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July 24, 2009

Hamas hires spin doctors

Even dictators know they only have as much power as the people will let them. Public relations are essential. That explains why Hamas has hired itself some spin doctors.

Not actually. But The New York Times reports that the Gazan government is moving from missiles to missives:

GAZA — Seven months after Israel started a fierce three-week military campaign here to stop rockets from being fired on its southern communities, Hamas has suspended its use of rockets and shifted focus to winning support at home and abroad through cultural initiatives and public relations.

The aim is to build what leaders here call a “culture of resistance,” the topic of a recent two-day conference. In recent days, a play has been staged, a movie premiered, an art exhibit mounted, a book of poems published and a television series begun, most of it state-sponsored and all focused on the plight of Palestinians in Gaza. There are plans for a documentary competition.

“Armed resistance is still important and legitimate but we have a new emphasis on cultural resistance,” noted Ayman Taha, a Hamas leader and former fighter. “The current situation required a stoppage of rockets. After the war, the fighters needed a break and the people needed a break.”

Mr. Taha and others say that the military has replaced field commanders and restructured itself as it learns lessons from the war. The decision to suspend the use of the short-range Qassam rockets that for years have flown into Israel, often dozens a day, has been partly the result of popular pressure. Increasingly, people here are questioning the value of the rockets, not because they hit civilians but because they were seen as relatively ineffective.

“What did the rockets do for us? Nothing,” noted Mona Abdelaziz, a 36-year-old lawyer in a typical street interview here.

Indeed, the Qassam rockets, a tool of terror more than anything else, did little for Gazans then eventually provoke a war with Israel. As for the PR, it looks like it’s already paying off.

But let’s remember one thing: PR is another term for propaganda. And that’s nothing new for Hamas.

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“I four-letter word you!” [VIDEO BELOW]

“One Night Stand” is like no musical you’ve ever seen.  It’s like no musical anyone’s ever seen—literally. The seven young performers taking the stage at the Hudson Theatre each night put on a full one hour heart-tugging, belly-laughing, jaw-dropping Broadway musical—and it is 100 percent improvised on the spot.

It’s a performance you need to see to believe.

Jonah Platt, the troupe’s founder, asks the audience at the beginning of the evening to shout out a title, a title song and a location for the opening scene.  I watched on opening night as audience members weighed in with titles ranging from “Bran Flakes” to “Power Rangers” to “Tres Miserables.”

He latched onto Power Rangers, then the song title “Love Forever,” then the location: a fountain.

Keyboardist and musical director Andrew Resnick struck up the improvised overture, and suddenly a new musical theatre piece was born, unfolding over (roughly) three acts, featuring love songs, action, a show-stopper, and some laugh-out-loud word twists and lyrics.

This was One Night Stand’s 60th musical—each one different. Platt, whom I spoke with briefly after the show, said the troupe is exposed to hundreds of musicals, dissecting the beats, and then just gets up there and…wings it. How does he know what title will work best?

“Well, let’s see, what were my choices tonight?” he said. “Power Rangers or Bran Flakes? That was kind of easy.”

Platt founded the troupe in January 2007.  They’ve performed at The Groundlings Theatre and twice at the Fringe Festival in Edinburgh, Scotland, where their 2008 run sold out, and the troupe was named “#1 Thing To Do” by the Edinburgh Evening News.

I’d put them pretty far up on my list, too. The one hour flies by, and I marveled at how they managed to turn the standard beats of the musical to serve their comedic purposes. The touching love song sung with a sly wink, the de riguer show stopper belted out with all the requisite verve and crowd-rousing appeal—The lesson is that on Broadway the music does more of the heavy emotional lifting than you might realize. I got wrapped up in one moment until it dawned on me: I’m listening to a song about an overweight Power Ranger.  I’ve shelled out 150 bucks for balcony seats to long-rehearsed shows on Broadway that didn’t have anywhere near the freshness, fun and creativity of One Night Stand (I’m looking at you, “Movin’ Out”).

There’s a high-wire feel to the night, since the audience doesn’t know the next word, and neither do the performers. And yet they manage to pull it off,  and at times turn in lyrics that would stand up on the printed page.  It’s a family show, too, at least the night I saw it—no easy laughs from four-letter words or raunch (though in my favorite made up song of the night, a woman sings to her lover, “I four-letter word you.”)

Platt started his improv work while a student at Harvard-Westlake, where he founded the Harvard-Westlake Scene Monkeys.  He went on to work on The Daily Show with Jon Stewart, The Office and Parks and Recreation. His father, Marc Platt, is the executive producer of One Night stand.  The elder Platt, who produced a pretty successful Broadway show of his own called “Wicked,” was in his son’s corner on opening night—taking notes on a yellow legal pad and videoing the revelry from the back of the 30 seat theatre.

