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October 29, 2013

Obama, Netanyahu discuss Iran, Middle East talks by phone

President Barack Obama and Israeli Prime Minister Benjamin Netanyahu spoke by phone on Monday and discussed recent developments on Iran, Israeli-Palestinian negotiations, and other regional issues, the White House said on Monday.

“The two leaders agreed to continue their close coordination on a range of security issues,” the White House said.

Reporting by Roberta Rampton; editing by Christopher Wilson

Obama, Netanyahu discuss Iran, Middle East talks by phone Read More »

A Year after Sandy

I had just picked up the kids, and we were en route to their favorite after-school snack spot when we noticed the American flag flying over the post office. “Hey,” my daughter asked, “why is the flag only halfway up the pole?” Because, I answered, it's the one-year anniversary of the day Hurricane Sandy hit the East Coast.

But what could I say after that?

My kids are old enough to know the facts about Hurricane Sandy – and about the school shootings in Newtown, and the Boston Marathon bombing, and the mall attack in Kenya, and the thousand other terrible things reminding us that the world is not worthy of our precious children. When they were younger, I struggled with how to share such news with them (in another post, I'll offer the guidelines that have worked for our family) – but even now, when they can access and assimilate the information themselves, my kids still need me to help them understand.

Which is hard, because we may not understand these things ourselves. Confronting evil and suffering – well, that's about as tough as it gets. Judaism has grappled with this issue for thousands of years; and though our sages have come up with many responses, not a single one has emerged as the definitive answer. So when our kids ask us why things like Hurricane Sandy happen, why people set off bombs at sporting events, why adults kill schoolchildren, and we say, “I don't understand” – that's actually a pretty Jewish reply. Because we don't understand.

But our reply can't end there. Because not understanding the deeper theological significance of an event isn't an excuse for failing to confront that event. We may not be able to explain to our kids – or to ourselves – why there is evil in the world; but we can tell them this. We can tell them that even though awful things happen, the universe – and God Who created it, and humanity that fills it – are good. We can tell them that when we feel overwhelmed by the suffering of others, that's our cue to see how we can help. We can tell them that – in the amazing words of Rabbi Nachman of Bratslav – while the entire world is a very narrow bridge, the essential thing is to have no fear at all.

We can teach our kids that it's okay to wonder, to question, to feel uncertainty and doubt. We can tell them that's what Jews have done for thousands of years. And maybe we can even bring comfort to them – and to ourselves – by echoing these poignant and beautiful words of our suffering, wondering Psalmist:


Psalm 13
For the leader. A psalm of David.
How long, Eternal One?! Will You forget me forever?
How long will You hide Your face from me?
How long will I have cares in my soul, grief in my heart all day?
How long will my enemy loom over me?
Look, answer me, O Eternal One, my God!
Light up my eyes, lest I sleep the sleep of death,
lest my enemy say, “I have overcome him,” and my foes exult when I stumble.
But I trust in Your faithfulness.
My heart will exult in Your deliverance.
I will sing to the Eternal One, Who has dealt bountifully with me.

Psalm 121
A song of ascents.
I lift my eyes to the mountains – from where will my help come?
My help will come from the Eternal One, Maker of heaven and earth.
God will not allow your foot to slip; your Guardian does not slumber.
Indeed, the Guardian of Israel neither slumbers nor sleeps.
The Eternal One is your Guard, your shelter at your right hand.
The sun will not harm you by day, nor the moon by night.
The Eternal One will guard you from all evil; God will guard your soul.
The Eternal One will guard your coming in and your going out, now and forever.
 


 

A Year after Sandy Read More »

Marcus Zusak: the brain behind ‘The Book Thief’

“Everyone thinks that to be a writer, you must have a great imagination. And I say, ‘no, I just have a lot of problems.’” -Marcus Zusak

Back in September, I interviewed Australian author Marcus Zusak about his bestselling novel “The Book Thief” before an audience at L.A.’s Museum of Tolerance. It tells the story of one German family who clandestinely defies Hitler and Nazism through a series of large and small acts, including hiding a Jew, which test their conscience and their courage. Published in 2005, the book spent more than 230 weeks on the New York Times bestseller list. Next week, the movie version of “The Book Thief” will hit theatres, starring Geoffrey Rush, Emily Watson and newcomer, Sophie Nélisse. In this edited and condensed transcript of our conversation, Zusak talks about choosing “Death” as a narrator, the power of stories and why there can never be enough Holocaust literature.

