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January 13, 2010

Is Arnold Serious?

Following Governor Arnold Schwarzenegger’s final State of the State speech and as his last budget proposal circulates, it is time to assess the long and winding road we have taken with our celebrity governor.

Everybody knows that California is a mess. The budget is an ongoing catastrophe, and public approval of the leadership of the governor and the legislature are at historic lows. The state university system is tottering, and the social safety net is collapsing.

Of course, we can’t blame all of this on the governor. The bad economy is hurting states all over, and the popularity of most governors has taken a big hit. Sure, Schwarzenegger’s performance has the approval of only a quarter of the state’s voters, but times are tough.

California’s governance problems have been diagnosed and over-diagnosed: excessive partisanship, the two-thirds rule to adopt the state budget, the propensity of the voters to direct the budget at the ballot box. But another problem is more pedestrian. It has to do with political leadership.

The American system of democracy sets up structures that turn governing into a Rubik’s Cube. California’s budget process has its two-thirds majority requirement, and the federal government has the arcane Senate with its filibuster rule. Under our doctrine of separation of powers, we depend on presidents and governors and mayors to make it all work.

It is the job of those who hold executive office to set a direction that the people can support. Then they must govern by doing the grunt work of turning good ideas into actual policies. That is why politics is a profession, not a hobby. As President George W. Bush used to complain between vacations: “It’s hard work.”

Leaders have to give up their idealized notions of themselves, or they won’t get anything done. But if they give up too much of that idealized notion, they lose the people. Watch President Obama navigate these two roles as he tries to shepherd his ideas through a Byzantine and cantankerous Congress. The more he works to get his ideas through Congress, the more he loses the excitement from his campaign. But if he gets things done, he will likely rebound politically.

Sometimes the realities of governing put limits on campaign promises. Franklin D. Roosevelt campaigned in 1932 on a balanced budget, but it would have been a disaster to have implemented that policy in the midst of the Depression. It will take a lot longer for President Obama to close the prison at Guantanamo than it appeared during the presidential campaign. Likewise, in California, if Schwarzenegger had been less eager to implement his promised rollback of vehicle license fees (incorrectly labeled a tax), the state today would be in a far smaller budget hole.

A very talented, very smart guy with a knack for getting deals done in Hollywood, Schwarzenegger seemed like the perfect person to turn the struggling state around in 2003, when he entered the governor’s race. As a Westside L.A. resident, a Republican with socially liberal views married to a prominent Democrat, he seemed a comfortable choice for Jewish voters. He was like a movie star version of his friend Dick Riordan, who as mayor was popular among Los Angeles Jews.

Schwarzenegger’s great eye for publicity helped him build a strong governing base in his first several years. He right away showed a willingness to take his job seriously and to treat the legislators as his most important audience. And he wasn’t averse to reaching out to Democrats. As political scientists William M. Chandler and Thad Kousser recently pointed out, the result was a remarkable number of early successes that were rewarded with high public approval.

Yet Arnold’s impressive governing skills, on display in his first two years, were always at war with his desire to get publicity for grand ideas that would showcase how much better he was than the other politicians in Sacramento.

This tightly held self-image often led him to sacrifice successful governance in favor of splashy forays into hyper-partisanship and the presentation of shoddy and superficial ideas for solving the state’s budget problems. On the budget, in particular, he has failed the test of serious governance, a particularly poignant failure, since it was a budget crisis in the early 2000s that powered the recall of his predecessor, Gray Davis, and energized Arnold’s campaign in 2003.

Some of his ideas were ideological, such as limiting environmental reviews or promoting offshore oil drilling. Others were simply impractical, such as filling in budget gaps by borrowing from future lottery revenue. By 2004 and 2005, he had begun to marginalize himself, and it was not until 2006 that he recovered and won re-election. Indeed, he has had some governing successes in the past few years — including a major water agreement. His signing of AB 32 in 2006 to fight climate change may be his most important victory.

Nevertheless, for this governor the art of governing has too often seemed to take second place to what political scientist David Mayhew, in his classic study of Congress, called “position taking,” the art of being known for saying and proposing things. Arnold likes to position himself as if he were a bystander narrating the foibles of those in government who, unlike himself, are the problem. It makes good copy for the national media, who have continued to pay close attention to whatever he says, but it doesn’t get the hard work of governing done.

Schwarzenegger has artfully and genuinely positioned himself as a moderate Republican in a national party that is going off the ideological cliff. That makes him particularly interesting in Washington, D.C., where the right turn of John McCain has left a hole to be filled. It’s fun to see him get into arguments with Sarah Palin, and for both Democrats and moderate Republicans, the governor’s willingness to go toe-to-toe with the far right is a reminder of what was so appealing about his election in the first place.

But on the home front his moderation has been much less visible, particularly in California’s budget crisis, where he has increasingly tied himself to the anti-tax wing of the Republican Party. Having failed to win Republican support for more moderate economic policies, he decided to join them instead.

But with Schwarzenegger, you never know. In the State of the State speech, he took the bold stance that California should spend more on higher education than prisons. This could be visionary. But he offered no way to get there other than through a ridiculous constitutional amendment (more ballot-box budgeting) or privatizing the prisons. He also presented no suggestions on how to reduce the state’s massive prison population. He’s right: a choice must be made between prisons and schools. There is nothing to prevent the governor from proposing a budget with more money for higher education than for prisons.  And indeed in this budget, he notably restored last year’s budget cuts from the UC and CSU system, an excellent first step. But to make the choice meaningful, the governor will have to dig deeper and choose between the politics of positioning and the politics of governing.

Rather than wade into the muck of actually aligning revenues with spending, the governor airily dismissed tax increases in favor of another round of tired attacks on waste, fraud and abuse in government. Two previous Republican governors, Ronald Reagan and Pete Wilson, risked major political fallout from their party base by raising taxes in a budget crisis — both survived and the crises passed. What we need now is straight talk on tradeoffs rather than fantasies about misspent funds and suggestions that we lack only the will to identify and eliminate them.

