fbpx

September 22, 2016

Bringing the finest cuts of meat to the kosher table

It started with a simple question.

Five years ago, the head of a local kosher supper club approached Rabbi Jonathan Benzaquen and his wife, Esther, knowing of their deep family connection to the kosher meat industry. 

“Can we have a kosher filet mignon?” he asked them.

And so began the couple’s journey that is part business venture, part religious crusade. Today, they make up the team behind Bakar Kosher Meats, an online retailer hoping to bring hindquarter meat back to the Jewish table.

The process of stripping forbidden flesh from the back half of a cow, called nikkur achoraim, is something of a lost art in North America. Choice cuts like sirloin, tri-tip, and, yes, filet mignon are thus missing from kosher markets.

Which is a shame, as far as the Benzaquens are concerned, since it was an economic rather than a halachic reality that kept some of the most desirable cuts of meat out of kosher kitchens. 

 “Each piece has to be worked on,” Esther explained, sitting across from her husband at a Coffee Bean & Tea Leaf in Beverly Hills. “So it became cost-prohibitive for [kosher butchers] in mass scale, and there is so much abundance of meat in America, they didn’t need it.”

Today, it’s common practice for kosher butchers to sell the back half of the animal to conventional distributors. But about five years ago, the Benzaquens decided to break from common practice. 

Jonathan returned to the Jerusalem yeshiva where he was originally ordained to learn how to remove the sciatic nerve and belly fats Jews are forbidden from eating, the tricky and time-consuming process that makes kosher hindquarter meat such a rare delicacy.

Now, he personally butchers each cut of meat sold by Bakar, whose name derives from the Hebrew word for cattle. Citing “business reasons,” he wouldn’t reveal the source of his meat, only that he does his work in a slaughterhouse outside Los Angeles.

His personal attentions don’t come cheap, even by the pricy standards of kosher meat: At $55.26 a pound, the average 4-pound cut of filet mignon he sells comes in at $221.04. But for the price, the cuts meet glatt and Beit Yosef standards, and come from Angus, pasture-raised and hormone-free cattle. 

What’s more, Bakar’s website (bakarkoshermeats.com) is one of the few places kosher foodies can fetch the coveted cuts, making the Benzaquens something of an outlier in the American kosher community. Though practitioners of nikkur achoraim are commonplace in Israel, for a combination of rabbinical and economical reasons, in the United States they are rare: In 2013, a Beverlywood kosher supper club flew in an expert from New York to oversee the preparation of hindquarter meat.

Because the practice has fallen into obscurity here, the supervision infrastructure largely doesn’t exist. Rabbi Yakov Vann, the director of kashrut services for the Rabbinical Council of California, said his organization won’t lend its seal for hindquarter meat.

“Kashrut has to be by consensus,” he told the Journal. “Because your community and my community and the New Jersey community and the Philadelphia community — all of us want to have common ground.”

Rabbi Sholem Fishbane, the executive director of the Association of Kashrus Organizations, an umbrella group for kosher certifying organizations, said the process of butchering the back half of the animal is so fraught that “you just don’t want to play with that.”

Like trained chefs who remove venom glands from puffer fish to serve up the delicacy, any slip threatens to poison the consumer — though, in this case, it’s spiritual rather than physical poisoning, Fishbane said. Nikkur achoraim puts consumers at risk of accidentally consuming unkosher meat, and there are so few experts in the U.S. that the practice is largely abandoned, he said.

“In America, we say we don’t know enough and there’s enough meat; we won’t have filet mignon,” Fishbane told the Journal by phone.

The perils of nikkur achoraim lie in the sciatic nerve and the belly, or peritoneal fats. The prohibition on the sciatic nerve arises from a passage in Genesis where Jacob, in a dream, wrestles with an angel. In the course of the scuffle, the angel touches Jacob’s gid hanaseh, or sciatic nerve, dislocating his hip. 

“That is why the children of Israel to this day do not eat the thigh muscle that is on the socket of the hip,” the verse states.

As for the belly fats, “this represents wealth,” Jonathan Benzaquen said, holding the fat around his gut. 

“It’s extra,” he said. “The fact that you have a fat stomach means that you’re blessed, you have abundance. So out of a lack of arrogance, or humility, the Torah tells us we need to burn the fat that’s around the stomach.”

But the Benzaquens reject the argument that nikkur achoraim is simply too difficult, citing a ruling by Rabbi Moshe Feinstein, one of the leading figures of American Orthodoxy: “If someone is certified and qualified in doing nikkur, one should not prevent them from doing so,” the famous Talmud scholar wrote in his nine-volume commentary, “Igros Moshe.”

“Judaism is kind of like brain surgery,” Jonathan said. “The brain surgeon is not going to lob off extra stuff just in case. ‘Oh, let’s just be machmir [strict], let’s just say no, let’s just take it anyway, just in case.’ ”

Esther added: “It’s a lot easier to say everything is not OK. You need to know a lot less to say no to everything than you do if you say yes or no to something.”

Besides, the couple pointed out, nikkur achoraim is common practice in Israel, so why not here?

The Benzaquens’ path was made easier by the fact that they didn’t need to look beyond their own family for certification: Jonathan and his uncle, Moshe Benzaquen, run Kosher LA, a local kosher certifying company with Coffee Bean & Tea Leaf among its clients.

It also helps that Jonathan grew up in kosher slaughterhouses.

Born in England to Moroccan parents, he moved as a child to Maracaibo, Venezuela, where his father, also a rabbi, ministered to the Jewish community. Among the elder Benzaquen’s responsibilities was operating the local schita, or kosher slaughterhouse. Often, he worked from the late evening into the pre-dawn hours to avoid the heat of the day.

Jonathan remembers visiting the slaughterhouse with his father; once, he brought home a sheep’s eye for his mother as a gift.

Today, Esther and Jonathan live in the San Fernando Valley with their four sons. Jonathan — a rabbi for all seasons, after a certain Sephardic mold — is a trained mohel and can brag that he wielded the knife for each child’s circumcision. 

When he and his wife talk about meat, they seem to speak with a passion most people reserve for love, God and politics. They see themselves as bucking a trend toward extreme stringency in the Orthodox community that tends to disempower kosher consumers.

