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October 31, 2012

Rita Rocks her Persian Roots

Pop singer Rita will perforn in concert on Nov. 1 at UCLA.

On Nov. 1, Israel’s most popular and enduring pop icon, Rita Yahan-Farouz, known the world over simply as Rita, will appear at UCLA’s Royce Hall, along with a special band assembled for this tour. She will perform songs from throughout her career, in Hebrew, as well as songs from “My Joys” (HaSmachot Shelanu), her most recent hit album, which includes lyrics in Farsi. Middle Eastern flavor and gypsy rhythms have become surprise dance hits in Israel, as well as in Iran, where, although not permitted, her songs have found underground success  — achieving a musical bridge between two peoples that is a peaceful counterpoint to their countries’ respective leaders beating drums of war. In advance of her Los Angeles date, Rita spoke by phone from Israel about her life, career and the concert she will perform in L.A. The following is an edited version of that conversation.

Tom Teicholz: What brought your parents to Israel in 1970, at a time when life for Iranian Jews under the shah was relatively good?

Rita Yahan-Farouz: Actually, at that time we lived in Tehran in the same neighborhood as many of the Iranian army’s generals. Our parents told us not to tell anyone there that we were Jews.

TT: So you experienced discrimination then?

Rita: It was not so bad, but that was something they told us when we were little. We went to a Muslim school, and every morning they would say the Muslim prayers in class. One day, the teacher asked my sister, who was 14, to do the Muslim prayers, and she said she can’t do that. She was so embarrassed. When she came back home, she said that all the other girls in the class had looked at her like she fell out of the sky, because she didn’t know the prayers. She was crying. When my father came home after work at night, he asked what happened, and she told him. And he said, “Well, I think this is a good time to leave to Israel.”

TT: Growing up in Israel, did your family cling to Iranian traditions or culture? Were you raised speaking Farsi?

Rita: We didn’t do anything really.  Not on purpose. My mother had a great voice, and she used to sing Persian songs all the time at home when she was cooking, when she was working or when we had dinners with guests; after dinner she would sing for us. We didn’t study Persian. Exactly as much Persian as I knew when I left Iran when I was 8 years old is all the Persian I know. Maybe after working on this record, my Persian is better than it was before, but I can’t really speak or understand Persian as well as my father or mother.

TT: What were the circumstances that brought about the album “My Joys”?

Rita: I was in the middle of recording another album [in Hebrew]. Then I started to work with a band that is Moroccan and rock ’n’ roll, and I had a show with them [The Mind Church/Knesiyat Hasekhel]. … And I suddenly felt something — I don’t know how to explain it — but I knew that I had to stop the record I was making, and I had no doubt that I must do something completely different. I thought that I was going to do a world music record — something like taking songs from around the Middle East. But every time I went to look for something, I went to the box of records, the singles that my mother brought from Iran. Each one of those singles, I would say, “This is a great song.” Suddenly, after two, three months of working, I understood that all the songs that I chose are Persian, and each song means something to me; that I grew up on those songs. This is the soundtrack of my life, of my childhood, of my family.

TT: Even if these are the songs of your childhood, the way you sing them, and the music that surrounds the lyrics, is a wholly contemporary world-music interpretation.

Rita: I’m not a classic Persian singer. I studied classical music, but I sing pop and rock, and I’ve been out of Iran for so many years [that] this is a fusion of all that I am. I was lucky; all the musicians that I played with [on “My Joys”] are really artists who are geniuses with their instruments and often are touring abroad. My dream was to take this [sound] to the stage. Sometimes you can’t really translate it to the stage, but everyone who I dreamt of is with me. What is happening with all these musicians in the show is that we are like a gypsy band that is going from country to country, state to state. This experience  is like a world of different colors — or like the aroma or scent of something completely different — what people say is that the show lifts them up to a place of happiness; that you go back home much happier. I am very, very lucky to be there [with the audience] for this moment of celebration, of life.

Rita

TT: This album has become a success in Israel and also an underground success Iran. That must be very gratifying.

Rita: It’s amazing, you know. I get so many amazing e-mails from all over the world, from Iranians in Iran who say, “Thank you for showing our real culture to the world,” because nowadays we are only talking about bombs and dark, dark, things.

TT: It’s somewhat ironic that your musical career began in the Israeli army and now you are waging heavy peace.

Rita: (laughs) But even in my army [service] I was singing. This is the only weapon I know and the only real working weapon in the world. Music is responsible for so many changes and revolutions in the world.

TT: You have performed several times for Prime Minister Netanyahu. Has he spoken to you about your new songs?

Rita: No. We have not spoken of that.

TT: And would you perform in Iran if invited?