Schwarzenegger’s flow of often-contradictory ideas sometimes creates a feeling of whiplash. He called on California’s Congressional delegation to oppose President Obama’s health care plan, which he described as based on backdoor dealings. Then on national television he defended the president on national security. And he tried to threaten the White House by saying that if no more federal funds come into the state, he will cut even more social programs. This leaves us wondering: Where is this all going? Is he trying to make the White House and Washington allies or adversaries?

If California’s government works, the governor succeeds. Governing means correctly identifying our core problems, proposing ideas that will address them and then getting legislation passed in some form. Grand posturing on the political stage can help win victories, but it is no substitute for substance.

In the absence of real leadership, we Californians today are running around like chickens without our heads. If our governor produces a fountain of ideas that may or may not make sense, why shouldn’t we do the same thing?

It is worrisome that many Californians would like to go even further away from professional government, perhaps by making the legislature part time. But amateur hour is exactly what has been killing California government, whether through term limits, ballot measures, or the possibility of a runaway constitutional convention.

Governor Schwarzenegger’s legacy is not set in stone. He still has all the ingredients to leave the state in significantly better shape than he found it. He is not an ideologue locked into stale beliefs. He has shown before that he can focus on the task at hand and forge major agreements to advance the state’s best interests. He can be very professional when he is not diverted by a wider audience than the people of California.

Despite his low approval ratings, he is not a public figure who is loathed and written off. He still has a reservoir of positive feelings that he can draw upon. In the time he has left in office, he can make certain that the next governor has the benefit of the extremely difficult choices made by his or her predecessor. If he does, history will treat him well. l

Raphael J. Sonenshein is chair of the Division of Politics, Administration and Justice at Cal State Fullerton.

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Helping Haiti

Click here to learn how you can help the cause

Within hours of news that a 7.3 struck the island nation of Haiti, the American Jewish World Service mobilized a relief effort using established contacts in the region.  AJWS sent out an appeal for funds to help the victims of the quake.  This press release came from Allison Lee, AJWS Los Angeles Regional Director:

AJWS is collecting donations in response to this afternoon’s massive earthquake in Haiti, which registered a 7.3 on the Richter scale. Donations to AJWS’s “Haiti Earthquake Relief Fund,” which can be made at www.ajws.org/haitiearthquake, will enable AJWS’s network of grantees in Haiti to meet the urgent needs of the population based on real-time, on-the-ground assessments.

With a per capita income of $3.60 per day, Haiti is the most impoverished country in the Western Hemisphere. Thus, its population is especially vulnerable to natural disasters, such as today’s earthquake. Based on initial reports of widespread devastation and a high number of casualties, AJWS anticipates that the immediate and long-term needs will be profound and is coordinating with its in-country representatives to respond immediately.

“We are assessing where the gaps in service are and putting a process in place to help specific communities that might not be immediately served otherwise,” said AJWS’s vice president for programs, Aaron Dorfman. “Because of the economic and political situation in Haiti, disasters like this have devastating consequences throughout the country. Our long-standing partnerships with grassroots organizations in Haiti allow us to reach the poorest and most remote populations with the speed necessary to save lives.”

In an e-mail Lee said AJWS is also helping the relief efforts of other Jewish organizations, like the American Jewish Committee.

What the people of Haiti must be facing becomes clearer reading a piece that the journalist Amy Wilentz wrote in The Los Angeles Times in 2008 after hurricanes devastated the island:

Most houses in Haiti don’t have much in the way of foundations. At best, they may have a post or two driven into the ground. In La Saline, the slum where I spent most of my reporting time in Port-au-Prince, houses are for the most part nothing more than a patchwork, cobbled together from cast-off corrugated tin, oil drums hammered flat and other pieces of found metal and wood, with cardboard filling in the gaps. The floors are dirt. The door’s an old sheet during the day; at night a piece of metal is shut over the opening and fastened with twine.

These houses can fool the sun but they can’t fool the rain, as the expression goes in Haiti. They fall down in a strong storm and pile up against cement walls here and there, in their original pieces, like refuse. When the sun eventually dries everything out again, and drought replaces rain, people come to collect the bits that are left and, piling cardboard and tin on their heads, trudge off to rebuild their shantytown so it can be knocked down again in the next storm.

The topography doesn’t help. Haiti is essentially a big mountain range with a precipitous run down to a narrow coastline, so gravity does a lot of a storm’s destructive work. So does the island’s deforestation. Trees tend to keep soil in place with their root systems; without them, the slightest rains can loosen the topsoil. Big storms send tons of it down the mountainsides toward the coast like a big brown frappe. (This does double damage because it removes soil for future planting, as well as creating mudslides.)

The reason Haiti has no trees, or very few, is its utter poverty. Haitians don’t have much in the way of jobs (more than two-thirds of the population is unemployed), so they don’t have money to pay for gas or oil for electricity or cooking. Instead, they cut down trees and turn them into charcoal. In one deforested, charcoal-producing area, I saw medieval-style cookers buried in the ground, turning wood into fuel and sending up pungent smoke into the bleak landscape. In the towns, ladies sell huge black bags of charcoal, and everyone who works at the charcoal markets is covered in black dust from the destruction of Haiti’s forests.

I can’t imagine the situation has vastly improved in two years.

To contact the Haiti Earthquake Relief Fund, click here.

 

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Fishel Reflects on Challenging Tenure

For the past 17 years, John Fishel has spent his days handling major crises, instituting dozens of programs and initiatives, fielding hundreds of daily challenges, and representing L.A. Jewry as president of The Jewish Federation of Greater Los Angeles.

This month he left that post, opening up his own future and making room for the new president, Jay Sanderson, a former television producer. An article about Sanderson and Federation’s new direction will be forthcoming soon.

