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November 20, 2011

Mother of Jersualem is Crying novel humanizes Middle East conflict

Dr. Rosemary Hartounian Cohen is perhaps one of the rare authors and academics you’ll ever come across today because of her identity as an Iranian, Armenian and a Jew. Her unique background, her life experiences and those of her own family have enabled her to see the world— especially the conflict in the Middle East in a totally different light. So when she asked me to read and review her latest book, “The Mother of Jersualem is Crying” I gladly accepted. To my delight Dr. Cohen does indeed manage to convey the heart wrenching personal pain that the three families in the novel who are Jewish, Christian and Muslim encounter because of the blind hatred and lack of human decency in their world.

I particularly enjoyed learning about the tremendous hardships Armenians living in what is now Turkey encountered at the hands of the Turkish military during the early part of the 20th century. It was not easy reading the story of the Armenian family in her novel that was decimated and devastated in the genocide, but it is an example of just one of the thousands of true life stories many Armenians today carry with them about their own families. The Armenian genocide is among one of humanity’s worse episodes and its occurrence must be recognized. My hope is that this novel and others will continue to raise awareness in the world about the Armenian genocide and encourage human beings to stand up against future genocides! Dr. Cohen’s ability to humanize the suffering endured during the Armenian genocide, the Holocaust as well as Arab and Israeli conflict in this novel is remarkable. The emotional, historical, religious and cultural complexity of the Middle East and its people are often very difficult for authors, journalists and even politicians to explain to individuals not from that part of the world. The Middle East is just not easy…but Dr. Cohen’s message in this novel lays out the overriding solution to the suffering endured in that part of the world— that with love and tolerance, those who truly cherish life can overcome all difficulties. Readers of “The Mother of Jersualem is Crying” will not be disappointed because the novel tells three compelling stories and conveys a powerful message for humanity’s need for co-existence in the world.

Here’s a recent online video interview of Dr. Cohen about her latest book…

 

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“Man exists as long as he is remembered by the others”

“Man exists as long as he is remembered by the others”

Eva Halina Olszewska

On Wednesday 02.11.2011 in one of the teaching rooms of the Galicia Jewish Museum we could see a multimedial presentation concerning the well-known and eminent both in Polish culture and science people of Jewish origin. The presentation consisted of photographs and short biographies of 19 famous personalities. Many books, documentaries, biographies and films were devoted to them to show that these people are still remembered and to confirm that they are an integral part of our history and heritage we should be proud of.

You can find among them

v Leopold Infeld-eminent physicist, the author of works on general relativity, field theory and electrodynamics.

v Henry Sawicka-communist activist, participant of the Warsaw Uprising and the first President of the Walka Młodych Association .

Brandstaetter v Roman poet-playwright, writer, translator and scholar of the Bible.

v Irena Krzywicka-feminist, writer, journalist and translator. Brave propagator of the conscious motherhood, contraception and sex education.

v Vera Gran-famous cabaret singe and a film actress.

v Joseph Sare-Polish architect and builder, second President of the City of Krakow and a deputy to the national parliament.

v Herman Diaman-Excellent diplomat , specialist in Polish-German relations. Particularly concerned on the issue of policy in these two countries. Throughout his life actively involved in the defense of civil rights and social equality.

v-chemist Tadeusz Estreicher university professor in Krakow and Freiburg. He measured the boiling and melting point of hydrogen chloride, and constructed a device for liquefying hydrogen.

v Ida Kmińska-the author of many dramas, a writer, a film director. As the first actress from Communist countries was nominated for an Oscar. She conducetd the Warsaw Jewish Theatre before the war in Warsaw and up to 1968 was strongly connected with it.

v Adolf Beck, one of the world’s first electroencephalographs, physician, philosopher. He found that the electrical activity of the animals is altered by impulses.

v Louis Zamenchof-doctor, ophthalmologist, founder of Esperanto, the international language. Nominated for the Nobel Prize in 1913

v Andrzej Munk-participant of the Warsaw Uprising, a famous Polish film director, a representative of Polish Film School.

v-lawyer Raphael Lemkin who formulated concept of “crime and barbarism.” .During the Nuremberg process was an adviser to Jackson, Chief Prosecutor on behalf of the United States. In the 70`s nominated for seven times to the Nobel Prize

v Wladyslaw Kopaliński-lexicographer, translator, editor. In Poland, known as the author of fundamental works of lexicographical and encyclopedic works.

v Krzysztof Kamil Baczynski- one of the most famous Polish poets, Army cadet soldier, member of Szare Szeregi , one of the representatives of the Columbus Generation.

v Jan Kiepura-famous opera singer and actor. The artist of world fame, appeared in twelve musicals in Poland and abroad.

v-writer Stanislaw Lem, philosopher, futurologist, the representative of Science Fiction literary mainstream science fiction. One of the most popular Polish writers in the world. His books have been translated into 41 languages. His name was given to the asteroid and the first Polish satellite.