How does it feel to see a work that took years and years to write come to life on screen? Is it surreal?

It’s been surreal right from the beginning, because I never thought [this book] would be successful at all. Not to sound too glib on the whole subject, but I imagined that moment when someone tries to recommend it to their friend to read, and they say ‘Well what’s it about?’ and, well, ‘It’s set in Nazi, Germany, it’s narrated by death, nearly everybody dies, it’s 560 pages long — you’ll love it!’ You just can’t imagine this will do well. And I think that that’s the best thing that can happen because you don’t even think about the audience anymore.

The book uses the backdrop of World War II and the Holocaust, which are these massive, formative events of the 20th century. How do you make subjects of that magnitude, which loom so large in our collective imaginations accessible for readers?

Honestly, I think it’s luck. The first page I ever wrote called ‘The Book Thief’ was about a girl stealing a book in modern day Sydney [Australia]. It was really rough, just on a piece of paper, and then I started writing this, and I thought ‘Oh I’ll just throw that idea of the book thief girl into this’ — not thinking about book burnings or about how Hitler destroyed people with words; not thinking that this girl would be stealing words back and writing her own story of this world. All these things come together as you’re writing. So sometimes it’s best not to think about it.

Throughout reading this book, I kept thinking of the quote by German poet Heinrich Heine who said, “Where they have burned books, they will end in burning human beings” – an idea he formed well before the Holocaust. Which I think speaks to your ingenious choice to use “Death” as the book’s narrator. In such awful circumstances, when in fact human beings are being burned, you went and conceived of death as a character – a personality – and an empathetic one, because in ‘The Book Thief’ Death actually resists his mission.

What’s funny with the death idea is  — hopefully when the book is done it looks effortless, but it was a nightmare, writing it. It was awful. I wrote 200 pages really quickly of this book, and it took me until page 200 to realize Death was just too macabre. He was enjoying his work too much. It was almost like I’d write a page and I’d need to take a shower. He’d say the most awful things, like, ‘This is the story about a young girl. Do you like young girls? I do. But then again, I like everybody.’ It was a really sinister slant. And then I thought of the last line of the book: What if Death is afraid of us and for us? Then I re-wrote it from the beginning and couldn’t stop.

In the story, “Jews” serve as this kind of monolithic group character in the background, who, obviously, from what we know of history, suffer through this ill-fated destiny. And yet, your main characters, who are seemingly ordinary German citizens, are also doomed to tragic fate, and experience all kinds of pain and suffering. Was that mirroring conscious — the idea that during war, everybody suffers?

I didn’t set out to do that. Imagine waking up one day and realizing you can speak another language that you didn’t know. The stories were there. It’s like I opened up this little part of my mind and just pulled this world out. That makes it sound easy and it wasn’t, but it was there. So the idea that ‘everybody suffers’, you never start there. It just slowly piece by piece came together, and you’ve got one of the greatest villains of all time in the background doing what he’s doing; and that’s the paradox of the whole thing: for the story, [Hitler] is a great thing, but for history it’s such an awful thing.

It’s possible to make the argument that all books celebrate words and storytelling, but this book overtly, self-consciously does so. I imagine that as a writer this idea is very close to you, so how would you define the power of words and stories?

Where do I start? The hardest question to ever answer is: What is the book about? But at the end of the day I think what this book is about is: that what we’re made of is stories, and what we need are stories. Think of your life without stories. How many stories do you think you’ve been told in your life? How many do you think you’ve told in one day? My Mom and Dad came to Australia [from Germany] with nothing — they didn’t have a toothbrush. But they had stories.

The book addresses the power of words – suggesting they can be used either in the Hitler sense (for destruction) or in the Liesl sense (for creation). Does that awareness suggest you feel a moral responsibility for what you’re writing, or the way that you write it? Do you feel a sense of mission in your work?