You’re on stage, dozens of people are watching, you don;’t know your lines, now GO!— to me that’s pretty much the definition of a nightmare.  But the performers all seem to relish their nightly leap into the unknown. They are, along with Platt, Quinn Beswick, Kobi Libii, Josh Margolin, Samantha Martin, and Mollie Taxe—if you’re a HollywoodJew of the agent persuasion, get down to the Hudson for first dibs.  I could see any or all of them again in a completely different musical—in fact, I’d only be able to see them in a completely different musical.

One Night Stand runs until Aug. 22 at the Hudson Guild Theatre. For information go to www.onenightstandmusical.com.

See a video clip here:

ONS “I Want Out” from Josh Margolin on Vimeo.

 

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Calendar Picks and Clicks for July 25 – 31, 2009

SAT | JULY 25
(BENEFIT)
DJ AM headlines this year’s Justice Ball, an evening of music, dancing, socializing and fun benefiting Bet Tzedek-The House of Justice, which provides free legal and social services primarily in the areas of housing, health care and employment for Los Angeles’ most vulnerable. The theme is “Justice in LaLa Land,” and the event will be hosted by KTLA’s Jessica Holmes at the newly renovated Hollywood Palladium. Sat. 9 p.m. $50 (general), $150 (VIP). Hollywood Palladium, 6215 W. Sunset Blvd., Los Angeles. ” title=”collagedancetheatre.org” target=”_blank”>collagedancetheatre.org.


SUN | JULY 26
(ART)
Israeli-born artist Tal Dvir was chosen as this year’s Alpert JCC Summer Artist for his soulful depictions of his homeland, Israel, and his current home, California. “From Israel to California” includes cityscapes and landscapes of both lands — colorful, painterly canvasses that reflect Dvir’s journey from one coast to another and his artistic style, contemporary realistic impressionism. Sun. 10 a.m.-6 p.m. Mon.-Sun. Through Aug. 6. Free. Alpert Jewish Community Center, Pauline and Zena Gatov Gallery, 3801 E. Willow St., Long Beach. (562) 426-7601, ext. 1067. ” border = 0 vspace = ‘8’ hspace = ‘8’ align = ‘left’>(FUNDRAISER)
The Ash Grove Summer Intra-National Event will raise funds for the Ash Grove Foundation, supporting its series of free community events promoting music, advocacy and social action, including a free large-scale music festival scheduled for August. Performances at this fundraiser will include blues guitarist Bernie Pearl — the brother of Ash Grove founder El Pearl, musical humorist Roy Zimmerman, S.H.I.N.E. Mawusi Women’s Drum Alliance, Richard Montoya of Culture Clash and others. Sun. 1:30-5:30 p.m. $40. Private residence, 939 San Vicente Blvd., Santa Monica. (310) 391-5794.
” title=”yuvalronmusic.com” target=”_blank”>yuvalronmusic.com.


MON | JULY 27
(DANCING)
Learn the basics of Israeli folk dancing — the Yemenite step, the debka, the hora — with a six-week beginners class taught by veteran dance teacher David B. Katz. Mon. 7-7:45 p.m. $6 (per class). Beth Shir Sholom, 1827 California Ave., Santa Monica. (310) 453-3361. {encode=”david.katz@bethshirsholom.org” title=”david.katz@bethshirsholom.org”}. ” title=”hollywoodbowl.com” target=”_blank”>hollywoodbowl.com.


THU | JULY 30
(MUSIC)
The Skirball’s free Sunset Concert Series celebrating international sounds continues with Gadji-Gadjo, a Quebec-based ensemble that blends Eastern European klezmer traditions with diverse world influences. The band, led by accordionist Melanie Bergeron, also includes violin, mandolin, clarinet, guitar, double bass and percussion players, and puts on a lively, partially improvised show. Co-presented by Yiddishkayt Los Angeles. Thu. 8 p.m. Free. Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. (310) 440-4500. ” title=”documentary.org/docuweeks09″ target=”_blank”>documentary.org/docuweeks09.

 

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Rabbi Lopatin Accepts Invitation to Visit Me’ah She’arim

Rabbi Pinchas Lipschutz, editor and publisher of the US Yated Ne’eman has invited me to see first hand the Chareidi community in Me’ah She’arim, and I have accepted that invitation, hopefully in the form of a mission to Israel of unity, achdut, within the Orthodox community.  I am first quoting the invitation, given on his blog, Matzav and in the Yated, and then my response, posted on his blog as well.  Check out Vos Iz Neiss blog as well, which uploaded my piece on Chilul Hashem and Kiddush Hashem and then 200 responses – some deliciously vicious against me, but others paving a new approach, I believe, in the Chareidi community.

