fbpx

May 18, 2011

My Invocation at the First City Council Meeting with the first Jewish Mayor of Chicago, Rahm Emanuel

Honorable mayor , City clerk , City treasurer, new and returning members of the City Council,
As you enter on this new journey together, I bless you with the “Traveler’s Prayer”:
May it be Your will, God, that you guide us toward peace and let us to reach our desired destination for life, joy and unity.  Rescue us from the hand of every foe,  every challenge along the way, and all afflictions that may trouble our city.  Send blessing in our work and let us find grace, kindness and compassion from You and from all who see us take on the sacred task of making our city work.
As we begin this new era in the history of our city, the blessing of renewal:
Baruch ata ado-nay elo-heinu Melech ha’olam, shehechiyan, vekiymanu, vehigiyanu lazman hazeh,
Blessed are you God, who has given us life, strengthened us and brought us to this wonderful moment!
And let us say, Amen.

My Invocation at the First City Council Meeting with the first Jewish Mayor of Chicago, Rahm Emanuel Read More »

Obama extends Syrian cutoff to leadership, government

President Obama extended a freeze on Syrian assets to the country’s government and its entire leadership.

The order issued Wednesday is the most expansive yet targeting Syria, naming President Bashar Assad and including any “senior official of the Government of Syria” or “any agency or instrumentality of the Government of Syria, or owned or controlled, directly or indirectly, by the Government of Syria or by an official or officials of the Government of Syria.”

The order cites “Syria’s continuing escalation of violence against the people of Syria—including through attacks on protestors, arrests and harassment of protestors and political activists, and repression of democratic change, overseen and executed by numerous elements of the Syrian government.”

Previous freezes, launched by President Bush in 2004, targeted only individuals believed to be involved in weapons of mass destruction development and in subterfuge in Lebanon and elsewhere.

The order issued Wednesday has the effect of essentially cutting off Syria from the United States and banning any U.S. business from trading with Syria’s government or its leaders.

Israeli and U.S. officials have said there has been a sea change in attitudes toward Syria since its brutal crackdown launched earlier this month against democracy protestors, and since it helped facilitate a breach by Palestinian protesters of its border with Israeli forces on the Golan Heights.

While both governments reviled the Assad regime in the past, officials have said, it was seen as preferable to the chaos that might ensue should it be overthrown.

Insiders have said that the Israeli and U.S. governments are now shifting gears and will not stand in the way of regime change.

Obama extends Syrian cutoff to leadership, government Read More »

DePaul University students voting on hummus brand

Students at DePaul University in Chicago are voting on what brand of hummus they want served on campus.

The outcome of this week’s student referendum, which was requested by Students for Justice in Palestine, is nonbinding.

The Sabra brand of the chickpea dip had been served until last November, when the pro-Palestinian student group objected because Sabra is half-owned by The Strauss Group. Strauss has publicly supported the Israel Defense Forces troops, and provides care packages and sports equipment to Israel’s Golani and Givati brigades.

The DePaul food service suspended selling Sabra hummus, even though the request did not go through the university’s internal Fair Business Practices Committee, as is customary. The brand was reinstated pending a decision by the committee, which will take the student referendum into consideration.

The Fair Business Practices Committee is made up of three faculty members, three students and eight staff representatives. Its purpose is to protect the integrity of the university’s mission and values by examining issues raised concerning DePaul’s contracts and contractors.

The committee is set to make a recommendation soon to the university’s president, according to the university, who will make a final decision.

The initiative is “one more salvo in the global assault on Israel’s right to exist,” Michael Kotzin, executive vice president of the Jewish United Fund/Jewish Federation of Metropolitan Chicago, said in a statement.

“As trivial as the determination of which kind of hummus to serve to students at a local university may seem, this campaign has serious ramifications. SJP is using misleading language to cloak their real intention in the guise of concern for human rights. In fact, their ultimate goal is the elimination of the State of Israel.”

In December, a Princeton student referendum on whether to ask the university’s dining services to provide an alternative brand of hummus to Sabra was defeated.

DePaul University students voting on hummus brand Read More »

Philip Roth named Booker Prize winner

Jewish author Philip Roth has won the Man Booker International Prize for the body of work in his more than 50-year-long career.

