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May 3, 2011

Katsav prison sentence postponed

Israel’s Supreme Court has postponed the date former President Moshe Katsav will begin serving his prison sentence on rape and sexual assault convictions.

Katsav had been scheduled to enter prison next week to serve a seven-year sentence; on Monday he appealed his conviction on rape and sexual assault charges and requested a delay of his prison sentence, which was granted by the court Tuesday.

Katsav’s attorneys requested that the former Israeli president’s imprisonment be delayed pending a final decision on the appeal, which was set by the court on Tuesday for May 11; Katsav was supposed to enter prison on May 8.

The conviction was handed down in the Tel Aviv District Court in December.

Katsav also was ordered to pay more than $28,000 to the rape victim and about $7,000 to the sexual assault victim. He was ordered to serve two years of probation after he is released from prison.

The 300-page appeal suggested that it would be undignified for Katsav to show up at the Supreme Court for his appeal in handcuffs, according to reports. The appeal also asked that “weighty consideration should be given to the fact that Katsav served as the president of the State and Israel’s official representative at home and abroad.”

The yearlong trial, which was closed to the public, ended with a guilty verdict on Dec. 30. Two years before the verdict was handed down, Katsav declined what was seen as a lenient plea bargain—one that dropped the rape charges for lesser charges and likely would have left him with a suspended sentence—saying that he wanted to clear his name in court.

Katsav, who immigrated to Israel from Iran in 1951, was elected president by the Knesset in 2000 in an upset of Shimon Peres. In 2007, Peres assumed the post following Katsav’s resignation in the wake of the allegations shortly before the end of his term.

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Foreign fighters for Israel’s indepedence recall life-changing experience

For Ira Feinberg, what he calls the “pinnacle of my life’s experiences” took place 63 years ago.

Feinberg was a 17-year-old New Yorker when he joined the elite troops of the Palmach force fighting in Israel’s War of Independence.

“No other experience in my life had such meaning as this period serving in the first army to fight for the Jewish people and for the independence of the State of Israel,” he says in the film, adding that “Nothing comes close to it.”

For the foreign volunteers like Feinberg who left home to join in the battle, the remembrance of those historic days remains undimmed.

Some 4,800 men and women from 58 countries put their lives on the line to help defend the newborn Jewish state, including about 900 to 1,000 Americans.

Feinberg has just released a documentary, “My Brother’s Keeper,” that he produced and directed on Machal, the Hebrew acronym for Volunteers from Abroad. The 40-minute film re-creates a real sense of those long-ago years by talking to some of the volunteers at a 2008 reunion in Israel, which is celebrating its independence on May 9.

The Machalniks there join Feinberg in expressing a similar pride and sense of life-changing involvement.

Feinberg, who now lives just outside New York City in Fort Lee, N.J., realized that the Israel reunion was likely to be the last gathering of the aging veterans, so he brought along a camera crew to preserve their reminiscences for posterity.

They recall fighting at the beginning with World War I rifles or dropping hand grenades from open cockpits. Feinberg enlivens the testimony with some historic newsreel footage and photos of bare-chested Machalniks posing fiercely with Browning automatic rifles but, of necessity, the action is somewhat static.

The film is particularly useful in telling the story of the American participants, who by fighting in a “foreign” army broke U.S. laws and risked the loss of their citizenship. Yet surprisingly little is known of their deeds, either in their home country or in Israel.

Esther Shawmut Friedman joined the Israeli army as a combat medic, serving with the 8th Armored Brigade in the battle for Beersheba and other engagements.

“This was the greatest experience of my life,” she says. “Greater than being in the U.S. Navy during World War II, getting married or having a child.”

Canadian Joe Warner believes to this day that “If we failed to have a state, being a Jew anywhere in the world wouldn’t be worth a nickel.”

Jason Fenton was a 16-year-old high schooler in Cambridge, England, when he followed in his older brother’s footsteps in 1948 by joining the 4th Anti-Tank unit, in which this reporter also served. Most of his comrades were veterans of World War II.

Fenton, a retired American university professor, holds the likely distinction of being the youngest volunteer. He has told the story of his unit and of Machal in his book, “Strength and Courage.”