Rita: Of course! I would be so glad to do that! I will be thrilled to do that. And that time will arrive soon, I believe.

TT: Tell me about what we can expect of your L.A. concert.

Rita: Most of the concerts were for Israelis. This time the songs are from my entire repertoire in Hebrew, and those Persian songs fit in amazingly well together. I think it will be something really new for me and for my audience.

TT: L.A. has a large Iranian community and a very prominent Iranian-Jewish community. What are you hoping to share with them?

Rita: Happiness, joy and amazing, amazing music and celebration.

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Indian authorities remove ‘Hitler’ cloithing store sign

Municipal authorities in the Indian state of Gujarat removed the sign for a men's clothing store named Hitler.

The sign — on which the letter “i” was dotted with a swastika — was removed Tuesday after hundreds of complaints from both within and outside of the Jewish community.

“The store owners had voluntarily agreed to remove the controversial billboard. But when they failed to do so, we removed it,” Ahmedabad Municipal Corporation Commissioner Guruprasad Mohapatra told the Press Trust of India.

“It is a sensitive issue. We had received hundreds of e-mails demanding removal of the board,” he said.

The shop owners had no prior notice that the sign was to be dismantled, according to reports. They reportedly filed a complaint with police over the action.

Shop owner Rajesh Shah told The Indian Express in September that he and his business partner Manish Chandani decided to change the name because they were “getting political pressure” to do so. They later backtracked, saying they would only remove the sign if the Jewish community gave them enough money to erect a new sign and advertise the name change.

The store in the city of Ahmedabad, which opened in August, is named for one of the proprietor's grandfathers, whose nickname was Hitler. He reportedly was called Hitler “because of his strict nature,” according to The Times of India.

Shah said he did not know about Hitler's history, except that he was a strict man, until he started researching it on the Internet, though Jewish community members said they believe the owners are not as ignorant of the history of Hitler as they say.

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Ephemera

I'm not sure a Hollywood blog has any business writing about Yeats but I came across the most wonderful poem. And I've seen a fairly good movie about Keats, “Bright Star” (with the wonderful, wonderful Ben Whishaw), so I'm hoping an artistic concern with one poet might extend to them all. Anyways, there's probably a movie about Yeats I haven't seen since his romantic life was certainly cinematic — “personal melodrama on an epic scale,” The Atlantic once called it. He proposed to his great love Maud Gonne four times; though she refused each one. And when they finally consummated their relationship one night in Paris, it did not go well. He later married the much younger Georgie Hyde-Lees, with whom he had two children, and though she knew of his affairs, she was fiercely loyal: “When you are dead,” she once wrote, according to Terence Brown's “The Life of W. B. Yeats: A Critical Biography‎,” “people will talk about your love affairs, but I shall say nothing, for I will remember how proud you were.”

I actually think this poem, “Ephemera” is well suited to Hollywood, land of many fleeting things, but enduring dreams.

 

An excerpt:

'Your eyes that once were never weary of mine

Are bowed in sorrow under pendulous lids,

Because our love is waning.'

              And then she:

'Although our love is waning, let us stand 

By the lone border of the lake once more, 

Together in that hour of gentleness

When the poor tired child, Passion, falls asleep:

How far away the stars seem, and how far

Is our first kiss, and ah, how old my heart!'

 

Pensive they paced along the faded leaves….

 

Autumn was over him: and now they stood

On the lone border of the lake once more:

Turning, he saw that she had thrust dead leaves

Gathered in silence, dewy as her eyes

In bosom and hair.

        'Ah, do not mourn,' he said,

'That we are tired, for other loves await us;

Hate on and love through unrepining hours.

Before us lies eternity; our souls

Are love, and a continual fairwell.'

Ephemera Read More »

Why I’m switching to Romney this election

I am a former chairperson of Democrats Abroad Israel, and was an official delegate to the 1992 National Democratic Convention. In all of my 80 years, I have never before voted for a Republican for president. But this time around, I am not only proudly voting for Mitt Romney, but feel compelled to encourage others to do the same.

I grew up in a Reform Jewish family in Missouri, and came of age politically as a proud Democrat due to the inspiration of my native-son president, Harry Truman. I have been involved in Democratic Party politics for many years in both America and Israel, including serving as vice chairperson of the Franklin County Democratic Central Committee in Missouri.

It is precisely because of my belief in the longtime ideals of the Democratic Party that I feel the responsibility to speak out now.

Why? First, because we ask in each presidential cycle, “Are we better off now than we were four years ago?” This year, the answer is a resounding “NO!” But even more troubling, in so many ways, President Barack Obama has betrayed the ideals of the great Democratic Party. He is a poor successor to Truman’s legacy.