“That’s absolutely what we are striving to change in the kosher world,” Esther said. “And that’s really what drives us behind Bakar. … You need to learn how to do something properly and do it. And it’s part of our heritage. It’s part of our Torah.”

Bringing the finest cuts of meat to the kosher table Read More »

Challah: Braiding our community together

Start to finish, making challah is a multisensory, multilevel process: mixing ingredients into dough, taking time to let it rise, punching it down, letting it rise some more, separating the dough into balls, stretching the balls into ropes, weaving the ropes together, tucking the ends under, glazing it with egg wash, setting it in the oven and breathing in the smell as it bakes to golden brown, tapping the bottom to make sure it’s cooked through, slicing (or tearing) the loaf and making “mmm” noises while you’re chewing.

“It tastes like cake,” someone will say, as you all sigh into the gustatory experience that links a Shabbat or holiday meal to all the Shabbat or holiday meals of the past. (Except Passover meals, of course, when we unsuccessfully pretend matzah is bread.) That’s the power of challah.

The braided — or sometimes round, as it is for the High Holy Days — bread has become a way to bring community together. These days, communities are using it to mobilize social action or as prayer for healing. For some, it is a business (see related article). But whether challah bakers are in it for the prayer, the pleasure or the profit, what they all share is passion.

Challah and Spirituality

When her friend’s daughter was battling cancer, Mushka Lightstone, a resident of Los Angeles’ Fairfax/LaBrea neighborhood, joined a group of 40 women making challah every week in honor of — and praying for — the sick child. 

Lightstone, executive producer of the 2014 documentary “Shekinah: The Intimate Life of Hasidic Women,” started researching the practice and found it to be “very powerful.”

“Every step of putting the bread together has its own significance,” she said recalling sources ranging from the Torah and Talmud to the Midrash and Kabbalah.

The primary source for challah is in Numbers (15:18-19): “When you enter the land to which I am taking you and you eat of the bread of the land, you shall set some aside as a gift to the Lord.”  Setting a small piece aside (traditionally 1/24th of the batch) has become known as “taking challah” (hafrashat challah). In Temple times, that fraction would have been given to the priests, but in our times, the piece is burned, recalling the Temple sacrifices. (Hafrashat challah is only for wheat, barley, oat, spelt or rye; challah bakers using rice, quinoa or other flour are exempt.)

As Lightstone worked her way through the challah recipe, she said, she “would have in mind each element I was putting together and meditate on the deeper aspects of each thing. I would visualize this little girl and visualize her wellness,” she said, “bringing in the unity of the whole world and the healing power and energy of the universe. 

“There are so many times when we feel so powerless and things in the world seem so crazy,” Lightstone said. “I believe all of creation is like this hologram, it’s all energy. I feel like I become a partner in that creation with Him, and work on the rectification of things. As I’m kneading the challah, I think about bringing the world back together and making it look beautiful again.”

While challah bakes to help heal the ill are primarily an Orthodox custom, some liberal Jews have adopted the practice as well, including Rabbi Rebecca Einstein Schorr, who grew up in Fountain Valley and served the Reform Congregation B’nai Tzedek as rabbi until 2011.

“Just as we set aside the Sabbath day as holy, I want to set aside my preparation as distinct and special too,” said Schorr, editor of “The Sacred Calling: Four Decades of Women in the Rabbinate.” In an email, she wrote that she collects the names of “those who are in need of blessing” from her Facebook network, which “helps me set an intention for the sacred act of baking challah.” 

“Knowing that generations of Jewish women before me have observed this particular segulah (protective charm) binds me to our past while simultaneously looking towards a better future for those who need healing,” Schorr wrote. 

Linguistically, the word “challah” shares a Hebrew root with the word “chol,” meaning “ordinary” or “secular” (think of holidays’ intermediate days — “chol hamoed” — or the word for “sand,” also “chol”).  Combining ordinary things — flour, water, oil — makes them better together, elevates them from “chol,” mundane, to “kodesh,” holy.

“By establishing this spiritual practice, the physical act is elevated to the spiritual plane,” Schorr wrote. 

Baking the World to a Better Place: Challah for Hunger

A recent report on hunger by Feeding America, the leading network of food pantries in the United States, revealed that 10 percent of food pantry clients (about 4.5 million) were students who “explicitly reported that they were forced to choose between paying for food and for their educational expenses,” according to the Challah for Hunger website. For instance, at the University of California, “2 in 5 students reported that they experienced food insecurity in the past year, and nearly 23 percent reported that they skipped meals to save money.” 

On 82 campuses in 28 states nationwide, Challah for Hunger is mobilizing thousands of students and young adults — and challahs — to solve this problem.

Challah for Hunger was founded in 2004 by then-Scripps College student Eli Winkelman. The goal was to use challah to connect students and to raise funds for social justice causes. Their first challah sale was on Oct. 1, 2004; they became a registered 501(c)(3) in 2009 and moved their headquarters to Philadelphia in 2013.

Challah sale proceeds are split 50-50 between the national hunger organization MAZON and a local hunger relief nonprofit of each chapter’s choosing.  

“This connects people with the food they need now and connecting to an advocacy group that does more long-term change on systemic issues,” said Talia Berday Sacks, Challah for Hunger’s project manager, in a phone interview.

She called the issue of hunger among college students a “new, hyper-local form of hunger” that is “quietly growing,” adding that they don’t have exact numbers because food-insecure students may find it stigmatizing to receive food assistance.

Kneading Connection: Challah Hub

Sarah Klegman baked challah with her mom in Northern Michigan “ever since I could reach the counter,” she said. From film school in Chicago, to starting a career in talent management and comedy production in L.A., and now as a writer and marketing/branding professional, she maintained her practice of baking challah.

“At the time,” she said in a phone interview, “people found it hilarious that a professional businesswoman would also bake bread from scratch at home. The reaction that people have when you march into a space presenting them with this homemade bread … they get so excited. When you see a challah that was made by hand, presented by the person who made it, it’s a very unique and personal thing.”

