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April 9, 2009

Israel’s ‘Chemical Cowboys’: Q&A With Lisa Sweetingham

In the late 1990s, Ecstasy was the favorite drug of the party crowd, and the Israeli mafia wasted little time staking its claim. Using strippers, elderly folks and Charedi teens as drug-running mules, a handful of Israeli ex-pats operated across Europe and the United States, and made a killing in the Ecstasy business.

Lisa Sweetingham, a former senior staff writer for CourtTV.com, details this industry and the investigators who brought it down in her first book, “Chemical Cowboys,” published in February by Ballantine Books.

Jewish Journal: What turned you on to this story?
Lisa Sweetingham: Back in 1999, there was a story in The New York Times that caught my interest. It was about these young, ultra-Orthodox teenagers getting caught at JFK Airport with Ecstasy pills wrapped up in socks in their suitcases. It was one after another.

JJ: What was their role?
LS: There was a guy named Oded Tuito, the Fat Man. He was the kingpin. He would never have used Charedi, but there was a rogue dealer who worked for him for a while and then broke off and decided he wanted to make money. He moved to Amsterdam and set up his own network. He was smart and clever, and decided to go for broke. Sean Erez was his name. Sean Erez thought it would be really smart to use these ultra-Orthodox youth, because nobody would actually suspect these really pious-looking teenagers. Some of them really didn’t know what they were doing. They got a free trip to Europe and maybe $1,500 in cash and were told to take these suitcases back. I think most of them knew something was off, but Sean would tell them they were smuggling diamonds to the Holy Land.

JJ: How did drugs get from Israel to the streets of Los Angeles or a rave in Barstow or wherever?
LS: The drugs weren’t made in Israel; instead, they left it up to the Dutch chemists. There were these giant underground labs where the chemists would make the pills. An Israeli financier would put in $1 million, maybe a couple million. His point man in the Netherlands would walk into a bar and say I need 500,000 pills, and maybe he’d pay $1 a pill. Then those pills would be sold to another distributor for $5 or $6 per pill. Right there, you’ve already made $2.5 million. Then that person would have either Midwestern-looking folks who they hired to mule the pills over, or sometimes they used strippers — that was really popular — or sometimes they’d put them in container ships and hide them inside auto machinery or a shipment of Dutch tulips. And then you’d have the point man in the party triangle — New York, Miami and Los Angeles — and they would then sell those pills, which were now up to $6, for $13 a piece to their distributors, who could sell them for $20 to $50 in the nightclubs. Everybody takes a cut along the way. But you start out with a pill that costs about 25 cents to make and fetches up to $50.

JJ: ‘Chemical Cowboys’ opens with a hit in the San Fernando Valley. This was a turning point for the Ecstasy trade.
LS: Up until that point, law enforcement in America considered Ecstasy kiddie dope. Nobody was following it. Nobody cared about it. Then when they found a dead body in the trunk of a Lexus in Brentwood and it was linked back to Ecstasy dealers, they began to see that these were real bad guys.

JJ: Just how did the Israeli mafia come to dominate the trafficking?
LS: The yordim in America, who were involved in organized crime, had been pushing marijuana, cocaine, heroin, but they could never make the high-level profits that you could when you were at ground zero for production. That was all tied up with the Colombian and Mexican cartels, and you can’t muscle in on them. They saw that they could get in on the ground level on Ecstasy, that nobody was paying attention in law enforcement and that the demand outpaced the supply, so there was plenty of business for everybody to take a piece.

JJ: But a collaboration of American and Israeli police broke this ring, right?
LS: Without it, American law enforcement would have never been able to take down the Ecstasy trade. In fact, it’s become a model.

JJ: And what was the L.A. connection in all this?
LS: There were a lot of expats living in Encino, the Sherman Oaks area. These guys were essentially living really normal lives. Oded Tuito, here’s a guy who was on the president’s kingpin list, and for a while he was living in a cute little house in Woodland Hills. He was really a family man, but he also was commanding a multimillion-dollar Ecstasy business.

JJ: Eventually they caught up with him.
LS: Yeah. But if not for the help of Israeli police and Spanish police, he would have never been caught.

JJ: What has happened since to the love drug?
LS: Israeli organized crime has abandoned the trade. There is a case pending now: Itzhak Abergil is in Israeli custody now. It looks like he’ll be extradited before the end of the year to Los Angeles, where he faces federal charges on Ecstasy trafficking and murder. Most of the mafia bosses in Israel, I don’t see them getting involved with Ecstasy again. It’s too risky; there were too many high-profile arrests.

Sweetingham will read from and sign copies of her book, “Chemical Cowboys,” on April 14 at 7:30 p.m. at Village Books, 1049 Swarthmore Ave., Pacific Palisades.

Israel’s ‘Chemical Cowboys’: Q&A With Lisa Sweetingham Read More »

Jewish Community Foundation Releases Report on Madoff

The Special Committee of the Jewish Community Foundation (JCF), formed to investigate how the money manager for many of Los Angeles’ blueblood Jewish nonprofits lost $18 million with Bernard Madoff, released its findings and recommendations last week. The report included no surprises and little optimism about the potential to recover much of the money lost in the biggest Ponzi scheme in history.

It also included nine policy recommendations, though it’s unclear whether they would prevent a future Madoff-like investment from being made.

“The Special Committee’s work was exhaustive and subjected the Jewish Community Foundation to unprecedented levels of self-scrutiny and self-examination into the massive fraud perpetrated upon our institution and other innocent investors,” Marvin I. Schotland, president and CEO, said in a statement. “We undertook this comprehensive effort and release this summary of findings out of an unwavering commitment to continuing disclosure and accountability that we have stressed since the outset of these events.”