No Democratic president has ever been so fiscally irresponsible. President Clinton worked together with Congress to balance the budget and erase the deficit; President Obama has run trillion-dollar deficits every year, and we are now $6 trillion deeper in debt than when he was elected. Over 40 cents of every dollar we now spend is borrowed from China.

Future generations are being saddled with this burden.

Past Democratic administrations have records of high economic growth and high employment. Yet, under Obama, millions more Americans are without jobs than before he took office, and half of recent college graduates are unable to find work. Far too many of the jobs that Obama claims to have created or saved are in the public sector, and small businesses, the backbone of our economy, are hurting. Property values have not rebounded, and home foreclosures continue at a frightening pace.

On the international level, President Obama has proven himself to be a weak leader. Where has any of his diplomacy succeeded? Presidents Truman and Kennedy stood strong against the tyrannies of their time; President Obama bows down to the king of Saudi Arabia, and does not stand up to the president of Iran.

DEMOCRATS BELIEVE in furthering human rights and promoting liberty around the world. But Obama completely misreads the international scene. He called Syria’s Assad a “reformer,” yet has remained silent as Assad slaughters his own people. He abandoned president Hosni Mubarak to the Egyptian mobs. In addition, he allowed the Muslim Brotherhood to take control, not only threatening Israel but also terrorizing Egypt’s minorities.

Nowhere has President Obama failed to live up to Democratic ideals more than in his relationship with democratic Israel. From his creation of “daylight” between our countries to constant public criticism of Israeli policy – does Obama do this to any other country? – Obama has allowed severe deterioration of our special relationship just as Israel and the world face extreme danger.

PRESIDENT OBAMA’S open hostility to Israel’s prime minister, and his insulting true feelings caught on an open microphone, indicate antipathy towards the citizens of Israel. Obama’s administration does not even maintain symbolic gestures: at the recent opening of the United Nations Assembly, the United States sat and listened to the address by the president of Iran, yet Ambassador Rice was absent during the entire presentation by Israeli Prime Minister Binyamin Netanyahu. This wasn’t lost on the leaders of Israel’s enemies.

Coming from Missouri, I take immense pride that President Truman had the courage, conviction and moral compass to recognize the nascent state of Israel. By comparison, President Obama has steered our relationship to an abysmal low.

In reviewing the above, I see no choice but to switch sides and cast my vote for the Republican candidate for President Mitt Romney, who better embodies our Democratic ideals. I ask you to join me.


 

Bryna Franklin is the former chair of Democrats Abroad Israel and a lifelong Democrat. She is a Missouri native, and currently lives in Jerusalem.

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Israel Philharmonic concert: Music, media and protesters

The Israel Philharmonic and Maestro Zubin Mehta gave an audience of more than 2,200 at Disney Hall an evening to remember.

At Tuesday evening’s (10/30) concert, the stirring renditions of the Star Spangled Banner and Hatikvah, the often mangled national anthems, opened the program of Schubert, Chopin and Brahms with an infusion of adrenalin.

Yuja Wang, the striking young Chinese pianist, was brilliant in Chopin’s Concerto No. 1 in E Minor, and the standing ovations –- by now a mandatory LA exercise in even the most mediocre performances – were fully merited.

However, for those who weren’t there and get their information from the Los Angeles Times, it was all about a handful of protesters who show up regularly at such events to vent their outrage at “Israeli Apartheid” and victimization of Palestinians.

On the day of the concert, the Culture Monster column at latimes.com predicted a “colorful outdoor demonstration” and “street theater protests” by an expected 35-50 activists to slam the “apartheid nation.”

In Wednesday’s Times, the event merited a four-column picture of two women protesters, holding large cut-out instruments, who, according to the caption, “sought to raise awareness about Israel’s treatment of Palestinians.”

On the ground, the actual scene was rather less colorful. When my wife and I arrived about 15 minutes before the concert, we saw somewhere between six to ten protesters, with one holding an “Israel Apartheid” placard.

The hundreds of concert goers streaming into the hall paid no noticeable attention to the small group, whose members however perked up and responded vigorously when one patron suggested they turn their humanitarian impulses toward the thousands of Muslims being killed in Syria, Iraq, Libya, Yemen, Mali and so forth.

Now some readers will see The Times’ coverage as another example of the media’s anti-Israel bias, but I don’t buy that.

Indeed, I have spent a good deal of my life as a journalist arguing with pro-Israel “everybody-is-against-us” proponents, who are certain that the editors of the LA Times, New York Times, Washington Post, etc. spend their time figuring out how to put down the Jewish state.

