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February 18, 2009

Bumping Into Judaism

It’s one thing to go to a Jewish event, shmooze a little, meet the speaker, take a few notes and then write a column. But what do you do when you go to a Jewish event that lasts for 72 hours, has about 200 classes and activities, 150 speakers and 700 Jews buzzing in and out of each event until the wee hours?

How do you write about that? How do you capture hundreds of little moments of discovery and celebration in just one column? How do you summarize in a few paragraphs three days of nonstop Jewish learning that covers just about any Jewish subject?

This is the problem with LimmudLA. It’s too much of a good thing. If you’re a curious, passionate Jew, you better brace yourself for plenty of painful sacrifice. That’s what I did.

For three days last weekend at the Hilton in Costa Mesa, I experienced the agony and ecstasy of freedom of choice. It started as soon as I checked in early Friday afternoon. For the first session, I had to choose between “Black-Jewish Relations in the Obama Era,” “Yoga for Shabbat,” “Creating Your Own Jewish Journal: Storytelling, One Laugh at a Time,” “A Path Toward Creativity and Excellence: Apply Best Practices of Friday Night Live to Your Shabbat” and “Teaching Prayer: How Does One Make it Meaningful?”

A few hours later, right in the middle of an intense and joyful Friday night Carlebach service led by Yehuda Solomon of the band Moshav, I took off because I wanted to catch a little of “The Excitement and Ecstasy of Prayer Through Kabbalah” given by Rabbi Shlomo Schwartz. During this Chasidic workshop, I could hear the echoes next door of a “Traditional Egalitarian Service With Voices Only,” not to be confused with an egalitarian service in yet another room, “Traditional Egalitarian Service With Drumming,” led by Laurie Matzkin.

And if I didn’t feel like praying, I could pop into “The Unmasterable Past: Post-Communist Holocaust Memorialization” by Jeffrey Blutinger or “Digging for the Dirt: How Jewish Values Inform Hard-Hitting Journalism” by Danielle Berrin.

Later on, it got even more complicated. Right after Shabbat dinner — during which I got to shmooze with Bernie Pearl, a Jewish blues musician who played with B.B. King half a century ago — I was faced with a terrible dilemma. I had to give my own class on Sephardic traditions, but there were several other classes going on at the same time that I really didn’t want to miss: “Tensions Between Erotic and Compassionate Needs in Long-Term Relationships,” by Doreen Seidler-Feller; “Why Do We Discourage Converts?,” by Lorin and Linda Fife; “Jewish Memodrama,” by Naomi Ackerman; and “The Israel 15 Vision: Becoming One of the 15 Leading Nations,” by Gidi Grinstein.

What’s an incorrigibly curious Jew to do?

I did what I had to do. I quickly went through my “Top Ten Sephardic Traditions” and then told my understanding audience that I had to rush off to another class. I made a beeline to Grinstein’s room, intending to catch a few sound bites before heading to Seidler-Feller’s, but I never left. The notion of Israel becoming a leading nation of the world was too irresistible.

Every two hours or so, the organizers made sure I was faced with excruciating choices. How could I pick between “Interfaith Relations: Texts They Never Taught Us in Hebrew School,” “Rabbinic Martyrs in a Christian Empire: Blood, Atonement and Redemption,” “How to Read a Poem by the Young Abraham Joshua Heschel,” “The Singles Scene: Jewish Dating in the Age of J-Date,” “Iyyun Tefillah: Unlocking a Censored Prayer Text,” “Meditation: You Are Where You Feel You Are: Feeling and Allowing Your Way Back to Hashem” and “Zionism’s Continuing Balancing Act at the Beginning of the 21st Century”?

I closed my eyes and rolled the dice.

But as the sessions piled up and I had to make more tough choices and miss more great classes, a funny thing happened: I started getting interrupted. As I went from class to class, I kept meeting more and more people.

Soon the conversations themselves began to pile up. An impromptu talk about the state of Jewish education in Los Angeles with a macher from The Federation. Encounters with an Ashkenazi professor who is a world-renowned expert on the Sephardi world; with an educator in my neighborhood who gives bar and bat mitzvah lessons to autistic children; and with a filmmaker from Jerusalem who is studying and documenting the halachic dilemma of donating organs within the Orthodox community.

I met a woman studying to be a Conservative rabbi who organizes Friday night services where the prayer melodies are always changing, a physician who prescribes natural substances to balance brain chemicals, a meditation teacher who thinks Jews do way too much thinking, especially at places like Limmud, and a successful television writer from Hollywood who once saw something on a license plate that encouraged him to become Torah observant.

As I kept meeting more people and having these impromptu moments, it struck me that our lives are filled with great conversations that never happen. These are not conversations that call for a lunch or an appointment or even a phone call. They’re conversations that happen when you bump into people; the kind of conversations, perhaps, that you would see among people who live, shop and hang out in a close-knit neighborhood.

