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December 3, 2008

SF cops probing death of Israel activist — body found in elevator shaft

SAN FRANCISCO (JTA)—A prominent Israel activist was found dead at the bottom of an elevator shaft.

Daniel J. Kliman, 38, was the co-founder of San Francisco Voice for Israel, an affiliate of the national Israel advocacy group StandWithUs, and a well-known pro-Israel activist in the San Francisco Bay area.

His body was found Monday in a San Francisco building where he was taking Arabic classes.  It had been at the bottom of the elevator shaft since Nov. 25, building manager Brad Bernheim told the San Francisco Chronicle. There were no classes held last week, and the elevator supposedly was closed for repairs.

Police are investigating his death.

Kliman was scheduled to fly to Israel on Thanksgiving Day as part of the Honest Reporting mission, a pro-Israel media initiative.

“He was the public face of grass-roots Israel advocacy in the San Francisco Bay area,” said Mike Harris, his colleague at Voice for Israel. “He was passionate about standing up for Israel, literally—standing up in public with flags and signs.”

Kliman, also known as a fervent environmentalist, often was seen bicycling around the Bay Area instead of taking rides to reduce his carbon footprint, friends said.

Harris told JTA that he knew of no specific threats against Kliman, but that Kliman had been assaulted before at a pro-Israel rally.

Kliman’s body is being flown for burial to his hometown of Schenectady, N.Y.

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Muslim extremists using YouTube to wage jihad

Reuters brings us up to speed on the YouTube how-to training Islamic extremists are offering:

Last week, an extremist authored step-by-step instructions on posting video to YouTube, which he described as “one of the most famous and biggest international sites that publish sections of videos from all over the world.”

The posting encourages readers to post scenes of Western forces coming under attack to, it says, “shame the Crusaders by publishing clips of videos showing their losses, which they hid for a long time.”

Islamic extremists have long used the Internet as a tool to communicate with supporters and distribute propaganda but the latest posting specifically coaxes militants toward YouTube and touts it as a user-friendly tool.

“I say that the YouTube site is one of the easiest sites to record and upload the clips,” the posting states, pointing readers to the software they might need to publish on the Internet.

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“I ask you, by Allah, as soon as you read this subject, to start recording on YouTube, and to start cutting and uploading and posting clips on the jihadist, Islamic, and general forums,” the posting states.

YouTube, a unit of Google Inc., could not immediately be reached for comment on how it might respond to the types of postings described in the message.

In other news that can’t be helping my Google stock, the blog Mashable published two screengrabs of Google ads on news stories about the Mumbai terror attacks. Both screengrabs an online certificate in terrorism. I’m not making this up.

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More legal trouble for Tony Alamo

Tony Alamo—you know, that odd Christian minister whose compound was raided back in September—is now facing eight more sex charges in his criminal case. The Arkansas Democrat-Gazette reports:

An indictment unsealed Tuesday accuses evangelist Tony Alamo of eight more counts of transporting underage girls across state lines for sexual purposes over the past 14 years, including at least one violation that occurred while Alamo was completing a prison sentence at a halfway house in Texarkana.

The original indictment against the 74-year-old leader of Tony Alamo Christian Ministries, a multistate ministry with headquarters in southwest Arkansas, accused him of transporting a girl across state lines in 2004 and 2005. The new charges, contained in a superseding indictment handed up by a grand jury Nov. 19, add eight counts involving four more girls from 1994 through 2005.

A court clerk entered a note in the court record last week disclosing that the new indictment had been handed up, but it remained under seal until Tuesday, when U. S. Magistrate Judge Barry Bryant entered an order accepting Alamo’s plea of innocent to the charges. Alamo entered the plea through his attorney, John Wesley Hall Jr. of Little Rock, in a court filing last week.

On Tuesday, Hall said the charges are “more of the same stuff, and we’ll defend it the same way.” “It’s all just the same kind of stuff put out by the anti-Alamo groups,” Hall said.

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What is art good for?

Still, the question remains: What, in this world filled with strife and need and uncertainty, is the use of art?