The JCF made its first investment five years ago. The investment committee had been introduced to Bernard L. Madoff Investment Securities by then-committee chair David Polak, who had personally invested in Madoff funds and was not identified by the special committee’s report. At its March 2004 meeting, the investment committee heard from “two guests with personal and institutional investment experience” with Madoff and also discussed a 2001 Barron’s article that questioned whether his record was too good to be true and deserved greater scrutiny.

“By majority vote” — the report doesn’t state whether any member dissented — the investment committee decided to invest $12 million. That chunk grew to about $18 million, and last summer the investment committee added another $6 million. Those funds came not from donor-advised funds but from the common investment pool, which included as participants The Jewish Federation of Greater Los Angeles, Jewish Family Service and Beit T’Shuvah. The total investment had grown to $25.5 million when Madoff was arrested Dec. 11 and the balance immediately plummeted to zero. The losses represented about 11 percent of the common investment pool.

The JCF may be able to recover as much as $500,000 from the Securities Investment Protection Corporation, the special committee reported. But other options appear minimal.

The committee’s nine recommendations primarily concerned investment requirements and general governance, such as shrinking the committee to eight members. One recommendation stipulates that if two of the committee’s members abstain or vote against a particular investment, then the investment will not be made. Another states: “Investment of CIP [common investment pool] assets in funds managed by or affiliated with Investment Committee members shall be prohibited.”

Although this was not previously an explicit policy, the committee reported that “the Investment Committee member who originally met Madoff” — Polak, the chairman emeritus of NWQ Investment Management Co. in Century City — “stated that neither he nor his firm received any considerations or favors.” Neither, the committee reported, did two other JCF board members with personal Madoff investments.
— Brad A. Greenberg, Senior Writer

American Jews Protest Museum of Tolerance Jerusalem Construction
Holding signs that stated “AJU Students against the Museum” and “Yeshiva Bochers for Coexistence,” a handful of American Jews joined a protest Thursday in front of the former Muslim cemetery that is now the construction site for the Simon Wiesenthal Center’s Museum of Tolerance in Jerusalem.

For the past 50 years, the site has been home to a four-story municipal carpark, and the cemetery has long since been declared mundras — no longer sacred — by Muslim authorities. But critics of the project have charged the Los Angeles-based Wiesenthal Center with being intolerant in its quest to build a Jerusalem version of its West L.A. museum.

In addition to students from American Jewish University and Hebrew Union College-Jewish Institute of Religion (HUC-JIR), the April 2 protest included Anat Hoffman, executive director of Israel Reform Action Center; Hanna Siniora, co-director of the Israel/Palestine Center for Research and Information; former Jerusalem City Councilman Meir Margalit; and Haaretz columnist Bradley Burston.

“As a Jewish educator, it is very difficult to take the SWC seriously when they disregard the principle of coexistence fundamental to their educational mission,” Joel Abramovitz, one of the protestors and a student at HUC-JIR’s L.A. campus, said in a statement.

“Homes are demolished in Silwan, families are evacuated in Sheikh Jarrah. These injustices are all part of efforts to erase the heritage and presence of Palestinians in the state of Israel,” said Alana Alpert of Los Angeles. “The SWC has become unintentionally complicit, and therefore American Jews are complicit, in this unholy project.”

The museum land was gifted to the Wiesenthal Center by the city of Jerusalem. Protests and lawsuits soon followed. But last fall, Israel’s Supreme Court sided with the Wiesenthal Center, ruling that the site was no longer recognized as a cemetery and was not connected to the adjacent Mamilla cemetery. Construction crews have been busy since and have almost completed the foundational work.

“Those who think we are going to move the museum are living in a fantasy world,” Rabbi Marvin Hier, dean and founder of the Simon Wiesenthal Center said on Friday, March 3. “The Museum of the Tolerance project in Jerusalem will go forward on the former municipal carpark. And from our point of view, the people of Jerusalem will get a lot more from the Museum of Tolerance on that site than from seeing 1,300 cars parked there every day.”
— Brad A. Greenberg, Senior Writer

Jewish Community Foundation Releases Report on Madoff Read More »

How Israel’s ‘Treatment’ Translates to Success for HBO

The premiere last Sunday of the second season of “In Treatment” on HBO marked a milestone in television history in both Israel and the United States. The acclaimed series is closely based on the Israeli hit, “Be’Tipul” (“In Treatment” in Hebrew), in which a conflicted psychologist treats a different patient in each of four episodes each week and visits his own therapist in the fifth.

Widely regarded as one of the best programs ever created in Israel, “Be’Tipul” is also the most successful Israeli series to cross the Atlantic, earning multiple Emmy Award nominations and a Golden Globe award for Gabriel Byrne, the star of its American version — as well as cementing Israel’s reputation as the go-to nation for foreign properties.

“Israel now seems to be the country with the greatest number of options,” David R. Ginsburg, executive director of the UCLA School of Law’s Entertainment and Media Law and Policy Program, said at a conference dedicated to “Be’Tipul” and “In Treatment,” held at UCLA on April 3 and co-sponsored by the Law and Policy Program, Israel Studies Program, and the School of Theater, Film and Television in cooperation with HBO.