The biennial award to be presented in June in London to Roth, 78, was announced Wednesday. The author of the widely read and controversial “Potnoy’s Complaint” has also won two National Book Awards and a Pulitzer Prize.

The author is well known for creating the character Nathan Zuckerman, often considered a Roth alter-ego.

Authors on the shortlist for this year’s Booker Prize included: Rohinton Mistry, Philip Pullman, Anne Tyler, and Chinese novelists Wang Anyi and Su Tong. Previous winners include Canadian writer Alice Munro, Nigerian writer Chinua Achebe, and Albanian writer Ismail Kadare.

The annual Man Booker Prize for Fiction is awarded for a single book.

Following the announcement, author and publisher Carmen Callil withdrew from the prize’s three-judge panel, citing her displeasure with giving the award to Roth, the Guardian reported.

Philip Roth named Booker Prize winner Read More »

U.S. professor arrested for trafficking stolen antiquities

A retired history professor from the United States was arrested for allegedly smuggling stolen antiquities from Israel and selling them illegally.

The American man sold among other things, bronze and silver coins from the Second Temple period and a 1,500-year-old clay oil lamp.

When he was detained at Ben Gurion Airport for questioning late Monday night he was found to be in possession of coins, as well as more than $20,000, considered evidence that he has sold other antiquities during his visit.

He admitted to the illegal sales and attempted smuggling, according to a statement from the Customs Authority and the Israel Antiquities Authority. He was allowed to leave the country after leaving a “large bond” to ensure that he returns for trial.

The suspect, who works as a tour guide, had been in the country for two weeks. Near the beginning of his trip, hundreds of ancient archaeological artifacts in his possession were seized during a search of his hotel room after he was discovered by inspectors from the Israel Antiquities Authority selling antiquities to a group of American tourists he was leading in Israel. The artifacts had allegedly been stolen by antiquities robbers from different sites throughout the country.

U.S. professor arrested for trafficking stolen antiquities Read More »

Katsav prison sentence delayed pending appeal

Israel’s Supreme Court ruled that the start of former President Moshe Katsav’s prison sentence on rape and sexual assault convictions will be delayed pending his appeal.

Katsav had been scheduled to enter prison May 8 to serve a seven-year sentence, which was delayed until Wednesday’s ruling.

Katsav’s defense team said during the hearing that their client would not flee punishment and does not pose a danger to society.

“It cannot be said that prospects for Katsav’s appeal are baseless, and this is being said without concluding anything on the matter,” Justice Yoram Danziger ruled, according to Ynet.

The 300-page appeal suggested that it would be undignified for Katsav to show up at the Supreme Court for his appeal in handcuffs, according to reports. The appeal also asked that “weighty consideration should be given to the fact that Katsav served as the president of the State and Israel’s official representative at home and abroad.”

The conviction was handed down in the Tel Aviv District Court in December.

Katsav also was ordered to pay more than $28,000 to the rape victim and about $7,000 to the sexual assault victim. He was ordered to serve two years of probation after he is released from prison.

The yearlong trial, which was closed to the public, ended with a guilty verdict on Dec. 30. Two years before the verdict was handed down, Katsav declined what was seen as a lenient plea bargain—one that dropped the rape charges for lesser charges and likely would have left him with a suspended sentence—saying that he wanted to clear his name in court.

Katsav, who immigrated to Israel from Iran in 1951, was elected president by the Knesset in 2000 in an upset of Shimon Peres. In 2007, Peres assumed the post following Katsav’s resignation in the wake of the allegations shortly before the end of his term.

Katsav prison sentence delayed pending appeal Read More »

Letters to the Editor: Israel Festival, Etta Israel, Dominique Strauss-Kahn

Israel Independence Day Fest Is Loved, Missed by Many

I was very moved and touched by Rob Eshman’s editorial last week (“I Miss Us,” May 13). I was born and raised in Los Angeles and, other than my years in Israel or New York, I spent every single Yom HaAtzmaut at a community Israel festival. Whether it was the 18K Walk for Life we had throughout the ’70s, culminating in a festival in Rancho Park, or Pan Pacific Park, or, more recently, Woodley Park, the festival is something that is a built-in part of my community identity as a Jew. I, too, loved to complain about the food, and I was always most anxious to go around to each booth and strike up a debate on an issue. I remember going to the JDL booth, and then to the Peace Now booth, and would love playing the “other side,” because the whole day felt like a living page of talmudic debates.