“Other than creating a family with 11 grandchildren, being part of the rebirth of the Jewish state after 2,000 years of exile was the most important thing I have ever done,” he says.

The foreign volunteers were predominantly Jewish but also included a good number of non-Jews. The first were the crew members of Aliyah Bet, who manned the rust bucket ships that ran the British blockade to bring the remnants of European Jewry to Palestine in 1947 and early 1948.

Machalniks would go on to fight in all branches of the Israel Defense Forces, but their greatest impact was in applying their World War II training to build up the Israeli Air Force and Navy.

By countries, the volunteers ranged in number from one each from Bechuanaland, Burma and Panama to the large U.S. contingent, 804 from South Africa, 785 from the United Kingdom and 270 from Canada.

In general, visual coverage of the War of Independence was meager. There were no embedded TV cameramen, of course, and even combat news photographers were rare—the newly created state had more pressing matters to worry about.

Hollywood tried to plug the cinematic hole of films celebrating the near miraculous victories of 1948-49 with “Cast a Giant Shadow,” starring Kirk Douglas in the role of Col. David “Mickey” Marcus, an American World War II officer who went to Israel in early 1948 to aid the country in its struggle.

Predictably, the picture was long on drama and short on reality.

(“My Brother’s Keeper” is produced by Cinema Angels and can be ordered at http://www.Irafeinberg.com.)

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U.S.: Bin Laden was not armed during assault on compound

Al-Qaida leader Osama bin Laden was not armed when U.S. special forces stormed his compound in Pakistan but he did resist before he was shot, White House spokesman Jay Carney said on Tuesday.

Carney said also that the White House is evaluating the possibility of releasing photos of the al-Qaida leader’s body. He said there are concerns that publication of the photos could be inflammatory in the Middle East and other parts of the world.

“It could be inflammatory, we take this into account”, Carney said about the pictures, which he described as “gruesome.”

Read more at Haaretz.com.

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Hungarian court acquits Nazi hunter Zuroff of libel

Nazi hunter Dr. Efraim Zuroff was acquitted by a Budapest court of libel charges leveled against him by an accused Hungarian Nazi war criminal.

Zuroff, head of the Simon Wiesenthal Center, was acquitted Tuesday by Judge Viktor Vadasz two days before his accuser, Dr. Sandor Kepiro, is scheduled to go on trial in Budapest Municipal Court. Kepiro is charged with being involved in the murder of more than1,200 Jews, Serbs and Gypsies during a raid by the wartime Hungarian Gendarmerie at Novi Sad in 1942.

Kepiro, 97, filed suit after Zuroff, the head of the Israel office of the Simon Wiesenthal Center, submitted documents to the Hungarian courts in 2006 regarding Kepiro’s alleged role in the murders of 1,246 civilians in Novi Sad. Most of the victims were taken to the Danube River and shot in January 1943.

Kepiro was found guilty of involvement twice—once by the pre-Nazi Hungarian courts, and again after the war, in 1946. By then he allegedly had fled via Austria to Argentina. He returned to Budapest in 1996, and Zuroff, who has been searching for Nazi war criminals under the Wiesenthal Center’s Operation Last Chance program, located him.

In his verdict, Vadasz noted that Zuroff had acted in good faith by first contacting the Hungarian prosecutors after discovering that Kepiro had returned to Hungary from Argentina before notifying the media.

“Needless to say, I am relieved to have been acquitted, but the most important issue is Kepiro’s guilt, which will be hopefully established by a criminal court in his trial which begins Thursday morning,” Zuroff said in a statement. “This has been a long and frustrating process, which began in the summer of 2006, but I am hopeful that justice will finally be achieved. That is what the victims of the massacre in Novi Sad deserve and that is what I have been fighting for from the very beginning of this process.”

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Oral histories from 1948 tell firsthand stories of Israel’s founding

Ruth Farhi’s eyes cloud with tears and her gaze turns from the camera recording her story as she tells of a memorable January night in 1948 that haunts her to this day.

She and a bunch of friends were crammed into her one-room rooftop apartment, sitting at the same upright piano with wooden inlay that sits just feet away from her now, singing and laughing late into the night. The revelry ended only when the 15 young men among them, all fighters in the Haganah, Israel’s pre-state militia, stood up and said their goodbyes.

