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December 21, 2000

Mightier Than the Sword

In southern Sudan, a quiet holocaust is now underway. Since 1983, millions of Dinka and Nuba tribespeople have been massacred, tortured and enslaved by their Muslim neighbors. While much of the world averts its eyes, a small interfaith coalition is working tirelessly to save those who would otherwise be doomed to a life of slavery. One passionate activist is Sonia Levitin, an award-winning writer of young adult fiction who has long made her home in Los Angeles.

Levitin’s contribution is her newly published novel, “Dream Freedom.” Her goal is to rouse the consciences of her young readers, so that — like the Colorado schoolchildren portrayed in her book — they will join the crusade to save the victims of this genocide in the making. As Levitin writes in her foreword, “Stories are my art and my solace. And they are also my weapons.”

Levitin has taken on the cause of the Sudanese because of an outlook that is profoundly Jewish. As she put it, “My own people were enslaved in Africa.” And Bible stories are not her only connection with human suffering. Although Levitin today lives comfortably with her husband in a house with a breathtaking view of the Los Angeles basin, she was born in Nazi Germany. Her family’s escape in 1939 was the subject of her first novel, “Journey to America.” Levitin wrote the book, still in print after 30 years, “so I could describe for my children how I grew up, and how courageous my parents were,”she said. She wanted, moreover, to let her son and daughter know that “there’s evil in the world, to run from it, to never perpetuate it themselves, and to remember that for all the evil, there’s also tremendous goodness.”
As her family grew and her writing career progressed, Levitin found ways to use her Jewish heritage in her fiction. Among her 39 books, there are also many on non-Jewish topics, like her novel about the lost colony of Roanoke and her picture books that explore the Old West. But no book has done more to shape her soul than “The Return,” written in 1986 as a response to Operation Moses.

Levitin had long been fascinated by Africa, possibly because her very first friend in America was Black. When she learned that Black Jews from Ethiopia were being airlifted to Israel, Levitin was overwhelmed by a sudden urge to meet them. She felt that “if these people could walk out of their villages, I can pick myself up and go to Jerusalem and just shake their hands.” After all, as a refugee herself, she knew what it was like to be a stranger in a strange land. And so, at 50, she traveled to the Jewish state: “It was for me a total spiritual homecoming. My whole life turned around.”

“The Return,” which power- fully chronicles a young Ethiopian girl’s struggle to reach Eretz Yisrael, won its share of plaudits, including the 1987 National Jewish Book Award in Children’s Literature and the PEN Los Angeles Award for Young Adult Fiction. It also led Levitin toward a return of her own. Belatedly, she began to delve into religious Judaism, studying the Torah and the works of Abraham Joshua Heschel with a zeal she had hitherto reserved for her writing. Over time she and her husband Lloyd adopted the rituals of Orthodox Judaism. Connecting with her ancestors has been profoundly meaningful, because “I know that I’m doing what my great-grandparents did.”

As a woman with workaholic tendencies, she also finds that a strict observance of the Sabbath can be delightfully liberating: “You wake up refreshed, knowing there’s nothing you have to do to change in the world in any way today.”

Since “The Return,” Levitin’s use of Jewish themes has become increasingly ambitious. She went back to Israel to research her 1994 book “Escape from Egypt,” a retelling of the Exodus as seen through the eyes of a young Hebrew slave. In 1998, she published “The Singing Mountain,” in which an American Jewish teenager outrages his family by exploring ultra-Orthodox belief while on a visit to modern-day Jerusalem.
“The Cure”(1999) is perhaps Levitin’s own proudest achievement, the work in which she acknowledges that she “took risks, did things quite differently, but with a sense of control and confidence.” “The Cure” begins in the future, then whisks its hero to Strasbourg, France, in the year 1348. In his new role as Johannes, son of a Jewish moneylender, he runs up against the virulent anti-Semitism that is a widespread response to the Black Plague.

Beginning with “The Return,” Levitin has dedicated 10 percent of the royalties she earns on each novel to an appropriate charity. The beneficiary of “The Return” has been the North American Conference on Ethiopian Jewry. Proceeds from “The Cure” have gone to the Simon Wiesenthal Center, where Levitin and her family have endowed the “Once Upon A World Children’s Book Award” to honor those works for young readers that best promote tolerance, diversity and social justice. It was at a symposium sponsored by the Wiesenthal Center that Levitin first heard about — and was galvanized by — the crisis in Sudan. Now she is an integral part of the small network of activists (among them scholars, businessmen, journalists, ministers and a gutsy Denver schoolteacher) who are battling for the redemption of an enslaved people. “I’ve always wanted to be where things were happening, to fight the good fight,” Levitin said.

When she first came to America, Levitin hated being perceived as a foreigner. “Most of my youth,” she said, “was spent trying to be like everybody else.” Today she understands that human beings are not so different under the skin. When she became a writer, she said, “I wanted to tell stories and I wanted the stories to be a bridge. I wanted people to see how all of us are alike.”

