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September 29, 2010

The Young Israel dilemma: Disengagement or confrontation?

Few constitutional concepts are more firmly entrenched in the American consciousness than the separation of church and state. However, this long-standing notion — that law and religion make improper bedfellows — might seem at odds with the recent controversy over allegations that the National Council of Young Israel threatened to seize assets of a branch synagogue for failure to comply with disputed religious doctrine. That the National Council could, under some circumstances, seize such assets is true. But whether the National Council — or any Jewish organization — should use threats of asset seizure to ensure conformity with controversial conceptions of Jewish law is a very different story.

According to its constitution, the National Council of Young Israel — an umbrella organization for approximately 150 synagogues in the United States — was founded to “foster and maintain a program of spiritual, cultural, social and communal activity towards the advancement and perpetuation of traditional, Torah-true Judaism.” Of course, what constitutes “Torah-true Judaism” is precisely what is currently being debated.  The National Council’s constitution requires all branch synagogues to “follow halacha in all dealings by and between the group, its members, its rabbi, its officers and directors … .” All determinations as to what constitutes halacha — and whether a branch synagogue has violated halacha —are to be made by National Council’s Halacha Committee.  Failure to adhere to the Halacha Committee’s interpretation of Jewish law can result in a branch synagogue’s expulsion from the National Council of Young Israel. Importantly, a 2007 promulgation by the Halacha Committee held that having a female serve as president constituted a violation of halacha.

While a distasteful decision to some, nearly all organizations promulgate rules to protect the organization’s fundamental character. The Young Israel controversy, however, is largely a result of two other factors — both of which are now being challenged by a group of Young Israel member synagogues. First, once a branch synagogue is expelled, the National Council’s constitution provides that “all its assets, both personal and real, shall become the property of the [National Council of Young Israel].” Moreover — and here is the kicker — according to the National Council’s attorney, “the National Council’s constitution does not permit a branch …  to resign its membership and affiliation.” To paraphrase Michael Corleone in “The Godfather,” any time a branch tries to get out, the National Council can simply pull it back in.

Whether, as a legal matter, a branch can resign from the National Council — the organization’s constitution neither permits nor prohibits resignation — may very well become a matter of litigation.  But what people are surprised to learn is that courts have repeatedly signed off on national religious organizations seizing the assets of a local branch for failure to comply with religious doctrine. In fact, the United States Supreme Court has dealt with such church-seizure cases since the 19th century. These cases have given rise to what is frequently referred to as the “church autonomy doctrine,” which bars courts from reviewing matters of faith, doctrine and church governance. 

Now this doctrine may sound like a very good reason for courts not to sign off on attempts to seize assets stemming from doctrinal rifts within a particular religious community. However, when dealing with property disputes in “hierarchical” religious organizations, the Supreme Court has largely adopted an approach of deference to the religious organization’s highest religious body.  Thus, “whenever the questions of discipline, or of faith, or ecclesiastical rule, custom, or law have been decided by the highest of these church judicatories … [courts] must accept such decisions as final, and as binding on them, in their application to the case before them.”

To be sure, this recap of the legal doctrine is a bit too simple. A court need not defer to such religious bodies when the case before it can be decided by “neutral principles of law” — that is, when a court can resolve an intra-church dispute without deciding matters of religious doctrine. Moreover, determining whether a particular Jewish organization is “hierarchical” or “congregational” — a distinction developed within the context of Christian denominations — is no small task and makes a world of difference. But the National Council of Young Israel’s constitution is pretty clear: The highest religious body for matters of Jewish law is the Halacha Committee, the Halacha Committee has barred women from serving as synagogue presidents, and a court ought to defer on matters of religious doctrine to the Halacha Committee so as not to impermissibly wade into religious doctrinal waters. Indeed, it is this very dynamic that has led a number of courts to allow the Episcopal Church to seize the assets of branch congregations when disputes arose over the ordaining of homosexuals to the priesthood.

