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October 14, 2009

Reluctant Jew Who Shaped U.S. Zionism

At 900 pages, “Louis D. Brandeis: A Life,” by Melvin Urofsky (Pantheon, $40) may be more than twice the size of an ordinary biography, but because Brandeis had four major careers, even this door-stopper of a book can claim to be economical.

Brandeis’ chief claim to fame, of course, is his long tenure as a U.S. Supreme Court justice. From 1916 to 1939, the first Jew on the Supreme Court was one of its most influential members, even when his progressive views and commitment to what he called “a living law” placed him in the minority.

According to Urofsky, “no justice of the 20th century had a greater impact on American constitutional jurisprudence,” and much of this biography’s bulk is owed to its detailed treatment of Brandeis’ legal thought.

Long before he was appointed to the court, however, Brandeis was nationally known for his work on behalf of the progressive movement, waging battles against railroad monopolies, exploitive insurance companies and political corruption. It was his fame as a reformer that led Woodrow Wilson to pick Brandeis for the court, even though he had never been a judge — something that would be unimaginable in our more cautious and credentialized age. (Before naming him to the court, Wilson contemplated making Brandeis attorney general or even secretary of commerce.)

Before he became a reformer, Brandeis was a leading lawyer and legal thinker whose firm, Warren and Brandeis, was among the most important in Boston. Even if Brandeis had never done anything after co-writing “The Right to Privacy,” a pioneering article in the Harvard Law Review, in 1890, he would have a place in legal history.

All three of these careers — lawyer, reformer, judge — fit together naturally enough. It is Brandeis’ fourth career, as the founding father of American Zionism, that poses the biggest biographical enigma.

While the fact that Brandeis was Jewish was well known, before 1912 he displayed virtually no interest in Jewish issues. He “had a number of Jewish clients and did some legal and advisory work for the Boston Jewish community,” Urofsky writes, but “he had avoided taking on major responsibilities. His contributions to various Jewish charities had been nominal, well below what a person of his means could have given.”

Nor was he a practicing or believing Jew: “At home, [the Brandeis family] celebrated Christmas as a secular holiday for the children, complete with tree and toys.”

This arm’s-length approach to Judaism was the natural result of Brandeis’ upbringing. He was born in Louisville, Ky., in 1856, the youngest child of German-speaking Jews from Prague who had come to America, like many German liberals, following the failed revolution of 1848. Unlike most of the Eastern European Jews who immigrated at the end of the century, the Brandeis clan already was assimilated and prosperous when they arrived in the United States. His father and mother, Adolph and Frederika, crossed the Atlantic with a group of 26 family members, toting “27 great chests … and two grand pianos.”

Clearly they did not belong to the huddled masses yearning to breathe free.

Brandeis grew up speaking German at home, and his father’s business flourished thanks to his connections among the (non-Jewish) German communities of the Midwest. The Jewish part of the family’s heritage was more or less ignored — or as Brandeis put it later in life, his parents “were not so narrow as to allow their religious beliefs to overshadow their interest in the broader aspects of humanity.”

Urofsky tells a suggestive story from Brandeis’ childhood about the time when his sisters Fannie and Amy decided to attend Yom Kippur services for the sake of the music, which they had never heard. Brandeis and his brother Alfred drove to the synagogue in a carriage to fetch them, only to be berated by the congregants — they didn’t know that Jews weren’t supposed to ride on the holiday.

The real spiritual values of Brandeis’ childhood were an intense American patriotism and a commitment to community service, both of which bore fruit in his reform work.

After graduating from Harvard Law School in 1878, at the age of just 21 — this was in the era when it was not necessary to get an undergraduate degree before studying law — Brandeis formed his partnership with Sam Warren and very soon he was making a lot of money. (By 1890, Urofsky writes, he was earning more than $50,000 a year, making him perhaps the top-paid lawyer in Boston; the average lawyer made less than $5,000.)

But he and his wife, Alice Goldmark, a second cousin whom he married in 1891, believed in living modestly, so they could devote themselves to public service.

“Some men buy diamonds and rare works of art; others delight in automobiles and yachts,” Brandeis once told a reporter. “My luxury is to invest my surplus effort, beyond that required for the proper support of my family, to the pleasure of taking up a problem and solving, or helping to solve it, for the people without receiving any compensation.”

This noble creed led Brandeis, starting in his 40s, to devote more and more of his time to pro bono work. (In fact, Urofsky credits Brandeis with helping to make such unpaid public work a standard lawyerly obligation.) The first third of Urofsky’s book is devoted to this phase of Brandeis’ career, in which he served as “an attorney for the people” — arguing in the Supreme Court on behalf of minimum-wage and maximum-hour laws, fighting the New Haven Railroad’s attempt to monopolize Massachusetts rail lines and helping establish a system of Savings Bank Life Insurance that allowed workers to buy cheap policies.

“The great opportunity of the American Bar,” Brandeis told a Harvard audience in his 1905 speech “The Opportunity in the Law,” “is and will be to stand again as it did in the past, ready to protect … the interests of the people.”

Brandeis’ surprising turn to Zionism can be seen as another manifestation of the same familial noblesse oblige. The only practicing Jew Brandeis had known growing up was his maternal uncle, Lewis Dembitz, a successful lawyer who was involved in the founding of the Jewish Theological Seminary.

Brandeis idolized his uncle, whom he once compared to the ancient Athenians for his “longing to discover truths,” and he changed his own middle name from David to Dembitz in Lewis’ honor.

So Brandeis was intrigued when, in 1910, the editor of a Boston Jewish newspaper interviewing him on the subject of life insurance asked him if he was related to Lewis Dembitz. Dembitz, the editor said, was “a noble Jew,” for he “had been one of the first Americans to support Theodor Herzl.”

This Daniel Deronda-like episode was Brandeis’ introduction to Zionism, and in 1912 he joined the small Federation of American Zionists. But it was in 1914, as Urofsky shows, that Brandeis vaulted to the head of the movement. With the outbreak of World War I, the European Zionists found themselves divided and paralyzed, even as the danger to Eastern European Jews and the Jewish settlements in Palestine increased. An emergency meeting of American Zionists was called at the Hotel Marseilles in New York, where Brandeis accepted the leadership of the new Provisional Executive Committee for General Zionist Affairs, the forerunner of what became, in 1918, the Zionist Organization of America.

