The ‘Kid’s’ Staying Power
Every day during the summer of 1942, 12-year-old Robert Evans set out with a copy of Radio Registry under his arm and hit every audition room in New York.
Every day during the summer of 1942, 12-year-old Robert Evans set out with a copy of Radio Registry under his arm and hit every audition room in New York.
Move over Sundance, Slamdance, Digidance and Nodance. The two-week showbiz schmoozefest in Park City, Utah, traditionally a launching pad for Jewish indie cinema, is now home to SchmoozeDance, a forum for Jewish filmmakers, journalists, observers and studio execs to celebrate Jewish film.\n
Two film festivals are offering sneak peeks of the best Jewish movies of the year.
Earlier this year, Greg Laemmle wasn\’t sure there was going to be another Cinema Judaica: The Los Angeles Jewish Film Festival.
It is \”Train of Life\’s\” misfortune to be released a year after the Oscar-winning Italian film, to which it inevitably will be compared and judged.
Even for an international film producer and inveterate traveler, Arthur Cohn has covered a lot of territory recently.
Cult filmmaker Sarah Jacobson can one-up any L.A. Jewish reader who felt like an outcast in high school.
In years past, the Sundance Film Festival — a two-week marathon of industry schmoozing, skiing and screenings in Park City, Utah — has served as the launching pad for Jewish independent cinema.
Even for an international film producer and inveterate traveler, Arthur Cohn has covered a lot of territory recently.
Even for an international film producer and inveterate traveler, Arthur Cohn has covered a lot of territory recently.