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August 11, 2023

Love of Truth – Thoughts on Torah Portion Re’eh

 

Love of Truth

Re’eh 2023

 

This Shabbat is the third of the seven Sabbaths between the 9th day of Av and Rosh HaShanah, the New Year. The Torah portion begins in a stark manner: “See – I have placed today before you a blessing and curse . . .” In my paraphrasing, the blessing comes when we live in a moral framework and the curse comes from our not living in a moral framework.

 

From a spiritual-psychological perspective, one dimension of Rosh HaShanah is the sovereignty of the Divine. From an inner life perspective, this does not just mean acknowledging that there is a God. From an inner life perspective, the idea of sovereignty in our moral and spiritual lives means that there are values that serve as the standards for our thoughts, feelings, speech and behavior.

 

Even pronounced atheists usually claim allegiance to truth and rationality, to moral rules and righteous living, to some authority of values.

 

For me, the world does not divide according to which religion a person belongs to, or whether people believe in God or not, or are not sure. For me, the world divides up into those who do and do not aim to live under the authority of values, and which values have shaping power over their lives.

 

The authority of values doesn’t mean you always live up to the standard. The authority of values does require, however, that we admit at least to ourselves when we don’t live up to our values.

 

Three core moral and spiritual values expressed by the Jewish tradition are truth, justice, and peace (Pirkei Avot 1:18).

 

Conflict, from interpersonal to national and international, erodes the values of truth, justice, and peace. Samuel Johnson (1709-1784, English) said, regarding truth: “Among the calamities of war may be justly numbered the diminution of the love of truth, by the falsehoods which interest dictates and credulity encourages.” I would add the term “culture wars” to his sentiment regarding the calamities of war.

 

This observation is usually summarized as “Truth is the first casualty of war.” I prefer the more complex but less punchy version of Samuel Johnson. He wrote of the love of truth. Love of one’s own self-interests, one’s own politics, one’s own nation, one’s race, gender, political affiliation, one’s religion or philosophic views will often diminish the love of truth. We become dogmatic and gullible, credulous of the irrational and non-factual, when what we want to be the case about something is more important than how things are, factually and morally.

 

As we move toward the High Holy Days, one of the core elements of the sovereignty of values is the value of truth, on its many levels. Once one values the truth more than one’s own interests, transformative work can be done. Once one sets forth clearly the value of truth, we can establish justice and work toward peace.

 

Love of truth implies love of the means to find truth, to investigate our moral axioms, to learn how to discern facts, understand situations, be honest about motivations, and infer well what is happening inside of others. There are those who do not love truth; they just love being right. No argument in the world, even those based on facts or good reasoning, can dissuade those who love being right. Those who love being right have their identities wrapped up in the position that they have taken.

 

I begin my own work moving toward the High Holy Days with a few basics: the existence of our souls, the experience of the Divine Presence, and the soul’s response to the experience of the Divine (as we learn in Torah portion Ekev – Deuteronomy 10:12): To revere the Divine, to love the Divine, to walk in holy paths, and to live in service of the Divine, especially the moral path of righteousness. Or, as the prophet Micah says, “Do justice, love hesed and walk humbly with God.” (Micah 6:8)

 

I will add to that the following: A life and love of truth is required for virtue, rationality, wisdom, and depth. All transformative and most psychological work is focused on truth that applies to our inner lives– what is truly happening inside of us and what is truly motivating us. Our lives ought to be headed somewhere – to what is truly good and truly does lead to well-being. Our inner deceptions and dogmatisms lead to the road to perdition.

 

Deep consideration of these ideas has us reflect carefully on what our values are, what is sovereign in our lives, especially in our inner lives, as we journey toward the Days of Awe.

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Ben Platt is Perfect in ‘Theater Camp’

“Acting is remembering and the choosing to forget,” says Ben Platt as Amos Klobuchar in the new film “Theater Camp.”

In school, kids that do theater are sometimes viewed as weird. But everyone has things that are odd about them, and providing people with a creative outlet is extremely important in the development of children, even if not all ill become stars.

This film, a sort of mockumentary, is so strong because Platt and fellow Jewish actress Molly Gordon going all in here, including a wildly strange scene, where they sing together. Hen Joan Rubinksy (Amy Sedaris) is hospitalized, Amos and Rebecca-Diane (Gordon) decide that the original musical for the summer will be “Joan, Still.”

AdirondActs, located in upstate New York, feature talented children of different ages, including one who we hear has skipped a cousin’s shiva to audition. With Joan out of commission, her son Troy (Jimmy Tatro), a frat-type guy who claims to know about finances, takes over. He knows little about theater and is worried he might have to sell the camo due to the dire financial situation.

Caroline Aaron, who many will recognize from being Midge’s one time mother-in-law on Amazon Prime’s “The Marvelous Mrs. Maisel” is a similar character, here as Rita Cohen, trying to help run the camp. As a new staffer who lies about things including knowing theater combat, Ayo Edebiri is excellent as Kanet Walch.

