Bacon Explosion: ‘the treyfiest turducken you can imagine’
I mentioned yesterday on Twitter the Bacon Explosion, which, in the words of a Jewcy writer is “the treyfiest turducken you can imagine.”
And all Adam and Eve ate was an apple.
The incredibly non-kosher concoction is “two pounds of bacon woven through and around two pounds of sausage and slathered in barbecue sauce.” Bake or smoke, then enjoy and call an ambulance.
Dreamed up just before Christmas—definitely not Chanukah—the Bacon Explosion got a friendly write-up in the NYT yesterdayday. You’ve got to check out the preparation slideshow.
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Old Jews Telling Jokes [VIDEO]
I just came across this site and it’s as simple as it is brilliant: ” type=”application/x-shockwave-flash” width=”640″ height=”390″ allowscriptaccess=”always” allowfullscreen=”true”>
Tune in every Tuesday and Thursday for another joke.
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Alan Rosenberg Croons His Blues
Is this the emblem incarnate of sheer desperation? Reality entertainment? Tragicomedy?
Desperate to unify SAG and renegotiate actor contracts (and thus far, failing quite miserably) Alan Rosenberg resorts to singing:
And the lyrics, thanks to Sharon Waxman and her new site The Wrap:
We don’t care about the future, we only care about us.
and if you don’t earn what I think I can earn,
I will throw you underneath a bus.
I sure do love my Union, it gave me my pension and my health,
but don’t expect me to stand up for nobody
till I’ve had a chance to accumulate some wealth.
I’ll stand up strong so that we might be weak
I insist you take that deal without even a tweak! (You bastards)
Al and Doug and Doug Allen?, they stand up way too hard.
If they keep fighting for my compensation,
I will bury them right in my own backyard.
Just tell my bosses that I’ll take what they’re willing to give,
‘cause I’m just so grateful that they even let me live!
I don’t care about nobody, I only care about me.
Lay down your weapons and stop all that nasty fighting,
don’t you know you should be glad to work for free!
I’ll stand up strong so that we might be weak,
I demand you take that deal without even a tweak.
Tell old CBS that I’ll take what they’re willing to give,
cause I’m just so grateful that they even let us live!
I don’t care about nobody.
No, I only care about me.
Lay down your weapons and stop all that nasty fighting,
don’t you know you should be glad to work,
shouldn’t even be mad to work,
sometimes you should prefer to work for free!
Sometimes as long as it ain’t me!
Meanwhile, come see me on TV!
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Can ‘The Wrap’ Trump the Trades?
Sharon Waxman makes no secret of her disillusionment with print journalism. So like everybody else, the former New York Times Hollywood correspondent is running to the net. On the homepage of her new entertainment website, The Wrap, that launched this past Monday and for which she is editor-in-chief, Waxman posted her internet-only raison d’etre.
“A year ago I left The New York Times with a sinking feeling about what was happening to professional journalism,” she wrote. “Today we launch with great optimism what I hope will become an exciting new space to cover Hollywood in the digital age.”
In a paidcontent.org message posted at The Washington Post, The Wrap’s ambitions are made clear:
TheWrap.com, the entertainment news site founded by former NYT Hollywood correspondent Sharon Waxman, is now live. The launch is backed by an undisclosed amount of funding from Seattle-based Maveron; Waxman picked up $500,000 in seed funding last August from private investors.
The site aims to take on established publications like The Hollywood Reporter and Variety with news and commentary; it also aims to take on the other high profile indie journalist Nikki Finke, whose DeadlineHollywoodDaily has remained solo till now, though works loosely with LA Weekly. Entertainment trade pub vets make up the masthead: interim COO Kevin Davis held the same title at Hollywood.com, Managing Editor Tim Doyle is formerly of Variety, and Deputy Editor Maria Russo joins from the LAT.
TheWrap.com is also following HuffPo’s lead by bringing in both journalists and industry vets as contributors; there’s even a prominent call-to-action for guest bloggers via a “Tell Us Something” link on the homepage. And while this may not be the most opportune time to launch an ad-supported operation, Waxman told MarketWatch that TheWrap.com will profit from filling the gaps in entertainment coverage left by larger publications (particularly newspapers) as they cut back across the board. The site secured British Airways and the Four Seasons Hotel Beverly Hills as launch sponsors.