CBS’s single-girl comedy, “The Ex List” (based on Israel’s “Mythological Ex”), proved short-lived, but as many as six or seven other Israeli shows have been snapped up for adaptation, including the techno-geek comedy, “Loaded,” for USA-Fox, and “A Touch Away,” a kind of “Romeo and Juliet” saga about a Charedi girl and a secular Russian immigrant boy whose families move in next door to each other.

Season two of “In Treatment” began as psychologist Paul Weston (Byrne), newly divorced and relocated from Maryland to Brooklyn, finds himself being sued for malpractice, taking on a batch of new patients and back in therapy. In a visit to his attorney, he encounters Mia (Hope Davis), one of the firm’s lead lawyers, who blames her unmarried status on her sessions with Paul 20 years earlier. Another patient, April (Alison Pill), is an architecture student in denial about her Stage 3 lymphoma. Then there’s Oliver (Aaron Shaw), a 12-year-old African American who overeats to relieve stress caused by his parents’ contentious divorce, and Walter (John Mahoney), a CEO plagued by panic attacks.

The dialogue for the first season of “In Treatment” was mostly taken from a translation provided by an Israeli subtitle company, but the second season “is much more of an adaptation,” said Hagai Levi, who created “Be’Tipul” and serves as an executive producer of “In Treatment.” “This works better artistically and allows us to delve into distinctly American issues.”

For example, in “Be’Tipul,” the Mia character is still in her 30s and obsessed with having a child, reflecting the expectations of her Mizrachi (North African) immigrant family and the Israeli sense that “a childless 40-year-old woman is as good as dead,” Levi said. In the American version she is older, aged 43, and, like the women in “Sex and the City,” is deeply concerned with her mess of a love life.

Showrunner Warren Leight, a Tony Award-winner and former executive producer of “Law & Order: Criminal Intent,” hired playwrights such as Marsha Norman (“’night, Mother”) to pen the scripts, which read like one-act plays, according to The New York Times; this season’s adaptations solved a problem that some perceived as an exploitation of the Israeli writers’ work during the first season.

Even though many of those episodes were taken almost verbatim from “Be’Tipul,” the Israelis were refused “written by” credits, which would have allowed them to receive additional compensation, because of rules dictated by the Writers Guild of America (WGA), Levi said.

Literary agent Arik Kneller, who represents a number of the “Be’Tipul” scribes and helped bring “The Ex List” to CBS, had several telephone conversations with WGA officials about the matter. “They were very polite, and explained that they understood my frustration,” Kneller said by cell phone from Tel Aviv. “On the other hand, the WGA rule is that if you did not write in English, you cannot get a ‘written by’ credit; the episode is considered to be ‘based upon’ your source material. I hope to work with them to achieve a better standard in the future,” he added.

Levi was also unhappy with the situation. “When the translation was word for word, I thought the fairest thing would be a shared ‘written by’ credit for the writer and adapter [who now receives a ‘teleplay credit’],” he explained. “I wrote a lot of letters and tried to talk to HBO and to the lawyers, through my agents and attorneys; in fact, I almost worked more on this than as a consultant during the first season. 

“This matter is not only about the writers receiving proper credit, but about residuals and royalties, and that’s a shame — it’s unfair. I did everything I could think of to solve the problem, but in the end there are restrictions for source materials written in a different language.” 

Gregg Mitchell of the WGA confirmed in an e-mail that the Israeli writers receive source material credit and the Americans get a “teleplay” credit; he could not be reached for further comment by press time.

“In Treatment’s” executive producer, Rodrigo Garcia, has his own perspective on the first season. “In the first couple of weeks, we were very faithful to the original series, but every week we diverged more and more,” said Garcia, the son of novelist Gabriel Garcia Marquez. “We kept the central outline of the characters, but the perceived nature of their problems changed from week to week as we were influenced by our own productions. It is the genius of ‘Be’Tipul’ that the psychological issues are rich enough that we were able to mine them so well,” he added.

The UCLA conference began with back-to-back screenings of first season episodes of “Be’Tipul” and its American counterpart, featuring the tormented military pilot Alex (Blair Underwood). One episode was selected because it was perhaps the most adapted of all the shows of the first season: The Israeli pilot, whose father “plays the Holocaust ticket” in order to excuse his selfish behavior, has repressed guilt over bombing an Arab school; the American pilot, whose father survived Ku Klux Klan violence, killed children in Iraq.  Much of the dialogue still follows the Hebrew-language version; however, the performances, direction and even the set make the two episodes appear radically different. Byrne is far more reserved and distant than the Israeli therapist, played by Assi Dayan, son of Moshe Dayan and an Israeli icon in the vein of Jack Nicholson; and Underwood reveals more vulnerability than his more macho Israeli counterpart. “We didn’t try to recreate anything,” Underwood said of “Be’Tipul.” “We tried to make our performances as truthful and honest as possible.”

At UCLA’s Melnitz Hall, where the conference took place, Garcia and Levi appeared to be a study in contrasts: Garcia, who directed the pilot of HBO’s “Big Love,” is tall, bearish, and sports a head of black curls; Levi, who is in his mid-40s, is shorter and balding. Yet the two men high-five each other like old friends and joke that an unspoken requirement for writers on their respective shows was to be in psychotherapy.

In an interview, the Israeli writer-director said he was a troubled child while growing up on a religious kibbutz, prone to dizziness and anxiety. “I went to therapy for the first time at the age of 10,” he recalled. As a teenager, he ran the kibbutz’s Saturday night movie screenings; because he had to censor out the sex and profanity, he had to view each movie several times in order to know when to place his hand over the lens. “Thus I began learning about the mechanics of filmmaking,” he said.