My counter-argument is that what appears to the fervent advocate of any cause as malign media bias is mostly due to the working realities of journalism – time pressure, space limitation, occasional laziness or incompetence, but foremost, the drive for lively enough writing and photos to catch the busy reader’s attention, often at the sacrifice subtler or duller points.

After a lifetime of working on newspapers, wire services and magazines – mostly good, some mediocre – I believe that the large majority of journalists try to give readers a fair, factual account, be it about a traffic accident, civic corruption or a political speech.

There are exceptions, of course, especially among reporters working for the kind of glossy, celebrity-crazed magazine found at supermarket checkout stands or the run of radio and television bloviators.

More to the point is the following experience. Over the decades, there hasn’t been one LA Times foreign correspondent stationed in Israel, who hasn’t been damned by many of my fellow Jews as completely biased, if not outright anti-Semitic.

On occasions, I have talked to different directors of the Israel Government Press Office, who deal daily with foreign correspondents, and mentioned the back-home criticism of this or that Times reporter.

Usually I get a surprised look from the official and words like, “What, you don’t mean him? We don’t always like what he has to say, but he is one of the fairest reporters around.”

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Repair

I had always heard it takes 21 days to change a habit. Too short, I realize now. Too easy to revert to the previous ways. I have been on a repair program now for a good 7 weeks ( and three days, but who’s counting) and I am feeling change in a way I have never felt.

I know, everyone in Los Angeles is on some kind of a food plan. It would be COMPLETELY redundant to talk about gluten or coffee or sugar as the evil doers they are BUT… This plan, REPAIR VITE, (created by chiropractor, Dr. Green and offered through Apex Energetics) gives the adrenals a break.

Adrenal glands can get overworked and sorely underpaid by daily life. The normal stress of life coupled by erratic food or drink choices can really take their toll on the bodies internal ability to replenish. Chronic pain is more difficult to release when the body’s intestinal membranes are comprised. Sleep disturbance or a feeling of just being spent can also ensue. This diet restricts all inflammatory items, including grains and nuts as well as the more obvious culprits.

I have to say, I felt a difference pain wise nearly immediately. The addition of their supplements, a powder to add to water or a smoothie twice a day, their Tumeric drink, as well as an adrenal lotion, has me going on a fascinating ride toward a more stable general feeling of health.

And weight loss. It certainly is gonna work anything you are holding on to unnecessarily in this department as well. It might be worth looking into if you have suffered from chronic pain, fatigue, irritability or weight issues. I would recommend asking your doctor about it however. If this sounds like a commercial, I apologize. I share it only because it has been useful to me. Here is the address if you are interested : Repair Read More »

The happy mystery that is Ghana

In the village of Anloga, Ghana, where I stayed for three weeks this summer, when someone dies people gather in the streets and they dance.  Some wear red and black, considered mourning colors, and along with dancing they sing, and they eat.  Some of the funeral festivities last for days, filled with merriment and jubilation.

I first encountered a funeral while riding in a car down a main road.  People were crowded alongside the street and even in the road itself. They blasted music and howled out of car windows as we drove through the exuberant mayhem.

We asked what they were celebrating. When we were informed it was a funeral and not a wedding or some other happy occasion, we were completely perplexed.  But then it made perfect sense: after two weeks of being there, we finally realized that happiness is the Ghanaian approach to life.

When I was faced with the decision of how to spend my summer, I saw a world of possibilities—literally. I’ve been lucky enough to travel to several places with my family, so I wanted to go someplace unlike anywhere I’d ever been.  What immediately popped into my head was the polar opposite of the breezy palm trees and balmy weather of Beverly Hills – Africa.

A group called Global Leadership Adventures offered a community service trip that focused on African children, and it also offered the opportunity to learn about Ghanaians’ culture and lifestyle.  It ended up being enough to give me a sense of their life, but not all the mysteries of their culture could be solved.

Funerals are only one example of the multitude of differences between Ghanaian culture and Western culture. Buildings there are mostly one-story and made of concrete blocks or mud, with either tin or thatched roofs.  Fences are hand-woven palm fronds, and except for the one paved road we drove on during a three-hour trip from the airport, the ground was all dirt and sand.

Christianity is practiced as the main religion, but there were also several traditional, idol-worshiping religions.  The traditional religions use shrines and make sacrifices to idols.

Known for their history of being sold in the slave trade, Ghanaians work hard to honor their ancestors.  With several slave forts still intact and used as museums, they educate and inform the public without any bitterness over this horrifying past.  As an American tourist, I felt more uncomfortable and ashamed about the topic than did any Ghanaian I met.