But what does this all say about the state of discourse within the Orthodox Jewish community over matters of Jewish law? The development — and continued vibrancy — of Jewish law has always depended on the debate between great rabbinic minds over the application of religious doctrine. This environment of debate has ensured the sophistication and nuance of Jewish law by incorporating and engaging a wide range of rabbinic opinions in the process of religious rule-making. Moreover, debates over the application of Jewish law to contemporary problems have ensured that rigorous standards of Jewish legal analysis continue in this technological age. Indeed, few concepts are more central to Jewish law than the enduring quality of “debate for the sake of heaven.”

The thought that such debate within the Young Israel movement — or anywhere, for that matter — would be conducted under the specter of the seizure of assets undermines the very process of Jewish doctrinal development central to Orthodox Judaism. Some branches, in consultation with their own rabbis, have in good faith reached conclusions that stand contrary to the good-faith conclusions of the Halacha Committee.  And yet instead of fostering vibrant debate, the National Council — both by prohibiting branches from resigning from the organization over disputes regarding controversial religious doctrine and retaining its constitution’s seizure-of-assets clause — is hurling such synagogues on the horns of a “your assets or your beliefs” dilemma.  One wonders whether any movement that resorts to such strong-arm tactics to ensure conformity to disputed promulgations has much of a future. Put simply, just because the law allows it does not mean the National Council should do it. When we as a community replace thoughts with threats, we trade vibrant Orthodoxy for vacuous conformity.

Michael A. Helfand is an associate professor at Pepperdine University School of Law and the associate director of Pepperdine’s Glazer Institute for Jewish Studies.

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Take the reins of the education system — and pull very hard

On Oct. 3, Central Park in New York will become the staging area to kick off a new movement in educational reform. It is dubbed the Ultimate Block Party, and our aim is to draw attention to what concerned scientists are calling the educational equivalent of global warming. The young children in our preschools and primary schools today are the work force of 2040, and all indications are that they will be woefully ill prepared for it.

Perhaps that is why this month, NBC is raising the issue through its educational summit, and why in early October a buzz is sure to surround the new documentary “Waiting for Superman,” which highlights the crisis in American public education.

In this new era, the Partnership for 21st Century Skills — a national group that provides educational resources to bolster student readiness — tells us that our children must be prepared to collaborate with one another by learning in teams, by engaging in critical thinking and by feeding on creative innovation. Our schools, however, are largely fashioned for the industrial age. There is too much focus on teaching the facts, rather than teaching for meaning. Our students often engage in scripted learning and prepare for tests that emphasize just one right answer.

Indeed, one Time magazine article joked that if Rip Van Winkle returned today, he would find comfort in the fact that schools have changed little during his long repose. Perhaps this is why American scores on international tests remain in the middle third of industrialized nations, and why we rank 14th out of the 32 industrialized nations in the number of students who graduate from high school.

Still, amid all the kvetching lie some hopeful answers. Those who study the learning sciences can offer directives for a new approach to education — one that starts with strong and playful early childhood and kindergarten programs. We also need to craft our informal learning experiences out of school in ways that engage kids. In learning vocabulary, for example, words like airplane, voyage and fuselage are best remembered when linked to a story about Amelia Earhart’s journey, rather than just memorizing word lists.

It is worth noting that this new education is really quite old. A close friend, who’s also a talmudic scholar, recently reminded me that Jewish education has been founded on these principles for centuries. We have long stressed that learning occurs in groups, where students build chevruta, or communities of learning — where critical thinking is prized, where there is no one right answer, and where creative ideas are valued.

The Ultimate Block Party (ultimateblockparty.org), a free event for families, is aimed at sparking a new conversation around playful learning. It is being sponsored by a host of nonprofits, including Sesame Workshop and the Children’s Museum of Manhattan, as well as several institutions of higher learning, including New York University, Harvard College and Temple University.

Supported in part by the National Science Foundation, this event is merely a start to showcase what educators have known for years: When children are engaged in discovery and exploration, and when they are playing, they learn better.

It is time to change the lens on how we think about learning — or maybe just to reinvent what Jewish educators have known all along. It is time to prepare our children with the skills they need for success in school and in the workplace of tomorrow — those of collaboration, critical thinking and creative innovation.