Waxman is certainly setting her sights high by challenging the most widely read media resources in the industry. And yet, her exclusive video of SAG President Alan Rosenberg singing a ditty made waves this morning, and was immediately picked up by Variety.
In the rapidly changing media, Waxman demonstrates the foresight to catch up with progress. Now, we’ll see if The Wrap can catch up with her.
From Waxman’s first editorial:
TheWrap seeks to use the myriad tools of the web to marry top quality journalism – breaking news, trends, features, interviews – with the input of the talented and sophisticated community that creates the world’s popular culture.
The time is fortuitous. As our lead story today indicates, the entertainment and media industries are at a fateful crossroads. TheWrap will be a resource for anyone who is interested in understanding the changes in our popular culture, and navigating what has become a global industry.
We need your help to do it. TheWrap seeks to build the best, most dynamic, most discerning community of entertainment professionals and enthusiasts around the world. We seek to be both authoritative and entertaining – yes, it can be done – and know that our content will be enriched by our readers as they comment on our stories, contribute their own blogs and connect to one another.
We believe entertainment matters. It matters because popular culture is a multi-billion dollar industry, American’s number one export, and a source of connection, employment, passion and aspiration for millions of people across the globe. Movies, television, music, games, media – these represent the common language that unites us as human beings. Entertainment reflects our world, and it shapes it.
So that’s why we built TheWrap. We believe it’s time for a substantive, independent and intelligent voice to write about the business of entertainment. And we believe that voice should be at home on the web.
Please consider this a conversation. A dialogue. We will make mistakes, and you will point them out. We will ruffle feathers, as that’s part of an honest conversation. But we hope most of all that you will participate. Write. Comment. Share. And join us in the digital age.
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Picks and Clicks for Jan. 31–Feb. 6, 2009
SAT | JANUARY 31
” title=”www.levantinecenter.org”>www.levantinecenter.org.
(ARCHITECTURE)
Architect Moshe Safdie has been actively involved in rebuilding Jerusalem, both the Old City and the new center. He has led efforts to build the U.S. Institute of Peace headquarters on the Washington, D.C., Mall; two airports, including one in Tel Aviv, and perhaps most pertinent to Angelenos, the Skirball Cultural Center. Safdie has also taught his craft at Harvard, Yale and other institutions. Now, the American Institute of Architecture San Fernando Valley Chapter is honoring this esteemed and accomplished architect with a lifetime achievement award. Sat. 6:30 p.m. $110. Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. (818) 907-7151. ” title=”www.arts.pepperdine.edu”>www.arts.pepperdine.edu.
(FAMILY)
Jewish ice-skater Sasha Cohen will be headlining the Smucker’s Stars on Ice figure-skating production, “On the Edge.” The Olympic silver medalist will sit, spin and salchow along with Olympic bronze medalist Jeffrey Buttle and other Olympic, world and national champions in a spectacular display of lights, music and costumes that have earned the show several Emmy Awards. A portion of the proceeds will be donated to the Boys & Girls Clubs of America. Sat. 3 p.m. $11-$137. Honda Center, 2695 E. Katella Ave., Anaheim. (714) 740-2000. ” border = 0 vspace = ‘8’ hspace = ‘8’ align = ‘left’>(THEATER)
Obie Award-winning solo artist Danny Hoch addresses an issue that New Yorkers take very personally in his new piece, “Taking Over.” Using his hometown, the Williamsburg neighborhood of Brooklyn, as the setting for this much-acclaimed theater work, Hoch portrays various characters of different backgrounds whose lives are being altered by the forces of gentrification. The transition of this neighborhood from a low-income urban community rich with a variety of cultures into a wealthier, whiter and less interesting residential region is a change that is currently affecting many American cities. Sun. 6:30 p.m. Through Feb. 22. $20-$45. Kirk Douglas Theatre, 9820 Washington Blvd., Culver City. (213) 628-2772. ” title=”www.cjhsla.org”>www.cjhsla.org.