Rabbi Daniel Bouskila
Director, Sephardic Educational Center


Rob Eshman is right — the absence of the festival is a great loss to the greater L.A. Jewish community and a reflection of a fracturing of our communal leadership. The Federation, the Israel Leadership Council and Yoram Gutman will, hopefully, get their act together (and maybe reach out to some other potential supporters) so we can gather at Woodley or some other appropriate venue next year. It’s a bit of a shandah that Irvine and Santa Barbara can put on impressive Yom HaAtzmaut parties while L.A. drops the ball.

Rabbi Gil Kollin
via e-mail


Sad about the festival at Woodley Park — so come up to Santa Barbara’s Oak Park and celebrate with us!

Judy Mannaberg-Goldman
Santa Barbara

For more on the Israel Independence Day Festival cancellation, click here.


Etta Israel Faces Financial Challenges

The article you published regarding Etta Israel group homes and what an important addition they are to the Jewish mosaic that is Los Angeles was so appreciated by all of us who are involved with this important organization (“Etta Israel Expands Programs,” April 22).

Although the article implied that we are expanding and growing, the sad fact is that the expense of caring for 18 adults with differing mental challenges is expensive. Monies from the State of California have been reduced every year since 2008 while contributions from concerned members of the Jewish community continue to go down. Even though we have a fourth home donated, we lack the funds to open it. We are struggling to keep the homes we have as we brace for another round of funding cutbacks from the state.

Etta Israel’s residents come from Orthodox, Chasidic, Conservative, Reform and unaffiliated homes — they are a microcosm of klal Yisra’el [“oneness of Israel”]. I know of no other organization that serves all members of the Jewish community under one roof, figuratively and actually.

Tikkum olam, “repairing the world,” begins at home with our most vulnerable members. Our special-needs Jewish community members need help from all California Jews. All contributions are needed. If every person who reads this article could give just $18, we could continue our present homes and open the fourth.

Tikkum olam begins with one small action. I pray your readers recognize the need and contribute generously to Etta Israel group homes so we can grow and provide more homes for our most vulnerable citizens.

David Mayer
Board member, Etta Israel


Partnership Helps Further Day-School Project Goals

With interest and appreciation I read the Journal article reporting on progress toward a “first phase” day school endowment goal of $100 million and highlighting the role of BJE: Builders of Jewish Education in this initiative (“Tuition Grants, Endowments to Benefit Day Schools,” May 13). 

Any communal project of such magnitude cannot be achieved without the partnership and collaboration of many people who share a vision and work to realize it. The Jewish Federation shared in setting the $100 million initial endowment goal and has provided annual support toward funding BJE’s work to strengthen day schools. In addition, PEJE: Partnership for Excellence in Jewish Education is playing a major role in the Leadership and Fundraising Academy, referenced in the Journal article as well as in the “Generations” endowment project.

It is through partnership with such institutions and with individual donors that important communal goals can be realized, and BJE is deeply appreciative of the contributions of each of its program and funding partners. Many thanks to Julie Gruenbaum Fax and The Jewish Journal for covering an important milestone in communal progress toward day school endowment development.

Gil Graff
Executive director, BJE: Builders of Jewish Education


Jews and Sexual Assault

Rob Eshman’s casually analytical blog on whether it matters that Dominique Strauss-Kahn is Jewish is a borderline apologetic comment on a gravely serious allegation, in particular coming as it does on the heels of the conviction for rape and sexual assault of Moshe Katsav, the former president of Israel (“Dominique Strauss-Kahn Is Jewish. So?,” Bloggish, May 15). Strauss-Kahn is, of course, entitled to his presumption of innocence, but both cases point to a base and brutal imposition of power and position.

Hopefully, as Jews, we are more than “embarrassed or appalled” at these circumstances, and, hopefully, this is seen as something more than a run-of-the-mill “scandal.” If we are mandated to be “a light unto the nations,” certainly it has to begin with behavior that is morally aboveboard. Yes, Jews are human and we have our criminals; we even kvell over our beloved gangsters – Lansky, Siegel, Cohen – but while any one of us might know someone who cheats on his taxes, doesn’t keep his rental property up to code or over-bills Medicare, it’s God-willing precious few of us who keep company with rapists.