Sonia Levitin’s “Dream Freedom” can be purchased in all major bookstores or through the Simon Wiesenthal Center by calling (310) 772-7606. Upon request, Levitin will personally autograph copies sent out through the Wiesenthal Center.

Mightier Than the Sword Read More »

CSU Nixes Israel Study

The 23-campus California State University (CSU) system has canceled its current overseas study program with Hebrew University in Jerusalem, leaving 11 enrolled students to face the loss of academic credits and tuition subsidies.

Despite these difficulties, nine of the students apparently have decided to stay in Israel, and some have appealed via the Internet for financial help to allow them to complete the semester.

CSU’s decision was announced Oct. 18, after the students had already finished their ulpan (intensive Hebrew language instruction) and had signed housing contracts for the semester.

The basis for the decision was a U.S. State Department advisory against travel to Israel, and the action was taken for the students’ safety, said Leo van Cleve, director of international programs at CSU headquarters in Long Beach.

The California State University system is on the second rung of the state’s three-tier master plan for public higher education, and is not to be confused with the University of California (UC) system, which has campuses in Berkeley, Los Angeles, and seven other locations. UC is continuing its overseas studies program in Israel.

Responding to the plight of CSU students in Jerusalem, the Jewish Public Affairs Committee of California has petitioned CSU Chancellor Charles Reed to reconsider his decision, and a conference call between administration officials and Jewish spokesmen has been scheduled for Thursday. However, there are no indications that CSU will change its mind.

“We are trying to mediate the matter, but CSU appears to be standing firm on its original decision,” said Barbara Yaroslavsky, chair of the Jewish Public Affairs Committee (JPAC).

Earlier, George Washington University in the nation’s capital announced a break with its study programs in Israel but rescinded the decision after Jewish groups, alerted by an article in the Jerusalem Post, filed strong protests.

Columbia University and the University of Pennsylvania also dropped plans to deny credits for studies at Hebrew University.

In all these cases, however, the cancellations would have affected students planning to enroll in next year’s spring semester, while the CSU decision affects the 11 students who were already in Israel and had enrolled at the Hebrew University.

The primary negotiations with CSU are spearheaded by the Jewish Community Relations Council in San Francisco, headed by Rabbi Doug Kahn, through its education director, Jackie Berman, and its legislative director, Gia Daniller.

According to the two directors, and confirmed by CSU’s van Cleve on the essential points, the 11 students find themselves in the following situation:

Under the original agreement between CSU and the Hebrew University, CSU covered the difference between than $1,800 annual tuition fee paid by its students and the $6,000 fee charged by the Rothberg School for Overseas Studies at Hebrew University. With the cancellation of the program, students opting to remain must somehow raise $4,200 for unexpected tuition payments.

Secondly, the students face the loss of academic credits for their Israeli studies, which under the old agreement were automatically transferred to their home campuses.

Van Cleve said the students can apply on an individual basis for credit, but it would be up to the respective departments at home whether to comply. Credit will be given for the ulpan studies, he said.

Van Cleve added that CSU had considered but rejected some options weighed by other universities, such as transferring students to “safer” Tel Aviv University or accepting waivers from students absolving CSU of responsibility for their safety.

He noted that CSU has study abroad programs with some 50 foreign universities. In the past, he believed, similar cancellations were ordered only twice, both in Israel, during the 1973 Yom Kippur War and the 1991 Gulf War.

Van Cleve suggested that the CSU cancellation would stand for the upcoming spring semester but that the situation would be reconsidered in early 2001.

Prof. Samuel Edelman of CSU Chico, who heads a consortium of Jewish studies programs on three CSU campuses, said that the faculty, having heard only belatedly of the administration decision, was “very upset” and felt that the decision was precipitous.

CSU Nixes Israel Study Read More »

A Losing Battle?

Burbank is a unique place, a small Midwestern town accidentally transplanted next to Hollywood. While most outsiders equate Burbank with NBC studios, Carson and Leno, townsfolk see it as a small haven amidst the chaos of Los Angeles. It has its own city hall, police, firefighters and school district, and all are determined to maintain that hallowed but oft-forgotten value: civic pride.

One of the ways it maintains this pride is with a strong sense of tradition, including the invocation before Burbank City Council meetings. The invocation has been under the auspices of the local ministerial association for more than 50 years. Because for much of that time the city was primarily white and primarily Christian, the prayers have tended to follow suit, often ending in “in the name of our Lord, Jesus Christ” or similar conclusions. Unlike other parts of the San Fernando Valley, the assumption of most longtime Burbankians is that you are Christian unless proven otherwise.

As a reporter for the local paper in Burbank during the early 1990s, I was quite familiar with this attitude, even writing about it in two columns (from which I received some interesting hate mail, the mildest telling me to “go back to Israel where you belong”). This was a city where if you were Jewish you weren’t so much discriminated against as ignored. No menorah or Stars of David among the City Hall decorations in December or at the local mall, no Passover goodies beyond a box of matzah at the smaller markets, and forget about finding a decent pastrami on rye, much less a kosher bakery. Other non-Christian cultures fared about the same.