MON | FEBRUARY 2
(PLAY)
Israeli actress Naomi Ackerman tackles a subject not often explored in the Jewish community: relationship abuse. In her one-woman show, “Flowers Are Not Enough,” she portrays a young abused woman as she struggles through denial, guilt, shame and despair before she ultimately saves herself. Ackerman, who is also a professional clown, street performer and stilt walker, has performed this play more than 750 times in front of audiences that range from school children to U.N. ambassadors. Mon. 6:30 p.m. Free. University Synagogue, 11960 Sunset Blvd., Los Angeles. R.S.V.P. required. (310) 472-1255. ” border = 0 vspace = ‘8’ hspace = ‘8’ align = ‘left’>(MONEY)
“Reynold Levy is a master at persuading people to give money — lots of money — to worthy causes,” Tom Brokaw said of the Lincoln Center for the Performing Arts president. Levy will be revealing the secrets of his fundraising success in a presentation based on his recently published book, “Yours for the Asking: An Indispensable Guide to Fundraising and Management.” Particularly relevant in today’s gloomy economic climate, Levy’s talk will offer advice on how to attract donors, build endowments and manage nonprofits in the stormiest of times. Wed. 8:30 p.m. $5-$10. Roy and Edna Disney/CalArts Theater, 631 W. Second St., Los Angeles. (213) 237-2800. ” title=”www.lfjcc.org/sdjff”>www.lfjcc.org/sdjff.
(RELIGION)
How does one cope and have faith when a tragedy strikes? How are we to respond to the suffering of others? Can faith and suffering go hand in hand? How do we lead a “meaningful life” if life is filled with pain? These are just some of the questions that Rabbi Moshe Bryski, executive director of Chabad of the Conejo and the Conejo Jewish Academy, will address at “Faith and Suffering: Where Is G-d When It Hurts?” Reservations are required. Wed. 8 p.m. $4. Conejo Jewish Academy, 30345 Canwood St., Agoura Hills. (818) 991-0991. ” title=”www.alpertjcc.org”>www.alpertjcc.org. (LF)
(HISTORY)
Despite Iranian President Mahmoud Ahmadinejad’s infamous call for the destruction of Israel, Persian Jews have lived in Iran — and survived — for thousands of years. Now the Iranian Jewish Cultural Organization of California is letting everyone in on how they’ve done it with “Secrets to Survival: How Jews Survived 2,700 Years in Iran.” The event, with Nahid Pirnazar, lecturer of Iranian studies at UCLA, and Daniel Tsadik, assistant professor of Sephardic and Iranian studies at Yeshiva University, New York, marks the inaugural Amnon Netzer Memorial Lecture. Thu. 7 p.m. Free. Nessah Synagogue, 142 S. Rexford Drive, Beverly Hills. (424) 230-4055.
(MUSICAL)
When Katherine falls in love with a more experienced gentleman, she not only goes “all the way” for the first time, she also sings classic, soft-rock tunes with him as they promise to love one another forever. A parody based on a Judy Blume novel and the wacky world of the ’70s, “Forever: The Musical” is a play L.A. Weekly called “wickedly perverted … hilarious.” Thu. 8 p.m. Also Feb. 12 and Feb. 27-28. $15. Sacred Fools Theater, 660 N. Heliotrope Drive, Hollywood. (310) 281-8337. ” title=”www.tbala.org/lehrhaus”>www.tbala.org/lehrhaus.
FRI | FEBRUARY 6
(THEATER)
Accountant Stan Cooper crunches numbers all day, but by night he’s analyzing figures of a different kind. “Surviving Sex” is a raunchy comedy about one man’s intimate misadventures by David Landsberg, whose writing and producing credits include “Blossom,” “Herman’s Head” and “The Cosby Show.” Part of the Falcon Theatre’s All-Comedy Season, “Surviving Sex” is Landsberg’s second production at the 130-seat Burbank theater, founded by Garry Marshall. Fri. 8 p.m. Wed.-Sun. Through March 1. $50-$55 (opening night), $32-$40 (general). Falcon Theatre, 4252 Riverside Drive, Burbank. (818) 955-8101. Picks and Clicks for Jan. 31–Feb. 6, 2009 Read More »
