Best Of The Web
“In 1960, the literary critic Leslie Fiedler delivered a eulogy for the ghost story in his classic study “Love and Death in the American Novel.” “An obsolescent subgenre,” he declared, with conspicuous relish; a “naïve” little form, as outmoded as its cheap effects, the table-tapping and flickering candlelight. Ghost stories belong to — brace yourself for maximum Fiedlerian venom — “middlebrow craftsmen,” who will peddle them to a rapidly dwindling audience and into an extinction that can’t come soon enough.
Not since Herman Melville’s publishers argued for less whale and more maidens in “Moby-Dick” (“young, perhaps voluptuous,” they dared to dream) has a literary judgment been so impressively off the mark.
Literature — the top-shelf, award-winning stuff — is positively ectoplasmic these days, crawling with hauntings, haints and wraiths of every stripe and disposition. These ghosts can be nosy and lubricious, as in George Saunders’s “Lincoln in the Bardo,” which followed a group of spectral busybodies in purgatory, observing the arrival of Abraham Lincoln’s newly deceased young son. They can be confused by their fates, as in Martin Riker’s new novel, “Samuel Johnson’s Eternal Return,” in which a man is unsettled to discover that his essence has migrated into the body of the man who killed him. Spirits crop up in fiction about migration (Viet Thanh Nguyen’s “The Refugees”; Wayétu Moore’s “She Would Be King”) and complicate what might have been straightforward portraits of relationships (Ben Dolnick’s “The Ghost Notebooks,” Laura van den Berg’s “The Third Hotel,” Lauren Groff’s “Florida,” Helen Sedgwick’s “The Comet Seekers”). They terrify, instruct and enchant — sometimes all in the same book (Carmen Maria Machado’s short story collection, “Her Body and Other Parties,” features a veritable taxonomy of the type).”
JJ Editor's Daily Picks
"After five years of war with the Islamic State, the biggest problem for the winners is coping with the losers. The aftermath has produced one of the world’s most perplexing postwar challenges..."
"What do we mean when we say that the “soul of the city” is under threat? Often, it’s really about politics, nostalgia, and the fear of community change."
"...the pendulum of history never stops moving. Indeed, one of the few constants of history is unceasing change. While we seem to be heading in one direction, we must remember that there will surely be pauses, turns, and reversals."
""Homecoming: A Film by Beyoncé," premiered early Wednesday and it was the fulfillment of all the ancestors' hopes and dreams. Beyoncé also dropped "Homecoming: The Live Album.""
"Seven in 10 adults ages 18 to 34 received financial support from their parents in the last year, including more than half of those in their early 30s. Almost three in five millennials said they couldn’t afford their lifestyles without the support."
"Social media influencers have helped turn public lands into tourist-infested swamps. And one cantankerous man is fighting back."
"One particular myth that attached itself to Ledger was that his death was somehow a result of immersing himself in the character of the Joker."
"In 2018, for the second year in a row, American publishers released fewer translated titles: 609 books were published, down from 650 in 2017 and the industry high in 2016 of 666."
"Egg freezing had become so routine among my single peers that when I hit 35, I never thought twice. Here’s what I wish I had known."
"When it comes to Passover cuisine, most home cooks know to avoid wheat, oats, rye, and other forbidden ingredients. But what consumers might not realize is just how much cotton they eat during the holiday."
"A masked figure looms over your recumbent body, wielding power tools and sharp metal instruments, doing things to your mouth you cannot see."
"Passover is a holiday that commemorates the Jewish people escaping slavery in Egypt. It is often referred to as the “festival of freedom.” My Passover in prison was at a place called the Wallkill Correctional Facility..."