From 1914 to 1921, Brandeis was the head of the American Zionist movement. Urofsky carefully balances his achievements in that role with the limitations that eventually led him to be unseated by a rival faction allied with Chaim Weizmann. Brandeis was a great believer in facts and organization, and his slogan as head of the Provisional Executive Committee was “Men! Money! Discipline!” He was a hugely successful fundraiser, channeling American Jewish wealth to the poor Jewish communities of Europe.

Between 1912 and 1919, the membership of the committee increased from 12,000 to 176,000. Yet as a technocrat with a cold, reserved temperament, he proved unable to harness the enthusiasm of Eastern European Jewish immigrants, and he never shared the cultural and religious zeal that inspired most Zionists.

His major achievement, Urofsky convincingly argues, was to make Zionism acceptable to newly Americanized Jews by showing that Zionism and American patriotism did not conflict. On the contrary, he always insisted that “the highest Jewish ideals are essentially American,” that “to be good Americans, we must be better Jews, and to be better Jews, we must become Zionists.”

One reason Brandeis was so enthusiastic about Palestine, especially after he visited in 1919, was that he saw in it a blank slate for Jews to create the kind of democratic, egalitarian society he was working for in America.

It followed that American Jews did not have to make aliyah to be genuine Zionists. Rather, Brandeis laid out the terms of the compact that still governs American Jews’ relations with Israel: They would offer money and moral support, but not sacrifice their Americanness.

When Brandeis was nominated to the Supreme Court, he took it as vindication.

“In the opinion of the president,” he wrote, “there is no conflict between Zionism and loyalty to America.”

This is what almost all American Jews still believe, despite increasingly vocal criticism of Israel and “the Israel lobby.” For this, as for so much else, Urofsky reminds us, we have Louis Brandeis to thank.

Reprinted from Tabletmag.com, a new read on Jewish life.

Adam Kirsch is a contributing editor to Tablet Magazine and the author of “Benjamin Disraeli,” a biography in the Nextbook Press Jewish Encounters book series.

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Sharon Waxman Takes on Hollywood

In August, when Hollywood producer Harvey Weinstein gave his first on-the-record interview addressing the widespread speculation that his company was failing to a New York Times reporter who had written little about Hollywood, Sharon Waxman was, well, pissed.

Waxman is one of Hollywood’s leading entertainment journalists; she is the founder and CEO of The Wrap, an entertainment news Web site that went live in January. She also has been a longtime newspaper reporter covering Hollywood for The New York Times, and before that, the Washington Post for over a decade. So when she saw the Weinstein interview, Waxman gave vent to her grievances online.

“Leave it to The New York Times to take 5,000 words to give us a small amount of new information about the ailing Weinstein Company, which David Segal (um, who?) does in Sunday’s business section…” Waxman wrote on her Wrap blog, Waxword. “And leave it to the ever-crafty Harvey Weinstein to tell his tale of woe to a reporter who has never written a word about him or his company, or his previous companies….”

If Waxman sounded personally offended, it was not only because she wasn’t the one to get the coveted interview. Her relentless inner journalist also was insulted that the article failed to dig deep enough. “There should have been some hard-headed reporting in there,” Waxman said in an interview a few weeks later.

Aided by her newspaper pedigree and a belief that Hollywood is long overdue for what she calls “more sophisticated coverage,” Waxman launched The Wrap as an alternative to major newspapers and the trades, as well as the glut of celebrity coverage on blogs. She promises an “intelligent, critical and forward-looking” take on the industry, including both hard-news reporting and opinion. With Waxman at the helm, The Wrap attempts to strike a balance between old-school style and new-media relevance. Along the way, Waxman has managed to brand herself as an authoritative voice on the business and psychology of Hollywood, inserting herself — as an editor — into the rough-and-tumble world of industry journalism.

“We’re not here to make a quick killing in news,” Waxman said in a conversation from her home office in Santa Monica. “We’re here to help reinvent viable journalism in the age of the Internet.”

In the nine months since The Wrap hit the Web, it has created competition not only for Variety and The Hollywood Reporter — the dominant sources for industry news over the last century — but also for blogger Nikki Finke, the widely feared and well-read specter behind Deadline Hollywood Daily, a must-click site for Hollywood insiders salivating for business news and scandal.

The Wrap is finding its niche somewhere in between the publicist-primed tips in the trades and the vitriolic tone of Deadline Hollywood. On any given day, The Wrap’s headlines run the gamut from hard-hitting (“Comcast About to Buy Universal”) to human interest (“George Clooney: Oscar Contender or Just Another Schmuck?”) to somewhat puffy (“Twitter: 50 TV Insiders to Follow Right Now”). Last month, The Wrap signed a content-sharing agreement with MSN.com, though Waxman will not disclose the terms.

Patrick Goldstein, Los Angeles Times columnist and author of The Big Picture blog, said The Wrap is fast becoming a must-read in the industry. “What Sharon is doing at The Wrap is the unofficial Hollywood newsletter. The trades are the authorized version, and [The Wrap] is the unauthorized version. You’re getting stronger opinion and analysis.”

Hollywood publicist Howard Bragman, who works closely with many major media outlets and says he “can’t afford to discriminate” in his news appetite, said he reads The Wrap several times daily. “Sharon is a true journalist, and she has great sources and often breaks interesting news that’s important,” he said. Waxman is well known among executives in the industry, Bragman added, and “nobody underestimates Sharon.”

She has a reputation for being tough, smart and aggressive, and she isn’t one for soft-peddling facts. When it comes to Hollywood, she is also fiercely critical: During our in-person interview, she admitted feeling bad about the scathing tone she’d taken towards the writer of the Weinstein piece (only after blasting the reporter did she realize he had been a colleague of hers at the Washington Post), but even as she spoke, she didn’t refrain from further lashing out.