“I think we’ve reached a point where there is an opportunity for me and an opportunity for the community to have a fresh look,” Fishel said. “I’d like to believe that during my tenure we accomplished a lot, and I know there are many things that are unfinished. That is the nature of community work, especially in a dynamic community like this one.”

A few weeks before he left his job, Fishel took some time to reflect on the imprint he’s left on Los Angeles since he arrived in 1992.

“I came to a place which was in disarray, with tremendous financial problems, enormous turmoil within the staff, and a lot of turmoil in the lay leadership,” Fishel said. “There was a lack of clarity in terms of priorities. It was a place that clearly needed some strong professional guidance.”

Consensus is that Federation is in better shape today, and Fishel has worked to clarify priorities and improve operations at the $50 million institution, which employs about 150 people directly and provides funds to 114 social service, educational and cultural programs.

“John came here in the early 1990s when Federation had serious problems, financial and otherwise, and he righted the ship. He has taken us through every crisis, and he’s brought the community together in those times. He has done what this community asked of him and then some,” said Richard Sandler, who just began a two-year term as Federation chair.

Fishel, who in 2007 earned $415,000 in salary and benefits (the most recent public numbers), is staying on as a consultant at Federation, working 20 hours a week under a multi-year contract. In addition to serving as a consultant with other nonprofit organizations, Fishel has also agreed to be on the boards of Jewish World Watch and Beit T’Shuvah and to get involved with Grand Performances, which stages free global music and dance shows in downtown Los Angeles.

That’s a new, more moderated pace for Fishel, who regularly worked 80- to 100-hour weeks, popping up at Jewish events and venues across the city.

In the first few years of his tenure, Fishel initiated a strategic planning process that eventually cut in half a bloated staff and board. He streamlined programs and reapportioned funds among mainstays for the first time in decades, shifting $1 million from overseas to local education, for instance, and founding the Valley Alliance, now one of the most vibrant departments of Federation.

Fishel has a passion for global Jewry, and under his leadership, Federation established the Tel Aviv-Los Angeles Partnership, through which Los Angeles has 18 schools twinned with counterparts in Tel Aviv, and exchanges between human services professionals, filmmakers and artists.

Fishel often traveled to countries where Los Angeles supports beleaguered communities, such as Eastern Europe and Ethiopia, and recently to Darfur and Congo.

Locally, Fishel saw to it that the L.A. Federation was an early and consistent supporter of Birthright Israel, putting up $550,000 annually to send young people on free 10-day trips to Israel. He put new resources into shoring up Jewish overnight camping and reached out to Russian, Persian and Israeli populations. Federation has forged stronger ties with synagogues, mostly through The Board of Rabbis of Southern California.

One of the signature programs nurtured under his leadership is KOREH L.A., which engages volunteer tutors to teach literacy, mostly to minorities.

KOREH L.A. is a program of the Jewish Community Relations Committee, an organization Fishel was criticized for reorganizing and restaffing in 2003. He also took significant flak for not stepping in to prevent the financial collapse of the Jewish Community Centers of Greater Los Angeles in 2001 and 2002.

Fishel says that both in handling crises and in promoting innovation, he always took time to gather as much information as he could to do what he believed was best for the community.

“My whole philosophy has been that you have got to listen, you have got to understand what your community is all about. There is tremendous diversity here,” Fishel said. “Change occurs incrementally, and your ability to make the change lasting, and your ability to make good decisions, comes from being able to think things through.”

Still, some wonder if that analytic approach quashed Fishel’s ability to put forth a compelling vision.

“What I felt was missing here in Los Angeles, and this has as much to do with John as with lay leaders, was that I never sensed that there was an overarching, exciting, articulated vision of what this place called Los Angeles could become, and what Federation’s place in that would be,” said Gerald Bubis, a friend and admirer of Fishel’s. Bubis founded Hebrew Union College-Jewish Institute of Religion’s school of communal service and is a longtime community and Federation activist.

Yet Fishel’s understatedness, which some perceived as dispassion, may be exactly what provided the needed, steady hand of calm during the many crises that hit the Jewish community during his tenure. For example, Fishel had to shepherd the community through the 1994 Northridge earthquake, and he oversaw major renovations at the West Valley Milken Campus and Federation headquarters at 6505 Wilshire Boulevard.

After the 1999 anti-Semitic shooting at a summer camp in the North Valley JCC, Fishel was quickly on the scene, and Federation provided security and counseling for months after.

“We were able to respond to crises as they occurred and to do it very well,” Fishel said. “We reasserted The Federation’s role as the most central Jewish address you will find in Los Angeles.”

He rallied major demonstrations and raised millions of dollars to aid Israeli victims of terror, to support Argentine Jews devastated by the 1999 economic meltdown and to champion Israel during its war with Hezbollah and struggles with Hamas.

But while emergency campaigns often did better than expected — around $20 million in 2000 and again in 2002, in response to Israeli and Argentine crises — the annual campaign has remained relatively flat: Federation took in $42.4 million in 1992 and $49 million in 2009. In between it went as low as $37.4 million and as high as $51 million. An estimated 18,000 Jewish households, out of Los Angeles’ 200,000, give to Federation.

Some blame the national philanthropic shift toward donor investment in direct causes rather than obligatory, unrestricted contributions to umbrella organizations. But Federation is also paying the price of a policy over the last several years to focus its attention on the largest donors, leaving itself, in the end, with an aging and shrinking donor base and a disaffiliated community.

Long aware of these challenges, Fishel has tweaked giving policies and in the last two years worked with Chairman Stanley Gold to revamp how Federation allocates funds. He also worked with lay leaders to set up the Jewish Venture Philanthropy Fund, which enables donors to be active players in where the money goes. He replaced outdated leadership development programs to attract more young people, and in recent months he oversaw the initiation of Give Life Meaning, a new marketing campaign targeted at broadening Federation affiliation.