Not long afterward, Farhi learned that every one of them had been killed later that night along with 20 others. It was one of the bloodiest and most painful episodes in Israel’s War of Independence. They died in an ambush by Arab villagers as they attempted to deliver supplies to a group of besieged kibbutzim. The victims became known as the Lamed Hey fighters—Hebrew for 35.

“I lived across the street from the Jewish Agency, and by the next morning the place was full of activity,” she recalled. “It was soon evident something terrible had happened.”

Farhi shared her story as part of a project called Toldot Yisrael, which aims to record on video the stories of Israeli and Diaspora Jews who witnessed or were otherwise involved with the War of Independence. The goal is to create a video archive and interactive database for educators, researchers and filmmakers.

Aryeh Halivni, who immigrated to Israel from the United States, modeled Toldot Yisrael after Steven Spielberg’s Shoah Project, which interviewed 52,000 Holocaust survivors on video.

Since the Israeli project was launched in 2007, about 500 interviews have been conducted. Among those interviewed have been prisoners of war and foot soldiers who went on to become generals, Mossad agents and politicians.

Halivni, 39, who Hebraicized his name from Eric Weisberg, told JTA he was driven in part by his own “vicarious interest of what I would have done at the time.”

He’s also driven by a sense of urgency. According to Halivni, there are about 50,000 potential interviewees still alive – those who would have been 15 or older in 1948 and were living in the country at the time. But that number is dwindling by roughly 20 percent a year as Israel’s founding generation dies off.

Add to that the growing attacks on Israel’s legitimacy, and a project like Toldot Yisrael is critically important right now, Halivni says.

“The material in this archive serves as an important reminder of the Jewish people’s legitimate right to a sovereign state in the Land of Israel, particularly at a time when that right has been called into question,” reads the project’s website. “These testimonies reinforce the positive role that Israel plays in contemporary Jewish identity and instill a renewed sense of pride and purpose in Jews throughout the world.”

Halivni adds: “This is also about being able to at least have on record stories of people who were part of it while we still can.”

To cultivate the interest of American Jews, particularly young people, in Israel’s founding story, Toldot Yisrael has begun a pilot program in several American Jewish communities to develop educational curricula based on the footage, including short films, teacher training and discussion guides. The project is partnering with the I Center, a new organization founded to develop Israel educational material.

The first film the collaboration has produced, a 10-minute short about the Jewish men who illegally blew shofars at the Western Wall on Yom Kippur in defiance of what was then British Mandate Law, has been viewed 200,000 times on YouTube.

Their newest film will come out in time for Israel’s Independence Day, which this year falls on May 10. The film describes the role of Jewish volunteers from the West who contributed to the country’s founding, including those who volunteered as sailors to help smuggle Holocaust survivors into the country by sea. It features interviews with figures like Vidal Sassoon, who fought in the Palmach militia before making his fortune in the hair care industry, and Norman Lamm, former president of Yeshiva University who was part of a factory in upstate New York that made bullets for Haganah soldiers.

“Part of what our message is that for Americans or people from the West, this is our story too—either as volunteers who came over or people involved from the United States and elsewhere who helped make things happen,” Halivni said.

In the five years the project has been conducting interviews, the nature of the interviews themselves has evolved. Rather than focusing just on the events surrounding 1948, now the personal stories of where subjects came from are delved into, often deeply.

“When we talk about aliyah or life in Europe, they are full of stories and their families’ stories,” said Peleg Levy, the project’s main cameraman. “Zionism comes from regular life stories.”

In her interview, Farhi describes being a 7-year-old girl in Vienna in 1934 and saying goodbye with her older brother to the walls and doors of their apartment as the family prepared for its journey to what was then pre-state Palestine.

“Coming by boat to the country had been the biggest drama of my life to date,” said Farhi, who would go on to become a stage and film actress in Israel.

She still recoils at the memory of arriving at the port in Jaffa and encountering the Arab dock workers who transported passengers to shore on rowboats and were notoriously rough with baggage. Some suitcases ended up tossed into the water.

“Suddenly, it seemed to me a monster came who grabbed a suitcase in one arm and me under the other, throwing me onto a little boat,” she remembered.