She met Elina Tilipman, a marketing entrepreneur originally from Germany, and the pair realized that their shared passion for braided bread — and the “weird stuff” they could put into challahs —could be a social and business opportunity.

“Challah is a long process,” Klegman said. “When you bake challah with someone, it’s four to six hours; you’re going to get to know each other.”

The pair formed Challah Hub, which started as a recipes blog, then expanded to include tasting events. Their first event featured a tasting of more than 30 different challah flavors and featured a diverse group of musicians, artists and “business types,” all socializing over challah.

Challah Hub’s modern and fun twist on an old tradition also helps them reach the millennial crowd, Klegman said, “who don’t always feel a strong connection to their heritage, and that’s a pretty cool thing to be able to do.”

In the coming months, Challah Hub will be launching the “Challah Hub Beta,” taking orders through their website (challahhub.com) and, soon after, launching a subscription-based home challah delivery service.

Challah Hub also organizes bakes at the Downtown Women’s Center. While the Women’s Center gets leftover food from other places, Klegman said providing homemade challah specifically for these women is special.

“I don’t know what I believe in,” she said, “but there’s something about having this piece of beautiful bread that took time and was made by someone who cares for you with their hands that is both physically and spiritually nourishing.”

Challah: Braiding our community together Read More »

The business of challah – more than just making dough

Normally on Thursday afternoons, Dan Messinger and his head baker at Bibi’s Bakery & Cafe, Gilberto Escobar, fold pieces of dough on a large rustic table, making braided challah. But on this sunny afternoon, they do something special: they add apples and honey to the dough, then swirl the mound into a round shape. They do this only at this time of year, when they bake challah for the High Holy Days, from Rosh Hashanah through Sukkot.  

The smell of freshly baked challah quickly fills the bakery, a reminder of the approaching festive meals. 

For Messinger, 40, who has been the owner of Bibi’s cafe since 2011, the smell is reminiscent of his childhood and times when he baked challah with his father while growing up in Philadelphia. 

“There was a lot of smell of challah that I really enjoyed,” he said. 

Until recently, Messinger didn’t expect his lasting passion would turn into a full-time job. 

Messinger moved to Southern California in 1999 after he graduated from the University of Michigan. He came here to pursue a career in writing and producing, and took several jobs, working in reality TV and for a marketing production company. But long hours and frequent business trips left him stressed and overworked. When he started looking for new job opportunities, the answer came naturally: Making challah.  

He purchased the bakery near the intersection of Pico and Robertson boulevards in 2011 and began by making pastries, stone-oven-baked pizzas, sabich sandwiches, and other types of Israeli street food. 

“There is something real about the bakery,” he said. “There is nothing more real than making bread, as you receive lot of real-time reaction from customers.”   

By the time Messinger took ownership, the bakery had been open for nine years and had regular customers and an established menu. Messinger decided to keep the menu, which includes Turkish bourekas and sambusas, also known as Middle Eastern calzone. The majority of food on the Bibi’s menu is heavily influenced by Eastern European and Middle Eastern cuisines.

“Some people walk in and say, ‘It reminds me of Israel,’ ” he said. “To me it means we’re doing something right.” 

But the most popular item on the menu has remained challah.  

On Thursday afternoons, Messinger and Escobar mix yeast with water. Then they combine yeast, sugar and salt before putting them into an electric mixer to make dough. Escobar lays small portions of dough on the table to rise. Then he rolls each portion into rope-like strands and swirls them into a circle, shaping round challah, a symbol of the cycle of life and the crown of God.

The process is labor-intensive and can take up to three hours. 

“The ingredients are not expensive, but it takes a long time to make challah,” Messinger said. 

During a regular week, Bibi offers challah in five flavors, including whole wheat and chocolate chip. The High Holy Days’ challahs are slightly sweeter than the regular ones because of the apples and honey, symbols of the Jewish New Year.

It was a quiet day at Bibi’s on a recent afternoon with just a few customers waiting in line. Messinger wore a brown apron with lettering that said “Dan The Man,” a brown cap and black-framed glasses. Once in a while, he greeted customers or picked up the phone to take an order.

Vintage posters and food advertisements covered the walls. A stone-domed oven separated the kitchen from the cafe. An Israeli flag hung in the window. 

Soon those windows would be filled with freshly baked challah, as more people placed their orders. On average, each customer buys two challahs for each holiday meal, and a line of customers sometimes stretches outside of the store and down the block.

For Rosh Hashanah, Dan and his team make up to 300 challahs and sell them for $6 or $7 each, depending on the flavor. On a regular day, challahs are $5 and $6. 

When Alain Cohen, another challah baker in the Pico-Robertson neighborhood, moved from Tunisia in the mid-1980s, he decided to put a spin on a traditional challah. He opened the Got Kosher? restaurant and dipped challah into a pretzel bath to give it a new look. His updated version of challah received lots of positive feedback from customers, and that inspired Cohen to continue his experiments. He created challahs with more flavors, including Belgium chocolate chunks, nuts, raisins and dried fruits. 

“I wanted to show people that challah can have more than just bread,” he said. 

For Rosh Hashanah, Got Kosher? sells eight different flavors, including challah with rosemary, apricots and walnuts. 

The most popular one has sesame seeds and a little hand print on top, a challah for which his customers wait for weeks. 

“We have a tradition in Tunisia to put fingers of the hand on top of challah,” Cohen said, adding that the symbol means an offering and a prayer for a sweet life. “There are a lot of symbols packed into challah.” 

For Messinger, in preparation for the busy holiday season, the new year is about keeping a balance. In his first year of High Holy Days baking, he sold out all of his challah, which was good for business, but then he had nothing to take home. 

This year, he will try to make enough challah for his customers and his own family, but not too many, so he won’t end up with ones that get thrown away.

“When I have a ton of challah leftovers, even though the ingredients are not that expensive, I feel bad,” he said. “Not because of money, but because I know how hard the baker worked, and how much work we all put into it.”