Especially in this case I did, and I think I do in general. People could say, ‘Don’t talk about the Holocaust in this sense,’ or they’ll say, ‘Do we really need another book set during the Holocaust? Do we really need another movie?’ Or they could say, ‘Ah, your book spent 375 weeks on the New York Times bestseller list — you’ve done pretty well out of all of that suffering!’ So I ask: Was my motive in the right place? Is the world a better place for the fact that [this] book is out there? I was reading The Diary of Anne Frank on the plane [to Los Angeles] and the flight attendant passed by and said ‘What are you reading? Oh! I haven’t read that in ages…’ And a few hours later came past again, everyone else was asleep and I’m still reading, and he said to me, in this sort of jovially, jokey, flight attendant way, he said, ‘I don’t want to spoil it for you but she dies in the end — you know that don’t ya?’ And that’s why we still need books about the Holocaust.

‘The Book Thief’ has a great deal of tragedy in it but it also is a celebration of life. In fact, it’s full of opposites — acknowledging a world of both beauty and brutality, of human beings who are deeply flawed but also capable of incredible grace, and its characters are able to find passion and purpose in the bleakest of conditions. Was there a religious or spiritual impulse guiding this view?

I think it’s that idea of spirituality without religion. Like where Death says, ‘You think you’re the only one God never answers?’

Marcus Zusak: the brain behind ‘The Book Thief’ Read More »

Your Love

Your love could fly, could be grounded

As if they were different.

Your love could ask questions

Be in the stillness of the deepest silence

Your love could pop up and make this world greener

And more full. Your love could sit back, receive

Revere women and men and children and worldliness

Could tend the truth of Our divinity.

Your Love Read More »

Palestinian prisoner release causes Israeli political stir

A planned release of 26 Palestinian prisoners has provoked feuding within Israel's governing coalition, already under strain from U.S.-brokered peace talks.

The inmates, all of whom were convicted of murder in the killing of Israelis before or just after the first interim Israeli-Palestinian peace accords were signed 20 years ago, were due to go free after midnight on Tuesday.

Cutting short their life sentences has been particularly grating for many Israelis because prisoner releases were a Palestinian condition for reviving peace talks last August that few people on either side of the conflict believe will succeed.

In all, 104 long-serving prisoners will go free. A first group of 26 was let out two months ago in keeping with understandings reached during shuttle diplomacy by U.S. Secretary of State John Kerry.

“The release of terrorists in return for (Israeli chief negotiator) Tzipi Livni's dubious right to meet (Palestinian counterpart Saeb) Erekat is very grave,” the Jewish Home party, a far-right member of the government, said in statement at the weekend.

Jewish Home, led by Naftali Bennett, then tried to get a proposal to freeze further prisoner releases past a ministerial committee, where members of Prime Minister Benjamin Netanyahu's Likud party voted it down on Sunday.

“The picture is now clear: the government, unlike one of its member-parties, is acting in the national interest…this government is moving the peace process forward,” Livni, head of the small, centrist Hatnuah party, wrote on her Facebook page after Jewish Home's proposed law was rejected.

[Former Shin Bet head: Release of Palestinian prisoners no threat]

The squabbling did not end there. Bennett criticised Likud ministers, saying: “The release of terrorists is immoral, it weakens Israel and endangers its citizens, and we will continue to fight it in a democratic way”.

In an apparent attempt to appease Jewish Home and hardliners within Likud, government officials said new housing projects would be announced soon in West Bank settlement blocs that Israel intends to keep in any future peace deal.

Israeli political commentators suggested that Bennett, whose party has 12 of parliament's 120 seats, had latched on to the prisoners issue as a way to swing Netanyahu's traditional right-wing supporters his way and establish himself as an alternative leader for the camp.

TRADE-OFF

Yuval Steinitz, Israel's strategic affairs minister and a Likud member, made clear in a radio interview on Monday that by agreeing to the prisoner releases, the government effectively had quashed a Palestinian demand to halt settlement building.

“The issue of freeing prisoners is certainly most painful for all of us. But strategically, the price of freezing construction in settlements would be much higher,” Steinitz said.

For Palestinians, who view settlements that Israel has erected on land captured in the 1967 Middle East war as obstacles to a state, brethren jailed by Israel are heroes in a fight for independence.

On the other side of the divide, families of Israelis killed in Palestinian attacks held a vigil outside Ofer prison in the West Bank, where the prisoners slated for release were being held.