Waxman’s aggressiveness may be a necessary evil for anyone working in Hollywood. As in Washington, Hollywood is a closed society that doesn’t welcome prying eyes, and, often, wresting information from insiders, especially when the stakes are high, requires a certain amount of chutzpah. This comes naturally to Waxman, who says she doesn’t idolize Hollywood. “Because I have no interest in selling a project, all I ever want to do is tell the truth.”

Waxman grew up Modern Orthodox in Cleveland, Ohio, and attended Hebrew school from kindergarten through 12th grade. She spent a year studying in Israel before attending Barnard College, and continued her studies at Oxford University, where she received her master’s degree in Middle East studies. She is fluent in French, Hebrew and Arabic, which helped her snag her first journalism job with Reuters in Jerusalem, where she covered the first and second Palestinian intifadas. Waxman later moved to Paris, where she continued writing about international politics, the economy and culture, before taking up the Hollywood beat for the Washington Post.

Although she is no longer as religiously observant as she was during her childhood, Waxman said this wasn’t the result of anything specific; she and her husband, Claude Memmi, a French Jewish businessman, have educated their three children (two teenagers and a pre-teen) at Jewish day schools (Sinai Akiba and Milken), and Waxman said her family is committed to some aspects of the tradition, like celebrating holidays. When asked about the predominance of Jewish people in Hollywood, she said, “It’s a culturally Jewish industry. If you have that cultural background, you have an advantage without knowing why or without being able to name it specifically — it may not be fair, but I think that it’s true.”

Now that Waxman is in charge of her own site, she’s also under added scrutiny.

A few weeks ago, The Wrap broke the story that Comcast was in talks with General Electric to acquire NBC Universal for $35 billion. Moments later, an updated post that portrayed the deal as finished set off an Internet firestorm, with Finke calling the report “bull——” and The Huffington Post leading with a full-page rebuff under the headline, “Tide Turns Against Waxman Report.” Later that night, Comcast, the nation’s biggest cable provider, issued a denial to The New York Times Dealbook blog. Waxman stuck to her guns, though details in the story were fuzzy, and (like many reporters on the Web) she later updated — some say backtracked — her story. (Comcast and GE are currently “in talks.”)

Waxman’s launch of The Wrap comes at an uncertain moment in journalism, when news organizations around the country are trying to adapt to an increasingly digital age. Out in the wild, wild Web, citizen reporters with no journalistic credentials are commanding broad attention on blogs and YouTube, and outmoded newspapers are scrambling to establish online presences.

But journalism’s move from print to Web brings with it another set of challenges. Die-hard reporting standards like accuracy and fact checking, let alone ethics, are often compromised in the rush to get news up fast. Waxman admits the pressure can be overwhelming.

“You have to be first, and you have to be right,” she said. “Because if you’re wrong, you’re eroding the credibility of whomever you’re working for.”

At times, Waxman’s own error count has called her reporting into question. In 2003, during her first year at The New York Times, Waxman’s high productivity (she published 356 stories in five years) and her penchant for breaking news, led to some mistakes, mostly in misspelling names and job titles, she said. Addressing the lingering rumors about her journalistic reliability (a recent profile of competitor Finke in the New Yorker said Waxman’s “reporting has occasioned a number of corrections”), Waxman admits to her early errors, but defends her current record: “If there are people who make issue of our credibility or take issue about being treated fairly and accurately, you would see that in people deciding not to work with us.

“If my reputation was anything but strong, we wouldn’t attract the talent we’ve been attracting,” she said, referring to members of her staff, like Lew Harris, former editor-in-chief of Los Angeles magazine and a founding editor of E! Online, and Josef Adalian, a former TV editor from Variety.

“If people thought I was not trustworthy, how in the world would we be breaking news?” she said.

One of Waxman’s challengers is the audacious Finke, who is one of the most well-connected journalists in Hollywood. At one time, the women were close friends (Waxman threw Finke a 50th birthday party; Finke has taken Waxman’s daughter shopping), but their relationship has since dissolved. Finke told the New Yorker that their falling out occurred when Waxman started The Wrap, telling Finke it was going to cover politics. Waxman denies this and attributes their rift to a turf war. “From my perspective, it comes from the fact that Nikki is not happy that there is a competitor in a space she considers to be her private backyard.”

The two writers have made a habit of hashing out their dispute online, where they often rebut one another’s sources and stories. But while Waxman’s column has literally screamed Nikki’s name, Finke has avoided identifying Waxman or The Wrap by name, referring instead to either “the blogger” or “the blog.” Finke denies this so-called feud and sees her part as correcting what she believes are journalistic inaccuracies.

“The sniping has been all on her side,” Finke said in a phone interview. “She has gone after me personally, which is unforgivable; she has reported inaccurately about my business, which is despicable. And she has done this without so much as calling me ahead of time for comment. She is a very poor excuse for a journalist; her traffic is tiny, her writers and editors keep walking out the door, and she has made little impact in the entertainment community.”

“She has sharp elbows,” Waxman said of Finke, “but the news flash is, I can have sharp elbows too. When she takes shots at me, I’m not going to be quiet. She is a big bully, and bullies have to be pushed back.”

“I think it’s a pretty one-sided rivalry,” said the L.A. Times’ Goldstein, who is also on the outs with Finke. “Nikki is very threatened by the fact that The Wrap is seeming to make a dent in everybody’s daily dose of Hollywood reading, and anything that Nikki sees as a threat, she will go out of her way to trash.”

Whether or not The Wrap is an actual threat to Deadline Hollywood is hard to say. According to Finke, her Web site had 831,000 unique views last month — more than twice that of The Wrap — though Finke has been around longer. In July, Finke made a piece of blogger history with the sale of Deadline Hollywood to Mail.com. The sale’s price has not been disclosed, but rumors run from $400,000 to $14 million.

Bernard Weinraub, a former New York Times Hollywood correspondent said of Finke: “I think she stepped into a vacuum in terms of reporting in Hollywood. She’s a very, very good reporter, very dogged, very professional and very tough, but she gets news.”