This has nothing to do with what neo-Nazis or radical Islamists think. It has everything to do with how we think of ourselves, and if we’re not prepared to denounce this behavior in the strongest possible terms, we put our very birthright at risk.

Mitch Paradise
Los Angeles


More Than Apologies Are in Order

The Brooklyn-based Der Zeitung owes more than apologies to the White House for its “digital removal” of Secretary of State Hillary Clinton and Audrey Tomason from the situation room photo of U.S. officials watching the raid on bin Laden (”Chasidic Paper Apologizes for Cutting Hillary Clinton From Photo,” May 13). Such revisionist media manipulation requires apologies to the two women. The editorial staff of Der Zeitung would do well to offer apologies to their mothers, wives, daughters and to all women in their ancestry whom they continue to “write out of history” using a misguided rationale of “piety.”

Judith Levitt
North Hollywood


School Is in Session Concerning Documentary Film

I am writing with respect to Jason Ablin’s opinion piece (“Waiting for Nowhere,” April 15) in which he offers a baffling review of the documentary “Race to Nowhere,” which I produced and co-directed. In the piece, not only does Mr. Ablin not even attempt to support any of his opinions with fact-based research, he also misinterprets my intention as a filmmaker; misstates the movie’s message; and, perhaps most surprisingly, does not seem to recognize or acknowledge the many areas in which he and I agree.

I set out to make “Race to Nowhere” to better understand the impact of America’s pressure-cooker culture on our children. In so doing, over a period of two years, I spoke at length with hundreds of students, parents, educators and school administrators on myriad topics, such as the benefits and detriments of AP courses; the time spent preparing for, and value placed on, standardized testing; the amount of homework typically assigned, and whether it was purposeful or relevant and supported by research; the over-scheduling of students’ time (including sports, extracurriculars, jobs and community service); the encouragement of resume-building (which prioritizes the appearance of achievement over the true mastery of academic subjects or passions); and the seeming emphasis on rote memorization over actual learning. I spent a significant amount of time with renowned pediatricians, psychologists and clinicians who specialize in adolescent issues, both mental and physical, who explained to me the potentially devastating health consequences of stress-related responses, including sleep deprivation, cutting, eating disorders, binge drinking, performance-enhancing drug (Adderall) abuse, depression and extreme anxiety to the point where a child might simply “give up,” whether that manifests in quitting school or quitting life. I even approached some of our country’s most famous and famously demanding colleges and universities — those that some might argue serve as the “source” of these issues — some of [whose representatives] acknowledged, either on camera (in an interview) or behind the scenes (in tears) their complicit “contribution” to the mess of a situation in which today’s students find themselves.

So while it is true that it was my concern for my child that provided the impetus to create the film, in exploring this issue more deeply, I discovered an epidemic of stressed-out, exhausted and disengaged young people across the country, many of whom are, quite simply, unprepared for college or the workplace. Since its premiere in September 2010, “Race to Nowhere” has been screened in over 1,800 locations across the United States and in more than 20 countries worldwide. The film has proven popular through word-of-mouth because students, parents and educators recognize themselves and their lives in the compelling testimony of those on screen. Unlike “Waiting for Superman,” another documentary on education that Mr.  Ablin clearly prefers, and which received its backing from large corporate donors, “Race to Nowhere” has supported itself via a nationwide grass-roots movement, building a democratic community of concerned citizens who are committed to improving our education system for all students. In order for these improvements to be made, we must change the current performance-based system, which stifles intellectual development, diminishes critical thinking and creativity, and compromises the health of our children.

Incidentally, in voicing his support for “Waiting for Superman,” at the same time that Mr. Ablin inexplicably attacks my parenting skills, he also betrays a real lack of understanding of how the education system is failing our children. Describing “systemic and philosophical problems in the public school system that are a threat to our democracy and, ultimately, to our commitment to human freedom,” he decries how our nation has lost its sense of community, how children are “being molded, designed and programmed,” and yet, in so doing, he is agreeing with a fundamental precept of the message behind “Race to Nowhere.” The mistake Mr. Ablin makes is that he advocates holding parents primarily responsible for this problem, rather than indicting the larger system of enforced accountability designed by politicians and underwritten by businesses.