The classes at LimmudLA were great, yes, but it’s what happened between the classes that ended up moving me the most. It was the space between the notes, the movement between the events, the unplanned human encounters that made me forget all the great classes I missed.

Maybe this is the secret of Limmud’s success. It’s more than a Jewish event. It’s a Jewish neighborhood.

David Suissa, an advertising executive, is founder of OLAM magazine, Meals4Israel.com and Ads4Israel.com. He can be reached at {encode=”dsuissa@olam.org” title=”dsuissa@olam.org”}.

Bumping Into Judaism Read More »

Double Fault?

Whether as an individual or a group, you only get a handful of chances to stand up for something in this life. It’s easy to say or write what you believe, a lot harder to stick by it in the crunch. When the government of Dubai denied Israeli tennis player Shahar Peer a visa to play in the Women’s Tennis Association tournament there, the WTA had one of those rare chances to show the world what it stands for. Peer is Israel’s top woman’s tennis player, ranked 48th in the world. She has fought hard and earned the right to play in this week’s Barclays Dubai Tennis Championships, which are running through Saturday in the United Arab Emirates.

But a week before the first match, Dubai notified Peer that it would not grant her a visa. “They really stopped my momentum, because now I’m not going to play for two weeks, and because they waited for the last minute I couldn’t go to another tournament either,” Peer, who is 21, told Sports Illustrated from Tel Aviv. “So it’s very disappointing, and I think it’s not fair.”

The only clue of an excuse was in a statement issued to CNN via Dubai’s government-owned press agency.

“The tournament is sponsored by several national organizations, and they all care to be part of a successful tournament, considering the developments that the region had been through.”

When it became clear that Dubai had banned Peer because she is Israeli, the WTA was faced with a very clear choice. It could follow its own rules and stick by its athletes, or it could cave in to the boycott. Within hours the leadership of the WTA made its decision: The games would go on. They caved.

WTA chief executive Larry Scott said the tour was “deeply disappointed” by the decision.

“Ms. Peer has earned the right to play in the tournament, and it’s regrettable that the UAE is denying her this right,” Scott said in a statement.

“The Sony Ericsson WTA Tour believes very strongly, and has a clear rule and policy, that no host country should deny a player the right to compete at a tournament for which she has qualified by ranking.” Next year, he said, WTA would reconsider its participation in the Dubai tournament.

Next year.

To mix metaphors, Scott, a Harvard University grad and a former pro tennis player himself, punted. Choked. Or, to stay true to tennis, he faulted.

On the one hand, the issue here has nothing to do with Israel. According to the WTA’s own bylaws, the right thing to do would have been to cancel the competition right then and there. At that instant, Scott, the board of the WTA and the organization itself had a chance to stand for something. Their own rules, for one. What message does an organization send to its players when it doesn’t abide by its own rules? Are they as flexible on drug testing? On betting? On foot-faults?

Their capitulation also weakens tennis as a sport, injecting it with the most cowardly and base form of politics. It is a form of political expression that weakens, rather than strengthens, the forces of moderation.

“Bridging political gulfs — rather than widening them further apart — between nations and individuals thus becomes an educational duty as well as a functional necessity, requiring exchange and dialogue rather than confrontation and antagonism,” wrote the presidents of Hebrew University of Jerusalem and Sari Nusseibeh, president of the Palestinian al-Quds University, in a 2005 joint statement against academic boycotts.

Punishing Peer is also not very classy. She is a soft-spoken young woman who, like all great young athletes, is focused 100 percent on her sport. Her quiet dedication has led to remarkable results.

In the 2007 Australian Open, she was just two points away from eliminating Serena Williams in the quarterfinals before losing in a tight third set. At the time she had advanced to be number 15 in the world.

Is her toughness an example of the Israeli in her?

“There are many Israeli tennis players who don’t play like me,” she told Hillel Abrams for a 2007 Jewish Journal profile. “I don’t think it is because I’m Israeli or Jewish. That is just how I am. That is just how I play on the court.”

The WTA is supposed to shield its players from the world so they can focus on their game and their fans. In this case, it let one of its players take the fall.

Worse, by capitulating to Dubai, the WTA didn’t just punish one of its own; it also sloughed the moral burden off its own shoulders and put it on the other players. Now the press is asking Serena and Venus Williams and other top seeds whether they will walk away from the games, since their league didn’t. And because Larry Scott and the WTA failed to do the right thing, the players do have a choice to make. Will they stand by their fellow player? Would they want Peer to do the same for them? Would they be just as angry if a country denied them a chance at a title because of where they come from? Will they dishonor their sport by bowing to Dubai?

I hope they find it within themselves to step up, somehow, some way, before the tournament is over.

Double Fault? Read More »

Picks and Clicks for Feb. 21–27, 2009

SAT | FEBRUARY 21
” title=”www.redcat.org”>www.redcat.org.

