Adam Sandler, a.k.a. Israeli Mossad super-agent Zohan, saunters through the streets of Tel Aviv gyrating his cut-off-jeans-clad hips, delighting Israeli beachgoers with an exaggerated display of hacky-sack skills and putting on a super-human show of strength in a game of tug-of-war as a bikini-clad beauty perches on his shoulders.
The soundtrack playing throughout this opening sequence of “You Don’t Mess With the Zohan,” is the hip-hop/funk “Ma She Ba Ba” by one of Israel’s top bands, Hadag Nahash.
Later, as Zohan faces his Arab nemesis, The Phantom, the band charges up a fast-paced chase scene with the rapid beat of “Hine Ani Ba.” The catchy track, which translates to “Here I Come,” repeats during the closing credits and is featured prominently in the film’s trailers.
So how did a song released in 2006 by a 12-year-old Israeli band become the theme song of a major Hollywood release?