Theater as addiction therapy in ‘Bliss Point’
The healing power of theater underlies the collaboration between the Cornerstone Theater Company and rehabilitation centers around the city, which resulted in the company’s production of “Bliss Point,” a play about addiction and recovery, through June 22 at the Odyssey Theatre in Los Angeles.
Playwright Shishir Kurup’s research included conducting interviews with residents of various recovery facilities, including Beit T’Shuvah (“House of Return”).
Tricia Nykin, who had organized several acting workshops while a resident at Beit T’Shuvah, was heavily involved in the play’s development process, working with the playwright and Cornerstone, and she ultimately arranged for a reading for the Beit T’Shuvah residents.
“I wanted to get feedback as to the legitimacy of the script,” Nykin said.
The play focuses on two divergent scenarios that merge unexpectedly at the end. One concerns an addict whose friends come to get high with him in celebration of his birthday. Eventually, a particularly devastating event causes him to crash. The other scenario follows an East Indian journalist who is caring for his sick mother and also interviewing addicts at a treatment center for an article in a major magazine.
One of the addicts telling her story to the journalist is played by Nykin, who is one of five cast members from Beit T’Shuvah, most of them with little acting experience. In fact, Nykin, who has been a professional actor since childhood and has a bachelor’s degree in theater, is one of only a few professionals in the 15-character play.
She is also a heroin addict who came to Beit T’Shuvah almost a year ago as a “court commit.”
“I eventually started selling heroin, and I got caught a lot,” Nykin said. “I got raided three times, and I went to jail, in and out, in and out, about seven times over the course of a year and a half. And then, on March 11, 2013, I went to jail for the last time.
“The court and my probation [officer] decided they were not going to let me out. So, I was stuck, and I was really forced to look at myself, and it was miserable, it was difficult. And thank God for that, because it gave me the gift of desperation and enabled me to see that I felt freer in those four tiny walls in a cell than I did in the real world. That’s what made me want to change.”
Her grandmother read about Beit T’Shuvah, and her mother eventually got her alternatively sentenced to the center. She was immediately cast in a play the facility produces periodically, and she slowly began establishing a theater program.
Now sober, Nykin moved out of the treatment residence about five weeks ago into a house where many Beit T’Shuvah staff members reside. She is employed as the managing director of the facility’s theater department.
Jared Ross, another resident who is part of the “Bliss Point” cast, said his own recovery, as well as the play itself, has helped him find a passion for learning and growing again. He said that, as an artist himself who draws, paints and sculpts, he particularly relates to the character he plays, whose artwork is exhibited in the Whitney Museum.
“But, also, [there’s] the dark side of this character — he’s been an IV drug user, which is something that I’ve battled since I was 16.
“But he does come to a place of revelation, of wanting to survive, to really get his name out there and make it as an artist. And, just like with myself, for that to even have a shot at happening, I have to put the drugs down.”
In order to “put the drugs down,” Beit T’Shuvah residents are required to go to therapy and meet with their counselor every week, as well as a spiritual adviser every week, and go to an Alcoholics Anonymous meeting every night. In addition, both Jewish and non-Jewish residents must attend Torah study every morning and services every Friday night and Saturday morning.
There are also adjunct, voluntary programs, such as music, yoga, mindfulness meditation, creative writing, surf therapy and, of course, theater, which the center’s spiritual leader, Rabbi Mark Borovitz, believes is therapeutic in that it allows addicts to tell their story and the stories of other people.
“They can see themselves in other characters,” he said, “so it helps them get out of their own self-obsession. It helps them have empathy with other characters, other people. It also creates a community within the community. They know that their success, and the success of the project, is dependent upon everyone working together, so it gets them to be part of something instead of separate from everyone. Plus, they have a great deal of fun and camaraderie.”
The rabbi would like audiences who see “Bliss Point” to come away with an appreciation for the power of recovery and of redemption, “and to see themselves in the cast members,” he said, “so they start to realize that it’s not ‘those people,’ but it’s us.”
“Bliss Point” is at the Odyssey Theatre, 2055 S. Sepulveda Blvd., Los Angeles, June 5-22. Performances are 8 p.m. Wednesday through Saturday, and 2 p.m. Sunday. For tickets, call (310) 477-2055, Ext. 2. For group tickets, email email@example.com. Pay-what-you-can: Suggested donation is $20.