And at a military cemetery in Jerusalem, opponents of the release placed black signs, with a drawing of a bloody hand, on graves.

“As far as we are concerned, your death was in vain,” read the placards, signed “Government of Israel.”

Editing by Angus MacSwan

Palestinian prisoner release causes Israeli political stir Read More »

My gypsy soul — and ours

My parents thought that it was funny. But it wasn't.

They used to threaten to “sell me to the gypsies.”

The gypsies (or, more properly, the Roma) are back in the news again. In Farsala, Greece, a blonde-haired, blue-eyed four year-old girl was discovered in a Roma camp. How did her swarthy parents wind up with a child who looked like that? It did not compute, and this led to a worldwide hunt for her real parents. A DNA test proved that she was not, in fact, the child of her alleged Roma parents, and they have been offering conflicting explanations as to how the little girl came into their care. 

And then, there was the case of the girl in Dublin. The same kind of story – blond-haired, blue-eyed girl with dark complexioned parents. Irish authorities removed her from her family, but this time, a DNA test proved that she was, in fact, the child of her parents.

That’s the mythology about the gypsies/Roma – that they steal children. And, of course, the gypsies have long had a reputation for fortune telling and various other scams. Watch “Borat” again and you will see what I mean.

The renewed Roma-phobia in Europe has prompted various responses. Some of them appeared in the New York Times Letters page, in which sincere correspondents decried the new persecution of the Roma. Prompted by an article titled “Are The Roma Primitive, Or Just Poor?” My gypsy soul — and ours Read More »

Release of Palestinian prisoners no threat, says former Shin Bet head

Ami Ayalon, the former head of the Shin Bet, Israel’s secret service, says he’s not concerned, from a security perspective, about Israel’s scheduled Oct. 30 release of 26 Palestinian prisoners who had been involved in terror attacks.

In an Oct. 27 interview with the Journal in Beverly Hills, Ayalon did not endorse the release but said, “It does not present any danger.”

“Most of them are sitting in our jails more than 30 years,” he said. “They are not part of the present terror infrastructure.”

Israel agreed to the release as a pre-condition to participating in American-brokered negotiations with the Palestinians. More than 100 terrorists will be released in four groups over the planned nine-month duration of the talks.

Ayalon, who was also a commander in Israel’s navy and is a former Knesset member for the Labor Party, was in Los Angeles to raise awareness for the University of Haifa as part of the American Society of the University of Haifa’s inaugural gala at the SLS Hotel in Beverly Hills on Oct. 27. He serves as chairman of the executive committee at the university.

He and Amos Shapira — former CEO of El Al and Cellcom and president of the university — sat down with the Journal on Sunday afternoon to discuss current events in Israel and their efforts at Haifa University.

Regarding possible upcoming negotiations between Israeli and Palestinian leaders, the trim, fit Ayalon said he’s neither optimistic nor pessimistic.

 “I’m realistic,” Ayalon said, sternly and directly. “I don’t believe — and I hope I’m wrong — that negotiations will bring us any result.”

[Related:  Release of Palestinian prisoners no threat, says former Shin Bet head Read More »

Walking on the wild side and returning to the sacred side: Or becoming a rabbi because of Lou Reed