I invite Lopatin and the rabbi who wrote in The Jerusalem Post to join me for a visit to Meah Shearim. Let’s go visit the stores and places of business of the Reb Aralach – yes they do work – and see how they conduct themselves. Let’s visit their homes and see how they live. Let’s follow them to the Beis Medrash and observe them davening and learning. We’ll go to the rebbe and you can ask him all your questions. We’ll visit Ben Zion Oiring and watch a one-man chesed operation in action. We’ll talk to Uri Zohar and hear what he has to say. We will pay a visit to Rav Dovid Soloveitchik and you can ask him why he publicly referred to the sorry story as a blood libel. We can just stand at Kikar Shabbos and watch how these loving lovely people go about their daily affairs. If, G-d forbid there should be a need for another hafganah we can attend and watch how Yerushalmi yidden peacefully express their pain and how they are treated by the police. And we can stay till the bitter end and watch how the rif-raf comes and destroys the place. And then we can review together what we have seen and determine whether a re-evaluation is in order.

Dear Rav Lipschutz,

With a spirit of achdus and cheshbon hanefesh,I would like to take you up on your invitation to join you for a visit to Meah She’arim.  I have been there many times, as I’m sure most of us reading this blog have, and have been there for a tisch at Toldos Ahron – I believe – but it would be different going with you in a spirit of love and appreciation for acheinu beis Yisrael, who are so committed to Torah and Yiddishkeit – as all of us recognize.  I would like to organize an Achdus trip to Israel with Modern Orthodox rabbis, Centrist Orthodox rabbis and Yeshiveshe velt rabbonim all going together for the outstanding itinerary you propose for Meah She’arim, and then to continue into the Old City to visit Yeshivat Ateret Kohanim, then to walk on to Yeshivat Hakotel, Eish Hatorha, Yeshivat Porat Yosef,  and to end up in Talpiot Mizrach to visit Beit Morasha and in Bakkah to visit the Pardes Institute, led by Rav Daniel Landes, the great grandson of Rav Tzvi Pesach Frank, zt”l.  I would like to invite also Rabbanei Tzohar – perhaps Rav Cherlow and Rav Yehoshua Shapira, as well as leading rabbanim in the Chareidi world in Eretz Yisrael.  Together we will show how the greatest Kiddush HaShem is the Achdus of Klal Yisrael and its Torah leadership.

Kol tuv and a gut Shabbos,

Asher Lopatin

Shabbat shalom to everyone!

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Can a Jewish Film Festival Offer Critical Fare?

Is it OK for a Jewish film festival to screen “Rachel,” a bio-pic on Rachel Corrie, the Pro-Palestinian activist killed in 2003 while protesting in front of Israeli bulldozers? That was the initial question raised in San Francisco in advance of a screening of the film this weekend. And if the answer is yes, as some are saying, is it OK to bring the girl’s mother, Cindy Corrie, to speak? Not if no one is there to represent another point of view, apparently.  The festival belatedly invited a pro-Israel activist to balance the July 25 screening.
The heart of the controversy is not the film,  but why this particular speaker was invited. Certainly Cindy Corrie’s heartbreak at the loss of her daughter is a legitimate story, but does her tragedy fit the context?
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NJ scandal: ‘Corruption was a way of life’

More details are emerging from the New Jersey corruption scandal that landed politicians and rabbis in jail yesterday. From today’s NYT:

Illegal sales of body parts. Furtive negotiations in diners, parking lots, and boiler rooms. Nervous jokes about “patting down” a man who turned out to indeed be an informant. And, again and again, piles of cash being passed along — once in a box of Apple Jacks cereal stuffed with $97,000.

In this world of underhanded dealing and illicit promises, corrupt payments were “invitations” and approvals for development projects were “opportunities.”

Those were just some details of a sprawling corruption scandal, stretching from New Jersey to Brooklyn and beyond, that were revealed in court papers Thursday. Forty-four people were arrested, including three New Jersey mayors, two state assemblymen and five rabbis, the authorities said.

The case began with bank fraud charges against a member of an insular Syrian Jewish enclave centered in the seaside town of Deal, N.J., in May 2006. The man, Solomon Dwek, a failed real estate developer and philanthropist, had been arrested on charges of passing a bad $25 million check.

