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May 12, 2017

7 Haiku for Parsha Emor by Rick Lupert

7 Haiku for Parsha Emor by Rick Lupert (again with the showbreads…)

I
Stay pure, priests. No dead
people. And for the High Priest
we’ll need a virgin.

II
It feels like the guy
with mismatched limbs gets a tough
break in this story.

III
Rejoice animals!
You will not be castrated!
No ugly ones though.

IV
and for the rest of
us, there are holy days to
observe and to count

V
We still atone but
how do we offer a fire
to the One above?

VI
After the heavy
we go into booths. The air
and sky shelter us.

VII
Twelve showbreads on the
Shabbat table. I hope the
judges pick the best.


Los Angeles poet Rick Lupert created a the Poetry Super Highway (an online publication and resource for poets), and hosted the Cobalt Cafe weekly poetry reading for almost 21 years. He’s authored 20 collections of poetry, including “I’m a Jew, Are You” (Jewish themed poems) and “Feeding Holy Cats” (Poetry written while a staff member on the first Birthright Israel trip), and most recently “Donut Famine” (Rothco Press, December 2016) and edited the anthologies “Ekphrastia Gone Wild”, “A Poet’s Haggadah”, and “The Night Goes on All Night.” He writes the daily web comic “Cat and Banana” with fellow Los Angeles poet Brendan Constantine. He’s widely published and reads his poetry wherever they let him.

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The importance of learning the other’s past

The recent commemoration of Israeli independence brings us back to 1948, when Jewish and then Israeli forces battled with local and then regional Arab forces over the future of Palestine after Britain’s surrender of its mandate. It is not difficult to understand the high level of motivation of Jewish soldiers to secure a safe haven for their people a mere three years after the second world war. Nor is it difficult to understand the sense of jubilation, often verging on the messianic, that Jews in that country and beyond felt at the attainment of statehood. To gain sovereignty in the ancestral homeland after 2,000 years of dispersion — and especially after the murder of nearly one-third of the Jewish people — was a historic achievement by any measure.

By the same token, it is understandable why Palestinian Arabs regarded 1948 not as a year of liberation but as the “catastrophe,” as the Syrian scholar Constantine Zurayk dubbed it (using the Arabic word “Nakba”). They were repeatedly bewildered and agitated — first, by the arrival of the initial waves of Zionist settlers in the 1880s, then by the seeming favoritism shown to the Zionists by the British in the Balfour Declaration, and finally by the United Nations Partition Plan that granted 55 percent of the land to the Jews, who represented one-third of the population of Palestine. The flight and expulsion of more than 700,000 Palestinian Arabs in the midst of the armed hostilities of 1948 seared a sense of injury onto the Palestinian psyche that has not healed to this day.

The difficulty in assessing these two perspectives on history is that they both contain a great deal of truth. It would be easy if we could assert that one of these narratives meets the standards of historical veracity and the other does not. Many partisans on both sides of the conflict make this facile claim, resting content in the self-assurance of their own story. It is far more difficult to hold on to complexity.  What do we do when there are not only competing narratives at work, but competing truths in which are embedded competing rights? How do we reconcile them? 

This is a serious educational, as well as ethical, challenge. A pair of courageous researchers have grappled with this problem for decades. Sami Adwan, a Palestinian scholar of education who teaches at Hebron University, joined forces with Dan Bar-On, an Israeli psychologist at Tel Aviv University who died in 2008, to think past the zero-sum game of historical narratives according to which my story of the past is true and yours is false. For too long, they maintained, Palestinians taught a self-satisfying and heroic account of their past to their children, ignoring or denigrating the Israeli story; but Israelis did a similar thing with their children, neglecting or distorting the depiction of Palestinians.

In a 2013 study sponsored by the U.S. State Department, the joint research team surveyed hundreds of Israeli and Palestinian textbooks. While finding little evidence of dire demonization by either side, they concluded that both groups offered “negative descriptions and lack of information about the other’s history, religions, culture and sufferings.” 

As an antidote to this tendency, Adwan and his Israeli colleagues (Bar-On and later Dan Bar-Tal and Eyal Naveh from Tel Aviv University) developed an alternative: a dual-narrative approach that places Israeli and Palestinian versions not in isolation from one another but in juxtaposition. They did so in a volume titled “Side by Side: Parallel Histories of Israel-Palestine,” as well as in an experimental school curriculum available in Hebrew, Arabic and English called “Leaning Each Other’s Historical Narrative.” Adwan and his colleagues worked over the years with Israeli and Palestinian teachers who were willing to test this new approach, refining and improving the curriculum, though rarely with the support of either the Israeli or Palestinian ministries of education.

What do we do when there are not only competing narratives at work, but competing truths in which are embedded competing rights? How do we reconcile them? 

It may well be that such a dual-narrative approach will not be the prime catalyst to bring peace to Israelis and Palestinians. But it also may be that a meaningful peace will not be achieved in the absence of some serious degree of historical recognition of the other.  Scholars and activists have come to understand that in post-conflict situations (such as Northern Ireland and the Balkans), it is highly desirable to undo opposing groups’ negative views of the other by revising the way in which they present history.   

There is much work to be done in this regard: more innovation in pedagogy, curriculum development and scholarship. With that need in mind, UCLA is sponsoring a conference, which I organized, featuring Adwan on May 18-19 titled “Learning the Other’s Past” to consider questions relating to history, education and a dual-narrative approach in Israel and Palestine. With scholars and teachers from Israel, the Palestinian territories and the United States participating, the focus is designed to help generate a pedagogical roadmap for the next generation of educators and historians engaged in this important work. 

Children are not born with hatred in their hearts. It is parents and teachers who have the greatest power to guide them one way or another. Efforts like the Adwan/Bar-On initiative provide both with an important educational tool to overcome historical ignorance and distortion on the path to a better understanding of the other.   