Word of Lou Reed walking beyond the wild side, never to return, reached me as I was leaving campus, having just finished teaching a class on Modern Jewish Philosophy. As I recovered my copy of Take No Prisoners on my i-Phone and flicking to his 1978 strung-out rendition of “Sweet Jane”, I wondered why Lou Reed ( March 2, 1942, Brooklyn, as Lewis Allan Rabinowitz, later changed to Reed,) was not included on my syllabus for the study of Modern Jewish philosophers! After all, Lou Reed was probably the greatest abiding influence in my life’s journey that lead me to the rabbinate— Lewis Allan Reed was my “Satellite of Love”, leading me time and again back New York from Toronto on a never-ending pilgrimage to CBGB’s in what was then a frightening trip in the Bowery and Bleeker Bob’s in the West Village from my high school days onwards. What was it about this renegade rocker, the punk zeyde I never had, that inspired me to the point of teaching about him in one of my year-long men’s group, strategically nestled off site from my synagogue, once Beeber’s The Heebie Jeebie’s at CBGB’s: A Secret History of Jewish Punk Rock (2006) was finally released. Perhaps Lou Reed— who sang so poignantly about “make-believe love” on that 1978 live recording from the no longer extant legendary West Village watering hole, The Bottom Line—was not included as a Jewish philosopher for the same reason that I had subconsciously excluded Gillian Rose. After all, in the final year of her life, she gave an extraordinary lecture in 1994 with an intense reading of the Rilke sonnet that begins Sei allem Abschied voran or “Be ahead of all departures”. In that same live recording from 1978, decades before his own actual death —even if every moment of his music was always Sein-zum-Todt or “being-towards-death” —Lou quoted Yeats’ poem, “The Second Coming” (1919), while attempting to keep hecklers at bay in his inimitable way, when he retorted: “The best lack all conviction, while the worst/Are full of passionate intensity’—so you try and figure out where I’m at right now!” At that ever-recurring moment of confronting one’s own death, with less than a year to live, in Rose’s last masterpiece, Love’s Work (1996), she confirmed that studying philosophy at Oxford almost destroyed her passion of the mind, and furthermore “the earnest stupidity of her schooling” was succeeded by “the deeper stupidity of reading philosophy at university.” What Lou Reed, and to a lesser degree Gillian Rose, have taught me is that life is a laboratory and that university should never get in the way of your education about love’s work in life. That struck me the first time I heard “Walk on the Wild Side” – I was fifteen and in love for the first time with Kaza in art school. Something about crossing the lines, and walking on the other side together– the wild side that Kaza took me to– was transformational. Years later, Lou Reed remained that abiding force of embracing the role of the real ‘ivri or Hebrew, which I later learned is how Hasidic master, Reb Nahman of Bratzlav defined the Jew as epitomizing the ‘boundary-crosser’. I came to appreciate this again years later at one of Lou Reed’s “last suppers” at the Downtown Seder that he haunted with his third wife, Laurie Anderson. Last year, Laurie was the Tam or “simple child” intoning “The Dream Before” while Lou was always called upon as the resident Hakham or “wise child” doing his riff on Bob Marley’s “Exodus”. Years earlier, I recall a Downtown Seder in 2004 when Lou was called on again to occupy his seat as the Hakham when he chose to incorporate his recent project of setting of Edgar Allen Poe’s “The Raven” to music at an SRO room full of New York Jews reciting his re-writing of the classic in these words: “Sometimes I wonder who am I?/Who made the trees?/Who made the sky?/Who made the storms?/Who made a heart break?/I wonder how much life I can take?”

Lou Reed was that “Wild Child” he sang about on his debut album in 1972. He troubled his Jewish parents— accountant, Sidney Reed and his wife and former beauty queen, Toby Futterman Reed— to the point where they sent him for weeks of electroshock therapy at Creedmoor State Psychiatric Hospital in Queens. Not such a usual chapter for an all-American Jew growing up in Freeport, Long Island. That was only the beginning of Lou Reed’s descent into his decades long inferno, so that even in 1959, while beginning his music studies at New York University, he underwent further treatment. Reed’s transfer to Syracuse University brought him momentary solace inside the circle surrounding American Jewish poet, writer, and English professor, Delmore Schwartz. When Reed met Schwartz, the latter was only six years away from his death in a Bowery room flophouse (doors away from what would later become the renowned punk club, CBGBs). While Lou would ride around on his motorcycle, clad in leather with his guitar slung over his shoulder, never to be caught dead in any frat—much less a Jewish one—he did allow himself to become the mascot for the Jewish “Sammies” of Sigma Alpha Mu, given they were the most progressive of the lot and served as one of his most receptive audiences throughout his career. Unsurprisingly though, Lou skipped classes frequently to play in black bars with his band, LA and Eldorados (for Lewis, his given name, and Allen the first name of childhood friend, Allen Hyman). Although Syracuse University was a time when Lou flourished, the scars of his electrified, broken heart would never fully mend. By the time Blue Mask (1982) was released— a partial eulogy to his all-American Jewish mentor, Delmore Schwarz referred to explicitly in “My House” as “My friend and teacher [who] occupies a spare room/He’s dead—at peace at last the Wandering Jew” —Reed’s scars irrupted as he decried: “Take the blue mask down from my face/and look me in the eye/…Don’t take death away”. By daring to stare death in the face and continue to embrace life as a Jew, Lou Reed defined his own rock n’ roll path as a uniquely Jewish path. Daring to do more than “walk on the wild side” but enter into the realm the Jewish mystics call the Sitra Ahra or the “Other Side” and then return to the Sitra de’Kedusha or the “Sacred Side” was something I only experienced in his music. This musical journey of Lou Reed—one that in 1965 accompanied Warhol’s Exploding Plastic Inevitable— is what inspired me along my path to the rabbinate. Through his music as life, Lou Reed reminded me of that annual obligation of crossing all boundaries with the utter seriousness of carnivale that Jews still call Purim—that “Halloween Parade”. That same album New York from1989 is where Lou confronts the Nazi fugitives like Kurt Waldheim and anti-semitic candidates like Jesse Jackson, so that with “Good Evening Mr. Waldheim” Lou dares to remove the mask! Reed saw the absurdity of life surrounding him and despite it all–following Fackenheim’s call for the 614th commandment not to grant Hitler a posthumous victory–he embraced life! May the memory of rock n’ roll animal, Louis Rabinowitz— Lou Reed, be a blessing, and in the final words of the Warsaw Ghetto rebbe in 1943: Es zol zich zingen a shira —“So shall the song sing itself.”