Several people familiar with details of the case said Mr. Dwek became a federal informant and posed as a crooked real estate developer offering cash bribes to obtain government approvals. And so the case mushroomed into a political scandal that could rival any of the most explosive and sleazy episodes in New Jersey’s recent past.

“For these defendants, corruption was a way of life,” said Ralph J. Marra Jr., the acting United States attorney in New Jersey. “They existed in an ethics-free zone.”

Read the rest here. And take a look at the AP photo shown above. Is that a black hat I see in this “ethics-free zone.” Oy. This is definitely not good for the Jews.

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Bridging Religious and Secular Jewish Life in Israel -by Rabbi Hyim Shafner

I spent the past week in Israel at a meeting of Tzohar Rabbis.  Tzohar is an organization of several hundred rabbis, mostly Israeli, who want to create a “window between worlds,” -between the world of religious and non-religious Jews in Israel which right now is more of a wall.  Unfortunately not only has living in a Jewish country not led to residents finding a place for themselves in torah (or finding a place for torah in themselves), but it has alienated many from the torah.

It is not easy for an American, who takes freedom of religion, the right to self determine what my religious life will look like and to pursue it in a personal way, for granted, but it is hard to imagine the government making religious demands of me or regulating how my religious life must look.  If it did we can imagine how that religious life would not only become subsumed within the political arena but how working on a uniquely personal relationship with God could be difficult and perhaps become beside the point.

An interesting approach to Judaism and halacha (Jewish law) emerges when one sees their Jewish responsibility and the halchic decisions they make as pertaining not only to themselves, their family and their religious community, but to the entire Jewish country, religious and not-religious, as well.  Since the place in which religion meets the average secular Israeli is within life cycle events and things that define Jewish identity in the eyes of the state, Tzohar has begun with these.  Instead of a wedding or funeral being, in the eyes of secular Israelis, only about the government’s requirements and the Rabbanut’s procedures, Tzohar has tried to help make life cycle events more than just bureaucratic for the public but to facilitate bringing personal religious meaning and understanding to events such as weddings and funerals.

This focus on the whole Jewish people also demands a special approach to p’sak (Jewish legal decisions).  This was well summed up by a festinating statement of Rabbi Yuval Cherlow and highlighted well the difference in approach and outlook between the rabbis of Tzohar and other more insular rabbis who see only their own community as the purview of their religious decisions.  The question under discussion was to what extent the utilization of lenient positions within halacha over strict positions should play a role in halachic decisions, and as related to this the meaning of the Talmud’s statement kocha d’hetera adifa (the power of leniency is stronger). 

Outside of Israel rabbis may find themselves leaning toward a more lenient position when the repercussions of a more strict position will compromise the welfare of the asker or their spiritual life.  For instance in a question of nida (the forbidden nature of sexual contact after menstruation and before mikvah waters) if one can be lenient and not keep husband and wife from postponing the mitzvah of sexual union, many rabbis will try to rely on a more lenient position rather than finding one that is strict. 

In Israel the need to make halacha a part of the lived life of a whole country makes such lenient approaches even more pressing.  For instance explained Rabbi Cherlow, if a leniency is not utilized (which apparently some rabbis are not willing to do) enabling the police to fully do their jobs on the Shabbat, for instance taking fingerprints on the Shabbat then in a Jewish country where the police are all Jews, criminals will run free. 

It is not enough to tell religious Jewish police to refrain from taking fingerprints in Israel we must take into account all Jews even those that are not religious.  The torah must thus be accessible to the entire Jewish nation.  In this sense indeed we must say, as I’m sure Bais Hillel would agree, kocha d’hetera adifa-the power of leniency is greater.

 

 

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Shtiebels with Coffee

A shteibel is a small neighborhood synagogue.  You pronounce it to rhyme with “Weeble”—it’s as cozy and cute. Every religion has its shteibel.  Walk the narrow streets of the Old City of Jerusalem and you’ll see tiny rooms where sock-clad men kneel in prayers to Allah.  Rome is full of mini- churches tucked between offices and stores.  Peek inside and inevitably you’ll see an old woman and some lit candles, a shrunk-down statue of Jesus on a scaled-down altar—a Catholic shteibel.

My wife can’t pass a shteibel without going in—though I never quite feel comfortable or welcome in them. For me that small, sudden space devoted to eating or drinking—a tucked away bar or café or restaurant—is sanctuary enough.  I search them out wherever I travel.

This week I stumbled onto a new one right in my own neighborhood. Dola is a coffee bar unlike any other in LA.  You enter a narrow passage between two buildings on Abbot Kinney, just next to the super-chic Gjelina.  The passage leads to a patio, fashioned of beaten-up concrete and grass, punctuated with a small forest of melaleuca trees.  There’s a modern sculpture sitting smack dab in the middle, inoffensive as a playset.