Raised observant, gradually Levi became less so; when he left his religion and his kibbutz at 20, he began suffering panic attacks. “I didn’t have my faith or my home to hold onto, and I felt myself to be in limbo; the result was intense fear,” he said. And so he continued therapy, studied psychology at Bar-Ilan University and, after the army, attended film school at Tel Aviv University. He worked in film, theater and television and — because the money was good — also in Israeli soaps and telenovellas. “There I learned the power of a daily series, how it gets into people’s homes and minds, which was one inspiration for the format of ‘Be’Tipul,’” he said.

“And of course being so much in therapy myself, I wanted to describe what really goes on in a session, as opposed to the caricatures one finds in a Woody Allen film. I wanted to show that the therapist is not a blank wall, but a man with feelings toward his patients and with a complex family life, and all these things come into the therapy room — he’s not neutral. And that’s why the most important thing for me is to show him going to his own therapist at the end of the week.”

“Be’Tipul” premiered in 2005, and when HBO bought the rights to the show the network tapped Levi as an executive producer. This season, “Be’Tipul’s” creator moved to New York for four months to help with the adaptation, and he has directed two of the episodes.

Psychologically speaking, both shows keep him connected to his Jewish roots. “Therapy is almost talmudic, thesis and counter-thesis, and it is all about words — about text,” he said. 

“In Treatment” airs Sundays and Mondays on HBO.

How Israel’s ‘Treatment’ Translates to Success for HBO Read More »

Who Am I? Israelis Answer With Video Art

“You can’t do that, Son,” a father dressed in a red bathrobe says to his son, who came home from school with a note saying he stole money from a classmate. “Why, if you want something, you have to earn it … where do you think we got this house from? Do you think we stole it?” The four members of the family, dark-haired and accented, launch into a stilted philosophical discussion about concepts of ownership and property, while sitting in a meticulously modern kitchen — sleek white cabinets, a dark-wood dining table flanked by high-backed white chairs, a low-hanging row of lights, red curtains against the white wall and gleaming stainless steel appliances.

But this isn’t a typical home. There are tags on the furniture, fake books on the shelves, and strangers strolling through the kitchen. The family is gathered in an IKEA showroom, and the scene, played out in real time as real store customers wander by, is part of a video created by Israeli video artist Guy Ben-Ner. His 18-minute work (filmed guerrilla-style, without permission), “Stealing Beauty,” will be screened during the Los Angeles premiere of “Who Am I and What’s My Name: New Video Works from Israel,” at the Museum of Contemporary Art (MOCA) on April 19.

The event, presented by MOCA and the Visual Arts Committee of The Jewish Federation’s Tel Aviv/Los Angeles Partnership, will feature eight works of video art made by Israeli artists during the past four years.

The works are all short, ranging from two to 20 minutes, and each addresses a facet of the identity theme — cultural, economic, political or other. Ben-Ner, who plays the father in his video and whose real wife and children are among the actors, explores what distinguishes us as human beings, as well as ideas about family roles and otherness.

“Ben-Ner seems to posit that we are all others in someone’s eyes,” said a New York Magazine review of a Ben-Ner exhibition last year. “Like many with over-determined histories, Ben-Ner seems to wish his family would blend in, that its back story would just go away.”

“Gefilte Fish” by Boaz Arad shows an elderly woman as she makes the quintessential Ashkenazic dish exactly as it was passed down to her by previous generations of Eastern European women. As the woman narrates the steps, the filmmaker attempts to lure her into a discussion about the differences between Ashkenazic and Sephardic Jews.

In “Sabich,” by Shachar Markus, a man circles around a giant laffa, a Middle Eastern bread, on the floor, splashing tahini and hot sauce on the doughy surface like Jackson Pollock flinging paint. He evenly distributes fried eggplants, diced eggs, Israeli salad, minced onions, pickles, amba (pickled mango sauce) and mushrooms onto the laffa, then stands back and admires his creation: an enormous Israeli-style sandwich believed to have originated among Iraqi Jews, who ate it as a Shabbat morning treat.

Uri Katzenstein’s “Hope Machines” depicts a cluster of people floating in the middle of an infinite surreal ocean, each one isolated on their own abstract structure, struggling to communicate and connect with the others in a post-apocalyptic world.

The program is curated by Sergio Edelsztein, director of Tel Aviv’s Center for Contemporary Art, and also includes: “Shopping Day” by Doron Solomons; “The Studio” by Ruti Sela; “Summer Camp” by Yael Bartana; and “I Was Called Kuni Lemel” by Roee Rosen.

This is MOCA’s first showing of contemporary video works by Israeli artists, the result of the relationships fostered by the Tel Aviv/Los Angeles Partnership.

MOCA curator Alma Ruiz first met Edelsztein when he came to Los Angeles on an arts exchange program organized by the partnership in 2002. That same year, Ruiz was invited to visit Israel to meet with Israeli curators and artists.

“We stayed in touch throughout the years and kept running into each other in different parts of the world,” said Ruiz, who curated a show at CCA in Tel Aviv titled “From and About Place: Art from Los Angeles” last year. “We had discussed doing a video program together many times, so when this opportunity came up, Sergio and I both jumped on it.”

Ruiz was intrigued by video art in Israel, a medium Edelsztein specializes in. “My impression from the two times I visited Israel was that video art and photography were both highly developed and quite excellent there.” Ruiz said she was surprised how forthright and critical Israeli artists were capable of being of their own society, religion and country.