While the board now has significant representation from young people, Fishel acknowledges there is a long way to go in making Federation appealing to a younger generation.

“One of the challenges for the future is how do you assure that those people who are your best supporters continue to feel passionate, how do you engage their children and grandchildren, and at the same time recognize that you need to broaden the numbers of donors and community members?” he said.

Fishel said the job, with all its challenges and rewards, has left him tired sometimes, but never jaded.

Now, he’s ready for the next chapter.

“I am still reasonably young, and there are many things I’m interested in, things I would like to do. And if you don’t do it when you’re 60, you may never do it,” he said.

He is enjoying the prospect, for the first time in many decades, of taking some time to explore what comes next. He is considering taking some classes at UCLA and thinking about the large world of possibilities that is now open to him.

“It’s healthy to have change,” Fishel said. “I’m very happy that after so many years, I have the opportunity to pass the baton to somebody who is so motivated and feels so excited about taking this role and who will bring different skills and personality to the job.”

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Yiddish Book Center Receives $3 Million Gift

Yiddish has a brand new bag — of cash — thanks to the late comedy writer Mickey Ross who surprised The National Yiddish Book Center in Amherst, Mass. with a $3 million donation from his estate.

And that’s not all: the writer/producer of hit sitcoms “All in the Family,” “The Jeffersons” and “Three’s Company” also bequeathed 25 percent of his residual rights to “All in the Family” and other shows to the Yiddish Center, amounting to the largest gift the center had ever received.

The center’s founder and president, Aaron J. Lansky, said he never knew Ross and doesn’t believe he ever visited the center, though Ross had a history of supporting Yiddish causes.

Lansky first learned of the gift last summer, though he didn’t know of the amount until he received the check.

“The donation couldn’t possibly be more timely,” he said, noting that the center has spent 30 years rescuing and cataloging Yiddish literature from around the world. “Now we can move to the next step in our work of opening up these treasures and shifting to education and young people.”

The donation will go directly to the center’s endowment, bringing the total to $11 million. It will help subsidize a broad range of programs, including a year-round school of Jewish culture and activism, summer institutes for college students and recent graduates, and a major oral history project that aims to chronicle the contemporary Jewish experience. Lanksy said he is also searching for a full-time Yiddish professor.

While Ross’ gift is the largest the center has received, it is not the first to come from Hollywood. Steven Spielberg has been a major source of support to the center for more than 15 years. His Righteous Persons Foundation provided the first gift to build the building they inhabit and also created The Steven Spielberg Digital Yiddish Library, which enabled the center to make 11,000 Yiddish volumes available online.

Several years ago, the center partnered with KCRW in Santa Monica to produce “Jewish Short Stories From Eastern Europe and Beyond” featuring the works of Sholom Aleichem, Isaac Bashevis Singer, Cynthia Ozick and S.Y. Agnon read by Hollywood actors Leonard Nimoy, Lauren Bacall, Walter Matthau, Jerry Stiller and others.

Ross, who died last May at age 89 of complications from a stroke and heart attack, left no survivors. His wife, Irene, died in 2000. The couple had no children.

Ross’s legacy will continue through his philanthropic commitments. In 2008, he donated $4 million to endow an academic chair in Yiddish language and culture at UCLA, his alma mater. After his death, he also left 50 percent of his residuary estate (an as yet undisclosed sum) to The Jewish Community Foundation of Los Angeles to create the Michael and Irene Ross Endowment Fund which will assist Southern California’s most vulnerable populations.

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Harman v. Winograd

One Shabbat morning several years ago, Dan Shevitz, one of my two favorite Venice rabbis, was walking down Abbot Kinney Boulevard toward his synagogue, Mishkon Tephilo. He came to a narrow stretch of sidewalk in front of Abbot’s Habit, and stopped, not wanting to walk over a large dog standing guard beside its owner.

“Pardon me,” he said. “I just want to get by. Do you mind moving your dog?”

The owner looked up at him in a post-pot, pre-caffeine haze. “Hey, it’s Venice man,” he said. “Step around it.”

If the Chicago Rule, per David Mamet, is, “They send one of your guys to the hospital, you send one of theirs to the morgue,” the Venice Rule is, “Step around it.”

Last week, the race for California’s 36th Congressional District seat, which includes that stretch of crippled nirvana called Venice, tested the Venice Rule. Incumbent Congresswoman Jane Harman decided to go after challenger Marcy Winograd — really go after her. The primary isn’t until June, but what brought the candidates swinging out of their corners was Israel.

On Harman’s behalf, Rep. Henry Waxman (D-Los Angeles) recently sent a letter attacking Winograd’s stand on Israel to Jewish supporters on a list created by the Harman campaign. Waxman quoted liberally from a speech Winograd delivered in February 2008 at the Friends of Sabeel Conference at All Saints Church in Pasadena. In that speech, Winograd said she not only opposes a two-state solution, she supports the end of Israel as a Jewish state.

“Not only do I think a two-state solution is unrealistic,” Winograd said, “but also fundamentally wrong, because it only reinforces heightened nationalism.  You cannot establish a democracy in a state founded on the institutionalized superiority or exclusivity of one of [sic] religion, ethnicity or culture.  I do not support the notion of an Islamic state or a Christian state any more than I support a Jewish state” (for the full text, visit this column at jewishjournal.com).

Winograd went on to accuse Israel of “crimes against humanity,” “institutional racism” and “extermination.”

Waxman’s response was unequivocal. “Ms. Winograd’s views on Israel I find repugnant in the extreme,” he wrote. “Ms. Winograd is far, far outside the bipartisan mainstream of views that has long insisted that U.S. policy be based upon rock-solid support for our only democratic ally in the Middle East.

“In Marcy Winograd’s foreign policy, Israel would cease to exist. In Marcy Winograd’s vision, Jews would be at the mercy of those who do not respect democracy or human rights.”

