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March 3, 2025

Notables at the 97th Academy Awards

At the 97th Academy Awards, Jewish actors Adrien Brody and Mikey Madison won Oscars for Best Actor and Best Actress. It was only the third time in the Academy’s history that Jews took both awards; at the 59th Academy Awards in 1987, Paul Newman won for “The Color of Money” and Marlee Matlin won for “Children of a Lesser God;” at the 9th Academy Awards in 1937, Jewish actor Paul Muni won for “The Story of Louis Pasteur” and Jewish actress Luise Rainer won for “The Great Ziegfeld.”

Brody won Best Actor for the role of László Tóth in “The Brutalist,” playing a Hungarian-Jewish Holocaust survivor rebuilding his life in the United States after World War II. It is Brody’s second Academy Award, having won Best Actor for the 2002 film “The Pianist,” where he played Holocaust survivor and composer Władysław Szpilman.

Near the end of his nearly six-minute acceptance speech, Brody remarked about how antisemitism affected the characters of his two Oscar-winning roles.

“I stand here once again to represent the lingering traumas and repercussions of war, systematic oppression, antisemitism, racism, and the act of othering,” Brody said. Talking to the press after the awards, he elaborated on this thought, saying, “I am oddly receiving recognition for representing a time in history that we witness unchecked antisemitism and that hatred and oppression have no place in this world.”

“I stand here once again to represent the lingering traumas and repercussions of war, systematic oppression, antisemitism, racism, and the act of othering,” – Adrien Brody

Jewish actress and Los Angeles-native Madison won Best Actress for the titular role in the film “Anora.” She plays a Russian stripper in the heavily-Jewish Brooklyn neighborhood of Brighton Beach.

Actor Kieran Culkin won Best Supporting Actor for his role in “A Real Pain.” Culkin plays a Jewish character, Benji Kaplan, who along with his cousin ( played by Jesse Eisenberg) navigate their identities during a Holocaust history tour in Poland. Part of the film is shot on location at the Majdanek concentration camp, which was Culkin’s first time ever at a Holocaust site. Culkin’s co-star, Jesse Eisenberg, wrote and directed the film and was nominated for Best Screenplay.

Jewish musician Daniel Blumberg, formerly of the indie rock band Yuck, won his first Oscar, for Best Original Score for “The Brutalist.”

Two other nominated films with Jewish-related subjects did not win any awards. “September 5,” about ABC’s coverage of the 1972 Munich Massacre was nominated for Best Original Screenplay, but lost to “Anora.” The Bob Dylan biopic, “A Complete Unknown,” received eight nominations including Best Picture and Best Actor (Timothée Chalamet), but won none.

Jewish songwriter Diane Warren received her 16th nomination for Best Song  for “The Journey” from “The Six Triple Eight.” It was her eighth consecutive loss. “I’m consistent as f—-,” Warren told Variety after the ceremony. Warren’s only win was an honorary award at the 95th Academy Awards in 2023.

NO OTHER LAND

The Oscar for Best Documentary Feature went to “No Other Land,” a 95-minute film critical of Israeli policies in the West Bank. Palestinian lawyer and activist Basel Adra accepted the award first.

“‘No Other Land’ reflects the harsh reality we endure and the need for action to stop what we see as ethnic cleansing.”

Yuval Abraham, an Israeli journalist and co-director, spoke next.

“The atrocious destruction of Gaza and its people must end,” he said. “The Israeli hostages, brutally taken in the crime of Oct. 7, must be freed. When I look at Basel, I see my brother. But we are unequal. We live in a regime where I am free under civilian law, while Basel is under military laws that destroy his life — laws he cannot control.”

Creative Community for Peace (CCFP), a nonprofit that for the past 14 years has been Israel’s top advocate in the entertainment industry, responded to the filmmakers’ speeches and the Academy’s awarding “No Other Land” an Oscar.

“Throughout ‘No Other Land,’ Palestinians in Masafer Yatta and the West Bank are presented as victims of Israeli aggression,” CCFP said in a thread on X the day after the ceremony. “While it is true that many Palestinians have suffered in the conflict, the film neglects to mention the many instances of Palestinian violence against Israelis. The contrast between Adra’s hardships and Abraham’s ‘freedom and security’ as an Israeli ignores the decades of relentless terror campaigns that have targeted Israeli civilians. While shedding light on Palestinian struggles is important, presenting a one-sided, inaccurate narrative demonizes Israelis and overlooks the rationale behind Israel’s security policies in the West Bank.”