For more information about the “Learning the Other’s Past” at UCLA, visit this story at international.ucla.edu.


David N. Myers is the Sady and Ludwig Kahn Professor of Jewish History at UCLA and the author of “Jewish History: A Very Short Introduction” (Oxford, 2017).

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Thank you for reading, even if you don’t like me

The annual Celebrate Israel festival at Rancho Park in Los Angeles is the time for me to face the music.

I don’t mean the Israeli pop blasting from the Western Wall of amplifiers on the main stage, amps that always seem directed right at the Jewish Journal booth.

I mean the thousands of festival-goers who all find time to make their way to the Journal’s booth to complain about me.

To my face.

I arrived in the afternoon. By then, I was told, several irate readers had come by looking for me.

One, an elderly American man with a slight gray beard, stopped by to say how much he hated my column last week defending actor Ed Asner’s Lifetime Achievement Award from the Los Angeles Jewish Film Festival. I wasn’t there at the time, so he told our managing editor, Ryan Smith, that he would return to set me straight about “Ed Asher.”   

Just as I sat behind our display of current issues, a woman with curly blond hair approached me.

“You’re Rob!” she said. And, like an idiot, I smiled and said yes.

“You’re in too much of the paper,” she said. 

I didn’t understand. I explained I had just one column, but others who often took opposing views had columns, as well. I explained that our policy is to maintain a balance of all points of view in the Journal — one of the few websites and news weeklies that strives to do so, I pointed out, proudly.

“No, no,” she shook her head. “There’s too much you. I don’t know how, but it’s not fair.” Her voice rose, zero to 160 decibels in an instant. “IT’S NOT FAIR!”

At that moment, TRIBE Media President David Suissa showed up, the Moroccan Jewish cavalry. 

He slipped into our booth.   

“I like yours!” she said of his weekly column. “And Dennis Prager’s.”

“I have an idea,” I offered the woman. “Instead of complaining about me, why not praise him?”

David engaged her, and I was able to move off to the side — where a man with an Israeli flag pin was waiting to speak to me.

“You …,” he started.  “You …”

I held my hand out to shake his. “What is it?” I asked.

“I can’t explain,” he said. “I read your columns and I agree with your points … but your conclusions are so wrong.”

“You like Dennis and David, right?”

“Yes, but that’s not it,” he said. “You’re just wrong.”

An Israeli-American man approached David and me and said he likes both our columns.

“But who do you like better?” David asked. “C’mon, get off the fence.”

He turned a bit red. “David,” he said.

Then he asked for a picture with both of us, maybe just because he felt bad for me.

At this point, I was 0 for 10. I felt like the waiter in the Jewish joke who approaches a table of diners and asks, “Is anything all right?”

And it got worse.

A man came up to me and asked, in Hebrew, a question about advertising. We fell into conversation. A woman overheard us.

“Rob Eshman speaks Hebrew?” she said — and walked away. The implication was clear — how bizarre it was that someone she deemed so anti-Israel would bother to learn the language.

About 10 feet away, meanwhile, a middle-aged woman started to approach the booth. She saw my face, recognized me from my column photo, and a look of visible disgust washed over her. She walked away.

I only wish I was being oversensitive, but she wouldn’t come near the booth as long as I was there.

It went on like this, and I had only been there an hour.

Yes, on and off, people came up and said they loved the paper, they loved the website, but even those compliments came with caveats. Like the time last year when a religious man said he wished the Journal could be more like Jewish Insider, which produces a balanced, inclusive morning newsletter out of Washington, D.C.

“That’s ours,” I told him. “Jewish Insider is part of TRIBE Media.”

“That’s you?” he said, astonished. “But it’s so good!”

I know the festival, even with its 10,000 or so attendees, represents just a slice of this massive community. It just happens to be the slice that doesn’t agree with my views, especially on Israel. And part of being a community paper means letting people yell at you, and not yelling back.

After a couple hours of abuse, I broke for hummus. The line at the Hummus Yummy truck was long, loud and chaotic — in a word, it was Israel. I was pushed up against the truck window.  The owner opened it and said in Hebrew, “Move, friend, I don’t want to scream in your ear.”

Then he screamed in my ear, “ANAT, YOUR FALAFEL IS READY!” 

The hummus was good. So was the watermelon. Then I returned to the booth, and waited for Ed Asher.


ROB ESHMAN is publisher and editor-in-chief of TRIBE Media Corp./Jewish Journal. Email him at robe@jewishjournal.com. You can follow him on Instagram and Twitter @foodaism and @RobEshman.

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Rosner’s Torah Talk: Parashat Emor with Rabbi Kenneth Chasen

Our guest this week is Rabbi Ken Chasen, Senior Rabbi of Leo Baeck Temple in Los Angeles and an outspoken commentator and author on a wide variety of subjects pertaining to Jewish life, with a special emphasis on social justice in the U.S. and in Israel. His writings have appeared in a wide variety of national and international publications, including the Los Angeles Times, The New York Times, the Chicago Tribune, Reform Judaism and The Jewish Journal, among many others. Rabbi Chasen is also the co-author of two books which guide Jewish families in the creation of meaningful Jewish rituals in the home. In addition, he is a nationally recognized composer whose original liturgical and educational works are regularly heard in synagogues, religious schools, Jewish camps and sanctuaries across North America and in Israel.

This week’s Torah Portion – Parashat Emor (Leviticus 21:1-24:23) – begins with a set of purity regulations for priests. It then continues to list the main high holidays and to tell the story of a blasphemer who is stoned to death by the community. Our discussion focuses on the festival calendar of the Jewish year and on the much misunderstood “an eye for an eye” teaching.

https://youtu.be/I-OwZQhnFdk

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