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January 9, 2010

Hume: Buddhism OK with forgiveness, but Christianity embraces

Responding to the flak that former Fox News anchor Brit Hume got for saying Tiger Woods needs Jesus, Hume tells Christianity Today why he had the advice for golf’s fallen star:

I certainly expected this. I’m nowhere near the first Christian to be mocked for his faith. It is simply a fact of life that the two most explosive words in the English language appear to be Jesus Christ. You don’t even need to say them if you speak openly of Christianity. Faith engenders a tremendous reaction, a lot of it positive and a lot of it negative.

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I don’t think Buddhism is hostile to forgiveness or redemption, but Christianity, like no other religion we’ve ever known, is principally, and fundamentally, and especially about forgiveness and redemption. That is what Christianity is based on. That is why Christ was here. That is what he came here to achieve. On that issue, Christianity is unique.

Click here for the rest of Hume’s interview with my two-time colleague Sarah Pulliam Bailey.

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The Importance and Value of Creativity in Talmud Study –by Rabbi Hyim Shafner

I and my family are living in Israel for the next 5 months on sabbatical.  Though we are living in Jerusalem I commute each day to the city of Lod to learn torah in the kollel of Rabbi Israel Samet.  It is a small group of mostly young married men who have finished their army service and have chosen to learn in Lod with Rabbi Samet due to his unique and creative approach to Gemara (Talmud). 

Often we see Gemara, especially the Halachic (legal) parts, as just legal discussions interspersed with quotes from the Torah.  We usually see the function of these interspersed verses as proofs for laws or as derashot (exegetical sources), for deriving laws from Biblical verses.  If there is anything in the halachic Talmudic sugyah (legal section) beyond the law, in the realm of philosophy or spirituality, in most yeshivot that is left to kabbalists or academics.

The approach in Rabbi Samet’s yeshiva is different.  Every halachic sugyah is seen as a hot bed of not only legal ideas and categories, but of philosophical and even human existential and psychological ideas and viewpoints.  Many of these are accessed by looking closely at the biblical sources for the halachic section not as a source of legal proofs or derashot but looking at the biblical narrative and context and using this as a wedge with which to open the (seemingly hidden) more philosophical and literary aspects of the sugyah.

From my experiences in the many yeshivot in America in which I learned, from branches of Lakewood and Ner Yisrael to Chofetz Chaim and Yeshiva University it seems that in America there are only 2 ways to study gemara.  In yeshivot it is studied using the method of Rabbi Chaim Solovetchik, the “Brisker method” of conceptual categorical analysis, and in universities it is studied with an academic approach, either viewing the page historically with an eye to its development over a period of time and the layers which comprise it, or with an eye to the social and cultural surroundings that influence the legal progression of the sugyah.  Rarely is there anything in between.

In Israel in the world of religious Zionism, in contrast, it seems thee is an openness to much subtlety in Talmud study, a lack of fear in bringing many varied methodologies to bear on the Talmud.

Over the next few weeks I will write more of this creative approach to Talmud and how I think it can open our minds as Morethodox Jews to the personal psychological and existential relevancy of the Talmud’s (seemingly) solely intellectual and legal sections of questions and answers.  If we are to make sure that the Talmud remains personally relevant to each of us, to our children, and to our people as a whole, I think such openness will be highly important, and can help us to see the Talmud with even more depth than that with which it is usually presented.

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Hollywood finally getting religion?

An old joke in journalism is that if you can find three examples illustrating the same theory, you’ve found yourself a trend piece. Here’s a pretty miserable example about religion at the box office:

Call it religion. Or if that makes you uncomfortable, go with the more general “spirituality.”

Whatever you call it, it’s everywhere at the multiplex these days.

In movies as varied as the dead serious “The Road,” the uplifting family picture “The Blind Side,” the biting comedy “The Invention of Lying” and even James Cameron’s sci-fi opus “Avatar,” issues of faith and morality and mankind’s place in the universe are all the rage .

Not all of these movies embrace religion. Some question human gullibility. Some ask for evidence of a higher purpose in what often seems a random universe. But whether they encourage prayer or doubt, they’re all part of the zeitgeist.

But why now?

I don’t want to even touch that first sentence. (You kidding me?) But the theory this story sets out to prove is painfully thin. Why now? Because it’s been this way for at least the past half decade—and I may be limiting it to that short a period only because my frame of reference starts in 2004. That’s when I became a reporter and also when Mel Gibson’s “The Passion of the Christ” became the highest-grossing film ever, preceded by a phenomenal New Yorker piece about Gibson’s cross in getting the film made.

“The Passion” was followed by the explosion of Christian writers in Hollywood, chronicled in Hanna Rosin’s “Can Jesus Save Hollywood” for The Atlantic. An excerpt from her trip to Act One, a Christian screenwriting program:

So far Hollywood’s gamble on the Christian audience is paying off. The Exorcism of Emily Rose (a sort of The Exorcist for religion majors that pits faith against rationalism and takes the side of the Catholic priest) was the country’s top-grossing movie when I visited in September, earning $30 million in its opening weekend. Its director, Scott Derrickson, is a graduate of the evangelical university in Los Angeles, Biola, and guest teaches at Act One. The following week Emily Rose lost the top spot to Just Like Heaven, a movie that plays the priest-exorcist for cheap laughs but is generally sympathetic to the idea of a spirit world. All over Hollywood, in fact, spirits and angels were rising up on billboards touting the new fall TV season: Ghost Whisperer, Medium, Three Wishes. And while you can’t quite call it Christianity, it’s a clear sign that Hollywood is enthralled with the realm beyond.

Next we had the Christian marketing campaign surrounding the religiously themed, albeit heretical, “Da Vinci Code” (again in The New Yorker) and then another piece by Rosin titled “How Hollywood Saved God.”

Seeing a pattern? One long in place before this winter film season.

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