The planet’s on the verge of destruction, entire nations are starving to oblivion, man’s cruelty to man has reached new heights, and yet we persist — writers and musicians and painters and sculptors — telling stories in one form or another when we all know they’ve all been told before, that nothing we could invent would rival the truth in its enormity and outrageousness, that on any given day there are bigger, more urgent tasks at hand.

What is the wisdom, I ask myself every day, of working so hard (and we do work hard) to offer the world something it has not asked for and probably doesn’t want?

It is true that I write because I can’t help it, that every artist is compelled by a wanting that is more forceful, more insistent, than good old common sense. But it is also true that I wake up every day to the same question that haunted me the day before: to what end?

Years ago, on a perfect spring afternoon in Los Angeles, I had occasion to sit next to a very elegant, very quiet gentleman at a luncheon on an outdoor patio. He was introduced to me by one of his fawning, breathless fans as “Jack Boul, a great artist, exceptional, really, though he doesn’t like to talk about it, he lives in Maryland, he’s had a retrospective at the Corcoran, and would you believe that Paul Richard, dean of the capital’s art critics and longtime critic for The Washington Post, said his work ‘delivers to the brain bracing little jolts of a strong emotion sensed seldom in contemporary art.’ Can you imagine? Sensed seldom in contemporary art?”

Graciously, if a bit embarrassed, or so it seemed to me, Boul shook my hand, then looked away. For the rest of the afternoon, he listened politely to the conversation but spoke little, giving the impression that he was thinking of other, more significant matters; that he was looking through his surroundings at deeper, more remarkable places. Just when I thought he had had enough of the shallow, West Coast — it’s all about me and my social ambitions — talk that is the hallmark of all such luncheons, I heard the click of a camera and turned to see that Boul was taking pictures — of me, of all people — just shooting away without a word until, satisfied with what he had captured, he put the camera down without an explanation.

“He likes to study things,” the fan volunteered. “The walls in his studio are covered with photographs.”

Weeks later I would receive a picture of myself in the mail: I’m sitting under a tree with very green leaves; it’s a bad hair day, and I have no makeup on, and I’m wearing something dark and simple, which makes me look even more washed up, and yet, this is the best picture of myself I’ve ever seen. It’s more real, more familiar, more I know this person than any image I could find, even in a mirror. I put the picture in a frame directly outside my office.

Is this, I wonder every time I go into and out of the office, what art is for? To capture the truth of a person or a thing? To tell that truth in unexpected ways to people who expect it least?

This month, the Museum of the Holocaust in Los Angeles will feature 17 monotypes by Boul. Titled, “Responses of the Innocent: American Jewish Artists and the Holocaust,” the exhibition also includes works by two other artists, Lee Silton and Rifka Angel, and will run from Dec. 14 to Feb. 27.

Boul’s monotypes are of dark, shadowy figures that linger in the memory long after they’ve been viewed. Eric Denker, senior lecturer at the National Gallery of Art, wrote about them in his book, “Intimate Impressions”: “While the subject of the set is the nightmare of the Holocaust, the more universal content examines man’s inhumanity to man.”

Is this, I ask myself as I sit down to search again for the right words, the right voice with which to tell a story, the purpose of art? To study the nature of man, understand its failings, expose its vices?

Boul was 19 years old, the son of a Russian émigré father and a Romanian mother, when he was drafted into the U.S. Army in 1946. He was born in Brooklyn, had grown up in the South Bronx. When the Army called, he was studying at the American Artist’s School in New York. But the Army sent him to Europe, to a prisoner of war camp outside Pisa, Italy, where he served as a sergeant in the Army Corps of Engineers.

“I remember showing German prisoners of war pictures of the liberated concentration camps,” he says of his time in Italy. “They refused to believe the pictures. ‘You have your propaganda, and we have ours.'”

Back in the United States after the war, he finished art school, became a highly successful painter and printmaker. He taught art at the American University in Washington and later at the new Washington Studio School. He painted landscapes, urban sites, the human figure in its many forms and manifestations.