 SYMBOLS AND STATEMENTS

As with last year’s Oscars, political statements about the Israel-Hamas war were visible on the red carpet.

Artists4Ceasefire (A4CF), a group of 550 Hollywood figures advocating for “an immediate and permanent ceasefire, full hostage release, and humanitarian aid in Gaza,” promoted a red-hand pin as a symbol of their cause. The pin was also worn at the Independent Spirit Awards in February.

The Brigade, a Hollywood-based pro-Israel advocacy group, denounced the pin ahead of the ceremony.

“Have you no shame?” The Brigade wrote in an open letter to A4CF. “That pin is no symbol of peace. It is the emblem of Jewish bloodshed.” The group cited a 2000 lynching in Ramallah where Palestinian terrorists murdered two Israelis and displayed their bloodied hands to a cheering crowd.

The Brigade, a group of over 700 Hollywood figures, formed in response to the Oct. 7 attacks and has worked behind the scenes to combat antisemitism in the entertainment industry. Their members do not publicly identify themselves. Following the news of their Feb. 24 letter to Artists4Ceasefire, a member of The Brigade spoke with the Journal under the condition of anonymity.

“One of the reasons The Brigade is so effective is it’s not a traditional Hollywood-based advocacy group,” The Brigade member told The Journal. “We work in the spirit of The Palmach and Kibbutzniks.” The Brigade would not provide comment following the 2025 Academy Awards ceremony.

Actor Guy Pearce, who was nominated for his supporting role in “The Brutalist,” wore a white dove pin on his tuxedo that read “Free Palestine.” Israeli actor Mark Ivanir, who co-starred in the Oscar-nominated film “Emilia Pérez,” appeared to be wearing an orange pocket square in his blue tuxedo. It may be a nod to the three members of the Bibas family who were murdered by Hamas. People around the world wore orange to create awareness of their heinous killing.

Mark Ivanir attends the 97th Annual Oscars at Dolby Theatre on March 02, 2025 in Hollywood, California. (Photo by Monica Schipper/Getty Images)
Jaron Varsano and Gal Gadot attend the 97th Annual Oscars at Dolby Theatre on March 02, 2025 in Hollywood, California. (Photo by Emma McIntyre/Getty Images)

Although Israeli actress and presenter Gal Gadot did not wear a yellow ribbon in support of the hostages still being held captive by Hamas, her husband, Jaron Varsano, appeared to be wearing a silver version of the pin. Gadot co-presented the Best Visual Effects Oscar alongside actress Rachel Zegler. The two are set to star in Disney’s upcoming live-action “Snow White.” Zegler has publicly called to “Free Palestine” on social media since at least 2021. In Oct. 2024, in a cover story in Variety, Zegler said “We’re nearing one year since the horrendous attacks in Israel on Oct. 7, but I’ve been following this conflict for so many years. Like so many people, I’m so heartbroken by the loss of life that we’re seeing with these insane death tolls coming out of both regions.”

Jewish actors Andrew Garfield and Goldie Hawn presented Best Animated Feature and Best Animated Short Film. Hawn was brought to tears when Garfield told her on screen how much she meant to his mother Lynn, who died in 2019 from pancreatic cancer. Other Jewish presenters included actress Scarlett Johansson presenting Best Makeup and Hairstyling with June Squibb; actor Ben Stiller presenting Best Production Design; actor Miles Teller presenting Best Sound alongside Miley Cyrus; and actor Billy Crystal presenting Best Picture alongside Meg Ryan. Director Quentin Tarantino, who resides part-time in Tel Aviv, presented Best Director. Jewish singer Doja Cat performed the song “Diamonds Are Forever” as part of a James Bond franchise tribute.

The ceremony’s In Memoriam tribute featured several notable Jewish industry figures including songwriter Richard M. Sherman (“Mary Poppins,” “The Jungle Book”), producer Jon Landau (“Avatar,” “Titanic”), producer Albert S. Ruddy (“The Godfather,” “Million Dollar Baby”), screenwriter David Seidler (“The King’s Speech,”), and director and writer Charles Shyer (“Father of the Bride”)

One of the night’s biggest laughs came when host Conan O’Brien praised the crowd’s formal attire — then spotted Adam Sandler in a hoodie and shorts.