Until we create a groundswell of voices that includes parents, educators and policy makers, we will be trapped with a system that is holding back our kids from reaching their fullest potential.

Kathy Hirsh-Pasek is a psychology professor at Temple University, where she serves as director of the Infant Language Laboratory. She is a co-creator and co-organizer of the Ultimate Block Party. This article originally ran in the Jewish Exponent.

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Tales of Iranian nights, and days

Friday night at dinner, we were talking about a guy, a Muslim friend of my grandfather’s, who had — very literally — come back from the dead. He had been in Germany during World War II, safe from the Nazis because Iranian Muslims, unlike Iranian Jews, were considered part of the Aryan Nation. The Iranian government at the time had very close ties with Germany, and my grandfather’s friend was having a wonderful time in Hamburg, doing God knows what and drinking enough for three people, until he came down with a severe case of bleeding ulcers and had to be rushed into surgery. On the operating table, he lost too much blood and died.

I don’t mean the kind of death we see on TV seven nights a week — where the patient’s heart stops and sirens go off all over the city and beautiful, fully made-up nurses with overly plump lips or gorgeous young paramedics with badass tattoos rush over with their gadgets and revive the person. Those kinds of gadgets weren’t available in wartime Germany, and our Iranian friend didn’t have access to George Clooney in the operating room. The way he and other witnesses told it, doctors lined up their patients side by side on metal tables and went from one surgery to the next, stopping only to wash and change. They cut the patient up and did their thing, left him to the residents or nurses to be sewn. Only, this guy bled like there was no tomorrow. He died and remained dead for the entire day, his stomach still open and his insides in plain view, and when the doctors went back to sew the corpse up, he was so completely dead they figured, what’s the point? He hadn’t listed any next of kin and hadn’t mentioned what should be done with him if he didn’t make it through the surgery, so the doctors called the cleaning crew and had him transported to the morgue, where they threw him on top of a pile of bodies (the shelves and tables were all taken) and left him there in case someone came looking.

He remained dead all night and all of the next day. At dusk, the morgue staff had to make room for fresh new arrivals, so they sent the “unclaimed” to the incinerator. Just as he’s about to be shoveled into the fire, my grandfather’s friend, his stomach still open, takes a breath and comes alive.

He lived for another 50 years. He kept records — hospital papers, written eyewitness testimony, his own recollections — of his journey to the beyond. And though he had been told, by the dumbfounded doctors who finally stitched him back up, that he could never have another drink or the ulcer would erupt again and this time really kill him, he drank a bottle of arrack a day till he was well into his 80s.

I don’t remember why we were talking about this particular person that night, but I can tell you that his story, while notable, is neither unique nor difficult to believe. Just come around to any of our family gatherings where a few people over the age of 60 are present, sit with the older ones and ask a couple of questions about the past, and you’ll hear enough stories to fill a few books. I know I have. And so have my children. When they were younger, they’d listen, wide-eyed and breathless, and afterward make me repeat what they’d heard just to be sure there was no misunderstanding. They didn’t doubt the veracity of the tales, because half the time the people in the stories were walking around the streets of Los Angeles. We’d go to a friend’s house for a play date, and the kid’s grandma would have featured in some fabulous account just the day before; we’d go to a Passover seder, and the gentleman sitting to my right would have been a character in one of my books. But the kids did notice a discrepancy between reality as we know it here, in America, and as people seemed to know it back in the old country.

“How come this stuff only happened in Iran?” they asked.

It didn’t, I would tell them, and point to the many bizarre happenings I’ve been told about by perfectly normal, straight-thinking Americans over the years: I know a guy in New York. He works for a major national newspaper. He went to Stanford University. He told me he grew up in a small town, where the main attraction was a couple who had lost a son in the Civil War. Every day at noon, they drove their horse-drawn carriage to the train station to wait for him to come back. They had done that for the past 150 years, and they showed no sign of slowing down.

I could go on. Really.

The difference is, around our house, and among most Iranian Jews, people still hang out regularly with their families. Once a week, three or four generations come together in one place. Yes, the kids are texting on their BlackBerrys through dinner, but they do look up every once in a while, and they do listen if a good story is being told. Whatever the pitfalls and disadvantages of living in a small community may be, this — the strong family ties, the connection between old and young, the shared memories — trumps them all.

