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June 3, 2015

Black, white and nameless: Parashat Beha’alotecha (Numbers 8:1-12:16)

And Miriam spoke, and Aaron, against Moses because of the Cushite woman whom he had married: For he had married a Cushite woman” (Numbers 12:1).

Of the one woman, we know much; of the other, we know very little. 

Of Miriam, the prophetess, we are familiar with her deeds in Egypt and her song by the sea. We know her parents, Yocheved and Amram, and her brothers, Moses our teacher, and Aaron the High Priest. Of their likeness in Jewish history, none compare.

In the wilderness, no family was held in higher regard, and to the best of our knowledge, no woman was held in higher esteem. Upon Miriam’s death, we are told that the Congregation immediately thirsted for water (Numbers 20:1-2). The Talmud remarks that it was on account of Miriam’s righteousness that water flowed from the rock all those years in the wilderness (Taanith 9a).

In contrast, who is this other, “Cushite,” woman Moses reportedly has taken for a wife? She has no name, no family, no back story. However does she find herself in the camp of Israel and married to Moses, of all men? 

The first-century Jewish historian Josephus, perhaps to impress his Roman audience, records in his “Antiquities of the Jews” that in Moses’ younger years — as Prince of Egypt — he led a military campaign through the land of Ethiopia, and there took an Ethiopian princess, Tharbis, as his first wife. But if such a tradition about Moses existed in Israel’s collective memory — passed on orally outside the biblical canon — it likely would have found its way into early rabbinic texts such as the Midrash or Targum. No such text exists, making Josephus’ claim highly suspect. 

Slightly less implausible is an attempt to identify this Cushite woman with Moses’ Midianite wife, Tzippora, daughter of Yitro (see Rashi). But this raises difficulties. The Torah states twice in one verse (in case we doubted it) that Moses married a “Cushite woman.” Cush in the Bible begins in Ethiopia (below Egypt) and continues southward into Africa, quite a distance from the Midianite settlements in the Jordan-Arabia region. Imagine mistaking Sacramento for San Diego, or a Londoner for a Parisian.    

The simplest explanation, and the most credible, is that Moses took a second wife. We do not know the why or the when; and of the woman herself, we know little beyond her nationality. But perhaps half the lesson may be derived from the impoverished description of her personality, for it lays bare a stark difference in status and power between herself and Miriam.

How much more awful is the slander when a great woman such as Miriam, esteemed for her accomplishments and privileged by her familial bonds, criticizes a seeming “nobody,” an unnamed outsider from a distant and foreign land. With no blood ties to the Jewish people, or known accomplishments, her importance is derived from her husband. Without intrinsic worth, she is flippantly dismissed as Moses’ Cushite wife. 

The Torah does not detail what Miriam, and to some lesser extent Aaron, found bothersome about Moses and his wife. Perhaps Moses was neglecting his husbandly duties of intimacy with his beloved, or so claims Rashi. Perhaps Miriam and Aaron thought Moses’ Cushite wife to be unattractive; so writes Rabbi Abraham ibn Ezra. More likely, Miriam thought it wrong that Moses should marry a foreigner instead of taking an Israelite wife. That Tzippora had been a foreigner could be forgiven, for at the time, Moses was living far from his brethren in Egypt when he took her as his wife. But later in the wilderness, among the Children of Israel, certainly Moses could have found a more fitting Israelite bride (Shadal).

Far more remarkable is what Miriam’s punishment says about her crime, for the Bible always metes out justice measure for measure. Miriam is publicly humiliated. First, Miriam’s skin turns flaky white by her having contracted tza’arat, the biblical skin disease. Second, she is shut outside the Israelite camp for seven days. In the Torah’s words, her personal shame was like that of a daughter whose “father spits before her face” in disgust (Numbers 12:14).

But how does this reprimand fit her offense? 

Conceivably, if Miriam used the term “Cushite” as a racial slur referring to skin color, it may be thought quite just that Miriam’s skin turned a sickly white color in rebuke. Additionally, if “Cushite” was used to convey the foreignness of Moses’ wife, it is fitting that Miriam is in turn made to feel the outsider as she is set apart outside the camp.  

Thus, in an instant, Miriam, an insider, comes to know the difficult predicament of being an alien — a predicament she should never have forgotten considering Israel’s sojourn in Egypt. 

What an apt lesson for minding the social divide between privileged and underprivileged, between those in the center and those on the fringes. After all, what an Israelite can suffer in Egypt, an Ethiopian can suffer in Israel. In God’s eyes, she who was superior today can become subordinate tomorrow, and vice versa. If Miriam can succumb to forgetfulness and pride, prejudice and xenophobia, we’d do well to doubly guard our words and deeds.