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Glory to the Ukrainian Heroes Who Fight for America

In the village of Lyman, Ukraine, there is a grandmother whose home was bombed by the Russians. She sits in the bathroom because all of the other rooms have been destroyed and yet, she grows cucumbers in her garden in the backyard with care and love.

There is a traveling brigade of the Armed Forces of Ukraine called the Cultural Forces that brings art, music, theatrical performances and glimmers of joy to the frontline because Ukrainians value creativity, even amid the terror.

In Odesa, there is a young woman named Rusya, 20 years old, who lost a leg fighting but regrets nothing. She is proud of the sacrifice she made. Now Rusya trains other soldiers who have lost limbs at the Superhumans center in Lviv. She models on the cover of Vogue and is a symbol of strength, beauty and resilience.

Ruslana Danilkina and Bernard-Henri Lévy in Odesa. Credit Marc Roussel

There are three young women, Maryna, Daryna and Anastasia, who were held captive with hundreds of others in a basement of a school in Yahidne in the north of Ukraine for over a month. These 18-year-old girls watched people die before their eyes. They smelled the rotting flesh. They took turns stretching their legs and sleeping as there was no room for everyone to do so at the same time. They had limited food and water and no sunlight but survived. Now they are pursuing their studies and thriving as best they can in a war-torn country.

Maryna, Daryna and Anastasia in the basement of Yahidne school. Photo by Iaroslav Prokopenko

There is Yuliia Paievska, famously known as Taira, the paramedic and defender of Mariupol, who was captured by the Russians and brutally tortured but managed to smuggle her filmed footage to the AP beforehand. The world bore witness to Russia’s atrocities, thanks to Taira. Since being freed, she has not stopped advocating for one minute and received the 2023 U.S. State Department International Women of Courage Award.

Bernard-Henri Lévy and Yuliia Paievska. Credit Marc Roussel

There is Slava Vakarchuk, the soulful voice of Ukraine and lead singer of famed rock band Okean Elzy who has played over 400 concerts on the frontline and who sings his heart out at venues around the world to raise money and awareness for Ukraine.

There are children playing with Legos and singing the national anthem on the first day of kindergarten, but who are forced to race down to the bomb shelter because of sirens.

Children on the first day of school in the bomb shelter. Credit Iaroslav Prokopenko

There is Danny, the Jewish Ukrainian soldier who attends Shabbat services at the famous Golden Rose Synagogue on Kotsyubinskiy Street/Sholom Aleichem Street in Dnipro. The sole survivor of a rocket attack on his team’s vehicle, he emerged with a major head injury but went back to the frontline after only one week with renewed determination.

There is Ilya Samoilenko, Azovstal defender and legendary commander of the siege that lasted 80 days, who lost an eye and a hand, who survived Russian captivity and has since returned to the fight for democracy and independence.

There is an homage to Victoria Amelina, one of the brightest Ukrainian authors, who was murdered by Russians in an attack on the Kramatorsk pizzeria in June 2023, and whose book, “Looking at Women, Looking at War,” was posthumously published with a forward by Margaret Atwood last week.

There are two Israeli soldiers, Alex and Vitali, who left their IDF uniforms to volunteer in Ukraine and share their precious expertise with their brothers-in-arms and spirit. Brothers, why? Because they know that Ukraine’s frontline is also Israel’s and the two wars are intertwined. 

This war against Ukraine is also America’s war and its frontline. On one side of this barricade, you have a fascist, imperial power that has explicitly stated its disdain for America and Western values and shown its genocidal intentions. And on the other side, you have the faces of the people I just shared above. They did not wish to fight, nor did they ask for this war. Though their stories may seem far away, they are not. All are featured in French philosopher and filmmaker Bernard-Henri Lévy’s most recent film, “Glory to the Heroes.”

In each of these faces, we see what is at stake for the free world. When we see the kindergarten children, Rusya, Taira, Maryna, Daryna, Anastasia, Danny and the resilient grandmother with her garden, nothing is complicated. No fancy geopolitical Ph.D. required. Simply a sense of right and wrong. 