“It shatters some of your ideas and expectations about Israel — in a good way,” Ruiz said. Israel’s heterogeneous society also took Ruiz by surprise, who before visiting the country assumed that Jews all had the same cultural heritage.

“The diversity of people astounded me. And those cultural differences are clearly reflected in these video works.”

“Who Am I and What’s My Name: New Works from Israel.” All works subtitled in English. April 19. 3 p.m. Free with museum admission. MOCA Grand Avenue, Ahmanson Auditorium, 250 S. Grand Ave., Los Angeles. (213) 621-1745. Who Am I? Israelis Answer With Video Art Read More »

JSU Gets Gindi Support

JSU Gets Gindi Support
The Jewish Student Union renamed its national program for high school students the Jack E. and Rachel Gindi JSU this month, in honor of the Gindis’ support of the 7-year-old group.

Founded in 2002 in Los Angeles with two clubs, JSU now serves 220 public and independent high schools across the country, reaching 8,000 teens annually.

JSU clubs meet during lunchtime in schools, offering free lunch and a Jewish topic for discussion or a guest speaker. Advisers organize the clubs, which are governed by student boards of leadership, and provide a venue for otherwise unaffiliated Jewish students to learn about Judaism and get to know other Jewish students.

At a mid-March brunch honoring the Gindis in their son and daughter-in-law’s Beverly Hills home, students gave testimony to how JSU has affected their lives.

Westlake High School JSU president Rachel Bitter told the gathering that JSU has given her a safe community where she can express her Judaism and opinions without fear of judgment — a haven from the high-school stress of trying to fit in.

Aaron Eslamboly, student president of Santa Monica High School’s JSU, described how he had attended Sinai-Akiba during elementary school but drifted away from Judaism when he transferred to a public middle school. Since joining JSU as a freshman, he has been able to reconnect to his Judaism and develop his Jewish identity.

In addition to the on-campus clubs, JSU sponsors weeknight Latte and Learning, and also takes teens on trips to New York, Washington, D.C., and Israel through its Footprints program. JSU regularly teams up with other Jewish organizations and youth groups to help students find further outlets for Jewish expression.

Also present to honor the Gindis at last month’s brunch was Rabbi Effie Goldberg, West Coast director of JSU, and Rabbi Steven Burg, dean of JSU and national director of NCSY (National Conference of Synagogue Youth), an Orthodox outreach group. JSU, which itself is non-denominational, is affiliated with NCSY.

The Gindis’ grandson-in-law, Aaron Inlender, and son Alan Gindi spoke of the family’s strong commitment to Jewish education and outreach.

For more information about Jewish Student Union, visit www.jsu.org.
— Julie Gruenbaum Fax, Senior Writer

Jump-4-Darfur Puts Kids on the Cause
Eighty children, from age 3 to their teens, put a little skip in their step to raise $8,000 for Darfur. The second annual Jump-4-Darfur event, a fundraiser by children and for children, took place at Temple Beth Am on March 15 and will benefit Jewish World Watch, the human rights organization that helps people suffering through genocidal conflict. Each child raises money on their own and promises to “jump” on behalf of their sponsors. This year, 28,000 jumps were tallied in half an hour, and participants took turns writing postcards to President Obama urging him to end the conflict in the Sudan. The idea for Jump-4-Darfur was inspired by current fifth-grader Michelle Hirschorn, whose parents Lilia and Gary Hirschorn helped coordinate the event.

High-Tech From Israel to L.A.
More than 20 people attended a March 22 American Technion Society brunch to listen to updates from the Technion-Israel Institute of Technology, Israel’s leading science and technology university and home to the country’s Nobel Prize winners in science.

Dr. Stavit Allon-Shalev, a lecturer in medical genetics at Technion’s medical school and director of the genetics unit at Ha’Emek Medical Center, discussed her research pertaining to genetic disorders within Arab communities and familial ties in diseases such as cancer, heart disease and congenital deafness.

Ron Peleg, a doctoral candidate in technology and science education, described his research on the uses of theatrical tools in science education. He is a scientific adviser to Havayeda Teva, a chain of children’s science centers located mainly in underprivileged areas in Israel.

Anat Hoida, an undergraduate in industrial engineering and management, talked about the opportunity at Technion to gain on-site experience in business processes and systems analysis. While in the IDF, Hoida was responsible for the education of behavioral standards and moral values of hundreds of soldiers in her unit.

For more information about American Technion Society, visit www.ats.org.
— Julie Gruenbaum Fax, Senior Writer

JSU Gets Gindi Support Read More »

Equip Tween Girls, They’ll Defy Sexualized Images

In September 2004, Dove did something radical for a player in the beauty industry: it launched an ad campaign that didn’t feature the typical size 0 model. Instead, it featured real women who clearly defied the starlet-skinny chic that had come to represent the media “ideal” of the female form. Dove also encouraged women to share their ideas about the campaign on their Web site, hoping to stimulate discussion about beauty, whose definition had become narrower than the pencil skirts displayed in fashion magazines.

“Low self-esteem among girls and young women has reached a crisis level,” said Dr. Ann Kearney-Cooke, a psychologist who collaborated on Dove’s Real Girls, Real Pressure national report on the state of self-esteem. The report, released in October, revealed that seven in 10 girls feel inadequate about their looks, performance in school, and/or relationships. Most disturbing, girls with low self-esteem are engaging in harmful and destructive behaviors that can leave a lasting imprint on their lives. These include disordered eating, cutting, smoking, drinking and bullying.

“This report confirms the dangerous consequences arising from hang-ups about looks, academics and popularity on a girl’s sense of self-worth and self-acceptance,” Cooke said.