A sign out front, on a chalkboard, reads:

Dola

Intellegentsia coffee, $3 here

$2.50 to go.

Free wi fi

That oversells the amenities.  The coffee is in a pump pot, beside a rack of magazines for sale.  You help yourself in either ceramic or paper.  You sit at mismatched tables under the shade of those trees. 

I sat for a few minutes yesterday.  It smelled good: the eucalyptus scent of the trees, the fresh coffee.  One other customer drank coffee and spoke in his iPhone.  I turned to a Japanese lady sitting closest to the cash register and asked who I was supposed to pay.  She answered in Japanese—a moment straight out of a David Lynch movie.

Eventually a young Japanese woman came and took my money.  She said the same people who own Gjelina own Dola—named after one of their cousins—and haven’t quite decided how to use the space.  In the meantime they put some magazines and coffee pots there.

Not just that: in the meantime they created a sanctuary.

 

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Los Angeles: BEST DELI TOWN

I just got a peek inside David Sax’s new book, “Save the Deli,“ due out Oct. 19, and can report that it is official: L.A. is the best deli city in America.

Bite that, New York.

Flip to Chapter 10 of Sax’s fanatically researched, snappily-written tome, whose full title is “Save the Deli: In Search of the Perfect Pastrami, Crusty Rye, and the Heart of the Jewish Delicatessen” (Houghton Mifflin). Right there Sax says it:

“Brace yourself New York, because what I am about to write is definitey going to piss a lot of you off, but it needs to be said: Los Angeles has become America’s premier deli city.“

Sax lives in Brooklyn.  He’s traveled the breadth of this country, and to Europe, tasting deli at every stop. He knows what he’s talking about—it’s what WE’VE been talking about for years. In a 2002 cover story on delis in The Jewish Journal, Pulitzer Prize-winning restaurant critic Jonathan Gold told our writer:

I think Los Angeles might be the best deli town in the country right now. I have spent my entire life being sneered at by New Yorkers for living some inferior version of Jewish life here, and then I move to New York and find out that, gosh sakes, it’s right here in Los Angeles.

But, hey, now the world knows.

Sax, who spent a lot of meals out here noshing his way to proof, presents his evidence: Nate ‘n Als, Arts, Canters, Brents, Greenblatt’s, Factors, Juniors and… Langers, home of the finest pastrami sandwich in the universe, much less the country.

And Sax still leaves out Barney Greengrass, Fromins, Izzy’s and Pico Kosher, which ain’t bad (and it’s kosher).  I’d also include the Broadway Deli—an LA-hybrid, to be sure— GotKosher, which, while not an official deli, has quality cured meats, and Jeff’s Kosher Sausage, which actually makes its own pastrami. See, NYC, we have deli to spare.

What has happened, according to Sax, is that while NYC’s delis have become tourist spots and museums, LA’s remain integral to the life and business of the people who live here. He writes:

There has been no grand decline in the L.A. deli scene. Most are packed, sometimes around the clock…The delis out there are bigger, are more comfortable, and ultimately serve better food than any other city in America, including the best pastrami sandwich on earth. Los Angeles is both the exeception to the rule of the deli’s inevitable decline and the example to the rest of the nation of how deli can ultimately stay relevant.

Relevant deli.  Sure, it sounds like the ideal name for a post-modern rock band, but what does “relevant deli” mean?  It means a restaurant that serves the business, social and spiritual needs of the people who live around it. Sax doesn’t go there, but I believe a deli, to be relevant, has to hit all three notes. It has to have the quality and comfort that make it an easy spot to bring the family and do business, and it also has to feel like home, and like the Old Country, whether that old country is real or imagined. That feeling has to come through in the atmosphere, in the clientele, and in the taste.  There is something in nostalgia that feeds the soul—and a good deli supplies it.  And somehow it bwas nostalgia, the yearning for the past, that ensured LA’s deli future: All those ex-pat New York writers, agents and producers taking meetings over lox and onions actually turned LA into into a better deli city than the place they were trying to recreate.

The Journal will have more closer to pub date, and you can read more about Sax and his book at his web site.

Let me just take a second to say this again, though:

Bite that, New York.

MORE ONLINE:

To read about Langer’s in our cover story by Joan Nathan, click here.

To see a video on “A Day at Canters,“ click here.

For our October 3, 2002 interview with Pulitzer Prize-winning restaurant critic Jonathan Gold in which he says, “I think Los Angeles might be the best deli town in the country right now,“  click here.

For my piece on Jonathan Gold, click here.

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