Rabbi Yehuda Hausman is the spiritual leader of the The Shul on Duxbury, an independent Orthodox minyan. He is a teacher at the Academy for Jewish Religion, CA, and a lecturer at American Jewish University’s Ziegler School of Rabbinical Studies. He writes about the weekly parasha on his blog, rabbihausman.com.

Black, white and nameless: Parashat Beha’alotecha (Numbers 8:1-12:16) Read More »

FCC Chief Tom Wheeler is five-sixths of a superhero

The last best hope to stop Big Money's rout of American democracy is a former trade group lobbyist who’s reluctant to stretch his spandex superhero suit too thin.

Plutocrats have been on a roll for a while in the U.S., and campaign finance reform is in full retreat. Though Americans hate money’s “obscene” role in politics, according to a new New York Times/CBS “>says a Democratic commissioner on the Federal Election Commission, which is “perpetually locked in 3-to-3 ties along party lines.”  Its chair, Ann M. Ravel, “>said CBS president Les Moonves in a February investor call, “and thank God the rancor has already begun.” Campaign spending will exceed $5 billion – a windfall that goes straight to TV station owners – and that’s just for the presidential race. Soon, ads that will make you want to take a shower will be pumping political sewage 24/7. Don’t look to TV news to fact-check them; with few “>it did in Philadelphia last year, by 45 to 1.  

Worse, those ads will be funded anonymously. Many of the slimiest and most deceptive will end with something like this:  Paid for by Americans for an American America.  We will have no clue what these anodynely named front groups really are or whose dark money is behind them, because the law doesn’t require transparency or accountability. We’ll get good and mad at the dog crap soiling democracy’s lawn, but we won’t even know whom to shame.  

What are we doing to prevent the anti-democratic horror show now unfolding? In the Citizens United opinions, eight Supreme Court Justices “>know that elected officials are unwilling “to fight the system they inhabit or to change the rules they have already mastered.”

But the Federal Communication Commission already possesses the power to rescue us from dark money.  Tomorrow morning, “>says, “and I’m looking for company, Tom.”

When President Obama appointed Wheeler in 2013, my heart sank. I wanted a trustbuster and consumer advocate in that job; instead, we got the former head of the Grocery Manufacturers of America and of the National Cable & Telecommunications Association.  I’m so glad I was so wrong about him.  In less than two years at the FCC, he’s made bold moves, and scored some important victories, on five key fronts.

Competition:  Wheeler’s disappointing predecessor, Obama-appointee Julius Genachowski, submitted to Comcast’s takeover of NBC-Universal.  But Comcast abandoned its subsequent bid to acquire Time Warner Cable when regulators at Wheeler’s FCC and at the Department of Justice were poised to block Comcast from becoming the “>set up net neutrality to fail, paving the way for Internet providers to extract pay-to-play fast-lane tolls from big tech and content companies, leaving everyone else to suffer slowmo buffering. But Wheeler, bucking fierce industry and partisan opposition, and buoyed by four million public comments triggered in part by a “>crashed the FCC’s servers, led the commission to classify the Internet as a public utility. No wonder Wheeler’s successor at the cable lobby, Michael Powell, who was also George W. Bush’s appointee as F.C.C. chair, is now “>privacy is unassailable.”  A few weeks later, the commission put Internet Service Providers on notice that the F.C.C. will ““>proposed that the Reagan-era Lifeline program, which subsidizes the telephone service of 12 million low-income households, be extended to broadband access.  Within days, Republicans “>pre-empted industry-backed state laws that prevented underserved communities like Wilson, North Carolina and Chattanooga,  Tennessee from expanding municipal broadband networks.

Robocalls: On June 18, the FCC will vote on Wheeler’s “>said a couple of weeks ago, when asked if the FCC will use the authority it already has to require disclosure of the secret sponsors of political ads, “we have a long list of telecommunications-related decisions that we are dealing with right now, and that will be our focus.”  He punted to the Hill:  “Well, if the Congress acts, then we will clearly follow the mandate of Congress.”  But as he had to know, just two days before he said that the House Communications and Technology subcommittee, on a party-line vote, martyk@jewishjournal.com.

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Knesset members call for policy, diplomatic shifts in wake of Obama interview

Israeli lawmakers have called for policy and diplomatic changes following a warning by President Barack Obama that Israel could lose international backing unless it supports a two-state solution.

Michael Oren, a lawmaker with the center-right Kulanu party and Israel’s former ambassador to the United States, said a day after Obama’s remarks on Israeli television — that Israel should freeze settlement building outside settlement blocs near the West Bank border. He also called on Israel to more actively demonstrate its desire for peace.

“The ball is in our court,” Oren, whose party is part of Israel’s governing coalition, said at a meeting Wednesday of the Knesset Caucus for Israel-U.S. Relations. “We must show we favor peace even in the absence of a Palestinian partner. We must show that we’re at the table even when the opposite seat is empty, and that we’ll work actively toward a permanent agreement.”