When they were in elementary school, my children and their cousins and friends used to say, “Iranians are strange.” In high school, they regarded the older generation with a mixture of curiosity and skepticism. In time, though, they’ve come to understand what every immigrant community with a vibrant memory will learn in America: that truth has many layers; some are just more visible to the Western eye than others.

Gina Nahai is an author and a professor of creative writing at USC. Her latest novel is “Caspian Rain” (MacAdam Cage, 2007). Her column appears monthly in The Journal.

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How can Hollywood help Israel?

If you want to pack a ballroom full of Jews, try this theme: Hollywood and Israel.

It’s a relationship the Jewish community never tires of exploring,

no matter how fraught or flimsy or confounding the connection.

An event organized by the pro-Israel World Alliance for Israel Political Action Committee (WAIPAC) on Sept. 14 drew a crowd of 350 to the Luxe Hotel Sunset Boulevard. There, Hollywood hotshots Sherry Lansing, Marc Platt and David Lonner thrashed out their passions and prescriptions for a Hollywood that cares — even as Israel faces an unfriendly media and artist boycotts, and as increasing political tensions tug at American Jewish loyalties. 

Do people in Hollywood care about Israel? Sure. The only problem is that no one knows what Hollywood should do. 

“Hollywood is packed with people who know how to influence opinion,” said Lonner, founder of Oasis Media Group, whose clients include writer/producer/director J.J. Abrams and producer/director Jon Turteltaub. “If we can figure out a way to harness that, I do believe we can make a difference.”

But Hollywood is not monolithic. It’s “just a group of individuals,” said Lansing, former head of Paramount Pictures and founder of The Sherry Lansing Foundation. “There are people who care deeply, people who are indifferent and a group that is vocally opposed to Israeli policies,” she added. To lump the whole of Hollywood together would be misguided, but the panelists agreed that the prevailing industry ethos toward Israel is characterized by deep uncertainty and ambivalence.

“Hollywood loves an underdog,” said theater and film producer Platt (“Legally Blonde” franchise, “Wicked”). “Always has.” But while the Jewish state may have played that role well for generations past — a newly minted, vulnerable nation under constant threat and attack — these days, young Hollywood isn’t buying the Israel-as-victim ticket. Even with a nuclear threat from Iran, young Hollywood sees an Israel with power and prestige, an Israel that hasn’t always acted wisely — or kindly — when it comes to the Palestinians. 

“Because Israel is in a position of power,” Platt said, “power can be abused, and that leads to criticism.” 

Though not in this room. After all, WAIPAC is not JStreet, so instead of discussing the tough choices Israel faces, the panelists stuck to their comfort zones: how much they love Israel, how they want to improve its image and how to get other people to love it, too.

“Emotionally, I can never be objective about [Israel] because I love it so much,” Platt said.

“I was always somebody who was very proud of being Jewish, but I had no idea how much I loved Israel until the plane landed on the ground [on my first trip], and I walked outside and started to cry,” Lansing said.

“I always say I’m like a light socket plugged into an energy source when I’m there,” Lonner added.

Both Lansing and Lonner have organized industry trips to the Holy Land, the best pro-Israel aphrodisiac: “The best way to convert somebody who isn’t pro-Israel is to take them to Israel,” Lansing said again and again.

Prompted by moderator Jay Sanderson, president of The Jewish Federation of Greater Los Angeles, Lansing, Lonner and Platt offered up their 2 cents on how Hollywood could be of more use to Israel’s welfare.

Lansing stressed education — Internet campaigns and public service announcements; Platt said the industry needs leaders and role models who can galvanize support.

Lonner borrowed a play from Mel Gibson.

“I think there’s a gigantic market for biblical stories,” Lonner said, calling for the industry to try its hand at Hebrew bible narratives. “Ironically, and upsettingly, the effect Mel Gibson’s movie had in this country and around the world showed that biblical stories — violence and all, sex and all — do have a marketplace.”