The Ukrainian people fight so they can be free, but they also fight so we, in our comfortable homes far away, can also be free.  Supporting Ukraine is not for the left or the right in America; it’s for everyone who cherishes freedom.  

The Ukrainian people fight so they can be free, but they also fight so we, in our comfortable homes far away, can too be free.  Supporting Ukraine is not for the left or the right in America; it’s for everyone who cherishes freedom. 

Despite what some may say, President Zelensky has repeatedly and graciously thanked America for its support. Ninety-four times since Feb. 24, 2022, to be precise. Now it’s time for us to say thank you, Ukraine. Or try saying it in Ukrainian: “Dyakuyu” for your courage, resilience, dignity and determination; we’re with you.

Watch “Glory to the Heroes” and allow yourself to feel a sense of solidarity with these brave young women and men. Then, maybe you can call your congressional representative and say you stand with Ukraine.

Better yet, say you stand with America. Because Ukrainian values are American values and that’s what we should all be fighting for together.

Slava Ukraini and God Bless America.

Link to watch “Glory to the Heroes”.


Emily Hamilton is the Executive Director of Justice for Kurds and producer of three documentary films: “Why Ukraine,” “Slava Ukraini” and “Glory to the Heroes” by Bernard-Henri Lévy on the extraordinary resistance of Ukraine against the full-scale Russian invasion. 

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Hamas is Fighting a War for Our Brains, As We’ll See This Week in a Senate Hearing

This Wednesday at 10:15 a.m., Iowa Republican Sen. Chuck Grassley will pound his gavel in Dirksen Senate Office Building Room 226 to convene the Senate Judiciary Committee for a pivotal hearing, “Never To Be Silent: Stemming the Tide of Antisemitism in America.” 

During the previous Congress, Democratic leadership didn’t hold a single dedicated hearing on the surge of antisemitism following the Oct. 7, 2023, attacks. Instead, Democratic senators of the Senate Judiciary Committee hosted a broader hearing this past September on religious-based “hate crimes,” with anti-semitism overshadowed. 

This week’s hearing signifies a renewed commitment to confronting anti-semitism with moral clarity. Yet, we can expect agitators parroting Hamas propaganda to disrupt the hearing, as they did this past September, when one anti-Jew protester yelled “F*** Israelis” and proclaimed that he did not care about “f***ing Jews.” 

Already, Monday morning at 9:28 a.m., the the “MIT Faculty & Staff For Palestine” forwarded an email with the subject line, “Time-Sensitive Alert–Please Circulate to Members” to literally flip the script and cast the perpetrators of anti-semitism as victims, claiming that efforts to curb antisemitism is resulting in a “chilling effect” in an alleged “climate of fear” against “free speech and academic freedom.” 

According to a copy of the email we obtained, fully published below, anti-semitic activists provided the talking points for members to call Democratic Sen. Dick Durbin, the ranking minority member of the committee. 

It said, “…here is a script you might use that would nonetheless be effective: ‘Hello, I am a professor of [discipline] and I am based in [name of state.] I am calling to report the chilling effect on my campus of the measures taken by the Trump administration threatening criminal action or other sanctions against individuals who express criticism of Israeli policies or support for Palestinian rights. I am not willing to share my name and identifying information because the climate of fear is so intense that I fear reprisal simply for placing this call and reporting the chilling effect of the Trump administration’s actions on free speech and academic freedom on my campus.’ [add details about the chilling effect on curricula, events, conference planning, student organizations, research and scholarship on your campus].” 

They complained about important and critical work being done to combat antisemitism, saying, “Lobbying senators in advance of the hearing would be very valuable.” 

They continued: “We have heard that members of Durbin’s staff want to hear stories concerning the chilling effects on campuses of: (1) application of the IHRA definition, (2) the January 29th Executive Order (‘Additional Measures to Combat Anti-Semitism’) that threatens action against ‘alien students and staff’ based on post-October 7th protests, and (3) the actions taken to date by the Justice Department’s Task Force to Combat Anti-Semitism, which has announced investigations of 10 universities to date, and is led by Leo Terrell who has threatened to file federal hate crimes indictments against campus activists and “put these people in jail…for years.”

