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Theater

Richard Wagner’s Day of Reckoning

Was Richard Wagner, Hitler\’s favorite composer, a classical anti-Semite and proto-Nazi or has conventional assumption given him a bad rap?

The Arrogant Poet You Love to Hate

In \”Pound of Flesh,\” at the Odyssey Theater, Ezra Pound spars with Pvt. Cooper, a young soldier who keeps him company while he awaits trial in Italy for his crimes of treachery against the United States in World War II. If this private is not Pound\’s intellectual match, he more than matches the poet on moral grounds.

Power Begets Madness in ‘Steps’

Michael Halperin, who wrote \”All Steps Necessary,\” a new Holocaust-themed play being staged by the Inkwell Theater, concurs with Milgram. Taking place just after Kristallnacht, his play dramatizes a meeting of Nazi leaders and their formal response to the fallout from the pogrom.

Spectator – A ‘Return’ With Echoes

While Levitin\’s novel, \”The Return,\” won the PEN Award and National Jewish Book Award, one might ask if this is apt material for a musical.

Levitin had never written a play or even lyrics before, but calls the musical the \”most wonderful, creative form,\” an egalitarian template that can depict and appeal to anyone.

High Ideals and a Hot Bod

Writers as varied as Shakespeare and Sir Walter Scott have written of the exotic beauty of Jewish women. But what about Jewish men?

‘Wagging’: My Story as Gay Jewish Male

A couple of years ago, I heard about an oral history project for older gay men and women that resulted in a staged play. I didn\’t see it, but when Bob Baker, the adapter-director, sent out the call for a new cast, I signed up. We listened to each other\’s stories, wrote up the most telling ones and turned remembered conversations into dialogue. After nine months, out came a play.

Treasury Mainstreams Dramatic Plights

Published plays — especially those in anthologies — tend to be dismissed by the casual browser as specialty items, of interest only to students of theater history or to actors in search of audition material. Ellen Schiff and Michael Posnick clearly had something else in mind when they compiled their lively new collection, \”Nine Contemporary Jewish Plays.\”

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