Opposition leader Isaac Herzog, chairman of the Zionist Union, told Israel’s Army Radio that a friendlier posture toward the United States would also help Israel combat Iran’s nuclear program.

“The Iranian issue is a major national challenge, but in order to fight it, to ensure Israel’s standing among the nations … we need to speak with the administration and conduct intimate dialogue. Not humiliate it,” Herzog said Wednesday, according to the Times of Israel.

Obama in an interview that aired Tuesday night said doubts regarding Israeli Prime Minister Benjamin Netanyahu’s support for a Palestinian state could lead to the United States lessening its support for Israel in international forums.

“If in fact there’s no prospect of an actual peace process, if nobody believes there’s a peace process, then it becomes more difficult to argue with those who are concerned about settlement construction, those who are concerned about the current situation,” Obama said on the Channel 2 program “Uvda.” “It’s more difficult for me to say to them, ‘Be patient, wait, because we have a process here.'”

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A road trip through Israel’s culinary revolution

The Startup Nation has morphed into the Food and Wine Nation.

If you want to see how, go north. There, amid newly planted vineyards and refurbished grain mills, you’ll find a new generation of Israelis channeling their passion, energy and creativity toward eating and drinking.

Perhaps it’s because so many young people are discouraged by politics. Perhaps it’s part of the worldwide rediscovery of sustainable foodways. Whatever the reason for the revolution, each time I go to Israel I am surprised about the energy, creativity and general development of Israeli cuisine. Youthful chefs are reaching back in history for inspiration and, at the same time, reaching toward the future.  

My trip last month to the Yarden Vintage International Culinary and Wine Festival in the Golan Heights was the perfect example. There I found young Israelis exploring who they are and what their land is. In wine, it means developing the soil as well as the roots of the vines; in food, it means knowing what each chef’s often multistranded roots are so that he or she can adapt to the land where they live.  

As my husband and I headed up from Tel Aviv to the Golan Heights Winery for the festival, we stopped at Galil Mountain Winery, a stone’s throw from the Lebanese border. There we had a tour, as well as a barrel and varietal flight tasting of merlot, viognier, shiraz and blends of the wines located on this 200-acre newcomer. Micha Vaadia, a philosophical winemaker, explained that Galil was “regaining their wine culture” by making a partnership between the local volcanic soil and three wild varietal grapes growing since biblical times.

For 1,300 years, since the Arab caliphate period, the land has pretty much been barren. What makes the work so challenging, according to Vaadia, is that each region has different soils, and so experimenting with many types of vines is necessary to determine which will perform best in the soil. While a country like Italy, for example, has a map of what grows well in each region, Israel is just relearning which varietals flourish in each soil type. And, of course, there is the unpredictable factor of weather. 

After the tasting, we drove right into the vineyard to have a vegetarian lunch, underneath a tall pistachio tree, not far from nectarine and apple orchards. We ate many Middle Eastern salads with batata, sweet potato pancakes, a delicious recipe from the Tel Aviv vegetarian cafe Orna and Ella. All of it, of course, was accompanied by the Galil pinot blanc and shiraz wines. 

The food and wine festival, which only takes place on stellar vintage years, opened with uncorking and tasting Yarden’s top-of-the-line wine, Katzrin. Its flavor was deep and rich, full bodied and dark red in color, but it still needed five, 10 or even 15 years of aging to reach its full potential. 

Outside, about 35 sous chefs from some of the best restaurants throughout Israel — and from as many ethnic backgrounds — were cooking Israeli foods to pair with the wines.  

Erez Komarovsky, who brought good bread to Israel with his Lehem Erez bakery chain and who knows real, rather than trendy, talent, wanted me to see what the country’s young sous chefs — 72 of them in all throughout the festival — could do with Israeli cuisine. 

“These are the chefs that do all the work,” he said. “We have been working on this festival for five years.” 

For a day and a half, I tried the impressive offerings from this diverse group of young Jewish and Arab-Israeli chefs. Their backgrounds reflect the mosaic of Israeli peoples and foods today — Swedish, Yemenite, Algerian, Moroccan, Polish, Palestinian — all from mixed cultural marriages, all influencing what has become the lexicon of Israeli cooking. It was proof, beyond a doubt, that Israeli food has more than come of age.

The festival began with a barbecue of sorts, including grilled lamb chops with rice, mint and cilantro from Liad Yehy of Herbert Samuel restaurant in Tel Aviv. 

I also tasted grape leaves stuffed with sweet breads and veal cheeks, drizzled with a bright yellow amba (pickled mango) and fresh red tomato purée, as well as a sea bass with mouffleta, tahini and tomato amba, from Itsik Ruham of Jerusalem’s Machneyuda Restaurant. This innovative nonkosher restaurant in the Jerusalem Mahane Yehuda Market opens, as a nod to kashrut, at 9:30 p.m., an hour after sunset on Saturdays, and has been a catalyst for all kinds of pubs there. Its English branch, called The Palomar, a narrow bar-like restaurant in Soho, London, recently won the Tatler Restaurant of the Year Award and the GQ Food & Drink Award for Best Restaurant. 

