life for Jewish Journal,” that the paper is successfully meeting the tough challenges posed by the economy and the general media market.

“If [the Journal’s] experience holds lessons for other ethnic and religious-oriented publishers, it’s that you can do good by being good,” Rainey concluded.

The quality that marked the original Journal’s writers and columnists continues to this day.

Media expert Marty Kaplan’s biweekly political analysis has earned two Columnist of the Year Awards from the LAPC. Former reporter Jared Sichel received an LAPC Journalist of the Year Award in 2014. Dennis Prager, Gina Nahai, Raphael Sonenshein, Bill Boyarsky, Judea Pearl, Danielle Berrin and Jonathan Kirsch — yes, that one — all contribute regular columns from across the political and cultural spectrum.

In addition, a rowdy Letters to the Editor section, a weekly Torah Portion and a contributor-driven Opinion section ensure that the Journal remains the most lively and diverse gathering space for the Jews of Los Angeles and beyond.

A paper evolves and innovates Read More »

30 under 30: The remarkable young people changing the L.A. Jewish community

In historic terms, 30 years is the blink of an eye for the Jewish people. But here, in Los Angeles, it reflects an entire generation of thinkers, influencers, artists and entrepreneurs growing up and preparing to set the moral and cultural compass of tomorrow’s Jewish community in this town.

Thirty years ago, the Jewish Journal was born. Since then, the impressive people who make up this list came into the world and took it by storm. To be clear, these are just a cross section of the dynamic young people logging accomplishments beyond their years. But we believe the musicians, businessmen, actors and activists, all either raised in L.A. or living here, do justice to representing their impressive Jewish generation and bode well for the future.

Maya Aharon, 30

Holocaust education

mayaaharonAharon first got involved in March of the Living as a student at Milken Community High School in 2004; now she’s been responsible for sending some 200 students from more than 20 local high schools to Poland and Israel each year as director of March of the Living for Builders of Jewish Education in Los Angeles. The students visit concentration camps alongside Holocaust survivors. Aharon, who holds a Jewish studies degree from Indiana University, grew up as a camper and counselor at Camp Ramah in Ojai and continues to return there each summer to train senior camp staff.

— Eitan Arom, Staff Writer

Alex Banayan, 24

Author, venture capitalistalex-banayan-headshot-smiling
Two days before Alex Banayan, 24, started his freshman year in college, he was determined to get on — and win — “The Price Is Right.”

He stayed up all night and read articles with tips for being one of the eight contestants picked out of the 300 people in the audience. He even researched the show’s casting producer and learned about how to win people over by making physical contact. Read Alex’s full profile.

Rachel Bloom, 29

rachelbloomActress, writer, showrunner

In 2010, Bloom burst upon the entertainment scene when she wrote, starred in and self-funded the viral music video “F— me, Ray Bradbury,” about a young woman’s sexual awakening through literature. Hollywood soon noticed this musical virtuoso on the make (Bloom is a graduate of NYU’s Tisch School of the Arts) and rewarded her with a big break: Today, Bloom is the star and co-creator of The CW’s “Crazy Ex-Girlfriend,” a romantic comedy-musical series that showcases women’s struggles and truths in all of their raw, awkward beauty, and which earned Bloom a 2016 Golden Globe award.

— Danielle Berrin, Senior Writer

Ben Bram, 29

Music producer

benbramThe Grammy-winning arranger from Brentwood is one of the masterminds behind Pentatonix, a hit a cappella group that performs songs from bands such as Daft Punk and which will perform for three nights at the Hollywood Bowl this summer. The son of local philanthropists Steve and Julie Bram, he attended the USC Thornton School of Music and has a resume that includes credits on the movie “Pitch Perfect” and its sequel, on which he Bram worked as the on-set music director, vocal coach and vocal arranger. He’s also worked on NBC’s “The Sing-Off.” — Ryan Torok, Staff Writer


Justin Brezhnev, 24

Nonprofit head

justin_brezhnev_picBrezhnev is the founder and chief executive of Hacker Fund, a nonprofit that throws hackathons for students to learn entrepreneurship and tech skills, empowering them to create social change. A graduate of UCLA in communication studies, Brezhnev also is a motivational speaker and founder of Silicon Beach Sports League, a nonprofit that encourages its members to socialize and stay fit. A second-degree black belt in judo, he is a former champion of a Soviet martial art and combat sport known as sambo.

— Olga Grigoryants, Contributing Writer


Jamie Feiler, 23

Rebecca Hutman, 22

Marissa Lepor, 22

Holocaust educators

feller-etcThe trio co-founded the Righteous Conversations Project in 2011 while they were juniors at Harvard-Westlake School. The organization, which has had more than 700 program participants, connects teens and young adults to Holocaust survivors through oral histories that inspire collaborative art projects, photography and filmmaking. Feiler’s grandmother, Helen Freeman, survived Auschwitz, and Lepor serves on the “3G” Third Generation Holocaust survivor board at the Los Angeles Museum of the Holocaust. Hutman was the youngest national staffer on President  Barack Obama’s re-election campaign and interned for Vice President Joe Biden.