In my view, the true threat to democracy and human freedom that Mr. Ablin warns about is one he appears to support, the 2002 No Child Left Behind Act — a top-down education regime imposed by legislative mandate, where the curriculum is governed by state-approved standardized testing, and educators fear that their funding will be pulled or their schools shuttered if student test scores are not up to par. Perhaps in a follow-up piece, Mr. Ablin can explain how students can “free their minds from the possible tyranny of others” under such a system. I know I’d be interested in reading it, as, I suspect, would countless others.

In sum, I agree with Mr. Ablin that parents and teachers both need to do a better job at helping children understand why they are learning and what their larger purpose is, but as the 500,000+ students, parents, educators and administrators who have seen “Race to Nowhere” and continue to support its message can attest: This cannot be accomplished in a system where teachers are forced to teach to the test, where curriculum is stripped down or eliminated in order to ensure funding, where children are hurting themselves (deliberately or not) for fear of not “measuring up.” This can only be accomplished by students, parents and teachers banding together, taking a stand and making changes, large and small, in our homes and in our schools, changes that will foster creativity and promote education as the path to personal evolution.

By taking these positive steps, and modeling responsibility to one’s community and to the world at large, we will at last succeed in “raising” the kind of children of which Mr. Ablin can be proud.

Vicki H. Abeles
via e-mail

Letters to the Editor: Israel Festival, Etta Israel, Dominique Strauss-Kahn Read More »

Israeli task force in place to secure computer systems

Israel’s government has set up a task force to secure the country’s critical computer systems against possible cyber attacks.

The task force will “encourage and develop the field of cybernetics and turn the State of Israel into a global center of knowledge, in cooperation with academia, industry, the security establishment and other public bodies,” according to a statement from the Prime Minister’s Office.

The main responsibility of the task force will be to expand the state’s ability to defend vital infrastructure networks against cybernetic terrorist attacks perpetrated by foreign countries and terrorist elements.

The task force comes in the wake of cyber attacks around the globe, including attacks which the electricity grid in Brazil, banks in Estonia and elections in Myanmar.

The Bank of Israel’s website was shut down in 2008, and last June, after the Turkish flotilla incident, hackers attacked many Israeli Internet sites, including that of the Tel Aviv-Jaffa Municipality.

Netanyahu ordered the allocation of a special budget to implement a five-year plan that will place Israel at the global forefront in cybernetics. The plan includes investments in academic research and development, the establishment of a super computer-based center at an Israeli university, the establishment of academic centers of excellence, accelerated activity to bring researchers and academics back to Israel, significantly increasing the number of cybernetics students and upgrading university research infrastructures.

Israeli task force in place to secure computer systems Read More »

Lars Von Trier at Cannes: Anti-Semitic spew or strange, stupid gaffe? UPDATED

The Cannes Film Festival has declared Danish director Lars Von Trier “persona non grata” after he delivered some flippant remarks about Jews, Nazis and Hitler yesterday [see transcript below].

According to several entertainment outlets, the festival’s board of directors issued the following statement:

“The Festival de Cannes provides artists from around the world with an exceptional forum to present their works and defend freedom of expression and creation. The Festival’s Board of Directors, which held an extraordinary meeting this Thursday 19 May 2011, profoundly regrets that this forum has been used by Lars Von Trier to express comments that are unacceptable, intolerable, and contrary to the ideals of humanity and generosity that preside over the very existence of the Festival.

“The Board of Directors firmly condemns these comments and declares Lars Von Trier a persona non grata at the Festival de Cannes, with effect immediately.”

According to TheWrap.com, Von Trier responded: “I’m very proud of being persona non grata. I’ve never been that before in my life, and that suits me extremely well…I’m known for provocations, but I like provocations when they have a purpose. And this had no purpose whatsoever. Because I’m not Mel Gibson. I’m definitely not Mel Gibson.”

While premiering his latest film, the apocalyptic drama “Melancholia” starring Kirsten Dunst and Charlotte Gainsbourg on Wednesday, Von Trier had some very strange things to say about the Jews, and in particular, fellow Danish filmmaker Susanne Bier, whose film “In A Better World” won this year’s foreign film Oscar. 