Sanderson wondered whether the days for telling stories about Israeli and Jewish history are over. Couldn’t a contemporary “Ten Commandments” do the trick?

Remember, Platt warned, Hollywood is a business, first and foremost. So, while it’s nice to dream up movies that showcase Jewish values and the nuances of life in Israel, more importantly, they’ve got to sell.

“We all appreciate and respect Steven Spielberg’s great film ‘Schindler’s List,’ ” Platt said, “but it did take the most successful director of the 20th century, a best-selling novel and a protagonist that was a Gentile, to tell the story of the Holocaust.”

“I don’t want to sound dramatic, but I’m actually more concerned today than I’ve ever been in my whole life,” Lansing said. Someone in the audience raised the issue that Lansing sits on The Carter Center board of trustees. Jimmy Carter’s 2007 book “Palestine: Peace Not Apartheid” presents a critical view of the Israeli government.

Lansing said the book upset her, but it was no reason to end her friendship with the former president: “To leave the table and not engage in dialogue is to ensure that no one will ever change their mind.”

When something is glaringly offensive, such as last year’s boycott of the Toronto Film Festival’s spotlight on Tel Aviv, Hollywood rallies to the cause. But, for the most part, the Jewish Hollywood behemoth can’t be bothered with the everyday trials of the Jewish state.

Besides, the film community is becoming increasingly global, where party lines do not prevail nearly as much as they do in Washington.

“More and more voices are being heard,” Platt said, “including Israeli voices. And there’s also, as there should be, the other side — Arab voices and Palestinian voices that are also important.”

Maybe instead of asking what Hollywood can do, Hollywood Jews should ask themselves who they want to be.

“I don’t think there’s a collective response,” Platt said. “I feel it’s in the actions of people, in the stories you tell and how you tell them, the way you behave and how you wear your Jewishness.”

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Jewish county fair for whole mishpachah

As yee-hawish shindigs go, the county fair has had a long-standing reputation among Jews as a mostly goyish affair. Featuring prize-winning produce, livestock competitions, rodeo demonstrations and pie-eating contests, the annual agricultural showcase doesn’t historically stand out as a go-to destination for the largely urban and allergy-prone Jewish community.

But that could change on Oct. 3 when the Shalom Institute in Malibu (home to Camp JCA Shalom)hosts its first Jewish County Fair, an event intended to bring Los Angeles’ different Jewish communities together for a day of food, fun and unity.

Bill Kaplan, executive director at the Shalom Institute and the event’s co-producer, said he and other organizers “looked at the county fair model and the fall harvest model” in brainstorming activities and entertainment for the fair.

“We’re doing garden projects, tree planting, pickling, hatchet throwing, and we have a pie-eating contest,” he said.

Jews are more conscious than ever before about how food makes it to the kitchen table, and the timing seems right for a Jewish county fair. Jewish institutions around Southern California have embraced urban gardening as a way to provide fresh produce to local food pantries, food security issues remain a top priority for Jewish social justice organizations, and synagogues are supporting delivery of locally sourced produce to congregants.

Fair organizers say the event will reflect the themes found in the traditional county fair, a food-centric celebration that honors those who till the land.

Locally, the month-long L.A. County Fair in Pomona, which links Angelenos with California agriculture, draws about 1 million people annually.

Kaplan expressed hope that at least 2,000 people will turn out for the Malibu event.

Musician Craig Taubman, a Jewish County Fair co-producer, used the language of the harvest to emphasize the event’s aim.

“We are trying to communicate that a bountiful community is coming together to celebrate,” Taubman said. “Everyone is bringing something to the table.”

While the Shalom Institute’s fair borrows aspects from county fairs in a way that reinforces the eco-friendly, food-oriented missions of synagogues and Jewish organizations, the event is also distinctly Jewish in its selection of live entertainment, featuring concerts by bands like Moshav and Soul Aviv.

The fair will have broad appeal in the Jewish community, Taubman said. “There’s something for everybody. Wine tasting, beer tasting, organic farming and musicians from all spectrums of the Jewish world. For old people and young, there’s something for everyone to do.”

The event has been in the planning stages for months, and Taubman said the inspiration came from a June piece written by Jewish Journal columnist David Suissa, which called him out specifically.