In fact, over the course of my three weeks there, I observed that even in such deprived conditions, people are able to live as contently as if they had all they needed in the world, even though they’re only getting by on $1.25 a day.

Ghana is an oasis of stability amid a desert of unrest—Burkina Faso and Mali to the north, Cote D’Ivoire to the west, and Togo to the east are all known for ongoing civil war and extreme poverty. Because of its neighborhood, Ghana is often assumed to be the same.  But life there is not as unfavorable as people perceive it to be.

In 1957, Ghana became the first sub-Saharan colony to gain independence and become a country.  It has had its ups and downs, but is now a stable democracy.

Though it is considered a third-world country, it’s developing quickly—the per capita income (how much an average person earns annually) has progressively risen since 1983 and is now at an all time high of $402.30, according to the World Bank.  Still, it’s a pittance compared to the U.S., where the average per capita income is $48,100, or Israel, where it is $31, 005.

The easygoing outlook expressed in their funerals clearly translates into Ghanaians’ everyday actions as well.  Anywhere we went, people would wave and smile at us, and exclaim, “Mia woezo!” welcoming us in their local language, Ewe (pronounced eh-way).

My program was made up of nine teenagers, five Americans from California and Oregon, and one each from Spain, France, Switzerland and Lebanon.  We came from different backgrounds but we all wanted the same thing—to help.

Every weekday, we volunteered at a local basic school, building bricks and teaching kindergarteners. Brickmaking is grueling and labor-intensive, involving manually mixing cement and sand, then packing the bricks into molds and carefully easing them out while keeping them intact.

We were able to work through it because the bricks would build a room to replace the thatch-roofed, palm frond-walled hut that served as the school’s cafeteria.  Each morning we were greeted with wide smiles and keen eyes from children who were wearing the same threadbare uniform they’d worn all week.

Forty kids ages five and six were divided into two classes and sat in one concrete-walled classroom.  Cracked cement floors and creaking, peeling, wooden chairs scraped against one another as the children stood up to welcome us each day.

We walked around the room, checking that they were writing down the letters of the alphabet correctly on their scraps of lined paper.  They sat in their seats, eagerly anticipating our approval and maybe even a high five (or two!) if they had earned it.  That was all it took to put an ear-to-ear grin on their faces.

At another place we visited, called New Seed International, an orphanage and school for kids infected or affected by HIV/AIDS, the kids reacted the same way.  They jumped up and down and screamed with joy when we took pictures of them, regardless of their condition.

We also met the eight young boys of Father’s House, a home that fosters boys who used to work as child slaves on the Volta River.  It didn’t even register that I was in the presence of former child slaves who had endured such horrifying, deadly conditions —they were real, but they were as cheery and carefree as any other kid I’ve met.

Excitement and enthusiasm are also evident in their attitude towards religion.  About 69 percent of Ghanaians are Christian, and religion is such a major part of their lives that the topic would come up in every conversation with a Ghanaian about their culture. They were always quick to talk about how much their religion meant to them.

There are also Ghanaians who are Muslim, and others who practice traditional pagan religions.  We visited shrines on a small island to learn more about their beliefs.  The shrines — small, open-faced mud rooms with thatched roofs — looked like sets from a horror movie, with idols the size of small people stuck with knives, and blood – according to our guide, from animal sacrifices — splattered around.

In Ghana, there is no such thing as not having a religion. When I told people I was Jewish, they asked me lots of questions, and when they found out that we believe in the Torah – their Old Testament—they approved.   What was harder for them was when some of the teens on my program told them they didn’t identify with any religion at all – the Ghanaians were surprised, and asked how it was possible to live a life without faith.

Ghanaians also express their vitality by means of color.  All around the streets are women dressed in brightly patterned fabrics sold in the markets. The colors of their national flag have symbolic meaning, as I learned from a Ghanaian friend, Faustina, an 18-year-old girl who worked at our home base, helping out with the laundry.

In the flag, Faustina said, red represents the blood shed in Ghana’s struggle for independence. Yellow is for the gold the country has that gave it its nickname “the Gold Coast,” and green symbolizes the country’s rich vegetation.

A black star in the center represents their dark skin, in which they have much pride. In fact, during my time in Africa I was the most aware of the color of my skin that I’ve ever been.  It didn’t occur to me before I arrived how impossible it would be to blend in.  With light skin, everyone knew that we were foreigners, but I never felt uncomfortable or unwelcome because of it.

I did feel guilty and ashamed, though, when we visited slave forts, where Ghanaian men, women and children were held in prisons until they were sold.  We saw one in Keta, just 20 minutes from Anloga, built by the Danes in the 18th century, and also the famous Cape Coast Castle in Cape Coast, about seven hours away to our  west. Seeing the cramped living quarters — hundreds, sometimes thousands of slaves were kept in a room smaller than Shalhevet’s Bet Midrash – left us unnerved.