So it came as a shock to the Burbank City Council when, about a year ago, Jewish Defense League (JDL) chairman Irv Rubin filed a lawsuit seeking to prohibit the city from using prayers invoking the name of Jesus Christ. Rubin had attended a council meeting in November 1999 on an unrelated matter involving the expansion of the Burbank Airport. The meeting began with a sectarian prayer given by a Mormon minister and was followed by the John Burroughs High School choir performing “Silent Night.” Rubin was already involved in a lawsuit in Rosemead brought by a Catholic man, Alejandro Gandara, against that city’s government for allowing sectarian prayers (including Buddhist chanting) before their meetings. When the JDL’s outspoken leader was finally allowed to address the Burbank City Council about the airport, he took the opportunity to blast city officials for both the invocation and the performance by the choir.

“I told them they were breaking the law and violating the First Amendment, but they did not take me very seriously,” Rubin said. “I talked about how for many years, in the name of Jesus Christ horrible acts of cruelty and barbarity have befallen the Jewish people and what it feels like as a Jew to have to say a prayer like that. I told them we are supposed to be an inclusive society and their policy is really exclusionary, but they did not care.”

Rubin filed suit shortly thereafter, and on Nov. 16 of this year, a Superior Court judge found in his favor. The ruling by Judge Alexander H. Williams III stated that “the prayer in this case violated the Establishment Clause of the United States Constitution” which is found in the First Amendment and prohibits the government from taking any steps to effect the establishment of religion. The court then issued an injunction prohibiting the inclusion of sectarian prayers at the City Council’s meetings.

“The Court fully understands the reluctance of the City Council and the Burbank Ministerial Association to dictate the content of prayer,” read Williams’ ruling. “All that is required is an advisement that sectarian prayer … is not permitted under our Constitution.”

Burbank city officials find this ruling unacceptable and intend to appeal.

“The issue was whether the government should tell people how to pray and we don’t think that’s the government’s role,” said City Attorney Dennis A. Barlow.

“What [the judge] told us is that we have to tell people, ‘This is what you can and cannot say,’ and that doesn’t seem right. Also, he didn’t tell us what happens to the city if following this ruling someone gives a sectarian prayer. We often have Rabbi Paula Reimers [of Temple Emanu El] come, and she speaks in Hebrew; is that sectarian? I spoke with the ministerial association, and they are very concerned; they asked if they should bring a toothbrush with them in case they get arrested. It puts the council in a very difficult position.”

Barlow said he had never heard of any prior complaints before Rubin’s. Aaron Levinson, director of the Valley office of the Anti-Defamation League (ADL), said he, too, had never received any formal complaints in his four years as director but after hearing about the case did offer in a letter to City Manager Robert “Bud” Ovrom and the City Council to send the ADL’s suggested guidelines for prayers at city council meetings. Barlow responded to the letter on behalf of the council but made no reference to Levinson’s offer.

“We’ve written to different cities, including Burbank, saying this had been brought to our attention and offering to provide written guidelines,” Levinson said. “Some responded and some did not. [Barlow] wrote back and pointed out that they have a rotating cadre of religious leaders giving the invocation that reflects the religious diversity of the community. However, in the ADL’s opinion, to invoke the name of Jesus in a City Council meeting just as one might do with another religion’s deity is to violate the separation of church and state.”

In terms of the ongoing case, ADL officials have chosen not to join Rubin in the lawsuit, believing there are better ways to resolve the issue. For his part, Rubin said he has been disappointed in the lack of support from the Jewish community, in particular local clergy in Burbank. The city boasts a Reform synagogue, Temple Beth Emet, a Conservative synagogue, Temple Emanu El, and a new Chabad congregation. Temple Beth Emet’s rabbi, Mark Sobel, said he could see both sides of the issue but agreed with the spirit behind the lawsuit, if not Rubin’s methodology.

“I see Irv’s point. I understand the prayer was not inclusive and that prayer before government bodies should be as inclusive as possible,” Sobel said. “However, I also agree with the ADL [spokesperson] who would have tried to get the matter settled quietly, meeting with people privately to discuss possible solutions and coming to a consensus.”

Sobel, who is a member of the Burbank Ministerial Association, said he believes that fellow clergy intended no harm by their prayers.

“I understand as a member of the clergy how easy it is after many years to fall into a habit of giving the prayer that you are used to,” Sobel said. “On the other hand, when I have spoken to the City Council and used Hebrew, I always translated so people did not feel disenfranchised. The mysteries of faith don’t need to be alienating.”

Sobel said he is concerned that the city’s appeal of the lawsuit may lead to problems for local Jews.
“I think the city of Burbank fighting the lawsuit is going to elicit responses from elements who will take this as a signal for anti-Semitism,” he said. “I hope not, but it could, and then we will deal with them with our allies who are true Christians.”

A Losing Battle? Read More »

Beyond Chinese and a Movie

What’s a Jew to do on Christmas?

There’s no work, the malls are closed and only the most die-hard football fan finds solace watching the Oahu Bowl.