To be fair, Von Trier seemed to be running his mouth, unsure of what he was saying, and some of it was said in jest. Here is a transcription of his remarks:

“I thought I was a Jew for a long time and was very happy being a Jew. Then later on came Susanne Bier and then suddenly I wasn’t so happy about being a Jew—no, that was a joke; sorry. But it turned out I was not a Jew, but even if I had been a Jew I would have been a second rate Jew because there’s a kind of a hierarchy in the Jewish population. But anyway I really wanted to be a Jew, and then I found out I was really a nazi because my family was German, which also gave me some pleasure. So I’m kind of…yep…what can I say? I understand Hitler. But I think he did some wrong things, yes, absolutely, but I can see him sitting in his bunker… [At this point Kirsten Dunst gasps with nervous laughter] I think I understand the man. He’s not what you would call ‘a good guy’, but I understand much about him and I sympathise with him a little. But, but, come on, I’m not for the second World War, and I’m not against Jews—no, not even Susanne Bier (that was also a joke). I am of course very much for Jews—no, not too much because the Israelis are a pain in the ass… How can I get out of this sentence? [“By another question,” suggests someone in the press conference. Von Trier stumbles a bit more, and then, realizing he has gone on a weird and dangerous tangent verbally throws his arms up and says…] Okay I’m a Nazi.”

At the end of the press conference video, Kirsten Dunst can be heard saying, “Oh Lars, that was intense.”

While Von Trier’s remarks are somewhat cryptic (Is he a Jew? Is he a Nazi? Is this a joke?), he is known for being a provocateur. He is widely considered an edgy, iconoclastic filmmaker. In 2000, the musical/dance film “Dancer in the Dark” starring the artist Bjork won him the Palme d’Or, Cannes’ highest prize. In 2009, he shocked audiences with “Antichrist” which featured a graphic scene of female genital mutilation. He’s an artist who thrives on scintillation. He is turned on by pushing buttons and shattering boundaries.

The Cannes Film Festival officially wrist-slapped Von Trier, releasing a statement calling his remarks “disturbing” and he recanted in full: “If I have hurt someone this morning by the words I said at the press conference, I sincerely apologize. I am not antisemitic or racially prejudiced in any way, nor am I a nazi,” Deadline.com reported.

The ADL’s Abe Foxman made the following statement to The Hollywood Reporter:

“He seems to be struggling with some personal ghosts…It’s a bizarre outburst. I don’t know what to make of it except that what we’re seeing recently is, when somebody has a personal problem or is under intense pressure, it bursts out in an anti-Semitic fashion…. It certainly is insensitive to Jewish people and to Jewish history.”

Von Trier’s comments are an odd addition to a recent spate of Hollywood Jew-hating, coming after firestorms surrounding the fashion designer John Galliano, the actor Charlie Sheen and late last year, the director Oliver Stone.

Whether Von Trier’s remarks should be categorized with previous anti-Semitic comments made by Hollywood stars is puzzling. The issue here is not that Von Trier hates Jews, because I think it’s fairly obvious he doesn’t, but that he is diminishing Hitler’s evil. It’s fine to feel you “understand Hitler” as a man, or as a character—Von Trier is, after all, a filmmaker—but to say Hitler did “some wrong things” and is “not what you would call ‘a good guy’” severely blunts Hitler’s crimes against humanity. 

Rabbi Marvin Hier of the Simon Wiesenthal Center was less charitable with Von Trier’s remarks: “The only award that Lars Von Trier should receive is the Cannes Film Festival ‘Bigot of the Year’ for expressing his ‘understanding of’ and ‘sympathy for’ Adolf Hitler and for suggesting a ‘Final Solution’ for journalists,” Hier and Abraham Cooper, the associate dean of the museum said in a joint statement.  “Please spare us all a meaningless apology written for him by his publicists,” they concluded.

I think what this boils down to is a thoughtless ramble, and next time, someone in the room should have the courage to shut him up. He’s not THAT important.

Here’s a live video of the whole press conference; Von Trier’s comments come in around 35:00, towards the end.