Helena Rubinstein v-creator of one of the greatest empires the world’s beauty. Millionaire, connoissere art and beauty.

v Joseph Klotz- football player, the defender, the one who scored the first ever goal for the Polish national team.

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Limmud in Vienna. Finally.

 

It is still hard for me to believe, but it did happen – first Limmud in Austria did take place in Vienna on November 13th. Couple of weeks before the event, when the most part of the preparation was already behind, the organizational team had a meeting with Clive Lawton, the man who founded the first Limmud 30 years ago in the United Kingdom. According to Clive, having returned from a Jewish educational festival in New York, he and his friends had the idea of organizing a similar event in the UK. This idea was said to be naive and unrealistic, as Jewish community in the UK was perceived as passive, discrete and lacked motivated young people comparing to the one in New York. Meanwhile, Clive was determined to realize his vision, which is now known as Limmud – at least so that do disprove that critical statement. As one of the coordinators of Limmud Vienna, I somehow feel just like Clive did 30 years ago.

Limmud is the internation festival of Jewish learning, one or several days of lectures, discussions, workshops, concerts, exhibitions and whatever else having a link with Jewish culture, tradition and identity. Here, in accordance with one of the core Jewish traditions, everyone has a chance to be both a teacher and a student, as long as he or she has something to share and is willing to discover something. Limmud is not a youth event, anyone can and encouraged to take part; still, obviously it requires young and active people to kick-start the organizational process. Holding a Limmud in Vienna, a city which Jewish background is legendary, seemed to me personally as a very honourable must-do. So the reason why Limmud didn’t take place in Vienna till now can only be that these motivated youth was not there to start it. Being one of those people meant a big honour and an important mission.

I joined the team of Limmud approximately one month before the event itself, so closer to the ending phase of the preparation. However, there was still enough of work to do. It is the moment when you find out that behind the shiny idea and vision there lies tonnes of routine, hard but yet necessary work. And seeing this work resulting in a, I might say, successful event is a great feeling.

Of course, the first Limmud in Vienna didn’t manage to reach the scope of the festivals in some other places for various reasons. However, what was pointed out by many guests is that this event managed to generate a very special, home and cozy atmosphere. Thanks to Lauder Business School which has offered us their facilities, bilingual English/German programme ranging from cooking workshop and theatre tryout to art exhibition and concert, of course with lectures on various topics in between. But the greatest reward was this special holiday joy, which everyone seem to smell during the last festive hours of the event, with exhibition, concert, wine, tired, hungry, but truly happy coordinators, volunteers and guests.

P.S. Someone asked me after the event: “So did you coordinators eventually get paid for the work you’ve done?”. Had he visit the event itself, he would understand why I was laughing after his words.

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Happy Thanksgiving! Realize Your Dreams! (video)

Give Yourself Time: The Joy of Taking a Break


Friends and family ask us, “How do you do it? How do you manage to leave for a year?” Others say, “You are crazy; I would never do that!” These people usually think of the dictionary definition of a vagabond as “…a person who wanders from place to place without a home or job.” I prefer Ralph Potts’ definition in his book ” title=”The Happy Thanksgiving Magazine”>The Happy Thanksgiving Magazine for Squidoo.

Want to know more about our event Meet Plan Go Los Angeles from October 18,  ” title=”MPG Los Angeles hosts, George and Lisa Rajna”>MPG Los Angeles hosts, George and Lisa Rajna (the creators of We Said Go Travel), participate in community lives when they travel and support those in need – whether it’s Burmese refugees in Northern Thailand, the Jewish World Watch Solar Oven project to help people acquire the tools they need to improve their lives, or importing purses fabricated from local tapestries made by Kazak women to better provide for their families. The idea of sharing profits from the Meet, Plan, Go! event with others came as a natural continuation of their other works.