Going back to biblical roots, Adon Shipun, who just two months ago opened a bakery on Allenby Street in Tel Aviv, took spelt and barley kernels, toasted them in a coffee roaster, then ground them with a small mill and turned the resulting flour with salt, water and a sour starter into large loaves of bread studded with peanuts, all baked on black stones from the Sea of Galilee. Not only does he make barley bread, the food of the poor mentioned in the Bible, but he also adds seaweed, spinach and sweet potatoes to his bread dough — but never sugar.  

A diverse assortment of Israeli foods and wines were showcased at the recent Golan Heights festival. Photo by Allan Gerson

An architect, Shipun went to France to work with a baker in a small town in Brittany whose family had been making bread from these flours for 400 years. Shipun stayed at the bakery for a year and a half, then switched professions — going from pen to pan. With ingredients sourced from Africa, he showed me a chickpea flour from Ethiopia with red pepper and ground with lots of spices.

The flavor and the ideas that most impressed me, however, came from the food made by two young women, the sous chefs from Dallal, a bakery café in the Neve Tzedek area of Tel Aviv. The young women made various desserts during the festival, my favorite being an intense cherry soup with kirsch liqueur and a floating island of whipped egg whites with fresh cherries. They also made a kind of ice cream cone out of just-picked grape leaves that they first caramelized, then roasted and curled, then stuffed with a rice pudding made of coconut milk, a little vanilla extract and a touch of sugar.  

As delicious as the food was and as great as the people were, I really came home with a new appreciation of Israeli wine.

Golan Heights Winery is a powerful newcomer to the Israeli wine scene. In 1882, the Rothschilds gave a push to the wine industry in Palestine, importing vines from France and, later, America to produce wine in the towns of Rishon LeZion and Zichron Ya’akov. The Carmel Wine Co. was born in the late 19th century, and today it remains the largest producer of kosher wine in the world.

When I lived in Israel in the early 1970s, there were only Carmel and a few other wineries. But when Israel’s — and the world’s — passion for good varietal wines increased, four kibbutzim and four moshavim got together in 1978 and started growing grapes on the Golan Heights, captured during the Six-Day War. This joint venture has become the Golan Heights Winery, located in Katzrin. Little by little, as interest and passion for good wine grew, these vineyards expanded and now compete with the boutique wineries that are slowly sweeping the country.

“Based on the tastings that I did on my one and only trip to Israel, I would recommend the best of the wines to anyone regardless of whether they were interested in kosher wines,” Michael Franz, editor of Wine Review Online, said of Golan Heights Winery’s offerings.  

Today, the winery includes Gilgal, Yarden, Golan and a joint cooperative venture with Galil Mountain Winery. It has distributors in China, Poland, France, Russia, England, Germany, Switzerland, Vietnam, Sweden, Italy and, of course, all over the United States, many of whom came to the festival.  

In between tastings, we went on tours of the Golan Heights Winery and the vineyards. The first was a behind-the-scenes tour of the winery facility with Michael Avery, a strapping young winemaker from Australia. What stood out for me was the high-tech sorting mechanism. I knew that as soon as the grapes are picked, only a Sabbath-observant Jew can make the wine in order for it to be kosher. It used to be that Jewish women from Katzrin would separate the good grapes from the bad, remove the twigs and generally control the picking; now, optical grape sorting by machine replaces hand sorting — picking 10 times as many grapes with much more accuracy.   

At the festival opening, we listened to Victor Schoenfeld, a California native and graduate of the UC Davis oenology program, who has been the head winemaker here for the past 25 years. The topic was planning for the future at the winery. 

He explained that leaf rot hit the Israeli leaves in 2003. As the rot worsened, the winery made a decision in 2007 to plunge in and enrich its soil — providing for deeper roots — change all the vines and replace them with disease-resistant plants from throughout the world. 

Then it waited to release the Katzrin — its most expensive wine, made from cabernet sauvignon and merlot — until now. The price in Israel for the just-released 2011 vintage is more than $100, and about $150 in the United States. As the wine was poured for everyone in the room, the excitement was evident on the faces of all these young, intelligent winemakers. 

The next morning we took a jeep tour of the Yonatan Springs Vineyard, less than a mile from the Syrian border. Afterward, we sat there, sipping wine. The vineyard manager raised his glass to us and said, “Here, we drink wine. Over there, it is a different story.”