The Ghanaians never seemed to resent us for what our ancestors had done.  They still welcomed us warmly.  But in spite of the bright sunlight and lively conversation, the forts made us uncomfortable.

Although the Ghanaians we met seemed happy enough to have us there, I often wondered if they thought it was intrusive and meddlesome of us to come to their country to help.  I tried to put myself in their shoes—or rather, in their bare feet — and I guessed that like anyone, they were not about to reject assistance.

I asked Mercy, the program’s cook, and Lamisi, a laundry assistant, whether they’d ever been to the U.S.  They looked at me as if I were crazy, then laughed.  When I asked where they had been, Mercy said she’d been to the neighboring countries of Togo and Benin, while Lamisi had never left Ghana.

When I asked if they had any desire to go to the U.S., they gave a shrug and said that there was no reason to go, because they had everything they needed right there in Ghana.

It’s baffling to me that the Ghanaians I met could be so content and satisfied with their lives when most of them have practically nothing.  Coming from a city where people get BMWs for their 16th birthday, dream of travel and careers in fashion or Hollywood, and think a lot about having the newest technology, their lack of material concerns was difficult to fathom.  They don’t have the same opportunities, ambitions, or material things, yet they’re content.

After weeks of brick building, playing with kids, eating their local cuisine, and seeing all I’d seen, I was left wondering: what do Ghanaians dream of?  Clearly it’s not iPhones and fashion shows.  What do they aspire to become, and what fulfills them?  And what would it take for an American teenager to find out?

I asked questions, but politeness trumped my curiosity.  It wasn’t awkward, I just didn’t know enough about the culture to know what was acceptable to ask.  All I could do was witness it for myself and recognize the differences.

I now understand that the spectrum of cultures in the world is still as large and diverse as the world itself, and no matter how much time one spends with a foreign culture, it might not be enough time to understand them completely.  While I was able to get a sense of what life was like for the average Ghanaian, I didn’t get much depth.

Maybe that day when we learned about Ghanaian funeral festivities, what we actually came to understand was that we didn’t, in fact, understand.  Perhaps three weeks couldn’t solve the mystery that is Ghanaian culture.  For the nine Western teenagers living in Anloga for the summer, Ghana will remain a happy mystery, a set of questions with answers obvious only to them.

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Celebrating Jewish Book Month

Nothing says more about the unsettled state of American publishing than the fact that Jonathan Adler is the only author who will be presenting a book event at the Skirball Cultural Center during Jewish Book Month. 

Adler, of course, is famous as a designer, retailer and pop culture arbiter, but as a literary figure  — not so much. But he has written a book, “100 Ways to Happy Chic Your Life” (Sterling Signature: $24.95), described as “a vibrant, hilarious mash-up of style bible, decorating tome and self-help guide,” and the fact that he is scheduled to appear at one of America’s premier Jewish venues speaks volumes about the sparsity of author events at old-fashioned bookstores, much less at a full-blown Jewish book festival as in days of yore.

Adler will present his new book at 2:30 p.m. Dec. 9 at the Skirball, 2701 N. Sepulveda Blvd., Los Angeles. On the same day, a Jonathan Adler trunk show will be mounted in Audrey’s Museum Store, where you can pick up a dachshund menorah or a peace-symbol sculpture from the Adler collection. The style-setting artist and author will be autographing books, of course, but he will also put his famous name on “larger scale” merchandise. For more information, visit skirball.org.

By contrast, The Jewish Federation of the Greater San Gabriel and Pomona Valley is again sponsoring its own Jewish Book Festival, an ambitious annual event that takes place at multiple venues around the San Gabriel Valley throughout Jewish Book Month. 

Eyal Press will present his stirring account of heroism in the face of oppression, “Beautiful Souls: Saying No, Breaking Ranks, and Heeding the Voice of Conscience in Dark Times” (Farrar, Straus and Giroux: $24), from 4 to 6 p.m. Nov. 4 at Temple Sinai of Glendale, 1212 N. Pacific Ave., Glendale.

Maggie Anton, author of the book-club favorite “Rashi’s Daughter, Secret Scholar,” will introduce her new historical novel, “Rav Hisda’s Daughter: A Novel of Love, the Talmud and Sorcery” (Plume: $16) from 10 a.m. to noon Nov. 10 at Beth Shalom of Whittier, 14564 Hawes St., Whittier.