“With all the in-fighting and all the tension in the Jewish community, people are having such a challenging time being civil together. We need a love fest, a party, and Craig Taubman could get it done,” Taubman said, summarizing Suissa’s point.

Once the idea was born, how the fair would actually play out was still an elusive concept, and the fair’s identity changed as planning proceeded, Taubman said.

“This is the first year out, and so the event is defining itself every day,” he said.

Echoing the sentiment of Suissa’s column, Kaplan praised Taubman for his ability to use creative programming as a means to strengthen the bonds in the local Jewish community.

“Craig’s got the Midas touch,” Kaplan said. “What he puts together equals success.”

More than 30 organizations and synagogues, including IKAR, the Jewish Community Foundation and Conservative congregation Valley Beth Shalom, are participating in or sponsoring the event, Taubman said.

The fair is intended to bridge a currently disconnected local Jewish community, one that is entrenched in arguments on heated issues such as the future of Israel, the gap between “establishment Judaism and more Orthodox Judaism” and the distribution of organizational funds in “economically challenging times,” he said.

“It’s like, ‘Come on, people, you’re living in the best time in history,’ ” Taubman said. “Stop kvetching. Let’s celebrate.”

Jewish County Fair, 11 a.m.-6 p.m. $5 (advance), $8 (door). Shalom Institute, 34342 Mulholland Highway, Malibu. (818) 889-5500. shalominstitute.com.

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LACMA’s newest gem revealed

Last week, just before the press tour of the new Lynda and Stewart Resnick Exhibition Pavilion at the Los Angeles County Museum of Art (LACMA), architect Renzo Piano thanked the patrons of his newest building and described the Resnicks as “lovable clients.”

Hearing this from the Italian architect, Lynda Resnick threw back her head and laughed boisterously. A longtime LACMA board member and avid collector of rococo and old-master painting and sculpture, she is the more public and talkative half of the Resnick couple, who own FIJI Water, POM Wonderful pomegranate juice, more than 118,000 acres of agricultural land, as well as a number of other companies. They are estimated to be worth $1.79 billion, according to the Los Angeles Business Journal, and they donated $45 million to help LACMA construct the new building, which sits just north of LACMA’s Broad Contemporary Art Museum and was also designed by Piano. The museum is celebrating the pavilion’s opening this weekend by opening the entire museum to the public free of charge, including the three separate exhibits installed in the new 45,000-square-foot pavilion.

Despite the fact that the building bears their name and showcases a selection of more than 100 paintings, sculptures and decorative artworks from the Resnicks’ personal collection, Lynda Resnick makes a point of focusing the celebration’s attention on the others who made the project possible, in particular LACMA director Michael Govan.

“Really, Michael built the building,” Lynda Resnick said in an interview with The Jewish Journal last week. “It’s his vision. He and Renzo. Not only didn’t we micromanage, we never saw it, actually, except for in a couple of stages.

Lynda and Stewart Resnick (Photo by Dan Kacvinski)

“As long as we understood the basic parameters of what it was going to be, conceptually — the idea of one floor, light — ethereal light — coming into this building, you know, we were cool,” she said, admitting, though, that the hands-off attitude she took isn’t her normal style. “That isn’t to say that I’m like that with the rest of my life,” she said, “because I’m not.”

Indeed, Lynda Resnick is known for throwing herself headlong into the companies she and her husband own. When the couple bought Teleflora in 1979, she took over the marketing and came up with the idea of “flowers in a gift,” which turned the upstart floral delivery service into the market leader. When the pair bought the Franklin Mint a few years later, Lynda Resnick shifted the company’s focus from coins and vases to more lucrative products such as models of classic cars, collectible Scarlett O’Hara and Marilyn Monroe dolls and “authentic” replicas of Jackie Kennedy’s triple-strand necklace of fake pearls.

The Resnicks’ Beverly Hills mansion is filled with art, only a small sliver of which will be on view at LACMA. (The couple has promised the museum $10 million worth of art from their collection.) Lynda Resnick is famous for populating the 25,000-square-foot Sunset Boulevard manse with the very rich, the very accomplished and everyone in between. She counts among her close friends activist/documentary producer Laurie David (“An Inconvenient Truth”), actress Rita Wilson and media maven Arianna Huffington.