Finke’s sale was significant, coming at a time when online media sites are only guessing at how to turn a profit. Waxman raised $500,000 in seed funding for her site, though she said she’s raised more since then, from Maveron, a venture capital firm based in Seattle and co-founded by Dan Levitan and Starbucks CEO Howard Schultz. But even as Waxman has seen growing readership and increased Web traffic — she claims The Wrap received 400,000 unique views last month — she cannot claim a profit.

“No start-up companies are profitable in their first year; it just doesn’t happen,” Waxman said.

But if there is one topic that draws visitors to a site, it’s the entertainment business. And while there was a moment when Waxman thought she might abandon Hollywood and return to covering international culture and politics, that didn’t stick. “What pulled me back in was the opportunity to be part of this transformational time in media, because the movies and television are going through the exact same transition as newspapers, in a different way.”

Waxman said she isn’t interested in the glamour of Hollywood, but believes in its economic power and influence on culture.

“I care about what this industry creates,” she said. “I do believe that entertainment matters. I’ve been a foreign correspondent and I’ve seen firsthand the impact that popular culture created by Hollywood has across the globe. It’s not inconsequential.”

Sharon Waxman Takes on Hollywood Read More »

Israeli Casspi Set for NBA Debut

Although he hails from Yavne, in the center of Israel, Omri Casspi is going to have a lot of American basketball fans offering to treat him like family this season.

Casspi, a 6-foot-9 forward, is set to become the first Israeli player in the NBA, having been taken in the first round of the draft last June and signing a three-year, $3.5 million contract with the Sacramento Kings. He’ll play his first regular season game on Oct. 28 against the Thunder in Oklahoma City.

“I’m very excited,” he said. “But I’ve got to show that I belong in this league.”

Whether the Kings are playing home or away, Casspi is counting on having plenty of fans on his side. He figures all he’ll have to do is look up and see fans waving Israeli flags.

“I know it’s going to happen,” Casspi said. “A lot of young kids are going to come. Families are going to come to see me. I think it’s great. I’m having big support. There’s pressure, a little bit, but I’ll find my way.”

It’s still preseason, but the excitement surrounding Casspi has already started. When Sacramento opened play earlier this month at Portland, fans were waving Israeli flags and holding signs written in Hebrew.

After the game, Casspi stopped to greet a group of them. Later, some teammates asked him to translate the signs, which had his name and his new team on them.

“That warmed my heart,” Casspi said. “That was just really special for me.”

Just wait, though, until Casspi plays in cities with large Jewish populations, such as New York, Chicago, Miami and Los Angeles, where the Kings this season face the Lakers twice and the Clippers twice with his first appearance New Year’s Day against the Lakers.

“I think it will be crazy,” Sacramento’s player personnel director Jerry Reynolds said of Casspi going on the road. “It will be good for us because we haven’t been getting a lot of attention lately. It will be fun. I think Omri will help us there a little [drawing fans]. We’ll take them anywhere.”

Reynolds said the Kings are looking into playing a preseason game in Israel, perhaps as soon as October 2010.

Basketball is very popular in Israel, and home games for Maccabi Tel Aviv, his previous team, always had sellout crowds of 12,000, Casspi said. This season, he expects those fans to stay up until the wee hours of the morning following Sacramento games.

“It means a lot to my country,” Casspi said of being taken with the No. 23 pick in the draft. “We’re on the map right now. When I was young, I dreamed to play with Maccabi, the biggest club in Israel. Now the kids can dream about playing in the NBA.”

Casspi, 21, first was noticed by the Kings when he played for the World Select Team at the 2007 Nike Hoop Summit in Memphis, Tenn. They were impressed by his athleticism and smarts.

But Casspi wasn’t ready to enter the NBA then, primarily because he was busy serving his required three years in the Israeli army. He was discharged shortly before last June’s draft.

“He was a sniper in the Israeli army, so how much pressure can be on him now?” said Scotty Sterling, the Kings’ scouting director. “He wasn’t in combat, but he said they taught him to shoot a rifle. But he said he’d rather shoot a basketball than a rifle.”

Casspi quickly corrects the record, saying he wasn’t a sniper. Still, the story has been making the rounds.

“I don’t know where that rumor started,” Casspi said. “I wasn’t a sniper. It’s not true. I was in basic training. But I did hold a gun, and I shot a lot.”

Casspi said basketball players aren’t generally sent into combat. But he had friends who went to war.

Sacramento’s Jewish community, which Sterling said numbers about 30,000, has done much to help Casspi’s off-the-court transition.

“They took me out to see the city and they arranged me a house to rent,” said Casspi, who lives in Sacramento with his brother Eitan.

Casspi isn’t the first Israeli player drafted by the NBA. Doron Sheffer, a Connecticut star, was taken in the second round by the L.A. Clippers in 1996, but elected instead to sign with Maccabi.

So that leaves Casspi to be a pioneer in this country. But he has a ways to go to earn Sacramento coach Paul Westphal’s full confidence.

In Sacramento’s first two preseason games, Casspi shot an impressive 7-of-8 from the field while averaging eight points and 13 minutes. But Westphal said Casspi is a bit mechanical at times.

“Sometimes he is trying to do everything so correctly that he becomes paralyzed,” Westphal said. “He loses some of his aggressiveness, and he’s a naturally aggressive, attacking player…. He’s got some skill. He just needs some experience.”

The Kings lost 98-92 to the Lakers during their third preseason game in Las Vegas on Oct. 15, but Westphal told The Sacramento Bee, “[Casspi] did a respectable job making Kobe take some shots that were tougher than they should have, so it was good.”

With so many expectations being heaped upon him, Casspi said he was “very nervous” heading into training camp. But he’s starting to feel better as the days go by.

“I am getting more comfortable,” Casspi said. “I just need to get experience, but I want us to win. Rather than play 40 minutes in a game and we lose, I would rather play two minutes and we win.”

Chris Tomasson covers the NBA for AOL FanHouse.