It’s the most awkward time of the year.

“Christmas is an uncomfortable day for Jews,” says Rabbi Shlomo Schwartz, director of the Chai Center.

“It is the only time that there is a sense that they are different.”

Unlike other secular holidays on the calendar, Jews cannot escape the very non-Jewish message of Christmas. The sales, the snowmen and the lights often give way to the crèche.

“As assimilated as Jews are, Christmas is just not their holiday,” says Schwartz, who jokingly adds that no other day touches the Jewish soul like Dec. 25, not even Yom Kippur.

The day also poses a problem for Jewish parents.

“It is a troubling time for kids,” says Sherri Kadovitz, director of Zimmer Discovery Children’s Museum. “They are bombarded with Christmas sales, the music at the malls, everything on TV is about Christmas. Parents are put in a difficult position. Yes, the kids know about Chanukah, but it is dwarfed by Christmas.”
Over the past few years, however, Jews are doing something other than going to the movies and eating Chinese food.

Throughout the Southland, Jewish organizations, cultural centers and synagogues are offering singles parties, concerts, cultural events and programming for children as an alternative to staying home.

“There is a Jewish energy that is not present at any other time,” says Schwartz, whose organization, the Chai Center, holds an annual Not A Christmas Party on Dec. 25 for singles. “Here you can come to a place where there are hundreds of people just like you. These people are hanging out and having a good time. Suddenly you’re not so different.”

Schwartz says that of all his yearly programs, the party on Dec. 25 usually attracts the largest crowd.
“People are genuinely happy; they are never so appreciative,” says Rabbi Schwartz. “It is the only time people come, plop down their hard-earn money and later thank me for having a party, no matter how ‘successful’ their day was.”

For the seventh year running, Stew and Lou Productions presents Schmooza-palooza, an evening of DJ dancing, Sun., Dec. 24, at The House of Blues.

“It is the most fun Jewish party of the year,” says Lewis Weinger. “The House of Blues attracts the best people. There’s great dancing, great schmoozing.”

Some Jews are using their day off from the job to work with those who are in need and volunteer for social action work.

Tikkun L.A. is sponsoring a day of hands-on volunteering, working with seniors and with kids at shelters and preparing meals for AIDS patients. The project is sponsored by ACCESS, the young adult program of The Jewish Federation of Greater Los Angeles.

“For most Jews it is a day they don’t celebrate the holiday, yet they have the day off,” says Beth Raanan, director of Tikkun L.A. 2000, “The Jewish Federation provides an opportunity that they too can offer a gift of themselves to those who are in need.”

With the kids home from school, The Zimmer Discovery Children’s Museum is holding its annual PJ’s and Pancakes Breakfast. Children and parents are encouraged to come to the museum in their pajamas for a morning of pancakes and Jewish programming.

“People feel so alienated on this day,” says Sherri Kudovitz, director of the museum. “People want something that their kids can identify within a Jewish environment.”

Along with breakfast, children will be able to play in the newly opened 10,000-square-foot museum and work on Chanukah-related projects. There will also be a holiday-themed puppet show by Puppetranz and a menorah-lighting ceremony. “I think it is important that we provide to the community a program such as this,” says Kadovitz, who has been director of the museum for the past 10 years.

Kadovitz says that she often sees the children of interfaith marriages come with their Jewish grandparents to the Dec. 25 programs at the children’s museum.

“Grandparents want the child to identify with something that is Jewish,” says Kadovitz. “They feel that it is important that their grandchildren identify with something Jewish, with something equally as beautiful.”

Beyond Chinese and a Movie Read More »

Best-Kept Secret

Most of the Jewish women in the group are old enough to remember a time when Jewish kids got beaten up by Catholic kids for being “Christ-killers.” Most of the Catholic women are old enough to have been taught that the Jews, as a people, were partners in the Romans’ murder of Jesus.

But all were witnesses to the sweeping changes the Second Vatican Council brought to the Roman Catholic Church in the mid-1960s, and for 23 years, they have been coming together to talk about how they’re different and what they have in common.

The Catholic-Jewish Women’s Dialogue, one of the best-kept secrets in the Jewish community, was created in 1977, its instigators a group of Catholic religious sisters. Since the Vatican had issued the document “Nostra Aetate” (“In Our Times”) in October 1965, which called on Catholics to repudiate all forms of anti-Semitism, Catholic groups had been involved in a number of interfaith encounters, and the nuns suggested an exchange between Jewish and Catholic women.

Rabbi Alfred Wolf of Wilshire Boulevard Temple selected the Jewish women for the first Catholic-Jewish Women’s Conference from among Jewish community leaders, said Joan Teller, one of the first Jewish women to become involved in the dialogues. All the Catholic women who joined them at Camp Hess Kramer in Malibu that first year were nuns, primarily teachers who wanted to pass on a more accurate knowledge of Judaism and Jews to their students.

The Jewish women at the 1977 conference asked that Catholic laywomen be involved in the group, and today they greatly outnumber the sisters who attend the yearly conferences.