Waxman’s fundraising letter exploded on the Internet like those Hamas rockets did in Ashkelon last week.

Winograd’s supporters, among them Huffington Post columnist Linda Milazzo, accused Waxman of picking an issue of little concern to the 36th’s constituents to gloss over Harman’s positions on issues that matter more: health care, civil liberties, jobs.

“It’s high time that [Sen. Joseph] Lieberman, Waxman and Harman, who’ve been elected to serve this nation, direct their passions toward the best interests of America, and not the interests of Israel,” Milazzo wrote — forgetting Waxman was often the lone voice against Bush-era secrecy, and the architect of landmark legislation on issues ranging from clean water to open government.

Judging by Milazzo’s post and the comments of other bloggers, this controversy will be a big issue in a campaign taking place more than 7,500 miles from Israel, the West Bank and Gaza. The district is solidly Democratic — it’s Venice, man — so it’s a given that whoever wins the primary will likely go to Congress. What isn’t a given is how Democrats will finally face their differences over Israel.

This is not a question of “He said/She said/She said.” Waxman’s, Harman’s and Winograd’s positions on Israel each could not be clearer. Waxman and Harman represent the Jewish, Israeli, American and Palestinian consensus for a two-state solution to the Israeli-Palestinian conflict. That’s right: An April 2009 poll commissioned by the Israeli-Palestinian peace group OneVoice found that 74 percent of Palestinians and 78 percent of Israelis were willing to accept a two-state solution.

Meanwhile, many on the left-of-left see America’s support for Israel, and the struggle for a negotiated solution, as part of some colonialist policy that props up a “racist” Israel at the behest of a juggernaut lobby. The danger of such a worldview — beyond the threat it poses to Israel — is that it blinds its believers to the real causes of Islamic extremism and the real reasons much of the Muslim world is blanketed in political oppression and economic backwardness. That blindness endangers all Americans, even Venetians.

Progressives who like Winograd’s stands on many other issues — and there are many to like — will be forced to choose how far they’ll follow her into Blame-Israel-First Land.

“On most issues, we agree with Marcy, who has been a stalwart in the Westside Progessive Democratic Party,” Venice residents Tom Laichas and Donna Malamud e-mailed me after finding Winograd’s Sabeel speech. “And we have since the Iraq War found Jane Harman on what, for us, is the wrong side of a lot of issues. But over the past several years, we’ve seen the idea of a binational unitary state gain even more ground on the left. We can’t vote for someone who will give the idea greater legitimacy.”

I invite Winograd and Harman to discuss this issue in a public forum hosted by The Jewish Journal at a mutually convenient date. Israel, it seems, is a fight the left can no longer just step around.

Let us know what you think.  Comment below.

Read More
“Call For One State” by Marcy Winograd

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Iranian Jewish Radio Host Accused of Defrauding Investors

Jan. 8, the U.S. Securities and Exchange Commission (SEC) filed a civil law suit against popular Iranian Jewish radio talk show host and financial adviser John Farahi. The suit alleges Farahi and his Beverly Hills firm, NewPoint Financial Services Inc., defrauded Iranian American investors of millions of dollars and that Farahi, his company, his wife Gissou and the firm’s controller, Elaheh Amouei, misled investors by falsely telling them their funds were being invested in low-risk unsecured corporate bonds, FDIC insured certificates of deposit, government bonds and corporate bonds issued by companies backed by funds from the Troubled Asset Relief Program (TARP). In reality, the complaint alleges, the investors’ money was transferred into personal accounts controlled by Farahi and his wife to fund construction of their multimillion-dollar mansion in Beverly Hills and in risky option futures trading in the stock market that resulted in more than $18 million in losses for investors.

The SEC’s suit also claims that since 2003, Farahi used his radio program, “The Economy Today,” featured on the Studio City-based Farsi-language radio station Radio Iran KIRN 670 AM to target members of L.A.’s Iranian American community, recommending they make appointments at his firm. “They lured victims with false promises of investment safety while secretly enriching themselves and diverting investor funds for their personal use,” Rosalind R. Tyson, director of the SEC’s Los Angeles Regional office, said in a statement.

In conjunction with the suit, the SEC has obtained an order temporarily freezing the Farahis’ and NewPoint’s assets until the government can investigate the case further. A hearing on the Farahis case is scheduled for Jan. 15 in U.S. Federal court in downtown Los Angeles.

Farahi’s attorney, Gary Lincenberg, did not return calls for comment.

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Reubens Ready for Pee-wee’s Big Comeback

“My father was a hero of the early Israeli air force — isn’t that an amazing story?” Paul Reubens said recently between rehearsals of “The Pee-wee Herman Show” at Club Nokia.

“Amazing” might be an adequate description if the performer were most anyone besides Reubens, famed for his character of the wildly eccentric man-child Pee-wee Herman. “Bizarre” or “surreal” is more like it.

But there was Reubens, his voice calm, speaking decibels lower than the impish Pee-wee as he marveled about his dad’s exploits in a battered S-199, having gone from teaching airplane acrobatics and fighting the Nazis for the Brits to answering the call to join the original leaders of the Israeli air command.

“Growing up, he told us a lot of stories that are mentioned in Ezer Weizman’s book, ‘On Eagles’ Wings,’” the 57-year-old Reubens said with awe. “Once he was shot down over the water, broke three ribs, and swam for hours. And finally he felt he couldn’t swim any longer, felt he was going to die. But when he stopped, he discovered he was standing in about 3 feet of water. He’d been swimming over some kind of a sand bar, so that when he just let his feet go, he hit the bottom and walked.”