— Elyse Glickman, Contributing Writer

Jeffrey Greller, 29

Virtual reality agent

jeffreygrellerIn 2014, Greller put on an Oculus Rift virtual reality headset and knew it was the future. The same year, he took over virtual reality and augmented reality strategy at Beverly Hills-based William Morris Endeavor Entertainment, one of the world’s largest and most influential talent agencies. The position puts him in the top echelon of a rapidly growing media industry. Last year, Greller, who graduated from USC in 2010 with a bachelor’s degree in business administration, was one of seven agents named as Variety’s New Leaders in 2016. — EA

Alana Haim, 25

Este Haim, 30

Danielle Haim, 27

Musicians

30-haimThese sibling bandmates from the San Fernando Valley make up the band Haim. They began playing together as kids in a family band with their Israeli father, Mordechai. Things got serious upon the band’s 2013 debut release, “Days Are Gone.”  The acclaimed album features ’80s-style pop-rock and lyrics on hit songs “The Wire” and “Falling” exploring relationship woes relatable to 20-somethings. They’ve appeared on the stages of major music festivals and joined Taylor Swift’s list of BFFs. Their sophomore album reportedly features collaborations with Israeli-American Grammy-winning producer Ariel Rechtshaid. — RT

David Hertzberg, 26

Composer

davidhertzberg-photobyadammoskowitzThe son of San Fernando Valley State Sen. Bob Hertzberg is composer-in-residence for Opera Philadelphia and Music-Theatre Group. Hertzberg has two degrees from Juilliard (where he studied under the tutelage of Jewish composer Sam Adler) and has been described as a “gifted young composer … with a vibrantly personal style” by The New York Times. His music has been performed at Lincoln Center, the Kennedy Center and Carnegie Hall, and by the likes of the New York City Opera, the Kansas City Symphony and the Pittsburgh Symphony.

— Julie Bien, Contributing Writer

Sara Kramer, 30

Sarah Hymanson, 30

Chefs

sarakramer-sarahhrymansonjpgA New York native and former Broadway performer, Kramer was named Eater’s NYC Chef of the Year in 2013. Both she and Hymanson worked at Glasserie in New York before coming to L.A., where they were named to Zagat’s 30-Under-30 Los Angeles list in 2015 after opening Madcapra, a casual falafel shop in Grand Central Market. The buzz generated earned them their big break when superstar restaurant group Jon & Vinny helped them start a second Middle Eastern-influenced restaurant,  Kismet, which just opened in Los Feliz. — EG

Rachelle Yadegar, 23

Judith Iloulian, 26

Fashion designers

rachelleyadegar-judithilloulianAbout a year and half ago, Yadegar was working in retail and her cousin, Iloulian, was buying clothing wholesale and selling it online. Then, over lunch one day, they decided to start a fashion brand that would cater to Orthodox Jewish tastes — that is, modest without sacrificing style and elegance. They began sketching designs on the back of a napkin for what would become their fashion brand, RaJu. Now, the brand is available online and in 20 retail locations from Los Angeles to Canada and London. — EA

Noey Jacobson, 26

Singer-songwriter

noeyjacobsonWhile at Yeshiva University in New York City, this Houston native joined the school’s 12-member a cappella group, the Maccabeats. With an eclectic mix of musical styles, the Modern Orthodox singers became an overnight sensation after their Chanukah video parody, “Candlelight,” went viral in 2010.  Jacobson performed with the group on six continents, including an appearance at the White House, before moving to L.A. in 2015.  Now he’s teaching at Shalhevet High School, where he’s also communications director, while continuing with the Maccabeats and embarking on a solo career, with a pop music album in the works.  — Naomi Pfefferman,
Arts & Entertainment Editor

Jacob Jonas, 24

Choreographer/director

jacob-jonas-photo-by-don-normanAt 13, Jonas began performing with the street dance troupe Calypso Tumblers on the Venice Beach boardwalk. He went on to accompany them on an international tour and, after being mentored by the legendary choreographer Donald Byrd, founded Jacob Jonas The Company. It creates original work based on real-life experiences by melding such diverse forms as breakdance, modern dance and ballet.  Film, photography and social media enhance Jonas’ work. He was named best new choreographer by Dance magazine two years ago and best new force in Los Angeles dance for 2016 by LA Weekly. — NP