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Obituaries: Week of June 5–June 11

Louis Bernstein died May 10 at 94. Survived by sons Jeff (Linda), Mark (Denise); 5 grandchildren. Hillside

Shirley Cohen died May 8 at 88. Survived by husband Seymour; daughters Eileen Shore, Linda; 2 grandchildren. Hillside

Betty Daniel died May 9 at 93. Survived by daughter Ana; son Simon; 3 grandchildren. Hillside

Vera Ross died May 10 at 85. Survived by sons Jeffrey (Alison), Brad (Victoria); 6 grandchildren; sister Annet Forrest. Mount Sinai

Leon Singer died May 10 at 96. Survived by sons Michael (Penny), Steven; 3 grandchildren. Hillside

Jean Tilem died May 10 at 85. Survived by husband Joe; sons Alex (Kelly McCool) Berenson, Douglas Berenson; daughter Renee (Dek Ketchum) Berenson; 6 grandchildren; brother Arthur Stein. Mount Sinai

Aarion Verity died May 9 at 89. Survived by son Art (Bari); daughter Beth (Liz Kestner-Verity); stepdaughter Susen Miller-Smith; 7 grandchildren; 3 great-grandchildren; brother Lewis (Claire) Silverman. Hillside

Obituaries: Week of June 5–June 11 Read More »

Letters to the Editor: Dennis Prager, UCLA and Shavuot

Prager vs. Presner

We read with concern Dennis Prager’s attack on the UCLA Alan D. Leve Center for Jewish Studies and its director, professor Todd Presner (“The UCLA Center for Jewish Studies,” May 22). As members of the center’s faculty advisory committee, we would like to offer a response to the question with which Prager closes: “[W]hat is one to conclude about the UCLA Center for Jewish Studies?” To set the record straight for readers of this publication, one is to conclude that the UCLA Alan D. Leve Center for Jewish Studies is perhaps the most renowned, active and public-minded center of its kind in North America. Had Prager deigned to peruse the annual calendar of events, not to mention come to a single event, he would see a dizzying range of lectures, conferences, and workshops offered free of charge and intended to open the world of Jewish history and culture to a wide audience, on campus and beyond.

In the specific case that Prager refers to, the invitation to Cornel West to speak at a conference on Abraham Joshua Heschel, we are left scratching our heads at his invective. It is not merely that he uses inaccurate and offensive language to describe the center and its director, such as “moronic,” “reprehensible” and “disingenuous.” Nor is that he arrogates to himself the right to declare that there can be only one possible reading of the center’s motivations — namely, his own. It is that Prager has no interest whatsoever in West’s qualifications to speak at a conference on Rabbi Heschel, nor in what he actually said at the conference. Yes, West has made statements about Israel to which many of us object strongly. But that was not his task at the conference nor the reason he was invited to speak by Professor Susannah Heschel, Abraham Heschel’s daughter and a co-convener of the conference, along with Professor Ken
Reinhard. On the contrary, he was called upon to address the thought of Rabbi Heschel. He did so by delivering a vastly learned tribute, rooted in deep knowledge of the full range of Heschel’s writings that turned many skeptics into admirers. In the course of his presentation, he spoke movingly of the historical and ethical affinities between Jews and African-Americans. Dennis Prager seems uninterested in this, indeed, in the content of Cornel West’s ideas. It is one thing to offer a critique based on actual engagement; it is another to roll out tired clichés about those with whom one disagrees politically without listening to them. 

Intellectual laziness of this sort should have no place in the Jewish Journal.

The Faculty Advisory Committee of the UCLA Alan D. Leve Center for Jewish Studies:

Carol Bakhos, Lia Brozgal, Eleanor Kaufman, David N. Myers, William Schniedewind, Sarah Stein

Dennis Prager responds: 

Not one argument I made was responded to. Cornel West seeks to economically strangle Israel, compares Israel’s treatment of Gaza to a Nazi concentration camp and regularly tells Black Americans that the Black struggle in America is akin to the Palestinians’ struggle against Israel. That is why UCLA Professor Judea Pearl, father of Daniel Pearl, also strongly criticized the invitation to Cornel West. That is why I wrote “that a center for Jewish studies would do this is as moronic as it is reprehensible.” (I did not say its director is “moronic” and “irresponsible.”) But the center’s moral compass is broken. Years ago at UCLA, I debated Professor David Myers, a former director of the center and a signatory to the letter. The topic was “Is Israel morally superior to the Palestinians?” He argued that the two were morally equivalent. Finally, by arguing that my column should not have been published, the signatories obviously think the Jewish Journal should be run as UCLA and the Center for Jewish Studies are run — only opinions on the left should be expressed. 