No surprise, then, that Lynda Resnick keeps company with some of Los Angeles’ most powerful and prominent Jews, including Michael Milken. “He’s one of the most wonderful people in the world,” she said. She sits on the Milken Family Foundation board, and she vividly remembers how she and the philanthropist, financier and famous felon first met. “We both have children with epilepsy,” Resnick said, “and he heard that I needed a doctor. So he called me and set me up with a very good doctor to help my son. And he called me on the day he got out of jail, which I was rather impressed with, because I didn’t know him at the time.”

Over the years, the Resnicks have made generous gifts to a variety of causes. They support arts education in California’s Central Valley and conservation efforts in the Fiji Islands and elsewhere, and they helped establish a sustainability research institute at Caltech. All this, and the building at LACMA, have brought the Resnicks a lot of publicity, but when Lynda and Stewart were asked recently to sign the Giving Pledge, an initiative by fellow billionaires Warren Buffett and Bill Gates to get the wealthiest Americans to commit to giving away the majority of their wealth during their lifetimes, the Resnicks declined.

“We’re uncomfortable with it,” Resnick said. “And a very good friend of mine — who has much more money than we do — said the same thing, because I asked him what he was going to do. It’s a grandstand play.”

“Olmec: Colossal Masterworks of Ancient Mexico” exhibition in the new Resnick Pavilion. (Photo by Dan Kacvinski)

“We’re giving our money away,” she added. “And, God willing, we’ll have a lot to give. It’s the only reason we work. But I don’t like the letter thing at all.”

(This week, the Federal Trade Commission charged POM Wonderful with making false and unsubstantiated claims about the health benefits of the juice, claims the Resnicks plan to contest.)

Meanwhile, there’s at least one other place where the POM queen is maintaining a low profile: Facebook.

“How else am I going to find out what my granddaughters are up to?” she said. “So I, you know, in a fake nose and sunglasses, go on Facebook and follow their every move. It’s disgusting. And when they do something I hate, I can’t say anything because then they’ll know. I’ll be busted.”

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The Mighty Ducks Goldberg!!!

During my childhood there are few movies that defined an era like the Mighty Ducks. Every kid at the time got on their skates or blades and tried the triple deke. Sometimes as Banks, sometimes as Conway, and sometimes to spice it up we were the goalie GOLDBERG!!! As a young Jewish kid to see one of my own win the Minnesota youth hockey championship and a title for Team USA,  it was just inspiring. Well, we at The Great Rabbino have out done ourselves this time. We caught up with Shaun Weiss/GOLDBERG for an interview. Great guy. Legendary role. Jewish sports icon!

INTERVIEW:
The Great Rabbino: Hey man, thank you for agreeing to do this interview. You are definitely a Jewish Sports legend.

TGR: To start off the interview, be honest what was bigger for your career the Mighty Ducks or the episode of Saved By the Bell the College Years that you were in? And in a follow up question, is Kelly Kapowski as awesome in real life?

Shaun: Never met her. I did 6 episodes of the new class so I got to hang with Screech… zoiks! But her sideburns always bugged me.

TGR: What kind of training did you have to do to get ready for your role as Goldberg?

Shaun: We had 3 months of hockey camp. Skating didn’t come easy for me, I spent the first month on my ass. Never wanted to quit, but I did wish the movie was about the Oregon football team.

TGR: What was the best piece of advice you ever received from Coach Bombay and do you think you could kick Charlie Conway’s ass right now?

Shaun: I assume you mean Emilio, the real guy. Best advice: “If ur going to hook up with the extras, get their parents to sign a release form”. Kick conways ass? What kind of mench are you guy?

TGR: Since this is a Jewish Sports blog, I was wondering what it was like playing the token Jew in the film? Did it follow your throughout High School? Did you actually grow up in a Jewish home?