The story could be a metaphor for Reubens’ own experiences in Hollywood — he knows about crashing and burning. In the 1980s, his puckish character of Pee-wee, with his undersized gray suit, red bow tie and quirky cast of friends, skyrocketed to fame as a kiddie entertainment icon. Adults loved Pee-wee, too, for his mix of subversive humor, timeless vaudevillian antics and colorful pop-art sensibility. Wickedly naughty, yet naively chaste, Pee-wee hit exactly the right note of irony and kitsch in his Saturday morning children’s TV show and subsequent feature films, “Pee-wee’s Big Adventure” and “Big Top Pee-wee.”

But Reubens fell to Earth, hard, in 1991 when he was arrested for indecent exposure and allegedly masturbating inside a porn theater in Sarasota, Fla. CBS quickly pulled reruns of the final season of his show, and a talking Pee-wee doll with the catchphrase, “I know you are but what am I,” was yanked from Toys “R” Us shelves.

Reubens was shocked and devastated by the ensuing media circus: “Jeffrey Dahmer’s story broke the same time as my story, and for a week I was leading the news, followed by Dahmer eating people,” he told Vanity Fair in 1999.

But just as Americans can be prude about infractions of sexuality, audiences love a comeback, and time, it seems can still cure all ills. After a 19-year hiatus, Pee-wee is now poised to fly once more in a multimillion-dollar live “Pee-wee Herman Show,” which he will perform at Club Nokia Jan. 20-Feb. 7. Continuing the antics of the TV series, once again he’ll cavort with puppets and human pals, such as Miss Yvonne, Jambi the Genie and Cowboy Curtis. Except this time there will be 11 actors, 20 puppeteers and Pterri the Pterodactyl will fly about the stage.

The show’s 31-year-old director is Alex Timbers, a Yale graduate known for his innovative theater productions, who grew up watching Reuben’s show from the age of 7.

“Pee-Wee represents our Id,” he said of the character’s continuing appeal. “He’s the impulsive, naughty, irritating, desirous person within all of us. And this time around, it’s a slightly edgier Pee-wee with more of an alternative comedic sensibility.”

In the current incarnation, Pee-wee dreams of flying. Reubens acknowledged this could be his way of paying tribute to his late father, Milton Rubenfeld, to whom the show is dedicated, along with his mother, Judy.

Reubens said his parents have been unwaveringly supportive, since his father built the 5-year-old Paul his first stage, in the basement of their Oneonta, N.Y. home. After the family moved to Sarasota, where Paul and his siblings attended Reform services and Sunday school, Paul was allowed to eschew bar mitzvah studies in favor of theater rehearsals.

At the time, he said, “My father’s war stories were so incredible, so daring, it seemed they must be embellished. It wasn’t until I was in high school and read Weizman’s book that I realized the magnitude of it all.”

Sarasota, winter headquarters of Ringling Bros., provided a different kind of education. Neighbors included a clan that shot out of a canon and the Doll Family: “I had never seen a little person before,” he said, recalling ringing their doorbell one Halloween. “I knew they looked old, but I was bigger than them, and when we went inside their house everything was miniature.”

“The circus people stuck out in Sarasota,” he added. “You could tell who they were because of how they looked. That taught me it’s OK to be different, and to weigh out conformity and nonconformity.”

Pee-wee was born from just that sense of wonder and diversity as Reubens worked with The Groundlings improvisational comedy troupe in the late 1970s and continued on to create “Pee-wee’s Playhouse,” which ran on CBS from 1986 to 1991. “I’ve always maintained that Pee-wee was a kind of performance art,” said Reubens, who studied theater at the California Institute of the Arts.

After his 1991 arrest, Reubens was reduced to supporting himself with the occasional bit part, comforting himself with his hobby of obsessively collecting everything from fake food to toys — until his role as a bisexual cocaine dealer in Ted Demme’s 2001 film, “Blow,” looked like it might resuscitate his career. But as luck — or bad luck — would have it, police raided his Hollywood Hills home that same year, confiscating his collection of vintage erotica and arresting him for possessing what they called child pornography. Those charges were later dropped, but the media circus returned. Reubens’ dream of reviving Pee-wee, via two scripts he wrote while in celebrity limbo, seemed farther away than ever.

But not everyone had forgotten Reubens. “A producer kept calling me every two months for two years, asking me to reprise the character,” he said. The performer vacillated, but finally agreed to the new stage show, in large part, to prove to studios that Pee-wee is relevant enough for a movie.

And he is, judging by the 3,000 fans who screamed as if he were a Beatle as Reubens introduced a screening of “Pee-wee’s Big Adventure” at Hollywood Forever Cemetery in September.

“I could feel the love,” he said.

For tickets to the show at Club Nokia @ L.A. LIVE, call (800) 745-3000

Reubens Ready for Pee-wee’s Big Comeback Read More »

Q & A With Jackie Mason

Jackie Mason is a tough customer. The rabbi-turned Borsht Belt comic jokingly gave Ed Sullivan the finger on live TV in 1964, which gained him pariah status in Hollywood for years. Since then the irascible Mason has become as famous for his uber-right-wing politics as he has for his Jewish schtick, irking Democrats, for example, by quipping that President Barack Obama is an “arbiter of change — he changes his story every five minutes.” He feels entitled to use the word schvartze because, as he’s said, “I’m an old Jew. I was raised in a Jewish family where ‘schvartze’ was used. It’s not a demeaning word and I’m not going to defend myself.” And he staunchly refuses to turn down his bile — where all things liberal are concerned — either in his video blog, “The Ultimate Jew,” or on stage. On Jan. 20-24, he’ll bring his tenth one-man show, “Jackie Mason: No Holds Barred,” to the Wadsworth Theatre. In advance, the 73-year-old comedian refused a telephone interview with The Journal, but agreed to answer e-mailed questions so that he could ensure his answers would run verbatim.

Jewish Journal: Describe the premise for ‘No Holds Barred.’
Jackie Mason: I talk about everything and I’m totally uninterested in political correctness.