Farhi also describes her first memories of the “sun and the food, olives and peaches” of the country, and her first night here on the farming plot that belonged to cousins in what was then the village of Ramat Hasharon, now an upscale Tel Aviv suburb. There, she and her family were the first residents of a newly built chicken coop.

She would go on to move with her family to Haifa before becoming a teaching student in Jerusalem, where she had her fateful encounter with the Lamed Hey fighters. After the war broke out, she became a soldier in the Haganah herself, working as a telephone switchboard operator. She remembers the commanders would bark over the line, “Don’t listen!”

Returning to Haifa after the war on a visit to her parents, she did not immediately understand why the Arab family who had lived nearby was gone. As a girl, she had fed their cow scraps of watermelon and befriended their daughter.

“Once from afar I saw the mother, selling produce on a street corner,” she said. “I did not have the heart to approach her.”

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Documentary recalls the horrors of Ma’alot school massacre

Ma’alot-Tarshiha is a quiet Jewish-Arab city in the Galilee within walking distance of Israel’s border with Lebanon. But 37 years ago, it was the scene of a horrific attack by Palestinian terrorists who took more than 100 students hostage in a school building, killing 22 and gravely wounding 68.

On May 9, the eve of Israel Independence Day, a new documentary about what is known as the Ma’alot Massacre will have its world premiere in a one-night-only screening in 250 theaters nationwide.

The mass screening of “Their Eyes Were Dry,” by 24-year-old Los Angeles filmmaker Brandon Assanti, is as much a tale of one young man’s commitment to telling this heart-wrenching story as it is testimony to the pain and suffering of the survivors who for decades kept their memories to themselves.

“Up until now, in fact, I had to keep inside what had happened and begin my life over again, as if this never happened,” says Tzipi Maimon-Bokris, one of a half-dozen now middle-aged survivors of the school massacre who agreed to tell their stories on camera for the first time.

The bare bones of the story: In the early-morning hours of May 15, 1974, three members of the Popular Front for the Liberation of Palestine, a radical anti-Israel group, snuck across the border from Lebanon. Dressed as Israeli soldiers, they made their way to Ma’alot, where they killed three members of the Cohen family—apparently chosen at random—before entering an elementary school that was hosting more than 100 teenagers and teachers from a religious school in Safed for the night.

The terrorists held 115 hostages, including 105 students, and threatened to kill them if Israel did not release 23 prisoners being held on terror charges. For more than 12 grueling hours the young Israelis huddled in a booby-trapped classroom, abandoned by their teachers, until the terrorists turned on them with guns and grenades during a bloody rescue effort by the military.

The world reacted in horror to the targeting of children in the name of politics.

“Their Eyes Were Dry” tells the story as no one has told it before.

“As far as I know, it’s the first full-length film about Ma’alot,” said Marina Rozhansky, communications director for the Israeli Consulate in Los Angeles, which has lent its name to the screenings.

Assanti spent five years on the project, his first full-length film. His parents are co-producers.

He was 18 when he met Shlomo Bohbut, then the mayor of Ma’alot and a cousin of his father’s, at a family dinner in Los Angeles. Captivated by the story Bohbut told, and inspired by the fact that the oldest of the teen hostages were a year younger than he was at the time, Assanti spent a year researching the incident.

“There was very little material available,” he told JTA in a phone interview from his L.A. home.

At 19, Assanti took his camera to Israel over spring break and summer vacation to track down survivors willing to share their memories. He doesn’t speak Hebrew, so he traveled with a translator and his Moroccan-born father, who spent a few childhood years in Ma’alot. Most of the interviews are conducted in Hebrew, with English subtitles. Assanti also has produced a Hebrew-only version hoping to distribute the film in Israel.

For the next 2 1/2 years he edited at night and did his college work during the day, managing to graduate from Loyola Marymount College with a degree in finance, albeit somewhat behind schedule.

“I put everything on hold for this,” he said.

Assanti steps back and lets those who suffered through the horrible day unwind the story, hour by hour. Their almost dispassionate retelling, born of years of submerging painful memories, is interspersed with stunning archival footage but no narration. Assanti says he wanted his subjects to tell the story themselves, without outside commentary. The powerful technique works to his advantage.