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Picks and Clicks for October 17– October 23, 2009

SAT | OCTOBER 17

(BOOK SIGNING)
Jewish actress Alicia Silverstone may have been out of the limelight this past year, but she’s kept busy as a dedicated conservationist. She will be signing copies of her first book, “The Kind Diet”  (Rodale Books), a collection of vegan recipes promoting a healthy lifestyle and a healthy planet. Sat. 1 p.m. Free. Barnes & Noble, 1201 Third Street Promenade, Santa Monica. (310) 260-9110. ” title=”luckmanarts.org”>luckmanarts.org.

(THEATER)
Henry Jaglom’s new play, “Just 45 Minutes From Broadway,” centers on a family of actors who host a potential son-in-law over a weekend, but find he does not share their generations-long dedication to theater. This world premiere of the play stars Tanna Frederick, Julie Davis, David Garver, Jack Heller, David Proval, Diane Salinger and Harriet Schock. Tonight’s gala opening-night performance will be followed by a reception with hors d’oeuvres, drinks and music. Sat. 8 p.m. Through Dec. 20. $25 (regular performances), $100 (gala). Edgemar Center for the Arts, 2437 Main St., Santa Monica. (310) 392-7327. ” border = 0 vspace = ‘8’ hspace = ‘8’ align = ‘left’>(DISCUSSION)
Talk show host Bill Moran will moderate a discussion with two of the most influential American songwriters and producers of all time: Jerry Leiber and Mike Stoller, who are responsible for such post-World War II pop songs as “Hound Dog,” “Jailhouse Rock,” “Stand by Me” and “Poison Ivy.” Following the discussion, Leiber and Stoller will sign copies of their recently published memoir, “Hound Dog: The Leiber and Stoller Autobiography.” Sun. 2 p.m. $25. American Jewish University, 15600 Mulholland Drive, Bel Air. (310) 440-1246.
” title=”vistadelmarjazzfest.org”>vistadelmarjazzfest.org.

(CONCERT)
The Los Angeles Master Chorale’s season opening performance of Mozart’s “Requiem” and John Adams’ “Choruses from the Death of Klinghoffer” at Walt Disney Concert Hall is one of many concerts around the world celebrating the power of music to bridge cultural barriers as part of the eighth annual Daniel Pearl World Music Days. Itzhak Perlman, Herbie Hancock, Matisyahu, Ravi Shankar and Joshua Bell are a few of the other artists participating in the peace-promoting initiative, which will include more than 850 performances in 53 countries throughout the month of October. Sun. 7 p.m. $19-$124. Walt Disney Concert Hall, 111 S. Grand Ave., Los Angeles. (213) 972-7282. ” title=”danielpearlmusicdays.org”>danielpearlmusicdays.org.

(LECTURE)
Historian and author Melvin I. Urofsky will illuminate the life and multiple careers of legendary Supreme Court Justice Louis D. Brandeis. Urofsky will discuss, among other notable achievements, the role Brandeis played in transforming Zionism into a political force in American Jewish affairs. The historian, who studied family papers and materials never before accessible to the public, will sign copies of the biography that resulted from his research: “Louis D. Brandeis: A Life.” Sun. 2 p.m. $5 (free for members and students). Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. (310) 440-4500. ” title=”beittshuvahla.org”>beittshuvahla.org.

(VOLUNTEER)
The Jewish Federation Valley Alliance is sponsoring an all-volunteer program to help SOVA feed the city’s hungry. Coordinated by Temple Ahavat Shalom, “Feeding the Hungry” will put volunteers to work assembling 40,000 meals; volunteers must sign up in advance in order to participate. Sun. 10 a.m.-2 p.m. The JCC at Milken, 22622 Vanowen St., West Hills. (818) 360-2258. ” title=”skirball.org”>skirball.org.

(LECTURE)
American Jewish University’s Whizin Center for Continuing Education is offering a four-part course titled, “One God, Two Faiths: The Jewish/LDS Dialogues,” taught by Rabbi John Crites-Borak and Mark Paredes. The course explores the doctrinal differences and similarities in four foundational concepts common to both Judaism and Latter-day Saints. Tonight’s lecture, “God’s Covenant With Abraham,” will explore the statement made by God to Abraham, “You shall be the father of a multitude of nations.” Tue. 8-9:30 p.m. Through Dec. 8. $73 (series). AJU, 15600 Mulholland Drive, Bel Air. (310) 476-9777. ” border = 0 vspace = ‘8’ hspace = ‘8’ align = ‘left’>(FORUM)
“Women Rabbis: Trailblazers and Innovators,” a public discussion sponsored by The Jewish Journal and Hillside Memorial Park and Mortuary, will feature Rabbi Sharon Brous from IKAR, Rabbi Denise L. Eger from Congregation Kol Ami, Rabbi Laura Geller from Temple Emanuel of Beverly Hills, Rabbi Zoë Klein of Temple Isaiah, Rabbi Naomi Levy of Nashuva, Rabbi Michelle Missaghieh of Temple Israel of Hollywood, Rabbi Debra Orenstein of Makom Ohr Shalom and Susan Freudenheim, The Jewish Journal’s managing editor, as the moderator. A portion of the proceeds will be donated to SOVA. Wed. 7:30 p.m. $10 (presale), $15 (at the door). Saban Theatre, 8440 Wilshire Blvd., Beverly Hills. (213) 368-1661, ext. 251.

(THEATER)
Ed Asner and Jonathan Silverman star in “Once in a Lifetime,” a George S. Kaufman and Moss Hart classic screwball comedy poking fun at Tinseltown, with ditzy starlets, ego-driven studio heads and a trio of scheming vaudevillians. An L.A. Theatre Works production, directed by Christopher Hart — the son of the legendary playwright — to be broadcast on public radio stations nationwide. Wed. 8 p.m. Through Oct. 25. $20-$48. L.A. Theatre Works at the Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. (310) 827-0889.
Picks and Clicks for October 17– October 23, 2009 Read More »

Adam Lambert: The Jewish Mother Interview

By Gail Zimmerman

Arts & Entertainment Editor

Detroit Jewish News

“There are thousands of women of a certain age out there who are just one Adam Lambert Google search away from crashing their computers,” Newsweek’s Joan Raymond wrote in a June blog titled Why Cougars Crave Idol Runner-Up Adam Lambert. “The good news is that people who know about these things think that our little Lambert love-fest is downright mentally healthy.”