Ben G. Frank takes readers on a travelogue through the Jewish world in “The Scattered Tribe: Traveling the Diaspora From Cuba to India to Tahiti & Beyond” (Globe Pequot: $17.95) from 7:30 to 9:30 p.m. Nov. 17 at Temple Beth Israel of Pomona, 3033 N. Towne Ave., Pomona; the program includes a musical performance and a dessert reception (tickets $10-12).

Some Jewish Book Festival events require tickets and some are free. For a complete list of Jewish Book Festival activities, and for more information on each event, visit jewishsgpv.org/events.

Sinai Temple has long celebrated Jewish Book Month with an annual breakfast featuring a famous author. This year’s outing will feature Rich Cohen, best known for such provocative books as “Tough Jews” and “Israel Is Real,” who is presenting his latest book, “The Fish That Ate the Whale: The Life and Times of America’s Banana King” (Farrar, Straus and Giroux: $27). It’s a biography of Samuel Zemurray, a Jewish immigrant who started out as a fruit peddler and ended up in charge of United Fruit Co., a business enterprise so commanding that it figured in the making (and unmaking) of the United States as an imperial power. Cohen sees “Sam the Banana Man” as an embodiment of the Jewish immigrant saga and the American dream but also allows us to see the darker side of corporate capitalism. The Jewish Book Month Breakfast will take place 9:30 a.m. to noon Dec. 2 at Sinai Temple, 10400 Wilshire Blvd., Los Angeles. For tickets and information, call (310) 481-3217 or visit sinaitemple.org. (Cohen will also appear at The Jewish Federation of the Greater San Gabriel and Pomona Valley’s Jewish Book Festival from 7:30 to 9:30 p.m. Nov. 7 at the Jewish Federation, 555 S. Second Ave., Arcadia.)

American Jewish University (AJU) welcomes opera singer and author Laurie Rubin to the Colen Conference Center on Nov. 6 to present her memoir, “Do You Dream in Color?: Insights From a Girl Without Sight” (Seven Stories Press: $18.95). Although the Rubin event is not offered as part of AJU’s official Jewish Book Month programming, it’s an opportunity to meet and hear a distinguished Jewish author. 

Blind from birth, Rubin found a path out of the isolation and loneliness of childhood to Carnegie Hall and other first-rank musical stages, where her performances have won international acclaim. “ ‘Do You Dream in Color?’ shows the same clarity, honesty and devotion that Laurie has always had with her art,” enthuses her fellow mezzo-soprano, Frederica von Stade. “A wonderful book!” From 10 to 11:30 a.m. Nov. 6 at American Jewish University, 15600 Mulholland Drive, Los Angeles. For tickets and information, call (310) 440-1283 or visit ajula.edu.

AJU’s official roster of Jewish Book Month events includes Michael Feinstein, author of “The Gershwins and Me: A Personal History in Twelve Songs” (Melcher Media: $45), but the maestro’s evening of performance and conversation on Nov. 8 is already listed as sold out. 

Of course, Jewish-themed book events can be found across Southern California throughout the year, not only at bookstores, libraries, cultural centers, synagogues and other community venues but in many other settings, too: book groups, synagogue programs, adult education classes, and — as Adler surely knows —  department stores, jewelry shops and fashion boutiques. In that sense, Jewish Book Month is only a salutary reminder of why Jewish readers are so ardently sought after by authors, publishers and booksellers.


Jonathan Kirsch, author and publishing attorney, is the book editor of the Jewish Journal. His next book is “The Short, Strange Life of Herschel Grynszpan: A Boy Avenger, a Nazi Diplomat, and a Murder in Paris,” which will be published in 2013 under the Liveright imprint of W. W. Norton to coincide with the 75th anniversary of Kristallnacht. Kirsch can be reached at books@jewishjournal.com.

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Q&A with Argo’s Brandon Tabassi

Actor Brandon Tabassi, 23 and raised in Massachusetts, won his first break playing a minor role in Ben Affleck’s critically acclaimed “Argo,” about the 1979-81 Iranian hostage crisis. At a recent Shabbat dinner, Tabassi revealed that he has Iranian-Jewish roots and a snazzy resume in politics. In a subsequent interview, he talked about the importance of empathy, what acting and politics have in common, and what puzzles him most about his former governor, Mitt Romney.

Jewish Journal: “Argo” tells the story of a CIA rescue of six Americans hiding out at the home of the Canadian ambassador in Tehran during the 1979 Iranian hostage crisis; in the movie you play a young Iranian soldier who carries out orders from the mullahs. In real life, you are a born-and-bred American with Iranian-Jewish roots. As an actor, how do you empathize with a character who probably would have caused you harm?