Also, this:

Lars Von Trier at Cannes: Anti-Semitic spew or strange, stupid gaffe? UPDATED Read More »

Justin Bieber’s Musical Father Figure, Dan Kanter [UPDATED]

Before Justin Bieber stepped onstage in front of 40,000 radiant fans at Tel Aviv’s Hayarkon Park last month, Dan Kanter, Bieber’s musical director and guitarist, took the spotlight to deliver a Jimi Hendrix-style rendition of Hatikvah, the Israeli national anthem.  “It was one of the most memorable moments in my whole life, and it was definitely one of the proudest,” he said from his hotel room during a break from Bieber’s My World tour in Melbourne, Australia.  “The fans were singing so loud they were almost jamming up my guitar; some people were crying and it was quite emotional. 

“Justin could feel the appreciation and the love from the audience, because his Israeli fans have been supporting him on the Internet from the very beginning, especially on Twitter and Facebook,” Kanter added.  “They have been a really strong presence and they had been writing and begging him to come to Israel for a couple of years now.  So many other acts have canceled concerts there, so for Justin to go and put on a show – there was a vibe in the air that night.  It’s always loud at Justin Bieber concerts, but this was one of the loudest concerts [fan-wise] that we have ever played.  And it was definitely one of the most exciting audiences he has ever played for.”

Kanter 29, has been with Team Bieber – his self-described “dream gig”—almost from the beginning.  He was a doctoral student in musicology at Toronto’s York University, in 2009, when a Universal rep suggested him to perform guitar for Bieber on a popular Canadian TV show.  “Justin had quite a following just from YouTube and Twitter at that point, but it was more at the grassroots level.  He hadn’t yet blown up in the mainstream,” Kanter recalled. 

Since then, Kanter has not only had a front row seat to Bieber’s rise to global heartthrob status, he’s also musically guided the teenager, who – according to Rolling Stone – wouldn’t sound the same without his musical director.  Kanter has performed with “The Bieb” everywhere from Madison Square Garden to the Philippines—where the poor Bieb was sick and vomited onstage.  At the time of this interview, Kanter was planning to continue on with Bieber to Japan (some members of the crew reportedly have refused to follow due to fears of radiation poisoning).

Kanter was prominently featured in the documentary, “Justin Bieber: Never Say Never” (just out on DVD); he has schmoozed backstage with fans such as Johnny Depp and sat in cars with the munificently-coiffed teen as manic fans climbed atop the vehicles.  With Bieber’s Jewish manager, Scott “Scooter” Braun, Kanter is the reason Bieber, a devout Christian, recites “The Shema” before every concert.

Bieber has just been named number three on Forbes’ Celebrity 100 list, after Lady Gaga and Oprah.  But for Kanter, the most surreal “fame” moment came when Japanese fans wished him “mazel tov” after viewing Internet photos of Bieber at Kanter’s wedding in October 2010.  (Kanter met his wife, Yael, when both attended the Taglit-Birthright trip to Israel for Jewish young adults in 2003.)

During our recent conversation, the affable Kanter spoke to me about his own musical (and Jewish) journey, including the Tel Aviv concert that so far, has been a highlight of his own life and career.

NPM:  In a previous story, I profiled Justin’s manager, Scooter Braun, whose Jewish background is quite extensive.  How about yours?

DK: Growing up in Ottawa I went to a school called Hillel Academy until grade 6 or 7; I was bar mitzvahed and used to perform in Jewish community society musicals – I was a pirate in “Peter Pan!”  But the biggest part of being Jewish for me is that I went to a Jewish sleepover camp for 15 summers – I was the guy with the acoustic guitar playing Dave Matthews songs around the campfire.  I got my first guitar, an electric guitar, for my bar mitzvah.

NPM:  What was your first impression of Justin Bieber?

DK:  I had come in to play acoustic guitar with him on that [Canadian] TV program, and we just really hit it off.  We got on quite well because we were both Canadian and we could talk about hockey and Canadian bands that we love but no one in the United States had ever heard of.  We started jamming and for 15 years old he could play very well.  But not only that – he was like a sponge.  If I played something, he could sit and watch me and then play it right back to me.  Musically we had a lot of chemistry, and it’s grown since then.  I was also quite impressed that he played drums and piano and had a beautiful voice and he was just such a nice kid; he was really excited about everything.  And together, Scooter and Justin collectively believed in me and brought me on board and made me part of the team.

NPM:  Scooter told me that besides acting as a father figure to Bieber, he at times imposes discipline, such as taking away Justin’s cell phone.  What are your responsibilities, as Justin’s music director and beyond?