Lisa Napoli, who wrote Radio Shangri-La and participated on the Los Angeles panel, has been working to help create a library in Mongar, Bhutan through her project, Books to Bhutan. She says, “Please help us bring the joy of books and reading to these kids, who are so eager to learn.” As teachers and library lovers, the Rajnas know that supporting Lisa’s project with the profits from their event made a perfect match; they’ve sent $300 to help fill the shelves in Mongar with books. If you would like to help add more to the library, ” title=”www.wesaidgotravel.com”>www.wesaidgotravel.com

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The ‘Twilight’ of movie magic

It was supposed to be cozy and comforting to loll in bed on a gloomy, rainy Sunday reading the NY Times. Why must A.O. Scott depress me?

The Harvard-educated NY Times film critic has in essay in today’s paper declaring what I already know and feel (at least most of the time): “Film is Dead? What Else is New?” In it, Scott rightly taps into some strange psychic phenomenon that has movie lovers in a malaise, lamenting some lost magic to moviemaking that has dampened dreams of escape. We used to go to the movies and feel something. What happened?

Scott writes:

The past is full of glories, whether black-and-white jewels of the old studio system (“Casablanca” and “All About Eve” come up a lot), imported treasures from the 1960s (Antonioni! Godard!) or rough diamonds from the brief splendor of the New Hollywood in the ’70s. Whatever your preferred golden age, one thing is certain: They just don’t make them like they used to.

Sometimes they do, but mostly they don’t. When is the last time an onscreen couple sizzled like Bogart and Bacall? Or bantered like Hepburn and Tracy? Ugh, I know, it’s so cliche—how can I even write such things? But the simple truth is that the two best movies I’ve seen in the past six months are “To Have and Have Not,” released in 1944 (with Bogart and Bacall) and 1963’s “Charade,” starring Audrey Hepburn and Cary Grant. Are they narrative and technical masterworks? I don’t care. I loved them because they gave me exactly what I needed when I went to watch them: When I was missing a love, “To Have” brought him back; and when I wanted to travel with him “Charade” brought us to Paris. Even when he’s gone, those movies will be there, as medicine. 

“It can be hard to escape, and even harder to argue against, the feeling that something we used to love is going away, or already gone,” Scott writes. “This is less a critical position or a historical insight than a mood, induced by the usual selective comparisons and subjective hunches. Back then (whenever it was) the stars were more glamorous, the writing sharper, the stories more cogent and the critics more powerful.” 

“Are movies essentially a thing of the past? Does whatever we have now, digital or analog, represent at best a pale shadow of bygone glory?”

Perhaps, if “Twilight” is a meant as a current rendition of “The English Patient”. But even so, a good movie doesn’t have to be an emblem of masterful filmmaking; technical skills and style are not often the elements that stir our souls. Movies are best when they transport us, sometimes deeper into ourselves, sometimes away from the harshness of our lives.

Sitting in the corner of a dark theater last night, when I needed to believe in the impossible, “Twilight: Breaking Dawn” provided just that. When young Bella becomes pregnant with a half-human, half-vampire child whose rapid growth and supernatural strength threatens to kill her – and miraculously, she survives! – my own troubles seem as ominous as vanilla ice cream. 

So glamorous black and white is over. The cinematic experience is not. Movies can still serve as an entry into ourselves and an escape to another world. Where vampires and humans can fall in love, and despite seemingly insurmountable obstacles, and painful compromise, make it work.

Wouldn’t it be nice if life was that way, too?

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Do we (heart) Drake because Drake has a heart?

Among his recent achievements—at least one being declared hip-hop’s “center of gravity” by The New York Times—the black-Jewish hip-hop artist Drake has won “the right to be emotionally complicated,” writes Times’ music critic Jon Caramanica in a review of Drake’s new album, “Take Care.”

What sets Drake apart from hip-hop’s pseudo-hoodlums is emotionalism in earnest. “Drake is eager to dismantle himself, to show off his corroded insides,” Caramanica observes. “And while he’s a thrilling rapper, on the verge of keeping pace with the genre’s best technicians, he’ll choose feelings over skill almost every time.”

Drake knows he has a way with the ladies. One lyric goes: “Girl you ain’t the only one/That’s trying to be the only one.” But as Caramanica tells it—love, not conquest, is his aim:

No rapper has been as woman focused as Drake since LL Cool J, but seduction is barely a motif for him. He’s past that, on to disloyalty, miscommunication, manipulation. He lives in a world where complete trust isn’t possible and believes the only woman right for him is a scarred one.

Too bad Caramanica doesn’t get a cut, because that last line just sold a few thousand more albums.

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