Inured as people may be now to children being murdered in wars and terrorist attacks, it’s rare that one has the opportunity to go inside an actual hostage situation and view it through the eyes of the children suffering through it. That’s what Assanti and his subjects give us, and it is strong medicine indeed.

Yishy Maimon, the former mayor of Safed, was 17 at the time, and he describes standing by an open window in the classroom about to jump to safety when he remembered his younger brother, Shimon, was still being held. How could he go home and face his parents having left his brother behind?

Maimon-Bokris, who was famously photographed being carried to safety in her brother’s arms, recalls the terrorist leader telling the children that they were “all going home now” before spraying them with gunfire and hurling a grenade at them.

“Throughout the day we tried to persuade them not to kill us,” she relates in the film. “One said, soon you’ll be soldiers—we have to stop you now.”

Major Gen. (Res.) Amiram Levin, who commanded the rescue operation, relates the conflict that raged that day between Defense Minister Moshe Dayan, who urged decisive military action, and Chief of Staff Moshe Gur, who favored caution.

When he finally reached the classroom and saw the carnage—flesh clinging to the walls, headless bodies swimming in pools of blood—Levin’s heart broke.

“The whole operation took 30, 35 seconds,” he tells the camera. “If we’d been able to do it in 10, how many more could we have saved?”

The Ma’alot Massacre has become an iconic part of Israeli history. But by focusing on the personal stories of the children themselves, Assanti tries to universalize the horror. The politics fade into the background as the minutes tick by.

“Just watching the news about the Fogel family, it’s so obvious why this film is so important,” says Assanti, referring to last month’s murder of five members of a West Bank Jewish family by Palestinian terrorists. “Terrorism is still prevalent, and children are still targeted, still caught in the crosshairs of politics between countries. That should never happen.”

The Israeli Consulate in Los Angeles is working with Jewish Life Television and StandWithUs to promote the May 9 screenings, which are being presented by NCM Fathom and The Machine Management in 250 participating theaters nationwide through NCM’s Digital Broadcast Network. The screenings are billed as “An Evening of Reflection and Song” and will include a pre-recorded musical performance by the Cantors’ Assembly featuring the acclaimed Cantor Alberto Mizrahi.

Tickets and theater locations are available online.

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State slams Hamas mourning of bin Laden

The Obama administration slammed as “outrageous” Hamas’ condemnation of the killing of Osama bin Laden.

“It goes without saying bin Laden was a murderer and a terrorist,” Mark Toner, a State Department spokesman told reporters. “He ordered the killings of thousands of innocent men, women and children, and many of whom were Muslim.”

Hamas had lauded the terrorist leader as a martyr in the wake of this weekend’s U.S. operation in Pakistan that killed him.

The Obama administration has expressed its dismay about last week’s reconciliation between Hamas, the terrorist group that runs the Gaza Strip, and the Palestinian Authority, but has stopped short of saying it will cut off the P.A.

Mahmoud Abbas, the P.A. president, welcomed the action against bin Laden.

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Is Nikki Finke mad? Who cares!

I wish people would stop writing boring things about Nikki Finke.

The latest comes from Gawker blogger John Cook who wonders “Is Nikki Finke Losing It?” because she sent an angry, pompous email to a lot of important people over the weekend. News flash John: This is completely in character.

Finke, the founder and editor of the online trade Deadline.com, is famously truculent, intimidating and suffering from one ailment or another. She rages on her blog, she rages on the phone—tell me something I don’t know.

I get that most of Hollywood is mystified by the phantom presence of the self-declared “most powerful journalist in Hollywood” – which she may very well be, since I tend to think of Deadline.com as Hollywood’s version of The Wall Street Journal—but still, I’m much more interested in how she became this way and what makes her tick, rather than harp on the fact that she’s a ticking bomb.

Though she does her darnedest to hide it, the woman does have a heart, which I got an all-too-transient glimpse of two years ago. She even promised to tell me her Jewish story for the paper but several attempts to interview her have failed. To be sure, she does not like being subjected to the same scrutiny she inflicts upon others. Anyway, thank you Mr. Cook for the illuminating story that affirmed everything we already know and think. But I get it, everybody needs Web hits, including Hollywood Jew.

NOTE: Two items in this post were removed, out of courtesy to Ms. Finke. This one’s not worth the headache.

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