JJ: You’re already considered to be a comic who doesn’t mince words, so how will ‘No Holds Barred’ go beyond what we’d expect from you? Is there any place that is off limits?
JM: I don’t make fun of death, I don’t do ‘dirty’ comedy, but if you want to know why this show is so great, come to the Wadsworth and buy a ticket. I don’t give my material away for nothing.

JJ: One online review said the show shoots most barbs at President Obama, particularly your take on his lack of qualifications for the job.
JM: Again, I’m not giving my best jokes away for nothing, but suffice it to say I won’t be invited to next year’s Chanukah lighting at the White House.

JJ: Twenty years ago you called New York City mayoral candidate David Dinkins ‘a fancy schvartze with a moustache,’ and in March you referred to the president as the s-word. What’s your response to Jews who take offense at your use of the word? Why do you keep using the word if it so offends people? And will you riff on the above at all in ‘No Holds Barred?’
JM: I’m not dignifying those questions with an answer!

JJ: Because you’re so closely tied to Jews and Judaism in the popular culture, do you ever worry that it could reflect badly on all Jews when you use terms like ‘schvartze’ or call for the expulsion of Arabs from Israel? (Sample: One commentator on the JTA Web site wrote: ‘He’s my guy [meaning you’re a recognizable Jew] and I don’t want his rancid, bigoted Ashkenazic ass besmirching my religion anymore. Mason has been giving Jews a black eye for 45 years, and it’s time he converted to Catholicism, Shinto, or something. Anything.’)
JM: I’m not dignifying that either with an answer.

JJ: How do you try to communicate your views to left-wing or Democratic Jewish friends (or fellow comics) to vary their opinions, or have you given up on them, since almost 80 percent of Jews voted for Obama?
JM: The only person I’m giving up on is you since these are the stupidest questions I ever heard!

JJ: Why do you think such a high percentage of Jews voted for Obama?
JM: Because they’re stupid and now look at what we’ve got.

JJ: Do you feel any hope for peace in the Middle East?
JM: Unfortunately, no.

JJ: Have audience members become testy at some of your statements about the president or other political views, and how do you handle this on stage?
JM: Very seldom does anyone get upset with what I say and they know I say it in the spirit of love and brotherhood without any animosity. People generally know when they come to see me what they are in for, and I always deliver the laughs. I feel it’s my obligation to make sure that everybody gets as many laughs as possible. That’s what they pay for and that’s what they get. I am a comedian after all. Now you on the other hand, from these questions, may not like my show, but I generally get a more intelligent class of people.

JJ: Are there times that you go beyond your true political beliefs to make it a better show? Have you ever said things onstage you don’t truly believe (about the president or other issues, for example) and if so, can you give a specific example?
JM: No. I feel that comedy comes from truth, and right now this president is the gift that keeps giving, and so is the Congress and so is the Senate.

JJ: Do you consider yourself part of an endangered species of Jewish comedians? What are your thoughts about the new generation of Jewish comics, such as Andy Samberg and Sarah Silverman?
JM: I have respect for all young comics. I think there is a tremendous amount of talent out there. I have the highest respect for anyone that goes into this business, because there is nothing harder than being a comedian. When a singer stinks, the audience may like the song, they still applaud, but when a comic stinks, there are no laughs, so you can’t kid yourself that you were funny.

JJ: What so incensed you about Silverman’s ‘The Great Schlep’ video [which urged young people to ask their parents and grandparents to vote for Obama] and compelled you to call her a ‘sick yenta’?
JM: If you want an answer to that question, go to my youtube blog (youtube.com/theultimatejew), where I already answered this ages ago.

JJ: Is Osama bin Laden really dead?
JM: Well, I haven’t heard from him since Passover.

JJ: You were once a rabbi. Since you were (and are) ordained, do you still consider yourself one and how does that affect your comedy?
JM: You are always a rabbi, but I’m just not a practicing one. My comedy is rooted in truth and the human condition. In fact, when I became a rabbi, I was such a hit in the congregation that more gentiles than Jews started coming to temple, which is a true story. Everyone heard there was such a funny rabbi, that it became so crowded that the Jews couldn’t get in after a few months. One of the congregants said, ‘Rabbi, you should become a comedian!’ So I did.
Now I have a question for you. What is this obsession you have with me and Barack Obama? Ah never mind, just buy a ticket and come laugh for a change!

“Jackie Mason: No Holds Barred” runs Jan. 20-24 at the Wadsworth Theatre, 11301 Wilshire Blvd., Los Angeles. To purchase tickets, call 1-800-982-ARTS(2787) or visit broadwayla.org.

 

Q & A With Jackie Mason Read More »

Parashat Vaera (Exodus 6:2-9:35)

If God were to send you on a mission to confront a despot, win the trust of his slaves and lead them in an escape to freedom, you might want a few assurances:

How exactly will this work? Why should anyone listen?

Imagine if, in response to your concerns, God tells you to use a common prop to perform an astounding feat, proving to everyone — including yourself — that God has called you. It begins like this: holding your prop, you say, “Pick a card, any card….”

The equivalent of this scenario happens in this week’s Torah portion, when God instructs Moses and Aaron to cast a staff to the ground in front of Pharaoh. The staff turns into a snake, but Pharaoh is unimpressed. He calls in his magicians, who do the same stunt, practiced by snake charmers to this day.

Why would the One, All-Powerful God give Moses such a common, paltry trick? Aaron’s staff is able to consume the Egyptians’ rods, which is a small victory. But using such a well-known ploy embarrasses and undermines Moses — unless, perhaps, that is the real ploy.

God wants to entice Pharaoh into a conversation and contest. Pharaoh has no reason to bother with Moses unless it is for his own aggrandizement and amusement. The chance to best God’s messenger proves irresistible.

Pharaoh’s magicians match Moses trick for trick — at first. Then Moses brings lice, and the magicians realize that they can’t duplicate the maneuver. “This is the finger of God,” they tell Pharaoh (Exodus 8:15).