Dove’s research doesn’t come as a surprise to anyone in the field of mental health today. Dr. Barbara Becker Holstein, author of “The Truth: I’m a Girl, I’m Smart and I Know Everything” and “The Enchanted Self,” notes that in her 25 years as a practicing psychologist, the pressure on tweens and teens to look sexy has intensified greatly. She also sees a corresponding decrease in girls’ ability to access positive thoughts about themselves and their skills. Too often, she says, girls and women have a warped view of how they really look.

“I counseled a 17-year-old girl who was tall and gorgeous, but she felt gawky. She hid under long hair that covered her face, and needed her mom to speak for her. If girls somehow get the message that they don’t ‘rate,’ they can really suffer from body image problems,” Holstein said.

Holstein believes that females suffer more acutely from media influence than boys because they internalize messages around them more easily, whether those messages come from home or outside. As a result, the trend of young girls dressing in risqué clothing that a generation ago would only have been worn by streetwalkers exacerbates the problem.

“We’ve lost that feeling that a woman is a queen in her own right,” she said.

Lyn Mikel Brown, professor of education at Colby College in Waterville, Maine, has documented the confusing and negative messages that marketers send to girls in her book, “Packaging Girlhood.”

“They want to sell a message of ‘girl power,’ but the products and clothes aren’t about changing the world, they’re about the look of the girl, which is increasingly ‘pinkified’ and sexualized,” Brown said. “‘Tween’ is a marketing term used to encourage younger and younger girls to self-objectify, often aiming for a model of a girly Paris Hilton or Brittany Spears.”

Brown says that while many parents worry about protecting girls from being bullied, they are also purchasing the very merchandise that undermines a girl’s sense of self. “The pinks quickly turn into hot pinks and reds, which are used to sell everything, even pink energy drinks that contain an herbal appetite suppressant,” she said.

When speaking to parent groups, Brown tries to raise awareness about the subversive impact of current marketing on girls’ self-esteem. This includes not only the sexualized clothing, but also popular books for tweens and teens featuring “mean girl” motifs.

“‘Sisterhood is powerful’ is a slogan that is so in the past,” Brown said.

Her organization, Hardy Girls, Healthy Women, hopes to foster a healthier sense of self for girls, and includes resources and suggested questions for parents to ask their daughters to help them both think more critically about media influence.

“We can’t stop the media, but parents have a lot more control over this than they realize,” Brown said.

Holstein agrees, and urges parents to talk frankly with their daughters about how some of the current fashions make them feel. If a girl just shrugs and says, “That’s the way everybody dresses,” she advises parents to counter, “Let’s find the very best choices so you can be comfortable.”

“You have to give girls a true base from which to make good decisions about what they wear and what media they consume,” Holstein said. “Parents may shy away from these discussions because they fear sharing too much, but there are ways to share what is right and true without over-exposing your own feelings or your own past.”

In fact, the Dove report validates the hunger that girls have for parental input: In their survey of more than 1,000 girls, 67 percent of girls ages 13-17 said they turned to their mothers as a resource when feeling badly about themselves, while 91 percent of girls ages 8-12 do so.

But according to Gila Manolson, a Jerusalem-based speaker and author of “The Magic Touch,” “Outside Inside” and “Head to Heart,” “Body image is a red herring. The real issue is soul image, because when a girl feels good about herself as a person, her body image will fall into place.”

Manolson considers it striking that some young women with whom she has spoken and who are average looking and even “Rubenesque” in figure consider themselves beautiful, even sexy.

“These girls exude the confidence that comes from having a healthy soul image,” Manolson said. “And confidence is very attractive.”

Manolson admits that it’s far easier to develop a healthy soul image in Jerusalem than in Los Angeles or New York. Still, “I believe that parents influence a girl’s self-image more powerfully than all the media,” she said. “The media project images of non-existent women. Any woman who had Barbie proportions would have died of malnutrition.”

Her prescription for healthier body images among girls is more drastic: “Disengage from the media,” she said. “Fashion and women’s magazines are toxic to female self-esteem.”

Because these magazines only feature “perfect-looking” women (whose images have all been airbrushed and digitally manipulated), having these magazines in the home “is like an IV dripping heroin in a girl’s veins. Many studies have shown very clearly that the more exposure women have to these magazines, the lower their self-esteem falls, while men’s satisfaction with their wives also drops after viewing this material.”

When Manolson speaks to women on these topics, she’s often asked about how to deal with men, who now have unrealistic and shallow expectations about female beauty. “It’s a painful subject, and men need a huge re-education about this. With every part of the body so readily available to view, we are losing the ability to have true intimacy, because women feel inadequate and men have unrealistic expectations. We need to recreate the idea of true intimacy based on appreciating another person’s unique beauty, both inside and out.”

Manolson believes that the Jewish concept of tzniut (modesty) is the most powerful antidote to this problem.

“Tzniut means deeply knowing who you are. It’s an internal self-definition that frees you from any need to flaunt yourself physically,” Manolson said. “Women who possess tzniut have their physical privacy protected; they are simply not on display for ogling or judgment by the public’s critical eye. The beauty industry feeds off women’s insecurities, so the biggest enemy to that industry is a woman who has a healthy soul image and who carries herself with modesty.”

All agree that true self-worth must come from within. In her practice, Holstein helps patients think of times in their lives when they felt good about themselves and asks them to bring in things they have written or made that show their talents. She then helps patients build on this base to create a foundation of inner worth.