“I came to the conference and heard the dialogue and thought it was just wonderful,” said Gladys Sturman, a Valley resident who has been involved with the group for 10 years and served as the Jewish co-chair for this year’s conference, held at Wilshire Boulevard Temple in November.

Doris Nelson, a Catholic woman from West Los Angeles, was brought to her first conference by a Jewish friend at least 20 years ago. “It’s never stale,” she said. “It’s always both an interest and a challenge.”

The focal point of the dialogue group is its conference, which attracts 150-200 women and is presented alternately at a Catholic or Jewish site each year. In addition, a large steering committee meets once a month for a two-hour session, the first hour of which is spent planning the conference, with the second hour devoted to a specific dialogue topic.

Small-group dialogue is also an important feature of the all-day conferences, which begin with presentations from a Catholic and a Jewish keynote speaker, who then take questions from the audience. After a bag lunch, participants break into groups and continue discussing the ideas presented during the morning and whatever other concerns arise.

It’s during these exchanges that some of the most meaningful revelations occur. At one steering committee meeting, for example, women were asked to react to religious symbols, such as the cross and the Star of David. The Catholic women, who associated the cross with their love for Jesus or perhaps a cherished heirloom, were astounded to hear Jewish women describe it as a symbol of persecution and oppression.
One month the steering committee dialogue was about the Jewish opposition to a Carmelite convent opened on the grounds of Auschwitz concentration camp. “The Catholics really had a hard time understanding the feelings against the convent at Auschwitz, but the Jewish women were able to listen to our questions,” Nelson said. “We came to understand these feelings, and they came to understand why it was hard for us to understand.”

Barbara Durand of Thousand Oaks, who was the Catholic co-chair for the 2000 conference, said that while the discussion can get emotional, there’s a high level of trust that allows women to share feelings openly.
“Everybody feels very free to express what they think and what they feel,” she said. “You never understand the other person and you never understand yourself until you put it out there.”

Although the dialogue group has Jewish organizations as sponsors, including the American Jewish Committee and agencies within The Jewish Federation of Greater Los Angeles, it’s received very little attention in the Jewish community; most of the Jewish women who come to conferences are brought by friends.

By contrast, the archdiocesan newsletter Tidings promotes the conference every year, as do other local Catholic newspapers and the Council of Catholic Women, the counterpart to Jewish sisterhood organizations such as Women of Reform Judaism and Women’s League of Conservative Judaism.
“We have a tremendous problem getting Jewish women to the dialogues because nobody knows about them,” Sturman said. “We’re more fragmented than they are.” This year’s conference had a unusually sharp disparity in participation, she said, with 40 Jewish women and more than 100 Catholics.

Sturman added that Jewish institutions have not been as generous in offering monthly meeting spaces for the steering committee as Catholic churches have.

The conferences have presented a number of provocative topics, sometimes on historical or sociological themes, but more often on issues of religious tradition and spiritual practice, frequently with an orientation toward women’s concerns.

During the past decade or so, Jewish keynote speakers have included rabbis such as Carole Meyers of Temple Sinai in Glendale; Janet Marder, former director of the Reform movement’s Pacific Southwest region; Susan Laemmle, dean of religious life at USC; and Lisa Hochberg of Temple Beth Torah in Ventura, along with academics such as Rachel Adler of Hebrew Union College and Miriyam Glazer of the University of Judaism.

Participants learn things they never knew about the other religion — and sometimes their own.
“I’ve learned a lot about Judaism, both in terms of history and the [doctrinal] intersections and divisions and issues of interpretation,” Nelson said, adding that she had read a lot about Judaism over the years, but “you learn in a different way when you’re talking to someone in that tradition, who has that history.”
“It clears up a lot of misinformation; we learn a lot about each other,” Sturman said. “We learned that not all Catholics think alike; we used to think they all just did whatever the Pope told them to.” Nelson added that Jewish women were able to gain a greater understanding of some of the ethnic differences among Catholics.

Durand, who calls herself a “cradle Catholic,” said the dialogues have helped her gain a deeper understanding of Catholicism. “Many times I have to rethink and learn more about my own faith,” she said.
Most important to many of the participants is the realization that they and their traditions have more in common than they might have thought.

Nelson pointed out that in both faiths “our traditions treated women … not well” and that both Catholics and Jews have faced discrimination, sometimes violently expressed, in the United States.

“We’ve learned that a great deal of our history is generated from one source,” Sturman said, adding that because the Catholic Church is the oldest form of Christianity, it has the most in common with Judaism liturgically and stylistically.

Episodes in history of persecution occurring long after the early Christians’ break with Judaism caused the acrimony between the two faiths, not doctrinal differences, Sturman said. “It’s a matter of historical chance that we’re two different religions.”

“I’ve learned that women of faith [in all religions] face the same problems of community, of child-rearing, of living with tradition,” Teller said. “What unites us is much greater than what separates us.”