Raymond goes on to quote sex therapist Laura Berman, director of the Berman Center in Chicago, who says, “I think more women would be happier if they channeled their inner 14-year-old girls once in a while.”

Lambert, Berman believes, somehow manages to be “hardcore, crazy, humble, adorable, charismatic, sweet and mind-blowingly talented,” all in one package. “He’s a study in contrasts, and the gay thing doesn’t matter,” she says. “Anyone who can get women to talk, giggle and get their mojo back is fine by me.”


So you can imagine my excitement when I received an e-mail from the “American Idols Live 2009” press people saying that interviews were available to promote the Idols’  Aug. 26 appearance at the Palace of Auburn Hills.

“Can I get an interview with Adam? He’s the only Jewish Idol in the bunch,” I write. “Sorry, but his schedule is just too hectic.”

The consolation prize? “You can come to the press hour before the concert if you like.” The catch? There’s a 50/50 chance Adam will be there. Only five of the 10 Idols do press before each concert, and there is no way to say in advance who they’ll be.

I decide to take my chances. I come to the Palace on the day of the concert and hope for the best. About six or seven other press outlets are represented, including some local TV and radio stations. We are escorted into a dimly lit room.

A press officer from the AI machine comes in and announces that the Idols will be coming out shortly — not necessarily all at one time — and they would include Adam (thank you, God!). Absolutely no autographs or photos, she says.

She explains that the Idols will rotate around and that the journalists will have to speak with whomever ends up at their table — although we might not get a chance to speak with all of them. “You’ll get about 3½ minutes with each Idol,” she says. “You can ask whatever you want, but I suggest you don’t ask about Paula Abdul. Everyone has been asking about her, and they don’t know anything more about it.”

I go up to her and explain “the Jewish connection” and my desire to speak with Adam. She can’t make any promises.

The Idols trickle out (I don’t see Adam). She brings one over to me and introduces me as “Esther” from the Jewish News. I correct her on my name, and she apologizes. The Idol quickly figures out he isn’t going to get much press from me.

I see a tall figure with asymmetrically cut black hair — wearing jeans and a T-shirt — enter the room. Adam is smiling. Without his stage makeup, he looks younger than his 27 years. I concur with what Adam’s mom, Leila Lambert, said during an interview on ABC’s 20/20: “I always said he was like sunshine. He just walks into a room and he, he just glows.”

I’m talking with another Idol when I see Adam approaching with the publicist. (She must feel badly about calling me Esther.) I wish the Idol well, and he moves on.

The publicist introduces me to Adam. (Like Barbra Streisand in Funny Girl, I’d like to say,  “Hello, Gorgeous.” But I am trying to maintain some sense of professionalism.)

Adam sits down next to me at the table and shakes my hand. We are face-to-face, sitting about two feet apart. He immediately makes an intense kind of eye contact, which he maintains throughout the interview, making me feel like I’m the only person in the room.

I abandon my notes and, hoping my tape recorder is working, decide to ask my prepared questions from memory. I don’t want to look away; I am having an out-of-body experience.

Adam laughs often and totally engages in the conversation. He is warm, polite, candid, good-natured and quick-witted, with a great sense of humor.

Listen in on our conversation:

Jewish News: Hi Adam, nice to meet you.

Adam Lambert: How are you?

JN: How are you?

AL: I’m very good. Thank you.

JN: Well, Adam, welcome to “the Jewish mom” interview.

AL: Yaaayyy! My people. (Laughing and opening his arms wide.)

JN: Speaking of your people, there are some things your Jewish fans are curious about. Are both of your parents Jewish?

AL: No, my mom is.

JN: The Rolling Stone article said you dropped out of Hebrew school at age 5.

AL: I think I was a little bit older than 5. Probably like 9.

JN: How were you able to sing those songs in Hebrew that everyone’s listened to over the Internet?

AL: Oh. All phonetic. I don’t speak Hebrew. I wasn’t bar mitzvahed, unfortunately.

JN: So did your family celebrate the holidays?

AL: We did celebrate Chanukah as opposed to Christmas. So we stayed true to our roots that way. And we celebrated Passover occasionally. I mean I hate to say it, but we were kind of Jewish by form. Lightly Jewish. Diet Jews. More of a heritage thing.

(True to his heritage, and to the spirit of tikkun olam, Adam has requested that his fans donate to charity rather than buying him gifts. For more on his campaign to help support arts and music in high-need public schools, go to DonorsChoose.org/Adam Lambert.)

JN:  I loved the version of Muse’s “Starlight” you sang on Good Morning America and can’t wait to hear you perform it at tonight’s concert.

AL: Thank you.

JN:  The song’s lyric,  “Black holes and revelations.”

AL: Isn’t that beautiful?

JN: What’s the biggest black hole you’re afraid of falling into?

AL: Obscurity. That would be a shame. That would be a real shame. If I have anything to say about it, it won’t happen no matter what goes on with my career.

JN: What’s the biggest revelation you’ve had?

AL: You know, at the risk of sounding a little bit cliché, that anything’s possible. I really think that, to a point, if you dream something and really visualize it, I think that it can come true. I really do believe that now.

(The AI publicist has her back to me. I surreptitiously ask Adam if he can autograph my copy of “Rolling Stone” with him on the cover. “Ye-ah,” he laughs, as he signs it with the Sharpie pen I’ve brought for the occasion. Don’t be looking for it on e-Bay!)

JN: I know your mom’s going to be working for you.

AL:  She’s going to be helping me with administrative stuff. Yeah.

JN: What’s the best piece of unsolicited advice she’s given you lately?

AL: You know, it’s funny [but] my mom doesn’t give me a lot of advice these days.  I think it’s kind of in the vein of an unspoken kind of advice. It’s more of a support thing.  My dad’s really Mr. Advice.

JN: There’s always one parent who’s like that.

AL: Yeah, yeah yeah. My dad’s my teacher. Teacher-parent.

JN: You have fans that range from age 8 to 80. Do you have grandparents who are alive to see everything that’s happening to you?