The business of challah – more than just making dough Read More »

Recipe: Apple, raisin and honey challah

– 1 tablespoon instant yeast
– 3 cups (13 1/2 ounces) bread flour, divided, plus extra for kneading
– 1/2 cup warm water
– 1/4 cup plus 1 teaspoon honey, divided
– 3 tablespoons vegetable or canola oil
– 3 large eggs, at room temperature, divided
– 1 1/2 teaspoons salt
– 1/4 cup sugar
– 2 apples, preferably Braeburn or Golden Delicious
– 1 teaspoon lemon juice
– 3/4 cup raisins
– 1 tablespoon sesame seeds for garnish

In the bowl of a stand mixer using a whisk attachment, combine the yeast, 1/4 cup flour and the warm water, whisking until smooth. Set aside until the yeast begins to foam, about 10 minutes.

Whisk in 1/4 cup honey, the oil and 2 eggs until well incorporated. In a separate medium bowl, sift together the remaining flour with the salt and sugar.

Replace the whisk with the dough hook and begin mixing at low speed. Add the flour mixture, 1 spoonful at a time, until all is incorporated. Mix the dough for 6 to 8 minutes at medium-low speed to develop the dough; it will be very wet and sticky and will not form a ball. Remove to a well-floured surface and gently knead, adding a little flour at a time (up to 1/2 cup), until the dough is elastic, soft and only slightly sticky, 1 to 2 additional minutes.

Place the dough in a large, clean, oiled bowl and cover it with a kitchen towel or a loose sheet of plastic wrap. Set the bowl in a warm place until the dough is doubled in size, 1 to 2 hours.

While the dough is rising, prepare the apples. Peel and core the apples, then cut each into 8 slices. Dice them. Toss the apples with the lemon juice and teaspoon of honey to prevent them from discoloring. You should have 1 3/4 cups of diced apple.

Whisk the remaining egg in a small bowl to form the egg wash.

Roll the dough on a well-floured surface into a long strand 2 1/2 to 3 feet in length and 6 inches wide. Scatter the apples and raisins over the length of the dough, then roll the dough crosswise over the apples (as with cinnamon rolls) and seal the ends with the egg wash.

To make the high-rising spiral shape common for Rosh Hashanah, wind the strand to form a spiral (the tighter the spiral, the higher the final loaf), making sure the outer end of the spiral is tucked under to prevent it from unraveling while the challah bakes.

Place the challah on a parchment-lined baking sheet and brush it with the egg wash, then scatter the sesame seeds evenly over the top.

Cover the challah loosely with greased plastic wrap and proof until doubled in size, 1 to 2 hours. When the challah is almost proofed, heat the oven to 350 degrees.

Remove the plastic wrap and bake the challah in the center of the oven until browned on top, the bottom of the loaf is dry when lifted, and a thermometer inserted into the center of the loaf reaches 190 degrees, about 35 to 45 minutes. (Timing will vary depending on the tightness of the spiral and density of the loaf.) Rotate the challah after the first 20 minutes for even coloring. Remove the challah from the baking sheet and cool on a rack before serving.

Makes 10 servings.

Recipe: Apple, raisin and honey challah Read More »

From comic books to fine art: Roy Lichtenstein at the Skirball

The art of Roy Lichtenstein, with his comic book-inspired images and vivid palette, has become so ubiquitous that it’s hard to remember just how radical the Pop artist was when he first burst into the public imagination in the early 1960s. “Pop for the People: Roy Lichtenstein in L.A.,” which opens at the Skirball Cultural Center on Oct. 7, puts the spotlight on the artist’s political and social impact, as well as upon his longstanding collaboration with the prominent Los Angeles fine art printmaking studio Gemini G.E.L.

One of the first pieces visitors will see is “Thunderbolt,” a dramatic 12-foot-tall banner depicting a red hand holding a yellow lightning bolt against a blue background. The hand is colored using evenly spaced circular dots rendered with red and white layers of felted and stitched wool. This 1966 work features Lichtenstein’s signature use of the Ben-Day dot method common in comic-book illustrations.

The show also includes politically themed works, including two Time magazine cover images from 1968: the first of Robert Kennedy as a candidate for the presidency, and the second of a gun pointed straight at the viewer. There are also images of Mao Tse-tung and of the Statue of Liberty, representing the Pop artist’s wide-ranging appropriations of mass-produced, topical images.

Born in 1923, Lichtenstein was the grandson of German Jewish immigrants and grew up on Manhattan’s Upper West Side. He fought for three years in World War II alongside other Jewish American soldiers, several of whom were comic book illustrators and introduced Lichtenstein to comics as a form of art-making.

Along with Andy Warhol, Jasper Johns and Robert Rauschenberg, among others, he created what became known as the Pop Art movement in the 1960s — a direct reaction to the heavy-handed masculinity of the Abstract Expressionists who dominated the New York scene at the time. Lichtenstein made seemingly light-hearted works drawn from popular culture that nevertheless raised questions about the values behind American identity.

Artists like Lichtenstein, Claes Oldenburg and Rauschenberg “were doing things that nobody had ever done before,” said Bethany Montagano, the Skirball show’s curator. 

“By elevating what was considered America’s low culture and low art, like comic books, and raising it to the realm of fine art,” she said, “they made fine art accessible to the American public in ways that had never been achieved before.”

Lichtenstein’s only work to directly address his Jewish roots is a 50-foot, two-panel mural he painted in 1989 and adapted for a fundraising print for the Tel Aviv Museum of Art. The work includes references to Pablo Picasso’s bull’s head, Alexander Archipenko’s Cubist figures and Marc Chagall’s violinist, but done in Lichtenstein’s signature hard-edged, pared-down, colorful style, and is included in the Skirball exhibition.

Lichtenstein carving into a wood block for “Head” in 1980. Photo by Sidney B. Felsen

While Lichtenstein had Jewish ancestry and was the child of immigrants to the United States, Skirball museum director Robert Kirschner says the museum’s decision to show his work also has to do with the artist’s interest in social and political issues.

“He was an artist with social impact who had a message that we understand to be essentially democratic, at least within the world of fine art and beyond. He took the everyday and made that the subject of fine art,” Kirschner said. “He was also very engaged in the public realm and took positions on issues of social movements.”

“Pop for the People” presents four decades of Lichtenstein’s work, from the rarely displayed “Ten Dollar Bill” (1956), one of his first Pop pieces that shows a movement away from Abstract Expressionism and Cubism, to two now-iconic works from 1965: “Sunrise” and “Shipboard Girl.” 