Dan Kanter performing his Jimi Hendrix-style rendition of “Hatikvah” at Bieber’s concert in Tel Aviv last month

DK: I form the band, rehearse and work closely with Justin, our tour director, the lighting and video people and the choreographers to make the show; and if we’re on an awards show like the Grammys, it’s my responsibility to work out if we’re going to do a medley and things like that.  I don’t really ever discipline Justin.  But since we’re all older than him, we all feel—or at least I feel—not only a responsibility musically but also personally to be a good influence on him and steer him in the right direction.  I do put a lot of pressure on Justin, musically, which he likes.  Before each show, I do 30 minutes of vocal warm-ups with him, and we’re doing scales and I can test his range every day.  It’s very important to take care of his voice.  In “Never Say Never,” there are scenes where Justin is losing his voice, but on this tour, it’s getting stronger every day.  Also, I’m really into making sure we’re learning new songs and he’s learning new guitar licks and practicing.  Justin is an amazing songwriter.  Backstage, before a show, we’ll have some guitars lying around and he’ll write songs.

NPM:  What kind of new songs has he been composing?

DK:  The songs I’ve heard him writing are much more personal, about what’s going on in his life, and I think a lot of his fans will relate to them.  That’s the secret – for his audience to grow up with him, not grow out of him.  I think we’ll see issues of traveling, of being away from home, and being in the spotlight, in songs on his next album.

NPM:  How do you see him evolving musically?  Could he ever go the alternative rock route?

DK:  I don’t know about alternative music, but he’s definitely going to evolve musically.

NPM:  So no punk rock Justin Bieber?

DK:  I don’t know about that, but he loves all styles of music.  So who knows if he’ll record a heavy metal record one day.  But I think it’ll continue to be these great, danceable sing-along songs. 

Justin Bieber and Dan Kanter onstage

NPM:  Can you see his music getting edgier?

DK:  I’m not sure, but right now I can’t see that just because his music is definitely a reflection of his personality—and he’s so genuinely happy and nice and easygoing.  I don’t think there’s a reason now to be edgy.

NPM:  I saw photos of Justin at your wedding, wearing a kipah.

DK:  It was a traditional Jewish wedding, and Justin came and brought his mom [Pattie Mallette] as his date.  I couldn’t believe when I was in the middle of the Horah with all my boys that I’d grown up with and there was Justin.  And when I was being flung around in the air, to look down and see that Justin was there, holding one of the legs of the chair.  I think that was his first Jewish wedding.  And he performed with the band and myself, his song, “Baby”—we all just rocked out with the band.

NPM:  I had heard that Justin was upset by the paparazzi in Israel.

DK:  We didn’t think it would be that extreme, but he still had an amazing time and he was able to see everything that he wanted to see in the end.  He was able to go to Yad Vashem, and the Western Wall, and Tiberias, and he had an amazing trip.  He did meet with those kids [affected by Gaza rocket fire], who were invited to the show.  And at the concert he gave a special shout out to Scooter’s mom, who is a Holocaust survivor, and everyone applauded and it was very emotional.  Just at the same day to be at Yad Vashem and then to be at a Justin Bieber concert with 40,000 kids, must have been quite incredible for her.

NPM:  What happened during the concert in Sydney, when someone pelted eggs at Justin?  Some news outlets reported that he became angry and stormed offstage as a result.

DK:  No, not at all; he left the stage at the same point that he normally does for a costume change.  We were all onstage and thank God none of the eggs hit anyone—I’m not even sure where they came from.  But it was actually quite amazing how Justin and the dancers communicated and danced around them.  I’ve since read about it on the news, but for Justin and the rest of us onstage, it was all very quick.  It happened, it was cleaned up, the show went on, and we didn’t even think about it afterward.  It’s never happened before, and I hope it never happens again.

NPM:  What are your plans for after the tour is over?

DK: Justin will be working on his new album and hopefully we’ll be doing some stuff together on it, and I’m going to get back to school, and also take some time off to see some concerts.  I’m going to go follow the band, Phish, around a little bit.  And there will hopefully be some other tours coming up shortly.

Dan Kanter and Justin Bieber

Justin Bieber’s Musical Father Figure, Dan Kanter [UPDATED] Read More »