Arguably one of the most influential film festivals ever, the Sundance Film Festival starts today in Park City, Utah. In case you can’t get there, visit www.sundance.org for lots of info., videos, and background. And you can stay nice and warm and cozy at home!
Also, season two of a terrific TV show on FX starts tonight at 10 pm: Baskets. It is Zach Galifianakis at his finest, playing a down on his luck professional clown, and it’s amazing. Sad, funny, unusual — just perfect.
Like in many other Western countries, the center in France has capsized. All that’s left is the death-wish nihilism of the extremes—and an unhealthy dose of Islamist menace.
No matter how long we have lived, no matter how far we have traveled, the most important part of our becoming may still lie ahead.
Faith is disappearing in the western world, but we carry on.
The Ziegler reopening reflects AJU’s broader goal of helping create a sustainable pipeline of future rabbis.
This is not the party I want to be at.
It’s no coincidence that American Jews generally don’t know that at some point the German language slithered its way into their last names.
The classroom becomes an instrument for advancing political causes rather than a place where those causes are freely examined and debated.
What could our lives look like if we embraced the infinitesimal as infinite?
Notable people and events in the Jewish LA community.
Does the company we keep enable our name to be a blessing? Are we doing enough to make our name as great as God intends?
Three years after Oct. 7, a country trying to heal is still waiting for a full accounting of what went wrong.
Second of two parts
“These women were pivotal to both the process and the outcome of the trial. Yet they were marginalized on many occasions, literally reduced to footnotes.“
This Hamin Toscano recipe reminded us of a Tuscan wedding soup.
Three years after Oct. 7, Israel is still waiting for a full accounting of what went wrong.
Selznick saw his idol David Bowie perform live when he was 15 and made up his mind that he wanted to create a show of his own and work with Bowie.
“The Social Reckoning” isn’t about a power struggle, but shows that powerful companies are reluctant to change unless there is pain.