Brandon Tabassi: I imagined my character was a secular 18-year-old kid who returned from boarding school in Europe and wanted to join the cause of freedom for Iran. When the ayatollah came, he duped everyone — he very specifically said he would not have a hand in government. It was a time of mass chaos and mass confusion, and I imagined my character had gotten himself into something he thought was a movement for democracy and freedom, then found himself in the middle of something he didn’t understand.

JJ: So, in your view, a young Iranian at that time might have had the best of intentions, but out of naiveté wound up executing the agenda of very brutal Islamic leaders?

BT: I have to play the humanity of a character. He was looking to make Iran a better place and probably didn’t know that for the next 33 years his country was going to take a dramatic step backward.

JJ: At 23, you’re just starting your acting career. How did it feel to work on a film so early on that is also so closely tied to your family history?

BT: It was mind blowing to me — being on set at the Mehrabad airport in 1980 [filmed at L.A./Ontario International Airport], and in Hancock Park, where they filmed the Canadian ambassador’s home scenes, I got to experience a Persian home in 1970s Iran that was styled very authentically with Persian things: Persian carpet, Persian paintings, Persian chinaware. What I love about acting is that you get to live many different lifetimes in one lifetime. When I left on my last day [of shooting], I wrote Ben [Affleck] a thank-you note that said, “Words can’t convey what this experience has meant to me,” because I have feelings about it, but right now I can’t explain them in words. 

JJ: The opportunity to work with Ben Affleck is a pretty coveted position for an industry newcomer. What kind of director is he?

BT: Ben is all about performance. He’s a perfectionist. And he treats everybody like gold; when he refers to somebody, he says, ‘This gentlemen’ or ‘this lady.’ He is a class act, and the experience of working with him reaffirmed what I had been brought up being taught — that those things really do matter.

JJ: Before you came to Hollywood, you started a career in politics. At 16, you worked as a page for Sen. John Kerry and later served as his aide on the Senate Foreign Relations Committee (SFRC). What was that like?

BT: As Kerry’s page, I spent 11th grade living in Washington. If I wasn’t with a group of people, I had to have security on me at all times; at night, I’d be walking down the street with Capitol police escorting me. I woke at 5 a.m. every day, went to school from 6 to 8 a.m. in the basement of a government building and went to bed at midnight. When Kerry was in charge of the SFRC, I would greet high-profile visitors. I did that for Leon Panetta, [then]-director of the CIA, and the foreign minister from Afghanistan. He said to me, “The future for both of our countries is going to be very bright.”

JJ: You also formed a relationship with Sen. Ted Kennedy, who served as a mentor to you.

BT: Kennedy wasn’t the friendliest person, but he was the kindest human being I ever met in my life. He’d always come over to me on the Senate floor and explain what was going on: He explained the Supreme Court justice system, the importance of not overturning Roe v. Wade, because, you know, there were two vacant seats at the time.

JJ: If you could teach people one lesson about American political culture, what would it be?

BT: What I learned from politics and government is that the world is run by human beings. People equate politicians with robots; they talk like they’re these big entities, big machines, but [government is made of] organizations run by people for people. 

JJ: Hollywood and Washington have an unusual long-distance relationship, sort of like distant cousins. Having seen the inside of both, what do they have in common? 

BT: Politics is one of the only mediums that allows a person to stand up for another person who can’t stand up for themselves. But because of the level of visibility of acting, if you become successful, you can get behind a cause. Acting is also an opportunity to empathize with different human beings, and once you understand how [people] make the decisions they do, you become a better leader. 

JJ: Is that why you ultimately ditched politics for performing?

BT: This blessing of acting allows me to get in other people’s hearts and souls. To be good in public service, you have to understand how other people think and how other people love.

JJ: Since you’re from Massachusetts, I wonder if you have any thoughts about your former governor, Mitt Romney.

BT: Mitt Romney is a good family man. He’s been pretty successful in life, but I think that what he forgets is that his father started with very humble roots, and his father was able to become what he became through the help of many people and through God’s blessing. Also, it was during his term as governor that the universal health-care law passed in Massachusetts, so for him to come back and criticize Obama’s health-care initiative, to me, was a little bit questionable.

JJ: Argo” is already getting Oscar buzz. On the hypothetical chance you get to attend, what will you wear, and who will you take?

BT: If they’re nice enough to invite me — and that’s a big if — I am somebody who lives in a small studio [apartment] the size of [Henry David Thoreau's] cabin on Walden Pond; I own five shirts, five shorts and two pairs of jeans. I’ll probably go out and rent a tuxedo that doesn’t cost more than my rent, and of course I’ll take my mother, because if it wasn’t for her, not only would I not have gotten the film, I would not even be alive.

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