Sustaining Shavuot

The most troubling aspect of Rob Eshman’s column “Is Shavuot Dead?” (May 22) is summed up in the following statement: “These days, any religious idea, institution or ritual must be able to answer this question: ‘How does it help me flourish?’ ”

Sadly, the key word there is “me.” If this is the approach of today’s younger generation of Jews toward Judaism, then the message of Shavuot is indeed dying. On Shavuot, we commemorate the day we all stood together as Jews, about to receive Torah, and declared, “naseh v’nishmah” (we will do, and we will hear). I have no quarrel with the idea of “mixing, blending, bending and switching.” Judaism has long evolved, adapted, adopted and innovated. But whether our path is Orthodox, Reform, Conservative or other, the values of commitment, community, acting justly rather than for personal advancement or fulfillment ought to be central. Imagine our ancestors, gathered at the foot of that mountain, hearing the Ten Commandments in a thundering voice, and instead of “naseh v’nishmah,” responding, “How will this help me flourish?”

Scott Taryle via email

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Calendar: June 6–June 12

SAT | JUNE 6

“ON TIDY ENDINGS”

Is this grief big enough for the two of us? That’s the issue between a gay man and a straight woman who meet to tie up loose ends after the death of the man they both loved. Set in 1987, Harvey Fierstein’s one-act play, part of his “Safe Sex” trilogy, is a study of the universal situation of losing a loved one and the unique quality of mourning that rose within the context of AIDS. Directed by Sara Wagner, the production is part of the 2015 Hollywood Fringe Festival. 10:30 p.m. $12. Through June 27. The Complex’s East Theatre, 6468 Santa Monica Blvd., Los Angeles. (323) 465-0383. SUN | JUNE 7

“FOLLOWING SHIRA’S JOURNEY: A GREEK JEWISH ODYSSEY”

The Los Angeles Greek Film Festival invites us to better understand a part of our own history. Filmmakers Carol Gordon and Natalie Cunningham present the untold story of the Greek Holocaust. History records an 87 percent loss of Greece’s Jewish population as a result of the Nazi atrocities of World War II, yet the experiences of these once-dynamic communities are scarcely known. It’s the U.S. premiere of this moving documentary, with music composed by John Koudounis. Noon. $12 (online), $15 (at door). Egyptian Theatre, 6712 Hollywood Blvd., Los Angeles. ” target=”_blank”>km-synagogue.org.

TUE | JUNE 9

AN EVENING WITH JUDY BLUME

A new book is in bloom! Perhaps you know her best for “Are You There God? It’s Me, Margaret,” “Tales of a Fourth Grade Nothing” or any other of her more than 25 books. Now you can know Judy Blume for a new novel, “In the Unlikely Event.” Blume weaves together three generations of families, friends and strangers whose lives are profoundly changed by a succession of disasters. Inspired by a series of real-life plane crashes that occurred in her hometown, Elizabeth, N.J., the book may offer an interesting glimpse into this prolific author. Blume will be in discussion with KPCC host Alex Cohen. 7:30 p.m. $25. The Aratani Theatre at the Japanese American Cultural & Community Center, 244 S. San Pedro St., Los Angeles. (213) 628-2725. THUR | JUNE 11

GOOD-FOOD GALA

Celebrate the first five years of the Los Angeles Food Policy Council and its collaborative efforts to create a more just and sustainable food system in our region. KCRW’s Evan Kleiman will emcee the evening while Redbird and BLD chef/owner Neal Fraser offers a locally sourced tasting menu. The program will honor “good-food heroes” Marqueece Harris-Dawson, Steve Zimmer and Robert Gottlieb. KCRW’S DJ Raul Campos will provide the tunes. It’s a good cause, and it’s certainly good eatin’. 6 p.m. $150. Vibiana, 214 S. Main St., Los Angeles. ” target=”_blank”>skylightbooks.com.

FRI | JUNE 12

DEB BOWEN: NEW CONVERSATIONS ON HOLOCAUST EDUCATION

More than a decade ago, Deb Bowen was inspired by Holocaust survivors and decided to act on it by encouraging young authors and illustrators to preserve survivor stories in storybook form. The project, “A Book by Me,” has expanded to more than 90 book titles that were created by kids, for kids. Now revealing the behind-the-scenes of this project, Bowen, in her book “A Walk With Esther,” shares the relationships between these young authors and their subjects. Noon. Free. Los Angeles Museum of the Holocaust, 100 S. The Grove Drive, Los Angeles. (323) 651-3704. Calendar: June 6–June 12 Read More »

Moving and shaking: AFHU award dinner, TRZ Yom HaShoah event and fire safety at B’nai David-Judea

New Community Jewish High School (NCJHS) celebrated its upcoming name-change to de Toledo High School — which goes into effect July 1 — during the school’s annual gala at the Skirball Cultural Center on May 17. 

The event honored members of the de Toledo family: Alyce and Philip de Toledo and the couple’s sons, Benjamin, who graduated from the school in 2014, and Aaron.