As everyone’s legal rights are upheld, these are critical initiatives that must be continued to hold accountable the people in the beachheads of terror created on U.S. campuses.

Over the past two decades, however, Hamas and its proxies have perfected the art of moral inversion and digital propaganda, pioneered in 2002 when three al-Qaeda operatives walked into a compound in Karachi, Pakistan, with two weapons—a knife and a video camera—to behead kidnapped Wall Street Journal reporter Daniel Pearl and then post a propaganda film of his murder with Pearl as the alleged culprit as the Jewish grandson of Israel. A dangerous network of activists now echoes hate in America from our streets to our campuses and committee hearings.

For us, it’s deeply personal that we use our expertise to understand the propaganda and help inoculate others. Orli, the daughter of a Holocaust survivor and a neuropsychologist, and Asra, a journalist and Pearl’s friend, have spent hours analyzing propaganda videos, from Pearl’s murder to today’s spectacles. Asra will testify at the hearing about how the propaganda by activists in the U.S. follows a strategy to hijack the brain of commonsense—just as it had done with the minds of Democratic lawmakers.

Just study the Hamas strategy to see how it works. 

First, their cruelty knows no limits. Militants forced emaciated hostages Evyatar David and Guy Gilboa-Dalal to watch fellow captives being freed. A Hamas cameraman forced hostage Omer Shem Tov to kiss his captors before release—one final act of humiliation.

Next, their deliberate psychological torment metastasizes into grotesque public spectacles, where horror is met with celebration. Last week, cheering crowds and upbeat music greeted black coffins in the gloved hands of militants—carrying the bodies of babies murdered in captivity by the “bare hands” of militants, their mother’s remains swapped for another and an 83-year-old Israeli peace activist—reduced to props in Hamas’ theater of terror.

The alchemy of suffering and revelry—tormentors exulting in the grief of the tormented—is not just brutality, but psychological warfare designed to break its victims and the world watching.

Today, Hamas is compensating for its weaker military by deploying its mastery of psychological warfare. Their battlefield is the human mind. Lacking conventional military strength, they wield a more insidious arsenal—fear, unshackled by law or conscience. Their first objective? Seizing our attention.

Our brains are wired to focus on threats, and Hamas exploits our neurocircuitry by flooding our senses with horror—gruesome images of torture, humiliation and despair. The more emotional empathy we feel, the deeper the terror infiltrates our minds like a Trojan Horse. Each calculated shocking display—a hostage begging, a captive forced to kiss his tormentor, babies in black coffins—hijacks the attention networks of our brains, holding our brains’ captive for Hamas’ next psychological manipulation.

Hamas shifts the battle to the attributional search, or the search for causality—the brain’s automatic need to find the cause of negative events. Bernard Weiner, professor emeritus of psychology at UCLA, describes this process as asking, “Why did this happen?” to prevent its recurrence.

For its enemies, Hamas magnifies horror to paralyze with fear. But for its supporters, they erase the horror to prevent moral reckoning. They dilute the emotional response by widening the focus—reframing atrocities as part of a broader “context” of alleged Israeli “occupation,” “colonization” and “genocide” to weaken the raw emotional impact. “It didn’t start on October 7,” they insist, redirecting attention to historical grievances. Dehumanization shields their followers from empathy. Even baby Kfir Bibas’ kidnapping is rationalized—his humanity stripped, reduced to “an occupier.”

The goal is clear: to provoke rage, ensuring the war continues as Arab nations develop an alternative to President Donald Trump’s Gaza “Riviera” redevelopment plan without Hamas. As retired British Army Major Andrew Fox explains, “Hamas knows their chances of survival lessen under a White House that gives Israeli Prime Minister Benjamin Netanyahu full rein. But with a resumption of war, their chances increase. The inevitable international condemnation will further harm Israel’s global standing. This is a win/win for Hamas and a lose/lose for the people of Gaza and any hope for peace.”

Many in the West still project their own values onto Hamas. They assume Hamas’ barbarity is a miscalculation, that the collective grief and horror will backfire. But Hamas’ atrocities are not errors—they are intentional. Each act of terror, each public humiliation, each grotesque display of suffering is a strategic weapon designed to hijack the brain’s attention, embed their reasons for the atrocities into the brain and provoke predictable reactions to escalate the war.