Shaun: Token Jew? Hmm… felt more like the token fat kid. The schools I attended were predominantly Jewish, so for a couple years there was a bar/bat mitzfah every weekend, sometimes two. It was fun watching them try to top each other. Kept waiting for Streisand to show up and bust out the hava nagila.

TGR: You are definitely a movie star to all of my friends and we love your ESPN commercial, so what else have you been up to recently?

Shaun: I’m a stand up comedian and have been studying the screenwriting craft for a decade.

TGR: Lastly, the question that I think is on all of our minds. Have you ever tried a triple deke and does it actually work?

Shaun: Never tried the triple Deke. Of course it works, didn’t you see the movie? 🙂

Big thanks to Shaun Weiss/Goldberg. Huge fan of the movies.

And Let Us Say…Amen.
-Jeremy Fine
For more check out www.TheGreatRabbino.com

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TEN YEARS AFTER

It’s been 10 years since my mother Eva Teicholz died on Sept. 22 – nine since I stood by her graveside at the unveiling. Since then, I have visited her grave in New Jersey on many occasions and have diligently observed days of mourning and lit memorial candles.

I loved her dearly. But have I missed her? The answer is, of course, yes. But death does strange things: it restores our loved ones to their best selves – as we would most like to remember them – before the ravages of disease or age fully took their toll.

So I have spent the last 10 years forgetting the more than 20 years before that during which my mother suffered from severe recurring depression, her multiple suicide attempts, hospitalizations, outpatient ECT treatments, her cycle of dazed, better, fine, too good, bitter, worse, bad, crazy, immobilized and unwilling, and needing to go to the hospital. Even writing this paragraph causes tension to course through me in a way that I had almost forgotten.

Since her death, my mother’s smile is with me. Her wicked sense of humor, dark and cutting as it was, which in later years could turn just mean, is once again clever, witty, even insightful.

My mother had a love of culture, high and low. She had a better understanding of Shakespeare than any of my teachers ever did, but she also delighted in gossip, tabloid papers and, increasingly over the years, TV shows. How often we discussed what was on TV that night, what old movies there were to enjoy, what new sitcoms delighted, what shows in rerun she relished.

So I miss her when I watch a sitcom, or a particularly good mystery. Sometimes I’ll be watching something old-fashioned, say a Masterpiece Theatre Hercule Poirot, and I will savor each detail, knowing that no one would have found it more delicious than my mother. Sometimes on the weekend, I’ll turn on the classic movie channel and indulge in a communion we would have shared.

My mother was also quite glamorous. In Budapest, in her youth, my mother was what today we would call an M/A/W (model/actress/whatever) with the stage name Eva Somogyi. She cared little for her career, enjoying it as much for the social mobility it provided as the income. Since her death, with benefit of the Internet, I’ve been to able to accumulate, scan and retrieve images of her from those days. She was indeed beautiful. I have seen two of the three films that she appeared in, and I agree with her assessment that she “was not a great actress, but was cute on screen.”

As I came to know her, my mother was vain, narcissistic, critical and demanding. Looks: Hers, mine, other people’s – all mattered to her. The way a person was dressed, the way a table was set, manners, the paintings in a person’s home, the cups that the coffee were served in at a home or a restaurant (she was against coffee served in paper cups) – nothing went unnoticed.

I miss neither the scrutiny nor the weight of such constant judgments. But I do cherish my mother’s appreciation for the good, the worthy and the beautiful in all things. I often find my head filled with arcane knowledge she instilled in me about subjects – artists, dancers, long-forgotten European writers; or in thrall about movies, art exhibits or cultural events that few others seem interested in – and I miss being able to share or tell her about them. Less and less, there seem to be people I know who care as much about the things she cared about.

Just the other day, while my wife and daughter were away, I brought home dinner. I placed the takeout containers on the dining table – and stared at them. Although plastic utensils were provided and the containers were made so that I could eat right out of them, I couldn’t bring myself to do so. I set the table using the best of our dishwasher-safe plates, placed the silverware with the fork laid upon the cloth napkin, placed the glass in front and served myself dinner, placing the containers away on the counter. Did the food taste better that way? I can’t say. Did I appreciate it more? Perhaps. But did doing so make me think of my mother? Certainly.

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