Walking on the wild side and returning to the sacred side: Or becoming a rabbi because of Lou Reed Read More »

With Mekel’s arrival, Casspi has Israeli company on the NBA court

Midway through the first quarter, Omri Casspi entered the preseason game between his Houston Rockets and the Dallas Mavericks. A minute later, the buzzer sounded summoning Mavs rookie guard Gal Mekel into the Oct. 21 contest.

Casspi took his first shot, a three-pointer that missed. On the ensuing possession, Mekel scored on a driving layup.

Order was following form: Four years ago, Casspi became the first Israeli to play in the National Basketball Association. And with the new season tipping off this week, Mekel will become the second.

A reprise will occur imminently — this time when it counts in the standings — when the Mavericks return to Houston’s Toyota Center on Friday night in the first of four regular-season meetings between the Southwest Division clubs.

There’s no telling if those games will feature the chanting, adoring, Israeli flag-waving fans who punctuated Casspi’s NBA tenure early on or whether the adulation bestowed upon an Israeli pro in America has fizzled out before Mekel can feel the love, too.

The players, both 25, say they expect the atmosphere to resemble the former. While their in-season games will likely draw plenty of Israeli media, JTA spoke exclusively last week with Casspi and Mekel.

“It’s a big thing, I think, for such a small country to have two [NBA] players. It’s something unique,” Mekel said at the Mavericks’ downtown hotel here as Casspi sat across from him. “I saw the excitement when Omri came into the league, and I’m really looking forward to experiencing that, so hopefully we’ll bring pride.”

Casspi acknowledged that he “got excited” upon seeing that Dallas was Houston’s second opponent this season.

At 6-9, Casspi towers six inches above Mekel, so they won’t be matched against each other unless there is a defensive switch. Their coaches and teammates note similar characteristics in both players — primarily their competitiveness, commitment to improve, determination on defense and team-first mentality.

Like nearly every NBA player, they possess basketball pedigree — Casspi as a 2009 first-round draft choice of the Sacramento Kings, Mekel as the two-time Most Valuable Player in the Israel Basketball League. But Casspi’s output has declined steadily in his four NBA seasons and Mekel is a rookie, so they both have much to prove playing as reserves for talented teams in the strong Western Conference.

With Houston, Casspi is light years from his previous clubs, the lowly Kings and the rebuilding, post-LeBron Cleveland Cavaliers. The Rockets are loaded, featuring new center Dwight Howard, forwards James Harden and Chandler Parsons, and point guard Jeremy Lin.

Mekel’s accomplished teammates include forward Dirk Nowitzki, who led Dallas to an NBA title three seasons ago, along with frontcourt partner Shawn Marion and guards Jose Calderon and Monta Ellis.

