November 18, 2019

Is There a Conservative Alternative to Howard Zinn?

“Conservative scholars who try to make sense of U.S. history face two daunting challenges. The first is their marginality in the profession itself. They want to persuade readers that the nation’s past supports their convictions about the present. But liberal and left-wing scholars have dominated the field for decades; they write nearly all the respected monographs, while the late Howard Zinn’s ardently damning A People’s History of the United States has sold well over 2 million copies since it was first published in 1980.

Then there is the Trump factor. The racist would-be tyrant with the adoring right-wing base clearly knows little and cares less about what actually happened in the America he imagines was so great. Meanwhile, the hard-right, pro-Trump writers of history who attract a mass audience peddle crude propaganda riddled with falsehoods. Take David Barton, who believes the framers of the Constitution were Christian zealots just like him who sought to establish a theocracy, or Newt Gingrich, who insists the welfare state “is incompatible with human nature because it does not view American citizens as individuals with inherent dignity and rights,” or Dinesh D’Souza, who alleges that “the cultural left” was “responsible” for the attacks of 9/11 and calls the Democrats a “fascist” party.

Wilfred McClay, a rare conservative historian whose prior work is respected across the political trenches, thinks he can explain what made America wonderful without echoing the nonsense Newt and his ilk hawk to the faithful. In a new survey of the nation’s past, McClay, who sports a hefty title as the G. T. and Libby Blankenship Chair in the History of Liberty at the University of Oklahoma, seeks to impart an uplifting message while still telling the story straight. His book bears the title Land of Hope, with a subtitle that appears pitched to acolytes of Trump: An Invitation to the Great American Story. Serious scholars on the right rarely write such sweeping national narratives, and McClay’s conservative publisher has made quite a production out of this one. It’s printed on expensive glossy stock, the images are numerous and mostly in color, and a handsome brochure with a lengthy author Q&A is included in every review copy.”

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