Best-Kept Secret Read More »

7 Days in Arts

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Saturday

“Klop-klop-klop mitn kop, hinter Kristofer Robinen.” Fluent Yiddish speakers, students of the language and even the uninitiated can enjoy actor/translator Leonard Wolf’s rendition of A.A. Milne’s children’s classic, “Vini-der-Pu.” A bilingual dramatic reading of Wolf’s translation, featuring Wolf and Folksbiene Yiddish Theatre Artistic Director Eleanor Reissa, is the second public event of the two-week “Art of Yiddish” conference. $24 (general admission); $18 (seniors and students); free (children under 12). 7:30 p.m. DoubleTree Guest Suites, 1707 Fourth St., Santa Monica. For more information, call (310) 396-5212.

24
Sunday

Thirty-nine performance groups will participate in this year’s L.A. County Holiday Celebration, including a broad multicultural mix of choirs, symphonies and dance ensembles. The six-hour celebration, which will also be broadcast live on KCET, includes performances by two local Jewish choirs. Scheduled to perform at 4:50 p.m., the Sinai Akiba Academy Choir, a student ensemble, performs original Chanukah songs. And at 5 p.m., the Valley Beth Shalom Congregational Choir joins with members of the Jewish Symphony for a performance including a Yiddish adaptation of selections from Handel’s Judas Maccabaeus. 3 p.m.-9 p.m. Dorothy Chandler Pavilion. For more information, call (213) 972-3099.

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Monday

Merry fourth day of Chanukah. In the spirit of celebrating triumph over oppressive forces, author Margaret Marketa Novak reads from and signs her book “One Left… Just One.” Novak’s childhood autobiography details her survival in Auschwitz, the only one of her family of nine to make it through the Holocaust. Despite that tragedy, the book, and this afternoon’s activities, are meant to emphasize what Novak writes on the first page: “Surviving is not enough; it’s what we do with our lives that counts.” To that end, the Los Angeles Museum of the Holocaust event includes family tours, children’s activities and special exhibits. 2 p.m. 6006 Wilshire Blvd., Los Angeles. For reservations or more information, call (323) 761-8174.

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Tuesday

Photographer Sheila Metzner shows off her work in two concurrent exhibitions this month, focusing on natural and built landscapes, respectively. The Stephen Cohen Gallery offers a series of flowers and sweeping vistas from her recent book of unspoiled natural landscapes, “Inherit the Earth.” Nearby at the Paul Kopeikin Gallery, Metzner presents similarly sweeping vistas of New York City. “Inherit the Earth”: Tues.-Sat., 11 a.m.-5 p.m. Through Jan. 6. 7358 Beverly Blvd., Los Angeles. For more information, call (323) 937-5525. “New York”: Tues.-Sat., 10:30 a.m.-5 p.m. Through Jan. 6, closed Dec. 23-Jan. 2. 138 N. La Brea Ave., Los Angeles. For more information, call (323) 937-0765.

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Wednesday

The inaugural exhibition at the Jewish Federation-Goldsmith Center’s Bell Family Gallery mirrors its home in featuring quality Jewish work emphasizing continuity between the new and the old. The exhibition, “Traditions and Transformations,” includes two separate yet connected bodies of work. The “Traditions” portion is made up of selections from the Stern Family Judaica collection, with beautiful menorot and other traditional Jewish artwork. For the “Transformations” portion, the gallery has on display collaborative works from the Kabbalah Series of artists Lynn Small and Dennis Paul. Combining traditional and digital photography, woven fibers and collage, the series includes contemporary artistic renderings of each letter of the Hebrew alef-bet. 6505 Wilshire Blvd., Los Angeles. Through June 2001. For more information, call (323) 761-8170.

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Thursday

In a city quite accustomed to hyphenated job descriptions, Steven Friedman may still raise a few eyebrows. The philosopher-medical researcher-installation artist includes among his 15 published works both “Meaning and Time,” and “Thermodynamics and Design of Viral (Smart) Chemotherapeutics.” In addition, Friedman has exhibited his paintings and installation projects in Los Angeles since 1983. “Light Worlds,” his current exhibition at Robert Berman Gallery, consists of suspended acrylic poles adorned with multiple small paintings, each painted first on a large brush, then transferred in a single stroke to the surface of the pole. Tues.-Sat. 11 a.m.-6 p.m. Through Jan. 13. Bergamot Station Arts Center, 2525 Michigan Ave., Santa Monica. For more information, call (310) 315-1937.

29
Friday

Sometime between Tuesday and today, head over to The Knitting Factory Hollywood for the Jewish Music Festival, affectionately known as JewMu. Tonight, RebbeSoul performs “RebbeSoul-O: One Man’s Musical Journey,” a play written by Richard Krevolin. The festival also includes Tuesday night’s Chanukah/Kwanzaa jazz celebration with saxophonist Joshua Natural Sound and drummer Dan Littleton. Other featured performers include the Hollywood Klezmers and the Rabbinical School Dropouts. Festival pass for all six performances, $25. “RebbeSoul-O,” $8. 8 p.m. Knitting Factory, 7021 Hollywood Blvd., Hollywood. For a full schedule or more information, call (323) 463-0204.