AL: Unfortunately, both of my mom’s parents have passed away. My dad’s parents are both alive, and they’ve been blown away by everything that’s been going on. I saw my grandma at one of the California shows. I think she came to the second L.A. show, and she was so sweet. She really enjoyed that.

JN: How is your family dealing with all the peripheral fame that comes along with all of this?

AL: I think they’re doing a pretty good job. Obviously, it’s a big adjustment because there are people trying to get to me through them sometimes, and it’s not something that anybody’s ever prepared to deal with, I don’t think. It’s interesting (laughs) … pretty interesting.

JN: November should be an exciting month for you. Your album is due to be released, and you’ve recorded a song for the film 2012 that will be in theaters about the same time.

AL: Yes, and it’s a really beautiful song. Very inspirational, and the production is gorgeous, very like a great classic rock ballad — very unlike the material that’s going to be on the album actually. The album’s going to be more modern electronic rock-pop, and [the 2012 track] is a more traditional, old school, heartfelt ballad, a little bit more like some of the stuff I did on Idol. The album is going to take what I did on Idol as a reference, and I’m going to launch it into today.

JN: With your album coming out, you’ll have to promote it. Would you like to host Saturday Night Live?

AL: Oh, my God. That would be amazing. That would be so much fun. That would be great. It would be very, very cool.

JN: When you go on the road in support of the album, would you like to tour to Israel?

AL: Yeah. I would love to. I want to go everywhere!

(The publicist puts her finger up for one last question, and I start to play a sort of “Jewish geography.” I ask Adam if he knows a certain family in San Diego, where he grew up.)

AL: Yeah (he says, with a look of surprise). How do you know them?

JN: I don’t. My next-door neighbor asked me to mention it. Her best friend in San Diego has a best friend in San Diego, who is the mom in the family.

AL: Well, her daughter Danielle is my best friend. And [Danielle] was sitting in the audience with my family during the [AI] shows. She’s my best friend in the world!

JN: Six degrees of separation.

AL: There you go! Nice meeting you! A pleasure. Have a good one. Have fun tonight!

Adam Lambert’s debut solo album will be released on November 24. 

 

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Joan Hyler Presented With Courage Award

During her first public appearance since her near-fatal accident last year, manager-producer Joan Hyler accepted the Courage Award at UCLA’s Visionary Ball on Oct. 1, surrounded by a cadre of her friends and clients. The event benefited the UCLA Dept. of Neurosurgery, whose doctors helped save Hyler’s life after she sustained multiple critical injuries and endured months of difficult rehabilitation.

Hyler’s longtime friend and client,  Bruce Vilanch, who has known Hyler since college, presented her with the award. In an interview last September, he told The Journal, “Joan is the consummate fighter, and now she’s staging her own comeback. I never doubted for a moment that she was going to make it and come back strong, and I’m delighted to be validated.”

Throughout the evening, Hyler was surrounded by her steadfast supporters — close friend and WME agent Brian Swardstrom; Hyler’s ex-husband and business partner, Larry Scissors; her sister Nancy Berlin; and clients Diane Lane, Alfred Molina, Amber Tamblyn, Amber Heard and Karen Allen.

Also honored that evening were actor Jim Carrey; Dr. David T. Feinberg, CEO UCLA Hospital System; and Tony Pritzker, managing partner of The Pritzker Group.

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Hooray! I have Finally Found a Home in the Israeli Political System, Rabbi Asher Lopatin

If you have read this blog, you know that all of us, rabbis and Maharat, think out of the box and sometimes unpredictably.  You may have seen my views of the One State solution, one democratic, Jewish and Palestinian State allowing all self declared Jews to return and Palestinians to return.  You may have also seen my desire for separation of church and state in the Jewish state of the future – in Israel.  Feel free to dismiss me as naïve, foolish, crazy, irresponsible, etc.  However, the last laugh is on those who mock me: I can say will full confidence that I am in the tradition of Ze’ev Jabotinsky, the founder of Revisionist Zionism.  And… as a follower of Jabotinsky, I feel at home in the party of Menecham Begin, his heir, Herut and Likud.  Yes, I see myself as part of Likud.

Huh?  A One Stater in Likud?  Well, let’s look briefly at the principles of Revisionist Zionism:
1) Jews returning in the millions to the homeland.  Jabotinsky hoped European Jews in the 1930’s would fill up both sides of the Jordan with Jews; in the 21st century, we have to look to Africa and Asia – and still not give up hope in America – to bring in those huge numbers so that Jews remain a majority culture in our land.
2) The right of Jews to live in their homeland – even more important the getting the State.  Herut opposed partition in 1947, giving up our rights to our land, as we should oppose partition in 2009. In the 21st century, our priority should not be demographics or a homogeneous state; no, our priority must remain a solution where Jews can live in Tel Aviv or Hebron, or Gaza or Shechem or Modiin.  Everywhere!  Palestinians can by homes or start communities in these places as well.  Anyone who has any suggestion that gives up Jews returning to Gush Katif should be rejected as compromising the essential rights and dreams of the Jewish people.
3) Liberalism in terms of freedom of the individual: open and free markets, capitalism rather than socialism.
4) Being strong and demonstrating strength: Any solution in the 21st century needs to involve the army – the IDF – not tolerating any pocket of terrorism or fiefdom outside the control of the One State – no Gazas controlled by rogue, terrorist regimes.
5) When you look at the writings of Ze’ev Jabotinsky, he has different attitudes towards the indigenous Arabs.  Everywhere he wants them to know that the Jews are staying.  However, in some places he writes that once the Jews are established in their land, they can allow the Arabs to be full participants – including voting – in a liberal democracy.  Yes, Jabotinsky understood that if the Jews are strong and confident, they have nothing to fear from Arabs/Palestinians getting the vote.
6) It is clear that while Jabotinsky wanted a Jewish state – designated for the Jews and filled with Jewish culture – he did not want a state with rabbinic control.  He had European democracies in mind, where the look and feel is Christian, but the power resides in the government of the people, not the church leaders.
I am planning to move to Israel because I believe that God wants us to live in the Holy Land and God wants us to build a moral and ethical state where Judaism can flourish and have an impact.  With the vision of Jabotinsky I hope we can all gain the strength to build communities anywhere in the land and that that land should be a full democracy which will allow Judaism to flourish in all its diversity and creativity, taking the best from cultures dwelling alongside of us, including Palestinian, Arab culture.  Likud – here I come!