From his comic-book prints, the war-related images “Whaam!” (1963) and “As I Opened Fire” (1964) will be displayed alongside the actual comic books from which he appropriated the imagery.

In Los Angeles, Lichtenstein enjoyed a 27-year collaboration with Gemini G.E.L., the esteemed print studio that is celebrating its 50th anniversary with a retrospective exhibition at the Los Angeles County Museum of Art called “The Serial Impulse at Gemini G.E.L.” Working with Gemini’s master printmakers, Lichtenstein collaborated on 124 editions of various sizes.



Head (1980), Los Angeles County Museum of Art, gift of Dorothy Lichtenstein © 1980 Estate of Roy Lichtenstein / Gemini G.E.L. Photo courtesy of Museum Associates / LACMA

The 1960s marked a renaissance in printmaking, giving artists the ability to make limited editions of their work and allowing the American public access to fine art at a lower cost. In New York, the legendary art dealer Leo Castelli represented Lichtenstein’s work, and Castelli encouraged his artists to create limited-edition prints.

More than 20 of the Lichtenstein works on display at the Skirball were printed at Gemini G.E.L.’s studio in West Hollywood. 

Gemini G.E.L. (Graphic Editions Limited) was founded in 1966 by master printer Ken Tyler, who studied at the Tamarind Lithography Workshop in Los Angeles, along with Sidney Felsen and Stanley Grinstein, who were fraternity brothers in Zeta Beta Tau, a historically Jewish fraternity, at USC.

Tyler had worked with artist and educator Josef Albers at Tamarind, and Albers’ “White Line Square” series became the first production at Gemini G.E.L. Albers was followed in 1967 by Rauschenberg, who opened the door to other contemporary artists, including Oldenburg, Frank Stella, Johns, Ed Ruscha, Ken Price and Lichtenstein. The artists would often be guests in the homes of the Felsen and Grinstein families, and they all developed close friendships. In the 1960s, the studio had a can-do approach, influenced by the proximity of Hollywood and the aeronautics industry.

“Our attitude from Day One was, we’ll do anything you want,” Felsen said in an interview. 

In addition to works on paper, the studio made sculptural editions of drawings out of metal, wood, plastic, fabric and paper. Over the past 50 years, Gemini has produced about 2,000 editions of works on paper and about 300 editions of sculpture, and has become a pioneer in developing new processes for intaglio, lithography, screenprints, and woodcuts.

In 1979, the architect Frank Gehry, who was very close to many artists, designed an addition to Gemini’s studio that includes an artist’s workshop and gallery space. In addition, Gemini has printed dozens of editions of Gehry’s sketches.

The studio’s collaboration with Lichtenstein began in 1969. As Felsen recalled, “The first series he did with us was based on [French impressionist painter Claude Monet’s] Rouen Cathedrals and [Monet’s] haystacks. Roy ended up being a regular. He came out here at least every other year.”

Lichtenstein’s “Expressionist Woodcuts” series is included in LACMA’s “The Serial Impulse at Gemini G.E.L.” retrospective. Its seven prints were inspired by Lichtenstein’s visit to Los Angeles in 1978, where he studied Robert Gore Rifkind’s collection of German Expressionist graphic art. The pieces don’t reference specific works, but rather an entire genre.

Lichtenstein enjoyed mining the themes and styles of earlier artists. Just as “Haystack” referenced Monet, the Skirball also will show the Pablo Picasso-inspired “Bull Profile” and the Salvador Dalí-esque “Surrealist.” One room of the Skirball installation will be turned into a three-dimensional reimagination of Lichtenstein’s 1992 painting, “Bedroom at Arles,” which in turn was based on Vincent van Gogh’s “Bedroom in Arles.” 

The show also highlights Lichtenstein’s humor and openness to creating unconventional work, with his art emblazoned on a tea set, a dress, a bowling shirt, paper plates and even a shopping bag with an image of a turkey. 

What once seemed revolutionary and daringly caustic in the art world is now seen as enormously accessible and light-hearted work, and as a result his work has been mass-produced as well as endlessly parodied over the years. Lichtenstein’s bold style has also had a huge impact on advertising, marketing and fashion. Looking back on his career, it’s surprising to see just how revolutionary Lichtenstein was. 

“Lichtenstein was called one of the worst artists in America when he made these comic book works, and he was really criticized,” Montagano said. “But the public fastened onto it. And he completely democratized it.”

“Pop for the People: Roy Lichtenstein in L.A.” is on display at the Skirball Cultural Center from Oct. 7 through March 12, 2017. For more information, visit skirball.org.

“The Serial Impulse at Gemini G.E.L.” is on display at LACMA’s Resnick Pavilion now through Jan. 2, 2017. For more information, visit  lacma.org

From comic books to fine art: Roy Lichtenstein at the Skirball Read More »

Mark Zuckerberg, wife announce plan to invest billions to cure or control ‘all diseases’

Facebook CEO Mark Zuckerberg and his wife, Priscilla Chan, said they will invest billions of dollars to “help cure, prevent and manage all diseases.”

The announcement came Wednesday at an event in San Francisco.

“We’re going to focus on bringing scientists and engineers together to build new tools that can empower the whole scientific community to make breakthroughs on the four major disease categories,” Zuckerberg said in a statement about the initiative on his Facebook page.

As part of the plan, the initiative will create a bioscience research center called the Biohub, to which the couple through their charitable foundation will donate $600 million over the next decade. The initiative also will work to develop a chip to diagnose diseases, and ways to monitor the bloodstream continuously and map cell types in the body, Zuckerberg said.

“After years of learning about these problems, talking to top scientists and experts, reading everything we could get our hands on, and getting into the math of how science is funded, we are optimistic that it is possible to cure, prevent or manage all disease in our children’s lifetime,” his statement said. “If we can bring scientists and engineers together to build the right tools, then we can accelerate breakthroughs on the major diseases, and we can continue until there are no more left.”

Zuckerberg added that it is a “long-term effort” and will take the investment of billions of dollars over decades.