“Too many women are only able to tune into messages they have gotten from the outside world, which too often do nothing to affirm their worth,” Holstein said. “It takes more work to access the positive messages they’ve received in their lives.”

Manolson also prescribes a steady diet of altruistic activity, being with friends and reading worthwhile books to fill the time that women might have otherwise spent watching television or reading women’s consumer and fashion magazines.

“There’s nothing better for self-esteem than doing something for someone else. After a while, you’ll be able to radiate happiness,” she said.

Equip Tween Girls, They’ll Defy Sexualized Images Read More »

Mouth, Skin Sores Could Be Sign of Something More

Kaye Kent eats oatmeal or Cream of Wheat for breakfast most mornings. If she actually liked hot cereal it wouldn’t be so bad, but she doesn’t have a choice.

She can’t eat anything harder than bread without the crust or foods that are acidic, spicy or seasoned. She can’t have salt, pepper, ketchup, mustard, onions or relish. They all cause her intense pain.

Last year she was diagnosed with pemphigus, a rare, life-threatening genetic disease most common among Ashkenazic Jews. The disorder, which is not contagious, causes blistering on the skin or the mucous membranes, especially in the mouth, which Kent likens to burns that won’t heal.

“I cannot believe how my eating habits have changed, but somehow you do it automatically,” said Kent, who eats a steady diet of plain vegetables, meats and tofu.

Most people, including many doctors and dentists, have never heard of pemphigus, an autoimmune disorder. But on the weekend of April 24-26, experts in the field will discuss treatment options and new research in a public forum during the International Pemphigus & Pemphigoid Foundation’s 12th annual Patient/Doctor Meeting at the Hyatt Regency Century Plaza.

While diagnosis for pemphigus is not common — .61 out of 1 million people in the general population — 2.7 cases per 100,000 can be found among Jews with Eastern European ancestry. The condition also afflicts people of Mediterranean, Northern Indian and Persian decent.

The symptoms — sores or blisters in the mouth or on the face, scalp, back and chest — can appear at any age, but occur most often for Ashkenazic Jews in their 50s and 60s.

Kent, 61, was diagnosed last year in January.

“I had this feeling for months. I knew something was wrong with me. You know your own body, and I just wasn’t feeling right,” she said. “If I got a little cut or something, I would bleed way too long.”

Symptoms appear gradually over time, according to Dr. Sergei Grando, a professor of dermatology who studies pemphigus at UC Irvine Medical Center. Most patients only seek help when their eating habits are affected or skin lesions become pronounced, he said.

“Because it comes on slowly, people don’t seek medical attention aggressively. If it’s in the [mouth], they go to the dentist, and the dentist has no clue about it,” Grando said. “On average in the United States, there’s a six-month lag time before a correct diagnosis after the onset of the first lesion.”

What makes pemphigus deadly is that the top layer of skin cells become “unglued,” leaving patients susceptible to infection. “It’s similar to a burn patient,” Grando said.

The corticosteroid drug Prednisone has proven effective in mitigating the symptoms, Grando said, but pemphigus itself can’t be cured. To stop it from spreading and to provide a better treatment outcome, Grando said, it’s important to begin an intense but brief Prednisone treatment as early as possible, followed by tapering the drug to a lower dose.

Because of the drug’s side effects — which can range from weight gain and mood swings in the short term to type 2 diabetes, osteoporosis and cataracts in the long term — Grando is focused on finding other treatments for the disease.

“My goal in life and medicine is to develop a steroid-free treatment for pemphigus,” he said.

For patients who can’t use corticosteroids because the side effects could prove deadly, Grando and others are turning to Rituxan — an immunosuppressive drug approved for non-Hodgkin’s lymphoma and rheumatoid arthritis whose side effects include respiratory problems, hives and aching joints. Rituxan has not yet received FDA approval for use for pemphigus, but doctors are hopeful that will be forthcoming.

“What got me almost in remission is Rituxan,” said Lynn Glick, 61.

Glick was first diagnosed for teeth grinding and then lupus pemphigoid before a dermatologist correctly identified the disorder as pemphigus through a blood test in 2000.

Glick, a Cheviot Hills resident, said she had to battle with her insurance company to get the Rituxan treatments covered.

“They said it was experimental,” she said.

When the Rituxan was finally approved, it was because her rheumatologist diagnosed her with rheumatoid arthritis.

She has had four treatments since May 2005 — each given once a week for four weeks, through an infusion that lasts five hours. The drug, however, did nothing for her arthritis.

“It did not help my arthritis at all. After the first two treatments, I got it in my feet,” she said.

But she said the change in her mouth was immediate. Suddenly, foods like popcorn, oranges and other favorites were back on the list.

“It cleared up my mouth,” Glick said. “It was amazing. I could eat things I couldn’t eat before.”

For more information about the 12th annual Patient/Doctor Meeting April 24-26, visit Mouth, Skin Sores Could Be Sign of Something More Read More »

Baby Boys Are Troublesome, Israeli Study Finds

It may sound like an old wives’ tale, but Israeli medical researchers have discovered that the age-old stories about boys being more trouble are true — at least when they are in the womb.

Based on data from more than 66,000 women who gave birth at Israel’s Rabin Medical Center between 1995 and 2006, doctors have come to some interesting conclusions about baby boys and girls.

According to professor Marek Glezerman, Dr. Yariv Yogev and Dr. Nir Melamed, who conducted the retrospective study, male fetuses carry “an independent risk factor” for a number of problems during the birthing process and before.