But the show belongs to Platt and Gordon and it’s not fair to other actors that they are so good in these roles. The characters have been best friends who decided to teach at the camp after being rejected from Juilliard, though there are some surprises at the end of the film.

A past play was called a “Hanukkah Divorce” and for reasons that are unclear, Rebecca struggles to write the all-important finale for the musical.

There are some purposely absurd scenes, like when Rebecca claims to be able to channel the dead and Troy tells her something horrible that he did.

Do all teachers of acting wish they could be performers, instead? Does every writer wish that someone was writing about them? Perhaps to a certain degree.

In 2015, I interviewed Platt at the Jewish Theological Seminary in Manhattan after he sang a song in Hebrew. He said he was inspired by his time at Camp Ramah in Ojai, and said he thought his starring role in “Dear Evan Hansen” which hadn’t yet come to Broadway, was pretty good. I was shocked by how sensational his performance was when I saw the show, anchored by great falsetto and poer in the moving song, “Waving Through A Window.”  I was not surprised that he won the Tony for Best Leading Actor in Musical for the role in 2017. He’s been nominated for his role of Leo Frank in “Parade” which ended its Broadway run recently.

In this film, he sports a beard. He is a quirky guy fighting off some insecurities with sarcasm and it’s splendid. Gordon is so graceful that even in some crazy scenes here, it somehow is closer to normal.

Directed by Gordan and Nick Lieberman, who wrote the script with Noah Galvin, who also stars as Glenn, the taken for granted staffer who must do all the grunt-work, (you won’t see the twist involving his character coming) “Theater Camp” is much more than silly hijinks. It’s a funny and heartwarming film that reminds you that no matter the age of a person, one still has dreams and desires validation.

Luke Islam knocks it out of the park as one of the actors with a booming voice, while Kyndra Sanchez, Mackenzie Thomas, and Devon Miller all shine brightly as the other child actors. A nice touch to the film is that there are scenes where a staffer does a skit or monologue before the campers go to bed, one philosophical one Platt’s Amos does, is hilarious.

A scene where the children stampede when the cast lists are up, is poignant. The friendship of Amos and Diane is put to the test in a real way, and you’ll be surprised how the emotions of the film creep up on you.

Among the tongue twisters Diane leads the children in, to improve their diction is this wonderous line they recite together: “Wolf Blitzer has a blister on his upper lip.” The Jewish CNN host appears to be fine in real life, so no worries.

“This will break you,” Diane says to the campers, discussing how hard their work will be. If you don’t require shootings, car crashes, sex scenes, toilet humor, and want a film with a heart, a soul and a great brain, it’s time to sign yourself up for “Theater Camp.”

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Chosen Comedy Festival Proves Its Staying Power

Last August, the Chosen Comedy Festival featured an impressive array of comedic and musical talent. After shows in Miami and Los Angeles, the festival returned to the Coney Island Amphitheater on August 8, and Elon Gold and Modi Rosenfeld once again showed their uncanny chemistry.

Jeff Ross, Modi Rosenfeld, Elon Gold and Dave Attell mocked each other in one of the funniest sequences of the night. Photo by Perry Bindelglass

“Anytime me and Modi are on stage is pretty electric and magical and we have fun together,” Gold told the Journal. “It’s like nothing else. It’s special to riff and surprise my comedy brother. The stuff we prepared worked and the stuff we didn’t prepare worked.”

In his solo set, Gold was gut-bustlingly funny, doing a killer impression of former president Donald Trump, saying he likes to call his Jewish grandchildren “my little kneidlach,” that he did more for Israel than David Ben-Gurion, and that he could have built a golf course on the Golan Heights but chose not to, and joked that there are times when someone can do an act for you as long “as they have you in mind” like the Kiddush, of Friday night blessing over wine.

“Imagine if life worked that way,” Gold said. “ Like ‘you’re going to the gym, yeah, have me in mind. Alright?’ You’re at a restaurant. The check comes. Your friend takes out his credit card. ‘Do me a favor, have me in mind, would ya? I’ll tell you what, in two days, I’m getting a colonoscopy, and I’ll think about you.’ It could work as an excuse, right? Your wife catches you in bed with another woman? That’s okay, honey, I had you in mind.’”

Modi spoke about his husband, Leo, who is a mastermind in marketing, is technologically savvy, knows the best way to edit video or podcast clips, and is also 22 years younger.

“People ask me ‘do you think he married you for your money?’” Rosenfeld said. “I said, ‘are you out of your mind? I married him for technical support.’ I have no idea how to use my phone. The other day, he hits me with this-he says, ‘share your location.’ I said, ‘I’m right here.’”

He also said Leo doesn’t like to carry cash, while he insists on it, for a potentially lifesaving reason.

“In case the Nazis come, you can’t Venmo the guard,” Rosenfeld said. “You going to Apple Pay SSSchultz@thirdreich.gov?”