Among those praising the couple in comments on Zuckerberg’s Facebook page were Arnold Schwarzenegger, Melinda Gates and Deepak Chopra.

Late last year, Zuckerberg and Chan pledged to give away 99 percent of their Facebook shares “during our lives” to charity. The pledge, then worth approximately $45 billion, came in a Facebook post on Dec. 1, 2015, announcing the birth of their daughter, Max.

Mark Zuckerberg, wife announce plan to invest billions to cure or control ‘all diseases’ Read More »

At the General Assembly: Abbas slams UN inaction, Netanyahu says UN ‘war against Israel’ is over

At the United Nations, Palestinian Authority President Mahmoud Abbas said he would push for a resolution condemning West Bank settlements, while Israeli Prime Minister Benjamin Netanyahu said ties between Israel and the rest of the world were improving and that “the war against Israel at the U.N. is over.”

Speaking to the crowd of international leaders in New York on Thursday, Abbas continually blasted Israel’s occupation of Palestinian lands, while also criticizing the U.N. Security Council for not coming down harder on the Jewish state’s settlement expansion.

In his speech, during which he kept emphasizing that the Palestinian Authority was “the sole representative of the Palestinian people,” Abbas said the P.A. will push for a resolution condemning Israeli settlements and that he hoped “no one will cast a veto against this draft resolution.”

“What the Israeli government is doing in its pursuit of its expansionist settlement plans will destroy whatever possibility and hopes are left of the two-state solution on the 1967 borders,” he said.

Abbas, who referred to Palestine as “a state under occupation,” also said Britain should apologize for signing the “infamous” Balfour Declaration, a 1917 letter that declared its support of Israel as the Jewish homeland.

The declaration, he said, “paved the road for the nakba,” an Arabic term referring to Israel’s victory in its war of independence and the displacement and dispersal of Palestinians that resulted.

The Palestinian leader also appealed to countries who had not yet recognized Palestine as a state to do so.

“Those who believe in the two-state solution should recognize both states, and not just one of them,” Abbas said.

Netanyahu, meanwhile, told the international leaders that their governments at home were changing their views of Israel for the better.

“The change will happen in this hall because back at home your governments are rapidly changing their attitudes toward Israel, and sooner or later that’s going to change the way you’re voting on Israel in the U.N.,” he said after blasting the international body’s past condemnations of Israeli policy.

The Israeli prime minister cited improved ties with African and Asian countries, but said relations with neighboring countries were the most significant change.

“The biggest change in attitudes towards Israel is taking place elsewhere, it’s taking place in the Arab world,” he said, calling peace treaties with Egypt and Jordan “anchors of stability” in the Middle East.

Netanyahu said he welcomed “the spirit of the Arab Peace Initiative,” a nod to Saudi Arabia, which initiated the peace proposal that has not been accepted by Israel.

He mocked Abbas’ call to  launch “a lawsuit against Britain” over the Balfour Declaration, saying it was as “absurd” as suing Abraham for buying land in Hebron in the Bible.

But Netanyahu also said he was open to dialogue, inviting Abbas to speak in the Knesset and saying he would be open to speaking to the Palestinian parliament in Ramallah.

In his speech, which came a day after he sat down with President Barack Obama, Netanyahu also emphasized the strong bond between Israel and the United States.

“We never forget that that our most cherished alliance, our deepest friendship, is with the United States of America, the most powerful and most generous nation in the world,” he said, adding that while “the U.N. denounces Israel, the U.S. supports Israel.”

 

At the General Assembly: Abbas slams UN inaction, Netanyahu says UN ‘war against Israel’ is over Read More »

Treating ‘Harry Potter’ like a holy Bible

There’s no doubt the cultural impact of “Harry Potter,” J. K. Rowling’s magical creation, has extended beyond her seven books, eight films and the new London stage play, going so far as to inspire social justice initiatives. Among the countless organizations are the Harry Potter Alliance (founded and run by fans) and Lumos (founded by Rowling herself. A 2014 study published in the Journal of Applied Social Psychology went so far as to suggest that reading “Harry Potter” instills empathy and, overall, increases moral fiber.

You could almost say that “Harry Potter” has morphed into a kind of religion, complete with a moral code, close-knit communities — and a central, sacred text.

That’s the idea at the heart of “Harry Potter and the Sacred Text,” a weekly podcast co-hosted by Harvard Divinity School graduates Vanessa Zoltan and Casper ter Kuile and produced by current Divinity School student Ariana Nedelman. Going chapter by chapter, Zoltan and ter Kuile delve into weighty themes such as hope, destiny, rebellion and vulnerability, using the text of “Harry Potter” as a guide.

Zoltan, an assistant humanist chaplain at the Humanist Hub in Cambridge, Mass., insisted they are not trying to teach “Harry Potter” as a religion in itself, but that applying the sacred reading process to the “Harry Potter” text can illuminate some of the instructive lessons found within its pages. Zoltan and Nedelman both grew up in Jewish homes in Los Angeles — Zoltan is a San Fernando Valley native and Nedelman hails from Santa Monica — and Zoltan said Judaism informs a lot of what they do. In fact: “The whole thing feels super Jewish to me!” Zoltan laughed. “It's people getting together and reading. The whole thing is chevrutah!”

This is not Zoltan’s first foray into finding the holy in unlikely sources: For her thesis research, she organized a reading group to explore “Jane Eyre” as a sacred text — to approach it with faith, intellectual rigor, and within a community. It was ter Kuile who suggested they do the same with “Harry Potter.” When word of the “Harry Potter and the Sacred Text” reading group spread outside of the Humanist Hub, where the group met weekly, Zoltan and ter Kuile enlisted Nedelman, a longtime digital producer and also a Harvard Divinity student, to turn it into a podcast.

But what exactly does it mean to reinterpret a text as if it were sacred?

“I think that something sacred is something that you love and something that is worthy,” Zoltan said. “By worthy I mean duly complicated, and by duly complicated, I mean that two people should be able to look at one thing and have three different readings of it.” As an atheist, Zoltan said she believes that “sacred is an act, not a thing. It’s about how you interact with something that makes it sacred, not the thing itself.”