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Nostalgia Trip

A roundup of recently released CDs featuring Yiddish tunes yields albums that evoke the past, some with original settings and contemporary arrangements of classic subject matter, others with sounds from an earlier day.

In his new CD, “Garden of Yidn” (Naxos World), violinist and music historian Yale Strom, who will be in concert in Los Angeles next week, offers tunes going back as far as the early 19th century, giving the listener not only a superior musical experience but some fascinating historical sketches of Jews in the Yiddish- and Ladino-speaking world. The album really is a garden of varied colors, languages, and styles.
Whether in arrangements of well-known songs or original pieces, the album features virtuoso playing by members of Strom’s two klezmer bands, Klaazj and Hot Pstromi. “Garden of Yidn” includes favorites such as “Papirossen,” “Sha, Shtil,” and “Moscow Nights” along with Strom’s own music.

This is Strom’s first vocal-intensive album, with all the singing done by Strom’s wife, Elizabeth Schwartz, whose androgynous voice adds a dark dimension to most of the numbers but is generally well-suited to the material.

“Garden of Yidn” provides a sharp contrast to Strom’s previous collection, “Tales Our Fathers Sang” (Global Village), a series of instrumentals, each inspired by a story from a Yiddish or American Jewish writer.

Our forebears may not actually have sung these tunes, but the music is lovely, and the CD shows off the talents of other players in Strom’s bands, especially accordionist Peter Stan.

Veteran jazz clarinetist Abe Most brings six decades of life and virtuosity to his new CD, “I Love You Much Too Much” (Camard Records). Chapman University professor Allen Levy, who served as co-producer with Most, calls the CD “a labor of love,” a jazz homage to tunes that were written in Yiddish but became hits in English.

Sixties pop singer Joanie Sommers, best known for the 1962 hit “Johnny Get Angry,” provides vocals on two cuts in a clear, ageless voice that wraps itself around the material like a silk sarong. Equally fresh is Most’s clarinet playing and that of the other soloists, which include Most’s younger brother, Sam, a renowned jazz flutist.

The sound comes close at times to (extremely well-played) cocktail-lounge jazz lite, but whenever it does, one of the soloists checks in with a thread of melody or a percussive riff that puts a new label on what could have been a dusty bottle. It’s easy listening in the most positive sense of the term.

Hatikvah Music recently released two vintage Yiddish albums for the first time on CD. “Rumania, Rumania: Yaffa Yarkoni Sings Yiddish,” first released in 1961, pairs the wildly popular Israeli singer, who is still playing to sold-out houses in her 70’s, with Johnny Mathis’s arranger-conductor, Glenn Osser, for lush arrangements of Yiddish classics. Her smoky contralto carries the delight she brings to the concert stage.

A reissue of 1947’s “Joe & Paul: The Best of the Barton Bros.” is probably for a more specialized audience. The duo had its first success parodying a commercial for a New York clothier, a loud, rapid-fire affair reminiscent of a pidgin Yiddish Crazy Eddie or Mad Man Muntz. The CD — whose comedy is unsubtle and definitely politically incorrect — might work for a parent or grandparent who remembers the original material and can make sense of the rapid-fire Yinglish.

The recordings listed above are in stock at Hatikvah Music, 436 N. Fairfax Ave., Los Angeles, www.hatikvahmusic.com, (323) 655-7083, except for “I Love You Much Too Much,” available through Camard Records, 17030 Otsego St., Encino 91316, (818) 784-9642, mostabe@pacbell.net.

Yale Strom, Elizabeth Schwartz and Klazzj will perform two shows at The Workmen’s Circle/Arbeter Ring, 1525 S. Robertson Blvd., Los Angeles, on Sat., Dec. 30, 7 p.m. and 9:30 p.m. $16 (adults), $8 (17 and under). The shows are expected to sell out, so advance purchase is recommended. (310) 552-2007.

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Paymer’s “State”

When David Paymer was 14, he used a fake ID to sneak into New York’s Coronet Theater to see Dustin Hoffman in “The Graduate.”

“Hoffman showed me that a short Jewish guy with a big nose could prosper and even be seen as a leading man,” the 46-year-old actor said during an interview at the Marmalade Cafe in Santa Monica.

Several decades later, Paymer has prospered as one of the busiest supporting actors in Hollywood, though seldom as a leading man. He’s earned critical kudos as the scheming Jewish producer Dan Enright in “Quiz Show,” the money-laundering Leo Devoe in “Get Shorty,” the press secretary Ron Ziegler in “Nixon” and a shrink in Lawrence Kasdan’s “Mumford.” He earned an Academy Award nomination for his role as Stan Yankelman, Billy Crystal’s long-suffering brother-manager in “Mr. Saturday Night.” He’s worked with Spielberg, Oliver Stone, Robert Redford, and now David Mamet in the Hollywood satire “State and Main,” a pic about what happens when a movie company sets up production in a New England town.