Helping the Israelis fit in is the extraordinary diversity of both clubs, with players hailing from Germany, Spain, the Dominican Republic, Lithuania, Haiti, Turkey and Brazil — to say nothing of Lin, the son of Taiwanese immigrants who ignited “Linsanity” during his brief tenure with the New York Knicks two seasons ago.

Mavs center Samuel Dalembert, a Haitian, stands out even beyond his 6-11 frame. Having played with Casspi on the Kings, he is the only one to count both Israelis as teammates.

“I’m making history,” a laughing Dalembert said.

Casspi already has found a kindred spirit in Lin. On the team bus, on the road and at Sabbath dinner at Casspi’s apartment, the two have talked about their ethnic pressures and struggles in establishing themselves in the NBA.

Lin says he and Casspi have gone through “some of the same things.”

With the Rockets, coach Kevin McHale has shifted Casspi into the stretch-4 position: a power forward capable of rebounding and reliably draining shots while playing away from the basket. It’s a job McHale, an authority on forward play by virtue of his Hall of Fame career with the Boston Celtics, believes Casspi is equipped for because “he’s big and is not afraid to bang.”

In fact, McHale says he has eyed Casspi ever since the Israeli was an 18-year-old on his national team.

“He was aggressive, he moved, he had a good overall feel,” McHale said in his office. “I thought he had a really good rookie year, a really good start to his NBA career. For the last couple of years, I didn’t think it worked for him.”

When Casspi became a free agent, McHale said he and general manager Daryl Morey went after him.

“Omri fits in with our style and, hopefully, our style fits him. It has so far,” McHale said. “I really like him. I think he’s a guy who’ll help us.”

Rockets assistant coach Kelvin Sampson called Casspi “the surprise of our team” for whom the position change is making all the difference.

“When he plays the 4, he shows what he can do,” Sampson said. “When he plays the 3 [small forward], he shows what he can’t do.”

Mekel has adapted, too, following injuries to guards Shane Larkin, also a rookie, and Devin Harris that thrust opportunity upon him. His learning curve was steep early in training camp, said Dallas coach Rick Carlisle. He was mistake-prone on offense — going airborne before deciding whether to shoot or pass, trying to split defenders he couldn’t beat and turning over the ball often, a huge no-no for a point guard.

But in four starts, Carlisle said, Mekel “made progress each and every game.”

“He’s knowledgeable, rugged and a very good playmaker, and his shooting is improving every day,” the Mavs veteran coach said.

Entering the NBA, outside shooting was the area Mekel most needed to improve, said his Maccabi Haifa coach, Brad Greenberg. But he added that the team’s run to last year’s IBL championship really showcased Mekel’s solid skill set: penetrating to the basket, distributing the ball, playing tough defense and providing leadership.

A close State Cup championship loss to Maccabi Tel Aviv, which Haifa later defeated for the IBL title, “was when I realized he was pretty special,” Greenberg said.

“He scored, he made clutch plays,” he said. “He had a standout game in a high-pressure situation against a great team.”

Mekel and Casspi actually honed their skills as teammates on junior clubs, including Tel Aviv’s, before Mekel headed to Wichita State to play two years. Casspi would win an IBL championship with Tel Aviv in 2009; Mekel won it the following season with Hapoel Gilboa Galil.

They have remained friends. Casspi referred Mekel to his Florida-based trainer after Mekel signed with Dallas. And last summer in Israel, Mekel watched Casspi and the rest of the national team practice for the EuroBasket tournament.

Their chat with JTA was akin to a family reunion.

“Did my father tell you? He saw your aunt in Slovenia,” Casspi said of the early-September tournament.

The aunt and Mekel’s father will fly in from Ramat Aviv for the Mavs-Rockets game on Friday, but Casspi’s family will wait for a longer homestand so they can attend more games.

Throughout the season, “we’ll watch each other, look up to each other,” Casspi said.

“For me, it’s great to have somebody to … get tips from,” Mekel said. “All the things rookies go through, I have a guy I can ask, and have a friend to speak the language with.”

Casspi and Mekel were ready to conclude the interview and head off to dinner. Perhaps down the line, they may even get to break bread with more Israelis in the NBA.

“If we do well and represent the country well,” Mekel said, “we could open the door for other guys, like Omri opened the door for me.”

With Mekel’s arrival, Casspi has Israeli company on the NBA court Read More »