This is why understanding their psychological warfare is critical. When faced with such deliberate cruelty, the instinctive response is rage. But reacting solely from emotion plays directly into Hamas’ hands. Their objective is not just to kill Israelis—it is to provoke Israel into actions that isolate them on the world stage.

So how should individuals and nations respond and inoculate themselves so that they can recognize and metabolize the emotional impact without becoming captive to it?

Psychologically, “metabolizing” horror trauma involves processing the emotional shock, contextualizing the experience, and searching for a cause—one that accounts for both the immediate event and the historical actions and declarations of the jihadist group. 

As Judea Pearl, the father of the slain journalist, says in his book, The Book of Why, true understanding requires moving beyond surface correlations to causal reasoning—recognizing not just what happened, but why it happened within a broader framework of intent and ideology. It does not mean becoming numb, indifferent or paralyzed. It means locking focus on Hamas’ long-term strategy while resisting emotional impulses that serve its goals.

Ultimately, Hamas’ cruelty is not a sign of desperation—it is a deliberate strategy to manipulate the Western world’s collective consciousness. Its entire playbook relies on hijacking our emotions while immunizing its followers from moral reckoning.

Hamas is fighting a war for our brains, and we do not have to let it win. Understanding this psychological warfare is the only way to break free from its grip, from our campuses to our committee hearings.


Orli Peter is a clinical and neuropsychologist and the CEO of Israel Healing Initiative, a nonprofit that brings cutting-edge treatments to survivors of trauma. Asra Q. Nomani is a former Wall Street Journal reporter and propaganda expert at the Pearl Project, a nonprofit journalism initiative named for Wall Street Journal reporter Daniel Pearl.


Full email designed to derail Senate Judiciary Committee hearing on anti-semitism by the “MIT Faculty & Staff For Palestine,” obtained by the Pearl Project: 

From: MIT Faculty & Staff For Palestine <mitstaffforpalestine@gmail.com>

Date: Mon, Mar 3, 2025 at 9:28 AM

Subject: Fwd: Time-Sensitive Alert–Please Circulate to Members

Hello- Passing this along from the NFSJP Steering Committee. Please share with concerned colleagues who may not be on the email list.

Dear Colleagues,

The Senate Judiciary Committee is meeting on Wednesday, March 5th 2025 at 10:15am for a full committee hearing titled “Never to be Silent: Stemming the Tide of Antisemitism in America.” The presiding chairman is Chuck Grassley and the ranking member from among the Democrats is Dick Durbin. We understand that the focus of the hearing will be on higher education.

 Lobbying senators in advance of the hearing would be very valuable. We have heard that members of Durbin’s staff want to hear stories concerning the chilling effects on campuses of: (1) application of the IHRA definition, (2) the January 29th Executive Order (“Additional Measures to Combat Anti-Semitism”) that threatens action against “alien students and staff” based on post-October 7th protests, and (3) the actions taken to date by the Justice Department’s Task Force to Combat Anti-Semitism, which has announced investigations of 10 universities to date, and is led by Leo Terrell who has threatened to file federal hate crimes indictments against campus activists and “put these people in jail…for years.” 

If you would be willing to call the offices of senators on the committee to describe the chilling effect on your campus, please do so. While such calls are generally more effective if you are willing to self-identify, you may also insist on protecting your identity and place the call anonymously. If you elect to withhold your identity, here is a script you might use that would nonetheless be effective:

“Hello, I am a professor of [discipline] and I am based in [name of state.] I am calling to report the chilling effect on my campus of the measures taken by the Trump administration threatening criminal action or other sanctions against individuals who express criticism of Israeli policies or support for Palestinian rights. I am not willing to share my name and identifying information because the climate of fear is so intense that I fear reprisal simply for placing this call and reporting the chilling effect of the Trump administration’s actions on free speech and academic freedom on my campus.” [add details about the chilling effect on curricula, events, conference planning, student organizations, research and scholarship on your campus]

Here is a list of the members of the Senate Judiciary Committee: https://www.judiciary.senate.gov/about/members

Here are numbers for Dick Durbin’s offices:

Washington, DC: 202.224.2152

Chicago, IL: 312.353.4952

Springfield, IL: 217.492.4062



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