Jack Stratton, 29

Theo Katzman, 30

Musicians

30-katz-jackKatzman of New York and Stratton of Ohio are two of the co-founders of the L.A.-based funk band Vulfpeck. The four-person band is a throwback to the era of great rhythm sections and has developed a strong following among millennial music fans, selling out shows at major venues nationwide and becoming a staple of large-scale music festivals such as Bonnaroo in Tennessee and Outside Lands in San Francisco. Vulfpeck was on “The Late Show With Stephen Colbert” after the release of their second album, “The Beautiful Game,” in October. — Julia R. Moss, Director of Community Engagement

Ty Jacob “T.J.” Leaf; 19

Athlete

leaf_tj_11As a 6-foot-10 forward on the nationally ranked UCLA Bruins basketball team, this Israeli-American has been lighting up Pauley Pavilion this season. The freshman is averaging nearly 17 points and nine rebounds per game. Born in Israel to a father, Brad, who played professional ball there. Leaf committed to the Bruins after playing at Foothills Christian High School in San Diego County, where he won All-America honors playing under his father. Before joining the Bruins, he played on behalf of Israel in the FIBA Europe Under-18 Championship league competition. — RT

Noah Lee, 18

Youth leader

noahleeBeverly Hills High School senior Noah Lee was elected international president of United Synagogue Youth (USY), the youth group of the Conservative movement, during the 66th annual USY international convention last year in Dallas. His term began the day after his Dec. 28 election and lasts one year. Lee, who attended day school at Temple Beth Am’s Pressman Academy as a child, said he is hopeful about the future of the Conservative movement, and that during his tenure, he intends to promote values such as inclusion and the giving of tzedakah. — RT

Tiffany Matloob, 27

Entrepreneur

tiffanymatloobMatloob always has been interested in entertainment, so it was a dream come true that after graduating from USC, she went on to work with celebrities like the Kardashians, Nick Cannon, Kelly Osbourne and Snooki, creating editorial and visual content for their online properties. Today, she is the owner of her own digital media company, Intelli Agency. Matloob also taught social media to students at Sinai Temple’s Chai School for Jewish teens, and runs a course on cause marketing at American Jewish University’s MBA program. — Kylie Ora Lobell, Contributing Writer

Arya Marvazy, 30

LGBT advocate

aryamarvazyAfter graduating from New York University with a master’s degree in organizational behavior, Marvazy began a career in human resources, including a stint as talent recruitment and professional development manager at Hillel International. But it wasn’t until he returned to Los Angeles after a decade that he found a job that truly merged his personal and professional lives. An Iranian American who is gay, Marvazy’s current work as assistant director for JQ International, a Jewish LGBT group, enables him to act as a resource for others in that community struggling with their sexual or gender identity. — EA

Shanel Melamed, 28

Nonprofit head

shanelmelamedMelamed was born in Los Angeles to parents who fled Iran shortly after the Islamic Revolution there. A graduate of USC, she took over the executive director position at 30 Years After in 2015. Her duties include helping to connect and educate more than 10,000 Iranian-Jewish young professionals in the U.S. and abroad, often through political and civic activities. She also facilitates the Legacy Project, a documentary short films project dedicated to preserving the history of Iranian-American Jews. — EG

Avi Oved, 23

Student activist

avi-oved-3Oved served as student regent on the University of California Board of Regents from 2015 to 2016, a nomination that saw pushback from pro-Palestinian elements in the UC system. In that role, Oved, an observant Jew, lobbied the regents to pass a statement of principles against intolerance that condemned anti-Semitism. He also pushed successfully for the creation of a new student adviser position on the board and brought visibility to middle-income students struggling to pay for their education. He begins law school at UCLA in August. — EA

Ben Platt, 23

Actor

benplattA 2011 graduate of Harvard-Westlake, Platt received a Teen Choice Award nomination for his role as the “Star Wars”-obsessed character Benji Applebaum in “Pitch Perfect.” In 2014, Platt put off attending Columbia University when he was cast in the role of Elder Cunningham in the Broadway musical “The Book of Mormon.” Last year, Platt landed the lead in the new Broadway musical “Dear Evan Hansen,” for which he won an Obie Award during an off-Broadway production. Platt also has appeared in a number of other musicals, including “Caroline, or Change,” “Wonderland” and “Hair.” — JB

Chloe Pourmorady, 26

Musician

chloepourmoradyChloe Pourmorady picked up a violin at the age of 9 and hasn’t put it down since. The 26-year-old Los Angeles native, who went to Sinai Akiba Academy, started out in the school orchestra there playing Jewish music, then went on to study at Loyola Marymount University (LMU), where she got a degree in violin and played classical music in the chamber ensembles. Read Chloe’s full profile. – KOL

Sean Rad, 30

Entrepreneur

sean_rad_picRad is chairman of Tinder, an app that enables users to meet people for dating and friendship with just the swipe of a finger. According to the company’s website, Tinder users swipe 1.4 billion times and make 26 million matches per day. Rad, whose co-founders included fellow Milken Community High School alum Justin Mateen, attended the USC Marshall School of Business but dropped out early to focus on entrepreneurial opportunities. Rad also is the chairman of Swipe Ventures, Tinder’s branch that seeks to expand the company’s work through acquisitions and new investments. — OG