The family made a gift of an undisclosed amount last year to the school — the impetus for the school’s name change — that will fund an endowment to offset tuition costs, and which has supported renovations to the school in West Hills. NCJHS purchased its 100,000-square-foot campus, where nearly 400 students will be enrolled in the 2015-16 academic year, from The Jewish Federation of Greater Los Angeles. The school opened at the site in 2013. 

Approximately 700 people turned out at the Skirball, including American Jewish University President Rabbi Robert Wexler, Skirball President Uri Herscher and NCJHS founding Head of School Bruce Powell. Musical theater/drama and dance students performed during the event. 

Also honored during the evening was Linda Landau, who serves as vice president of community affairs on the school’s board. She received the Nita Hirsch Community Service Award. 


Businessman Sheldon Adelson (left) joins Adam Milstein at Milstein’s home on May 14. Photo by Moshe E. Elgrably

Members of the pro-Israel community gathered at the home of Adam and Gila Milstein for a fundraising gala on May 14 in support of the Birthright Israel Foundation. 

The event, co-sponsored by the Israeli-American Council (IAC) and The Jewish Federation of Greater Los Angeles, featured remarks from radio host and Journal columnist Dennis Prager, and a keynote address from business magnate and philanthropist Sheldon Adelson.

During his comments, Prager appealed for a need to bring youth back to the Jewish faith, and to give them the tools to combat leftism. “There’s an antidote,” he said. “One of those antidotes, the biggest one right now, is Birthright — sending Jewish kids to Israel.”

Adelson told the 240-person crowd about his upbringing, and how the seeds were planted that grew into his love for Israel: “My father is the main reason [my wife] Miriam and I got involved in Birthright. When Israel was born, he said, ‘One day I will go,’ but he never had any money. When we finally made some money and tried to send him, it was too late.”

Adelson pledged to match every dollar given to Birthright over the next three years, up to $50 million a year. “We want to go from 40,000 kids to 75,000 a year on Birthright. We won’t rest until that happens,” he said.

Miri Belsky, deputy CEO at the IAC, told the audience that Birthright made her abandon her medical aspirations for a career in Jewish leadership. Other speakers included the Milsteins; Richard Sandler, immediate past chair of Federation, and Steve Fishman, a member of the Los Angeles regional council of the Birthright Israel Foundation. Comedian Mark Schiff provided entertainment for the evening.

According to a press release, a portion of the $1.5 million raised at the event was specifically earmarked for the IAC’s new Shelanu program, which offers Birthright trips to Israeli-Americans.

— Aron Chilewich, Staff Writer


At Temple Beth El in San Pedro, activities at a daylong groundbreaking ceremony that drew more than 200 attendees included writing messages on construction lumber. Photo by David Feldman

Carrie Glickstein recently recalled having her bat mitzvah at San Pedro’s Temple Beth El synagogue in 1965. After a bit of nostalgia, however, the 63-year-old’s thoughts moved forward in time during a May 31 groundbreaking ceremony for the Reform congregation that is undergoing major renovations and undertaking a $5 million capital campaign. (Nearly $4.5 million has been raised so far.)

“I love that the community is so vibrant and looking toward the future,” Glickstein said in an interview about Beth El, which was established in 1922 and is home to about 260 families.

Debi Rowe, the synagogue’s director of education and programs, told the Journal in a phone interview that the goal is “revitalizing the current campus.” Already covered in plastic sheeting and yellow caution tape in the lobby, the synagogue is renovating its entire lobby and social hall, reconfiguring one of its classrooms, and, if it raises enough money, turning its library into a hybrid beit midrash/library. It will add a handicapped-accessible ramp to its front entrance and emergency sprinklers to its sanctuary as well, according to Sandi Goldstein, who is serving as a consultant for the capital campaign.

Los Angeles City Controller Ron Galperin and Congress member Janice Hahn (D-San Pedro) were among those who attended the groundbreaking ceremony, during which congregants wrote their names on pieces of lumber that will be used in the upcoming construction. Approximately 250 people attended the event, which raised $35,000, according to Goldstein.

Beth El clergy includes Cantor Ilan Davidson and Rabbi Charles Briskin, who told the Journal that the synagogue holds particular importance in San Pedro. Here people rely on the synagogue for “vibrant Jewish life,” Briskin said. George Mayer, chair of a 24-person committee that has been conducting the capital campaign, echoed the rabbi’s remarks.

Glickstein’s father, Seymour Waterman, 92, a World War II veteran of the U.S. Navy, donated more than $1 million to the campaign, according to Goldstein. Waterman said he joined the congregation when he was 6 or 7 years old and continues to be involved with it. 

“I’m happy for the community, and I’m doing as much as I can,” he said at the recent ceremony.

Construction is slated to be completed in February. The synagogue will remain open during construction, although its religious school and High Holy Days services will be held offsite.

Moving and Shaking highlights events, honors and simchas. Got a tip? Email ryant@jewishjournal.com.