With the air of someone who has had this friendly debate many times before, Nedelman politely disagreed. “I take issue with Vanessa's idea of worthiness and complication, because I think it imbues a text with some kind of quality that I would rather imbue the reader with,” she said. “So, I tend to stick with the idea that it just has to be something that you can love enough that you want to spend that much time with it.”

Clearly, Zoltan, Nedelman and ter Kuile all agree that “Harry Potter” fits this bill. When asked why the podcast resonates with so many listeners— it averages between 15,000 and 20,000 listens each day — Zoltan and Nedelman alluded to the larger, existential questions that occupy the minds of religious and nonreligious folk alike.

“People who are unaffiliated have a need to answer these big, meaning-making, spiritual questions, and to have a space for that in their life,” Nedelman said. “What's brilliant about addressing secular texts like this is that it gives people who aren't comfortable in churches or in synagogues a place to go.”

Nedelman pointed to ideological similarities between fandom communities and religious communities. “The way that I see fandom, with people coming together to love something, to talk about it in-depth and apply it to their lives,” she said, “that, to me, seems so similar to the way in which I had thought about my relationship to a religious community.”

Each week on the podcast, Zoltan and ter Kuile use exegetical practice to interpret a textual component of that week’s chapter. After a couple weeks of Christian practices, they applied the Rabbinic tool of chevrutah study — learning with a partner — as part of the “sacred reading” process. They plan to apply additional Jewish practices (such as “PARDES,” a Hebrew acronym that alludes to four different interpretive methods) as they dive into the second book, “Harry Potter and the Chamber of Secrets.

Much like biblical students, many ardent “Harry Potter” fans pour through the series of books every year or so, whether to escape from the hardships of life by immersing in a familiar, comforting world, or to recall again the real-life lessons in the books — and to discover new ones. Echoing this practice, the “Harry Potter and the Sacred Text” reading group tackles all seven books over the course of nine months, then starts again from the beginning — “like a Torah we go through,” Zoltan smiled.

“That's a great quality of a sacred text,” Nedelman added. “It gives you something new every time you return to it.”

Zoltan noted that listeners of “Harry Potter and the Sacred Text” have specifically expressed gratitude for the podcast’s earnest tone. “I don't know what that speaks to culturally — if it's the election season, if it's the cynical television shows that we're all watching — but people seem to really be responding to the sincerity and positivity.”

In that sense, “Harry Potter and the Sacred Text” is proudly idealistic. But Zoltan and ter Kuile ground their discussions in realism as well. Like any enduring sci-fi or fantasy story, “Harry Potter” provides a framework for addressing real-world issues.

On the podcast, Zoltan and ter Kuile invoke Harry’s invisibility cloak as a symbol of untouchable white privilege and praise Hagrid’s open-hearted generosity. In the reading group, Zoltan recalled participating in polarizing discussions about whether Hermione is a positive ally for House Elves, and how using a body-binding curse (Petrificus totalus!”) can be connected to issues of bodily autonomy.

Zoltan admitted that some elements of “Harry Potter” don’t stand up well, for example, there isn’t a lot of racial diversity in the series. “But I do think that there is humanoid species diversity that works really well as a metaphor,” she said, “and those are the things that will transcend time. “ As Zoltan learned, “sacred” does not mean “perfect.” And that’s OK because, as Nedelman put it: “The action of imagination, of engaging, is what's important.”

Treating ‘Harry Potter’ like a holy Bible Read More »

Iran’s president blames ‘Zionist groups’ for US ruling that he says violates nuclear deal

Iranian President Hassan Rouhani blamed “Zionist pressure groups” for a U.S. Supreme Court ruling he said could undermine the Iran nuclear deal.

“The lack of compliance of the United States with the JCPOA in the last several months represents a flawed approach,” Rouhani said Thursday, addressing the annual opening of the U.N. General Assembly, using the acronym for the Joint Comprehensive Plan Of Action, the formal name for the deal that traded sanctions relief for a rollback of nuclear development in Iran.

“The latest case in point is the United States Supreme Court ruling to seize billions of dollars of the Iranian regime’s assets,” he said. “This demonstrated that the Zionist pressure groups could go as far as having the U.S. Congress pass offensive legislation forcing the highest judicial institution to uphold peremptory violations of international law.”

In April, the high court upheld a 2012 law that allows U.S. victims of Iran-backed terrorism to claim funds from the $2 billion in Bank Markazi’s assets held in the United States. Bank Markazi is Iran’s central bank.

Litigants include families of Marines killed in the 1983 Hezbollah attack on barracks in Beirut, and the Rubin family, whose family member was injured in a 1997 double suicide bombing on Ben Yehuda Street in Jerusalem. The family is represented by the Israeli NGO Shurat HaDin-Israel Law Center.

Rouhani said such rulings should be seen as a “wrongful international act” in violation of the deal.

The deal does not include the unfreezing of U.S.-held assets, although the Obama administration, in what was seen as a good-will gesture, unfroze $400 million in separate Iranian assets and delivered the money to Iran.

The Anti-Defamation League slammed what it said was Rouhani’s anti-Semitic language.

“President Rouhani’s U.N. address demonstrates clearly that there is no evidence of Iranian moderation,” Jonathan Greenblatt, ADL’s CEO, said in a statement. “His espousing of noxious anti-Semitic conspiracy theories alleging ‘Zionist’ control of Congress must be condemned by the international community.”

Rouhani was otherwise bullish on the deal, saying Iran’s economy had improved – an implicit rebuke to hard-liners in his country who said the deal was not worth it.

He otherwise referred to Israel only once, unlike predecessors such as Mahmoud Ahmadinejad, who made hostility to Israel a centerpiece of their speeches. Rouhani was more focused on Islamic State terrorists, blaming Saudi Arabia for creating the environment in which they flourished.

“The oppressed Palestinians are still afflicted by a web of apartheid and oppressive polices set by the Zionist regime,” he said in his only reference to the Israeli-Palestinian conflict.

Iran’s president blames ‘Zionist groups’ for US ruling that he says violates nuclear deal Read More »

After bombings, New Yorkers cop an Israeli attitude: ‘Stuff’ happens By Andrew TobinSeptember 22, 2

“I heard the explosion, then I went to the deli.”