Through the contest, the magicians realize the limits of magic and, more importantly, the infinite power of God. Ultimately, even the greatest magicians, like all human beings, will come to the end of their bag-o-tricks. At that point, they turn to God. They cease operating out of magic and acknowledge religion.

Of course, religion incorporates magical elements. Jewish scholar Jacob Neusner goes so far as to argue that there is no real difference between magic and religion. The distinction is based not on results or methods, but on whether the practitioner has legitimacy and authority. If so, the practice is approved as religion. If not, it is dismissed as magic. In Neusner’s words: “What my side does is a miracle; and by the way, it works; what your side does is magic, whether it works or not.”

It’s a clever argument, and a good warning against tribalism and triumphalism. But I do see significant differences between magic and religion, with at least four major distinctions that apply in Vaera.

Secret vs. Seen: In ancient Egypt, a magician who revealed his tricks to a layperson would be killed. Judaism certainly has its esoteric aspects, but the overall emphasis is on making Torah and God accessible. The Wizard of Oz says, “Pay no attention to that man behind the curtain.” Even in a kabbalistic theology that imagines God hidden behind a veil, God and humanity eagerly await the time when the veil can be lifted.

Sure vs. Subject to Change: The nature of a magic trick is that you always know how it will turn out. But even Moses can’t definitively know what will happen. God may bring sudden grace. The people may sin and be punished. Pharaoh may repent. This “not knowing” highlights our free will; it also demands humility.

Showmanship vs. Substance: A magician may have only one underlying method for, let’s say, finding your card. But if he is a good showman, he can parlay that into 100 tricks: finding your card in a box, under water, with his eyes closed, etc. In contrast, a lot of religious practice is outwardly repetitive. From week to week in synagogue, you may see the same people, sitting in the same pews, reciting the same prayers, using the same melodies. The “show” is exactly the same. But what’s underneath the performance — the meaning, the intention — may vary greatly, both among the participants and for each individual over time. Magic is about misdirection, whereas religion is about inner direction, or kavanah.

Self vs. Supreme: Magic is self-directed and often self-aggrandizing: “Look what I can do!” Whether offering a trick for entertainment or an incantation by which a practitioner seeks to tap into and influence the spiritual realm, a magician exercises his will. Judaism includes prayers and mystical practices that seek, in some way, to influence God and even, as it were, to “force God’s hand.” But the overwhelming thrust of Jewish prayer and ritual is to change ourselves. Pirkei Avot put it this way: “Align your will with God’s will.”

If we imagine magic and religion on a continuum, then Vaera is urging us toward the religious end of the spectrum, the side that cedes control. By downplaying the trick and focusing on the miracle of religious faith, we cultivate humility and a connection with something greater than ourselves. We come to know ourselves not as hucksters with one predictable trick, but as witnesses and purveyors of infinite possibility. l

Rabbi Debra Orenstein is spiritual leader of Makom Ohr Shalom (makom.org), editor of the Lifecycles book series (Jewish Lights Publishing) and a frequent scholar-in-residence. Her popular essay, “The Five-Minute Miracle,” is available as a free download for all new subscribers at RabbiDebra.com.

Parashat Vaera (Exodus 6:2-9:35) Read More »

Glee Audition

Dear Mr. Brennan, Mr. Falchuk and Mr. Murphy (or anyone who knows them or is related to someone who knows them who can introduce me to them),

I was going to write about auditioning for Glee before I even heard about the open call for auditions for next season.  So you can imagine how excited I was to hear that you will actually be holding auditions.  I have a great idea that I wanted to run by you (not that your ideas are not great, please don’t get me wrong).  Here is my idea: How about hiring me for a role on Glee, or at least an audition?  (You didn’t see that one coming, did you?)

Ok, I know what you are thinking: why me?  Well, let me tell you.  (First, let me think about it for a bit.)  I guess being a fan of the show doesn’t cut it.  (I even drudged up an old headshot of mine for your review – doesn’t everyone who lives in L.A. have one on file?  It’s not thaaaaat old, by the way.)  So, here are the top ten reasons I came up with why I should be on Glee.

1)  I met many members of the cast on a few occasions and we got along.  (That’s a plus, right?) 
2)  I have a background in musical theater – off-Broadway, of course…way off, in fact.  Let’s just say more to the west…way west – California.  Which is where I performed in high school.  (My high school drama teacher is a Facebook friend, so she can confirm the fact.  I am sure she remembers me…vaguely.  High school was a while ago…but not too long ago.)
3)  I can sing.  (Ask my three-year-old son.)  You should hear me in the car.
4)  I have been told that I look like I could be Lea Michele’s younger sister, even though I am older (hint-new character).  This is probably because I am a member of the tribe.  We all look alike, don’t we? 
5)  I studied music and sang throughout college as well (but got my degree in psychology.  Maybe I shouldn’t mention that last part…so, scratch that.)
6)  Please change the open call age limit from 26 years old and add just a few years.  I know you probably hear it all the time, but I don’t look my age…or better yet, even act my age.  (Just a side note – Stockard Channing was 32 when she played Rizzo in Grease.)
7)  I have a sense of humor, or don’t (depending on what you are looking for.)
8)  I work well with children and animals…and adults and producers and actors and directors and…you get the point. 
9)  I don’t require special perks on my rider.
10) And if I am a little off-key, there is always Auto-Tune.

And I know the drill, “Don’t call us, we’ll call you.”  So I won’t be calling you (because that would just be stalking at this point), but I will wait for your call or email or text message or IM or Facebook request or Twitter direct message…

By the way, I even have my audition mashup ready to go: Bette Midler’s “The Rose” and Depeche Mode’s “Blasphemous Rumors.”

Yours Truly,

Jew Mama, a.k.a. Mihal Levy

Glee Audition Read More »