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Self-help guru investigated in sweat lodge deaths

Sweat lodge ceremonies are intense, but not nearly as mind-altering as pop culture would have you believe. Still, there are dangers—tragically, and fatally, learned by two men in Arizona last week. Police have now turned their attention to the self-help author who runs the spiritual retreat.

Speaking last night in Marina Del Rey, the guru James Arthur Ray brokedown in tears and said he’s mourning along with the decedents families:

“We’re looking for answers,” he said. “I’m as frustrated and confused as other people are.”

Ray added that he wrestled with whether to go through with Tuesday’s seminar, which he said was scheduled weeks before the sweat lodge deaths.

“My advisers told me, ‘Don’t do that. You don’t know who’ll show up. They’re going to eat you alive,’” he told the audience. But he said it was important for him to keep his commitments.

“I’m grieving right now,” Ray said. “I’m grieving for the families.”

Read the rest here.

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Study: Israel has among highest cancer survival rates in the West

Israel has one of the highest survival rates among cancer patients in the West, according to a Health Ministry report released on Tuesday. However, the number of cancer patients in Israel is rapidly growing.

According to the Health Ministry’s cancer registration unit, 61 of 100 male Jewish cancer patients survive after a five-year recovery period, and 67 of 100 female Jewish patients survive after five years.

Read the full story at HAARETZ.com.

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An Oasis of Hope Amid Despair in Gaza

Traveling around the Gaza Strip of 2009 is difficult to accurately describe. Despair, destruction, extremism and violence are terms easily at hand, but they do not do justice to life in Gaza today.

Navigating the Erez crossing point from Israel gives a taste of what’s inside. The cavernous Israeli border facility, built to process tens of thousands of Palestinian daily workers, echoes with the steps of the day’s three visitors. A teenage Israeli soldier stops typing into her phone long enough to buzz us through the armored door. Leaving the air-conditioned hall for the hot sun, we traverse the quarter mile of dirt road. A Palestinian woman and her teenage son, fresh from head surgery in the West Bank, struggle to steer his wheelchair around the rocks. The solitary Hamas customs officer in a dilapidated trailer seems put upon to raise his hand to wave us on.

Unemployed men gather at street corners. Boarded-up factories and partially completed or destroyed buildings dot most neighborhoods. Markets continue to stock basic food items allowed in by the Israelis, while shops offer a selection of Egyptian goods smuggled through tunnels on hand-propelled railway cars. Egyptian luxury items such as potato chips, religious books, cement and even cars can be purchased by those with disposable income. Nouveau riche tunnel owners and Hamas leaders now occupy the large houses built by Arafat’s henchmen and wealthy businessmen who fled after the Hamas takeover.

The refugee camps, some of the densest housing in the world, reek of sewage. Black-clad Hamas gunmen sporting adolescent beards pretend to patrol the streets while Hamas and Islamic Jihad slogans and pictures of the so-called “martyrs” adorn the walls.

In addition to the economic situation, the common complaint from what’s left of the middle class in Gaza is the lack of adequate educational opportunities. The local political and religious establishment runs the school system. The moderate Palestinians and the international community criticize the Hamas-controlled schools as creating incitement through revisionist textbooks and political proselytizing.

In the north of Gaza City sit the ruins of the American International School. Opened in 2000 with a capacity of 800 students, the English-language school served as the only accredited international school in Gaza. Teaching boys and girls together in English with standard American textbooks, the school represented an opportunity for a better future. The school served as polestar for a progressive education and connection to the West. “I do see it [the school] as a bridge between the Arab culture and the American culture, and it serves American culture in this respect,” noted Nairab, a graduate who also attends the University of Texas at Austin. 

“It was really quite a very nice school, it was well run, the best school in Gaza by any standard … the children were happy. It was one of those places in Gaza where you go there and you have hope. You have a feeling that there are people here who are really striving to get ahead and make a difference and change their lives,” reported the CNN correspondent, Ben Wedeman. 

Internecine Palestinian fighting and Israeli bombs have left the 7-acre school in ruins. Goats graze on the soccer field. Tons of rubble cover what was the library. Scorched school buses show the result of airborne bombing runs.

Today, 233 boys and girls, grades K-12, in matching white-and-blue uniforms still attend daily classes in a rented facility near the old site. Thirty Palestinian teachers stand in for the European and American instructors who fled the fighting. Students crammed into small rooms with makeshift desks share outdated American textbooks. With only bare-bones resources, the administration strives to maintain loyalty to the school’s original curriculum and vision of providing secular, standardized education. 

Parents and children exclaim how fortunate they are to have the school at all. The alternative, Hamas and United Nations-run schools, do not offer the same educational opportunity and are replete with political and religious dogma that is anathema to those attending the American school. The headmaster boasts how last year’s valedictorian earned a four-year-scholarship to Yale. Abeer Abu Shawish, 17, who achieved the highest score on the humanities exam in Gaza this year, related how this “secluded oasis of learning” encouraged her to strive for a better life. She explained how her friends in other schools were not taught that women can have productive professional careers. 

Recognizing the value of supporting what is left of educational opportunities in Gaza and mitigating the mindless indoctrination of Hamas schools, the United States government with Israeli government support recently appropriated $450,000 for the school for supplies, textbooks and science equipment. An additional request for tuition assistance is pending. 

This gift has reignited the call to rebuild the school. Recounting their dream of regaining international accreditation, the school administration and families asked us to bring books, pencils and paper during our next visit. 

We are left with an image of smiling students marveling at the single microscope in their science class — a stark contrast to the dirty children scavenging the trash heaps only meters away.

James Prince is president and Michael Hirschfeld is vice president of the Democracy Council, a Los Angeles-based nonprofit organization that promotes democratic values, human rights and economic opportunity in the developing world.

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