In the hours after the bombings Saturday in New York and on the Jersey Shore, the phrase became an instant slogan for New Yorkers’ purported coolness under fire. Attributed to a witness of the bombing that injured 31 people in Manhattan, one of three apparently attempted by a New Jersey man apprehended Sept. 19, it quickly spread online.

Media commentators soon picked up on the meme of New Yorkers’ resilience.

On “The Daily Show” Monday night, host Trevor Noah made light of news footage of New Yorkers complaining about being mildly inconvenienced by the bombing. BuzzFeed highlighted tweets by New Yorkers debating which of Manhattan’s ill-defined neighborhoods should be properly identified as the site of the bombing.

Over here in Israel, a country that prides itself on how quickly it recovers after a terrorist attack, experts on social resilience agreed that Americans are rightly impressed by New Yorkers — though they said Saturday’s bombings, which had no fatalities, was not a particularly severe test. While Israelis have been prepared for terrorism by decades of experience, they said, New Yorkers may develop resilience just by living in the hectic city. 

“If you have past experience with continuous disruption it helps, it helps to be prepared for disruption caused by terror,” Meir Elran, the lead researcher on homeland security at the Institute of National Security Studies, a leading think tank in Israel, told JTA.

“As we say in Hebrew: Shit does happen. I think New Yorkers may be uniquely aware of that.”

In social science, resilience can be defined as a society’s ability to bounce back from a disruption, or an event that interferes with daily life. The faster a society returns to normal following a disruptive event, like severe violence or a natural disaster, the more resilient it is said to be. The more disruptive the event, the longer it will take to return to normalcy. 

Past experience of disruptions and social capital are major predictors of resilience.

“It is true that people are resilient in general. Otherwise the human race would not have sustained itself for so many generations through so many various disruptions,” Elran said. “It is also true that there are societies that are more resilient than others, and the rate of resilience of a society depends to a great extent on past exposure to disruptions and how socially and economically well off it is.”

Unfortunately, Israel has dealt with regular disruptions by Palestinian terrorism since before its founding. Rather than collapsing, the society has strengthened, including by gradually and haltingly improving its preparation.

After the second intifada and the Second Lebanon War, both in the 2000s, Israel shifted its security doctrine to include protecting the homeland rather than only taking the fight to the enemy. The state built a security barrier with the West Bank, developed missile defense systems and restructured its Home Front Command, among other things. (On Tuesday, sirens sounded across Israel as part of a national preparedness drill, a practice introduced after the Second Lebanon War.)

At around the same time, observers have said, there was a shift in the way Israelis thought about themselves. Matti Friedman, a former correspondent for The Associated Press, said in his new book that Israelis by 2000 had given up on reshaping the Middle East, be it through Oslo-like compromise or Lebanon War-like force.

“When these things began to be clear, something interesting occurred,” Friedman wrote in “Pumpkinflowers.” “People in Israel didn’t despair, as our enemies hoped. Instead they stopped paying attention. Our happiness would no longer depend on the moods of people who wish us ill, and their happiness wouldn’t concern us more than ours concerns them.”

Speaking to JTA from Jerusalem, he said: “There have been stabbing attacks here over the last few days. The city is completely unaffected. It hasn’t come up in people’s conversations. It hasn’t affected people’s plans that I know of. If the intention is to disrupt people’s lives and make them afraid, it’s not working.”

Deeming Zionist slogans outdated, Friedman in his book suggested a new one to rival New York’s: “On the bus.” This was the terse answer an Israeli soldier named Harel gave to an interviewer who in 2000 asked how he managed to return to Southern Lebanon after his entire platoon was killed in the helicopter crash that ultimately led to Israel’s withdrawal from the area.

An Israeli border police officer checking a Palestinian man in front of Damascus Gate in Jerusalem's Old City, Sept. 20, 2016. (Sebi Berens/Flash90)

An Israeli Border Police officer checking a Palestinian man in front of the Damascus Gate in Jerusalem’s Old City, Sept. 20, 2016. (Sebi Berens/Flash90)

Of course, New Yorkers have faced terrorism, too, most notably the world-shaking attacks of Sept. 11, 2001. Like Israel, New York and the United States, traumatized by the attacks, responded by becoming more prepared. The creation of the New York Police Department’s Counter-Terrorism Bureau and the U.S. Department of Homeland Security and Transportation Security Administration are just a few examples. But terrorism is not part of daily life in the Big Apple the way it is in Israel.

“The situation in New York is still fundamentally different,” an Israeli researcher on social resilience told JTA on condition of anonymity because of the public nature of his policy work.

“Attacks like those [in New York and New Jersey] this week are sporadic, quite rare events that contradict the usual story of life in New York City. So for now at least, it is possible to ignore terror as part of a shared reality there.”  

Elran said the level of disruption caused by the bombings was “very low.”

Still, the American celebration of New Yorkers’ resilience to terrorism has empirical backing, the researchers said. Studies have found the first responders and the public in general returned to normal life remarkably quick after 9/11, in many ways within a few weeks.

New Yorkers may be resilient to terrorism despite relatively little experience in part because the intensity of living in the city involves near constant disruption on a small scale, according to the researchers.

“Events happen here very quickly, and in New York, it is also the case,” said the social resilience researcher in Israel. “People there experience work-related stress and life is very intensive.”

Elran said it takes a certain degree of sophistication to understand that things are not always going to be stable.

“New Yorkers, with their diversity of experience, can been seen as people who are more accustomed to disruption,” he said. “And it helps that they tend to be socially and economically well to do.”

Israel, too, has flourished socially and economically despite the constant threat of terrorism. The nation’s adaptability, arguably informed by its challenges, has made Israel a world leader in technology and security. But there are downsides, the social resilience researcher said.

“There is no magic way to avoid paying a price,” he said. “In Israel, there are high levels of frustration and aggression, and you know what the driving culture here is like.”

Anyone who has taken the New York subway during rush hour may be able to relate.

After bombings, New Yorkers cop an Israeli attitude: ‘Stuff’ happens By Andrew TobinSeptember 22, 2 Read More »