The researchers found that male babies are more at risk of being big than females, and boys are at risk of preterm rupture of membranes, preterm delivery, abnormal fetal heart rate and delivery by vacuum, forceps or cesarean section. Female fetuses, on the other hand, are at risk of breech birth and restricted fetal growth, the study found.

Glezerman, chairman of the Helen Schneider Women’s Hospital and deputy director of the Rabin Medical Center, said that the results of the study should not be cause for concern, but that it adds to the more general framework of gender-based medicine, within which he specializes.

Gender can help assess medical condition
Gender-based medicine was first pioneered in the United States, according to Glezerman, and is “a relatively new approach to medicine,” he said. “In general, it is taking into account that most research and drug assessment has been done in males only. Women are regarded as smaller men — most research has been done in men only.

“This is an approach that has matured in the past 10 years or so, and now departments in various disciplines are taking a closer view of gender, their diagnosis and what’s needed to treat [their patients],” he said.

Founder of the Israeli Society for Gender Based Medicine, Glezerman has presented a number of papers on his team’s data and gender-based medicine in general. “We look at cardiology, orthopedics, GI disease — each and every discipline. As a gynecologist, I will look at the obstetrics part [of research] that doesn’t deal with females only.”

In his recent study, Glezerman and his team found that differences between males and females start before birth. The differences are slight, however.

“There are no immediate implications one can take home that a male fetus will be in a higher risk category during pregnancy. It’s an additional parameter [a doctor can consider] while assessing a pregnancy,” he says.

“If signs of fetal distress would be included in an assessment, it would be more accurate if the baby was a boy as opposed to a girl.” However, he stresses: “The differences are not large and there is no need to panic.”

Baby Boys Are Troublesome, Israeli Study Finds Read More »

Reclaiming Passover Priorities

The Passover seder has evolved and changed throughout the ages. Many of us might not know that the “four questions” were originally “three questions,” and one of the three — preparation of the paschal lamb — is no longer asked.

Until recently, most Jews read the same haggadah at their seders. Today, different denominations have published haggadahs that include new passages, omit older ones and rearrange the order. And many of us have created and printed personal haggadahs each year for our own family seders.

But the single greatest change to the seder in the American Jewish experience might be our prevailing focus on a more universal theme and message related to liberation.

Whereas the particular Jewish experience of subjugation and liberation was once the central expression of the seder, the persecution of others and their need for liberation has influenced the great majority of the changes to both the haggadah and the seder experience for American Jews.

In discussing this phenomenon with people planning seders over the last several years, they’ve often shared their concern that their non-Jewish guests or family members might feel excluded, if not offended, should their seders focus too much upon the historical Jewish experiences of subjugation and redemption or the threats facing Jews today. Some have shared that they omit entire passages in the traditional haggadah that reference the Jewish experience of persecution and liberation beyond that of the exodus from Egypt.

Ironically, I’ve found over the years that non-Jews attending seders come with the expectation, and often the hope, of experiencing a particularly Jewish occasion. When we opt to universalize the theme to the exclusion of the unique historical Jewish experience, we may be responding to our own discomfort with a particularized focus on our history of persecution or our desire to concern ourselves with the welfare of Jews living with less freedom than we might enjoy today. In doing so, we might be avoiding or even denying our own vulnerability as a miniscule minority among the world’s population.

Over the last several years, and this year in particular, world events leave us little room for such self-indulgence. While it is admirable indeed, and very much in keeping with fundamental Jewish values championing life and liberty, for us to be sure to include in our seders our commitment to the liberation of all human beings, Iran is only several months away from developing a nuclear arsenal capable of destroying the State of Israel, home to the world’s largest, youngest and only growing Jewish population. Iran’s radical Islamic leadership has expressed openly its aim to wipe the State of Israel off the map and, if we do not act immediately and decisively, it will soon have the means to do so.

We can make a difference, even at this late hour. And we can start at our seders.

We can encourage our guests or our fellow attendees to become involved in a nationwide undertaking to thwart Iran’s nuclear ambitions. We can begin by consulting the Web site of the American Israel Public Affairs Committee at aipac.org. We can download and distribute at our seders, and to our friends and relatives nationwide for distribution at their seders, important background material on this issue and links to legislation pending in the House of Representatives and the Senate that deserve the strongest support of our representatives in Washington, D.C. Via the AIPAC Web site, we can all lobby our representatives to support these initiatives. Each of us, and all of our guests, should be encouraged to contact AIPAC’s offices as soon as possible after the seder to learn how we can all be even more helpful in this sacred and urgent mission to keep the means to annihilate the State of Israel out of the hands of those who seek such an end.

As for our non-Jewish guests, wouldn’t we be doing them a great disservice were we to ignore this issue at our seders as one of central concern to us as Jews? Shouldn’t they know that both the painful and the miraculous lessons of our history help us determine when and how we must act in the name of Jewish self-preservation? If we reclaim our Passover priorities, priorities that demand our Jewish self-concern shamelessly when warranted, more than a few of our non-Jewish guests might well join with us in our urgent endeavor to keep Iran from harming our brothers and sisters in Israel. As we invite them to expand the base of support that will be required to ensure that Iran’s aims are never achieved, we might well be surprised to learn just how much they may feel included in our seders, enlightening us about why they accepted our invitations to attend our seders in the first place.

Rabbi Isaac Jeret is the spiritual leader of Congregation Ner Tamid of South Bay, a Conservative synagogue on the Palos Verdes Peninsula. For more information about the synagogue, call (310) 377-6986 or visit Reclaiming Passover Priorities Read More »