The event also featured Ari Shaffir, a Jewish comedian who has become a smash success. Though Jewish jokes have always been a staple of his act, much of his material is not Jew-centric. Yet his YouTube special, “Jew” is exactly that, getting as obscure as mentioning “batel b’shishim” which relates to whether or not a pot of meat can still be kosher if 1/60th of it is tainted with milk.

“Jew” has garnered more than 6.2 million views.

“When I was getting the material done, I knew what I was aiming for, I crossed every t and dotted every I,” Shaffir told the Journal. “I knew once I got it recorded it was really good. I knew people would love it.”

Ari Shaffir talked about a tumultuous hike. His YouTube special “Jew” has garnered more than 6.2 million hits. Photo by Perry Bindelglass

The host of the “Skeptic Tank” podcast said the Chosen Comedy Festival was unlike anything he’s done before.

“This is the largest number of Jews I’ve ever performed for,” said Shaffir, who will begin a tour across America, beginning in November.

Shaffir had the audience laughing, talking about a harrowing experience when was hiking and had to struggle to control his bowels. He also joked that his non-Jewish friends have a hard time understanding some Jewish rules of old, including a city of refuge (Ir Miklat) for those accidentally kill someone and have to “run to a city in the middle of nowhere.”

A highlight of the evening was the breakout performance of Eli Leonard, who has served as an assistant to “Curb Your Enthusiasm” legend Larry David. Leonard showed he is a star in the making, getting big laughs, including when he told the audience, “when it comes to being a face for the Jews, I look like all of you combined.” He also used great physical humor and said the notion that Jews killed Jesus was crazy, and it wasn’t believable “that we would kill our only carpenter.”

Eli Leonard showed he has the makings of a star and balanced a bottle of wine on his head. Photo by Perry Bindelglass

Leonard who has a Jew-fro, also joked about his appearance.

“When I take these glasses off, the nose doesn’t come with it,” he quipped.

He later balanced a bottle of wine on his head while wearing a black hat.

“I had to work on that for about 60 hours,” Leonard told the Journal.

As he did last year, Roastmater General Jeff Ross showed his comedic prowess, joking he looked like Voldemort’s lawyer. He also got serious and spoke of his uncle Murray, who liberated a concentration camp. Ross joined fellow Jewish comedian Dave Attell and, as they do in their Netflix show, “Bumping Mics,” they riffed and made fun of each other as well as Gold and Rosenfeld, who dished out some insults out as well. Ross had the best joke of all, saying that looking at the men on stage, it was akin to “Ugly Lives Matter.” Ross who is also a master of crowd work, properly mocked a man who obviously hasn’t gotten enough attention in life, and interrupted the show by passing up a lost credit card for no apparent reason.

Attell delivered a joke that was both powerful and sad, alluding to the increasing violence in New York City.

“I’ll be hosting a machete fight at the Quickstop on the corner,” he said. “It’s vaxed vs un-vaxed. It’s going to be awesome.

Eunji Kim talked about converting to Judaism and had the crowd laughing and wondering if she has irritable bowel syndrome or was just joking. Photo by Perry Bindelglass

Eunji Kim talked about converting to Judaism. Kim, who is Korean, said she asked her son what a Jew looks like, and he said, “Asian.” She said she posted this on social media, and it went so viral, that when she was in in the hospital for her second C-section, the anesthesiologist asked her: “Do you do comedy?” She also said she has irritable bowel syndrome.

“When I converted, I went all the way,” Kim said.

Jessica Kirson had the crowd laughing with her impression of elderly Jews and said that in West Virginia, people were so white it was if they were see-through.

Also performing was Rich Vos and Orthodox comedian Eli Lebowicz, in a guest spot. Lebowicz, who has showcased his comedy at synagogues across America, had great jokes about explaining hat a lulav is at an airport as well as the unique Jewish male experience of having one’s yarmulka fall off at a urinal.

There were also musical performances by DJ Lady Blaga and Los Angeles based band Emotional Intelligence, but themusical highlight was Zusha. One of the top bands in Jewish music, the Hasidic soul-folk group that features both wordless songs, known as niggunim, as well as songs with lyrics. The group unveiled new songs, including “Or Zarua” with lead singer Shlomo Gaisin’s hypnotic voice filling the amphitheater, backed by guitarist Zachariah Goldschmiedt.

“It was great and a unique setting,” Gaisin told the Journal after patiently taking pics with a line of fans. “I’ve never performed as part of a comedy show but I think the joy of laughter and the joy of music go nicely together.”

The show was produced by Dani Zoldan, owner of Stand Up New York, with Gold, Rosenfeld, and Thrivewell Infusion with sponsorship by UJA Federation New York.

Zusha, one of the best groups in Jewish music, delighted the crowd with a set including their new song “Or Zarua.” Photo by Perry Bindelglass

“It’s always a thrill to see Elon and Modi perform together,” Zoldan said. “We had a great group, Emotional Intelligence that is not yet so well-known, and Zusha, a group that is well-known and delivered a great performance. All the comedians were impressive. I take pride in seeing thousands of people laugh and have a special night out for unique show that combines comedy and music and we’re going to keep the festival going.”

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