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Israeli Cellist Maya Beiser Makes Her Ojai Music Festival Debut

The Israeli-born cellist Maya Beiser doesn’t give conventional recitals, and that’s an attractive calling card at the Ojai Music Festival, which prides itself on innovation and diversity. In its 69th year, the five-day festival starts June 10, with Beiser making three appearances in her Ojai debut.

On June 12, Beiser joins music director and percussionist Steven Schick — both are founding members of the new music ensemble Bang on a Can All-Stars — for a performance of Osvaldo Golijov’s touching “Mariel,” for cello and marimba. The concert also includes Michael Harrison’s “Just Ancient Loops,” a 25-minute score showcasing the virtuoso cellist’s range and employing “just intonation,” an ancient tuning system.

Things go more off trail on June 13, when Beiser, joined by bassist Gyan Riley and Wilco drummer Glenn Kotche, uses her classical training in reimagining music by rockers Led Zeppelin, Nirvana, Janis Joplin and Howlin’ Wolf. On June 14, the cellist brings Arab-American composer Mohammed Fairouz’s new “Kol Nidrei” to the festival, with Beiser singing the text in Aramaic while conjuring the score’s ancient cantorial styles. The concert also includes works by Chinary Ung, Bright Sheng and others.

“I grew up in a melting pot,” said Beiser, who was raised on a kibbutz in Galilee, in the northern region of Israel. “I heard Argentinian tango, Jacques Brel, and I was surrounded by Arabic music,” she said in a phone interview from her home in New York.

Beiser’s father, whom she called “a  Jewish gaucho,” grew up in a Jewish enclave on the South American pampas, became a Zionist and moved to Israel. He encouraged her love for the cello by playing old Pablo Casals recordings. Beiser’s French-Jewish mother brought Brel into the mix.

A turning point came in Beiser’s early life, when a teacher was needed, “but there was no cello teacher on the kibbutz,” she said. 

“I remember my father taking me through a barricaded area for cello lessons. There was such a sense of freedom, and I realized the cello was my ticket to the world. It would take me far away from the kibbutz.”

She was discovered by the great violinist Isaac Stern, and with his mentoring, Beiser’s international career took off. The cellist also pointed to her father’s high expectations as a driving force: “It was either Wimbledon or Carnegie Hall,” she said, referring to her other early talent, on the tennis court. “It was that Jewish blood thing, especially in the 1970s when I grew up. The sense that you have to accomplish something, and music resonated with me.”

Schick, the first percussionist to become music director in the Ojai Festival’s history, and who is also godfather to Beiser’s two children, revels in the cultural mix that she, and musicians such as Wu Man, a Chinese pipa player (a pipa is a four-string lute-like instrument), bring to the festival. 

“As percussionists, we presume this cultural intermingling,” Schick said. “We take it as part of our birthright, and it’s a beautiful thing.”

Thomas W. Morris, artistic director of the festival, agreed. “The boundaries between genres is collapsing,” he said. “There are more possibilities than in the past, and Ojai needs this diversity of styles.”

Fairouz, a new composer to the festival, said Beiser is like a sister to him. “We are both creatures of the desert,” he said. “Essential storytellers. In my ‘Kol Nidrei,’ Maya captures the inherent theatricality of this ancient Aramaic prayer.”

Fairouz’s new cello concerto, composed for Beiser, will be given its premiere by the cellist in January 2016, with Leonard Slatkin conducting the Detroit Symphony Orchestra.

“I was immediately drawn to Momo,” Beiser said, using an affectionate name for Fairouz. “Our mutual history is compelling. He’s an incredible composer who happens to be a Muslim, Arabic Palestinian.”

Beiser attributes her multicultural and crossover musical inclinations to an early love of progressive rock, and especially of vocalist Janis Joplin. “I was a classical-music geek, but when I was about 15 or 16, I discovered Joplin,” Beiser said. “Her raw immediacy was such a revelation. I wanted to do that with the cello. There was this fearlessness of putting yourself out there.”

One way Beiser expands the range of her instrument is by switching back and forth from acoustic to electric. “I’ve always loved electronic music,” she said, citing the eclectic English musician Mike Oldfield and the electronic/experimental music superstar Laurie Anderson as role models. “Usually, when I play an electric cello, I process the sound, using the same pedals guitarists Jimi Hendrix and Jimmy Page used. I can make the cello sound like an electric guitar.” 

For Beiser, there is no single way to play music, whether it’s classical, rock or progressive. “When I began working with composers, I realized how relative all these things are,” she said. “Who says there can’t be 10 different ways something can be interpreted?”

The cellist realizes that straying far from the conventional may risk alienating both her classical and crossover audiences. 

“You have to trust your artistic impulses,” she said. “I want to make concert music a relevant art form for my generation. I think about taking a risk every day. If a path is too padded, you go into automatic pilot. I’ll always take a left turn at some point.”

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