(CONCERT)
Mezzo-soprano Iris Malkin is the beautiful young face of Israeli musicianship. A graduate of the prestigious Jerusalem Academy of Music and winner of the American Israel Cultural Foundation Study Scholarship, Malkin will be performing alongside pianist Linda Zoolalian, who studied at USC’s Thornton School of Music, and Edward Trybek, a protégé of respected guitarist Scott Tennant. This free community concert is part of the Trinity Lutheran Church’s annual concert series. Sat. 2 p.m. Free (donations are appreciated). Trinity Lutheran Church, 1340 11th St., Manhattan Beach. (310) 937-7275. ” title=”www.alpertjcc.org”>www.alpertjcc.org. 

(THEATER)
Comedy writer and actress Annie Korzen, who played Doris Klompus on “Seinfeld,” specializes in taking comic revenge on those who slight Jewish women. In her first show, “Yenta Unplugged,” Korzen rails (musically and hilariously) against the stereotyping of Jewish women and actresses; as a guest on “The Oprah Winfrey Show,” she talked about “Ethnic Men Who Reject Their Own Women,” and in her newest exploration of yentahood, “Yenta: Straight From the Mouth,” the occasional Journal and NPR contributor offers constructive criticism, witty humor and musical entertainment in a way that only a talented Jewish woman could. Sat. 3 p.m. (And Sun. 7 p.m.) Through March 22. $15. West Coast Ensemble, El Centro Theatre, 800 N. El Centro Ave., Hollywood. (323) 460-4443. ” title=”www.ajula.edu”>www.ajula.edu. 

(CONCERT)
Three words: Cuban Jewish Salsa ! First generation Cuban American Iliana Rose with her band and special guest, David Zasloff, will be inspiring the crowd to jump to their feet with Latin tunes. It’s all part of the highly successful Kol Hashamayim, or Voice of the Heavens, music series at Kol Ami. Zasloff will play his salsa shofar, while Rose will display her range of talents: piano, percussion, clarinet, vocals, all while throwing English, Spanish and maybe even a little Portuguese at you. Sun. 2 p.m. $25 (members), $35 (guests). Kol Ami Congregation, 1200 N. La Brea Ave., West Hollywood. (323) 606-0996. ” title=”www.be-true.org”>www.be-true.org. 

(SYMPOSIUM)
It’s a subject that scares and fascinates us all but is rarely discussed. Sinai Temple is bringing death out into the light with a multipanel symposium, “Death and Dying: Can We Talk?” Rabbi Mordecai Finley of Ohr HaTorah Congregation will deliver the keynote speech about the holy duty of attending those who are dying or grieving. Other topics that will be explored include euthanasia, palliative medicine, continuing the spiritual connection to the deceased and what to do — emotionally, psychologically and in terms of Jewish custom — when someone dies in your presence. Sun. 8:30 a.m.-1:30 p.m. $30 (advance registration), $40 (at the door). Price includes breakfast and snacks. Sinai Temple, 10400 Wilshire Blvd., Los Angeles. (310) 481-3243. {encode=”dgreenbaum@sinaitemple.org” title=”dgreenbaum@sinaitemple.org”}. 

 

MON | FEBRUARY 23
” title=”www.ajula.edu/pls”>www.ajula.edu/pls.

(FILM)
The Oscar-nominated animated feature, “Waltz with Bashir,” might well be this year’s foreign-film Oscar winner by the time art director David Polonsky begins his talk at Santa Monica College’s Academy of Entertainment and Technology. Polonsky, who developed the hauntingly beautiful aesthetics of the documentary by Ari Folman, will talk about the Israeli war film and show clips of it one night after the Academy Awards are announced. Winner of the Golden Globe for Best Foreign Film, “Waltz with Bashir” has garnered vast critical acclaim, with particular focus on the stunning animation. Mon. 7 p.m. Free. SMC Academy of Entertainment and Technology screening room, 1660 Stewart St., Santa Monica. (310) 434-3777. ” title=”judaicworkshops.com”>judaicworkshops.com. 

 

WED | FEBRUARY 25
(LECTURE)
If you’re struggling with commercial property issues, have we got a lecture for you. David Upshaw will host “Succeeding in Turbulent Times,” a discussion about changes in the legal climate and successful property-negotiating techniques. Upshaw is vice president and general counsel for the Irvine Co.’s office properties division. Sponsored by the Jewish Federation of Orange County, dietary laws will be observed. MCLE credit is available. Wed. 11:30 a.m.-1:30 p.m. $18. Jewish Federation of Orange County, 1 Federation Way, Irvine. (949) 435-3484. ” title=”www.israelgapyear.com”>www.israelgapyear.com.

 

THU | FEBRUARY 26
” title=”www.globalsoul.org”>www.globalsoul.org.

Picks and Clicks for Feb. 21–27, 2009 Read More »