\nPhotojournalist Shelley Gazin found herself at a crossroads in early 1998. After two decades of illustrating for periodicals such as Newsweek, Forbes and Los Angeles, she yearned to undertake a project that was more meaningful to her artistically, personally and Jewishly.
French-Canadian director Léa Pool calls her latest movie a teenage-lesbian version of \”Romeo and Juliet.\”
The discussion was con-fidential when Roger Richman, attorney for Hebrew University of Jerusalem, met with Bonnie Curtis, Steven Spielberg\’s producer on \”A.I.: Artificial Intelligence.\” Spielberg needed the university\’s help on his top-secret film, about a robot child who longs to become a real boy.
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