Like 30 percent of Paymer’s roles, the character of producer Marty Rossen is Jewish, though he’s tougher and sleazier than the “rabbinical” Enright, the actor says. When Marty first arrives on the beleaguered set, the fictional director, played by Oscar nominee William H. Macy (“Fargo,” “Magnolia”), greets him in Yiddish. Rossen promptly threatens the bimbo actress (Sarah Jessica Parker) who refuses to do her nude scene; he works damage control when his star (Alec Baldwin) demonstrates a fancy for underaged girls. He also exchanges insults with a blackmailing local anti-Semite (His favorite slur: “You speed-trap shaygetz.”)

The funniest gag is when the fictional filmmakers stock every hotel room with Streit’s matzah: “Can I have a cracker?” a local asks. The matzah “is a symbol of the intersection of Hollywood Jewish culture and small-town America,” Paymer says, adding that teaching Macy Yiddish was no easy task. “Mamet and I worked on Bill,” he says. “We had to work on Bill a lot.”

Studio heads have sent Paymer fan letters about Rossen, which surprised some of his friends. “People have asked me, ‘Aren’t you worried you’re biting the hand that feeds you?’ ” the actor recalls. “But Hollywood loves to skewer itself. Just look at ‘The Player’ and ‘Wag the Dog.’ “

And it’s cathartic for an actor to play a producer, the guy who runs the show. “You feel so out of control as an actor,” Paymer explains. “I’ve never had any producer be as nasty to me as Marty, but the fear is they’re saying terrible things behind your back. You worry they’re looking at dailies and yelling ‘You stink!’ at the screen.”

Paymer loves “State and Main” because it skewers the vicissitudes and inflated egos of showbiz, something he knows firsthand.

He’s wanted to act since he sat in the front row at his community theater in Oceanside, N.Y., and watched his parents perform in fundraising shows. Like the characters of Stan and Buddy in “Mr. Saturday Night,” Paymer and his older brother, Steve, performed for the relatives in the living room; in high school, the theater department was a place the shy, unathletic teen felt he belonged. But he felt guilty about seeking the limelight. “In my neighborhood, you were expected to become a Jewish doctor or lawyer,” explains Paymer, whose mother fled Nazi-occupied Belgium with her family. “I didn’t want to let my parents down. I didn’t want to be a ‘bum.’ “

Ironically, it was his father’s decision to leave the scrap metal business and pursue a musical career that inspired the actor to follow his dream. As Paymer père went off to earn a doctorate in musicology, David juggled auditions with psychology studies and “miraculously” landed the role of Sonny in the national touring company of “Grease.”

By 1982, he was cast as Dr. Wayne Fiscus on NBC’s “St. Elsewhere” but was devastated when the producers gave him the boot several days into production and replaced him with Howie Mandel. A decade later, he ran into one of the producers after his Oscar nomination. “I gave him a big hug and thanked him for firing me,” Paymer says, beaming. “I said, ‘You got me out of TV!’ “

While shooting his big-break role as ice cream guru Ira Shalowitz in “City Slickers,” Paymer had no idea that star Billy Crystal was writing his next film, “Mr. Saturday Night,” with him in mind. “It’s a good thing I didn’t, or I would have been nervous,” admits wry, soft-spoken Paymer, who now keeps his Oscar nomination certificate in an obscure corner of his guest house.

Several years later, Paymer worried he blew his chance to work with David Mamet when the birth of his eldest child caused him to decline a role in Mamet’s Jewish-themed play “The Old Neighborhood.” But then the writer-director came calling with “State and Main.” “I was insecure because Mamet has his own actors, and I didn’t know how I’d fit in with the whole gang,” concedes Paymer, who studied Mamet’s acting books and meticulously practiced his rapid-fire dialogue. “And because David’s language is so tough and bullying in many of his plays, I assumed maybe he’d be like that. But he was totally the opposite. He’s a love, like a big teddy bear. He was an actor once, and he does anything to make an actor feel accepted.”On the set, life imitated art as the Hollywood company descended on the town of Manchester-by-the-Sea, Mass., and the actors were ensconced in a crummy Sheraton hotel with bad food and only four cars for eight people. “You’d go to the front desk, the keys would be gone and you’d go, ‘Does Macy have the car? Does Baldwin?’ ” Paymer recalls. “We’d get that feeling of being stuck in a small town, which just added to the realism of the film.”

In his private life, Paymer attends Reform High Holiday services and is planning to enroll his 6-year-old daughter, Emily, in Hebrew school. In his professional life, he avoids stereotypically Jewish roles. “I get offered a lot of attorneys named Epstein or Kleinman,” he says. “I get a lot of nebbishes with glasses.”Next up, he’ll appear with Macy in the film “Focus,” based on Arthur Miller’s early novel about anti-Semitism in New York during World War II. His character, Finkelstein, is Jewish; Macy’s character isn’t, though his neighbors think he is. “It’s great to work with Bill again,” Paymer reveals. “We’ve got the shorthand down to make a scene work. We’re like an old married couple.”

“State and Main” opens today in L.A.

Paymer’s “State” Read More »