David Suissa is Publisher & Editor-in-Chief of Tribe Media/Jewish Journal, where he has been writing a weekly column on the Jewish world since 2006. In 2015, he was awarded first prize for "Editorial Excellence" by the American Jewish Press Association. Prior to Tribe Media, David was founder and CEO of Suissa Miller Advertising, a marketing firm named “Agency of the Year” by USA Today. He sold his company in 2006 to devote himself full time to his first passion: Israel and the Jewish world. David was born in Casablanca, Morocco, grew up in Montreal, and now lives in Los Angeles with his five children.
Mentioning the good stuff is a reminder that we have it in us, that we’re capable of the final step in the process of repentance—committing to not repeating the same mistakes.
What’s noteworthy about Charlie Kirk is that even his biggest critics have acknowledged that he was fearless in engaging with the “other side.”
In reviving this dream, Milken’s center is reviving something even more vital– our faith in life. It is that very faith in life, that force that drove our ancestors, where we can find our optimism as we enter the Jewish new year.
The problem is that the haters never stop reminding us that we’re different, and in the anatomy of hatred, difference is the lead virus.
It’s astonishing to imagine what would happen if enough people revolt and break the chains of our modern-day addictions that have put our nation at each other’s throats.
He engaged with tens of thousands of college students in hundreds of campuses over more than a decade and stood tall with his coolness and his arguments. He wanted to make loving America cool again.
It’s the word “probably” that really stood out. “Probably” recognizes how difficult it is to admit when something is our fault.
The movie is bursting with multiple characters and human hearts looking for a place to go, hearts that go through their own internal civil wars.
What happened after the Holocaust says a lot more about the Jews than what happened during the Holocaust.
In the midst of an ugly and hellish war zone, a soldier insists on retaining a relic of beauty, a relic of her normal life, a relic that reminds her that war doesn’t define her.