Zan Romanoff, 30

Novelist

zan_romanoff_picRomanoff’s first young adult novel, “A Song to Take the World Apart,” was named one of the best books of 2016 by SparkNotes. Her follow-up, “Grace and the Fever,” will be published by Knopf Books for Young Readers in May. A graduate of Yale University, Romanoff’s work as a freelance writer — often about feminism, television and the intersection between personality, technology and culture — has appeared in BuzzFeed, The Atlantic, Elle and Rolling Stone. Romanoff was the program coordinator at the Silverlake Independent Jewish Community Center for 2 1/2 years. — OG

Josh Rosen, 19

Athlete

30-josh-rosenThe Jewish quarterback in the modern era of the NFL is a rare breed. There have only been two: Jay Fiedler, a mostly unheralded eight-year veteran, and Sage Rosenfels, a career second-stringer. Not exactly the types to pile up records and invade living rooms with commercial appearances.

That might change soon. Read Josh’s full profile.

– Oren Peleg

Leeav Sofer, 26

Musician

leeavsoferSofer has performed at nationally recognized venues, preserved traditional Jewish music and given back to people in need. Founder and bandleader of Mostly Kosher, a Jewish folk music group that recently had a two-month residency at Disneyland as part of the Festival of Holidays, he plays multiple instruments. Sofer has a performance degree from the Bob Cole Conservatory at CSU Long Beach, and is co-founder and director of the Urban Voices Project, an adult music program and community choir for Skid Row residents. — KOL

Hailee Steinfeld, 20

Actress, model, singer

haileesteinfeld-photobythosrobsinsongettyimagesSan Fernando Valley native Steinfeld, who has appeared in more than a dozen films, received an Oscar nomination for her role in the 2010 remake of “True Grit.” She also was nominated for a Golden Globe Award for her performance in the coming-of-age film “The Edge of Seventeen. As a model, Steinfeld has been the face of Miu Miu and Max Mara. And after covering the song “Flashlight” in “Pitch Perfect 2,” she was signed to Republic Records. Her most recent release, “Starving,” a collaboration with artists Grey and Zedd, peaked at No. 12 on the U.S. Billboard Hot 100. — JB

Rachel Sumekh, 25

Nonprofit director

rachel-sumekh-ss08In 2010, when she was an undergraduate at UCLA, Sumekh co-founded an organization to alleviate hunger in L.A. by asking students to donate their unused meal points. She’s since become executive director of that effort — now called Swipe Out Hunger — and expanded the program to 23 universities, providing more than 1.3 million meals. Included in this year’s Forbes 30 Under 30 list of social entrepreneurs, she was invited to the White House in October for a tech summit. This year, she will participate in The Jewish Federation of Greater Los Angeles’ New Leaders Project.

— Avishay Artsy, Contributing Writer

Brocha Yemini, 24

Chaya Israily, 24

Volunteers

brochayemini-chayaisrailyThe 10 Israeli soldiers who traveled to Los Angeles in June with the fledgling organization Lev Chayal had been variously blown up, run over and crushed by rubble. One has his own death certificate as a souvenir of the time his heart stopped. But you wouldn’t know it to look at their smiling faces in photos taken at Knott’s Berry Farm, in the Dodgers dugout and posing on Hollywood Boulevard. The young men were enthusiastic and humbled by the experience — much like the two women responsible for bringing them there, Chaya Israily and Brocha Yemini. The plan was simple: Create an opportunity for wounded Israeli soldiers to come to L.A. and relax while enriching the local community through their presence and their stories. Since the June trip ended, Israily and Yemini have begun planning for another one in February.  Read Brocha and Chaya’s full profile. – EA

Simone Zimmerman, 26

Activist

simone-zimmermanSimone Zimmerman looks, on paper, like so many young Jewish professionals from Los Angeles: 10 summers at Camp Ramah in Ojai, leadership training in the United Synagogue Youth, a family that’s active in the community. In 2014, she was one of the founders of IfNotNow, a network of progressive millennial Jews that protests the Jewish establishment for what it sees as its commitment to the unacceptable status quo in the Palestinian territories. Then, in April, Zimmerman, then 25, found herself in charge of Jewish outreach for the Bernie Sanders campaign. Five days later, she was suspended after establishment figures including Morton A. Klein, president of the Zionist Organization of America, and Abe Foxman, former head of the Anti-Defamation League, called for her ouster. Her experience earned huge visibility for IfNotNow, she said; it now boasts 700 leaders in eight cities, including Los Angeles. Read Simone’s full profile. – EA

30 under 30: The remarkable young people changing the L.A. Jewish community Read More »