Mostly, he sought to reveal the core of his subjects, to overcome the physical details that set one apart from another and arrive instead at their collective truth. In 1987, many shows and exhibits and years of teaching behind him, he went to see a film, “Shoah,” and remembered the German soldiers at the prisoner of war camp. Forty years had passed since he heard the soldiers deny the Holocaust.

“I was very moved,” he says of the film. “It showed the cattle cars that transported people to the concentration camps, the furnaces where people were cremated and the fields where the ashes were scattered. It never showed the victims. I remembered the photographs I had seen in Italy 40 years earlier and decided to look for other photos of the camps.”

In the U.S. Archives in Washington, he found hundreds of photographs from different concentration camps.

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“I looked at the photos for days and made drawings. In my studio, I made these monotypes from the drawings. I wanted to make something that would help to keep that memory alive.”

The result was the 17 monotypes that will be on view at the Holocaust Museum. This is only the second time (the first was at the Corcoran) that Boul has allowed the collection to be shown, and it’s due in no small part to the efforts of Mark Rothman, the museum’s executive director, who has made every attempt to craft an exhibition that stays true to the intent of the artist and the merit of the art.

Perhaps, then, this is what art is good for: to bear witness to the truth, no matter how often it is denied? To remind those of us who want to forget? To tell a story — yes, a story that has been told a thousand times before — one more time, to one more person.

“Responses of the Innocents: American Jewish Artists and the Holocaust,” Jack Boul, Rifka Angel, Lee Silton,” runs Dec. 14 to Feb. 27 at the Los Angeles Museum of the Holocaust, 6435 Wilshire Blvd., Los Angeles. (323) 651-3708. http://www.lamoth.org.

Gina Nahai is an author and a professor of creative writing at USC. Her latest novel is “Caspian Rain” (MacAdam Cage, 2007). Her column appears monthly in The Journal.

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All the news that’s fit to neuter

When the obituary for American journalism is eventually written, a milestone in the journey to its death rattle will surely be the column that The New York Times’ ombudsman, Clark Hoyt, wrote on Sunday.

Hoyt’s job is to hold the feet of The Times to the flames of journalism’s highest standards. What bothered him on Sunday was that Times business staffers like Andrew Ross Sorkin, Gretchen Morgenson and Floyd Norris not only report economic news under their bylines, but that they also, on some days, write opinion columns.

One example that ticked Hoyt off was Gretchen Morgenson’s coverage of a House oversight hearing on credit-rating agencies like Moody’s and Standard & Poor’s, coupled with her column three days later on the same topic. Why, Hoyt asked, is it OK for Morgenson “to write a straight news article about the hearings and then give her personal opinion about them in a column”?

In case you’ve forgotten, it was those hearings that established how deeply the ratings agencies were in the tank with Wall Street’s malefactors. Instead of assigning credible independent grades to securities that we now know to be toxic assets, the agencies were hopelessly compromised by the fees that the securities issuers paid them to issue ratings. Here’s an e-mail exchange between two analysts at S & P about a deal they were examining:

“Btw — that deal is ridiculous. We should not be rating it.”

“We rate every deal. It could be structured by cows and we would rate it.”

The reaction by Standard & Poor’s president to having his company caught red-handed?

“The unfortunate and inappropriate language used in these e-mails does not reflect the core culture of the organization I am committed to leading.”

It’s ombudsman Clark Hoyt’s distinction between “straight news” and “personal opinion” that I think captures the reason that journalism is on the skids. “Straight news” is a dinosaur — not because Fox or MSNBC has discovered that there’s a market for personal opinion, but because the “straight” ideal turns out to be so misguided and dangerous.

Straight news puts the defensive blather from top executives of Moody’s and Standard & Poor’s on the same footing as testimony about conflict-of-interest by former officials of those firms at the hearings. Each piece of damning evidence is juxtaposed with a flack’s denial. Each incriminating e-mail demonstrating the corruption of the ratings process is laid against the executives’ contrary assurances of integrity and high standards. Straight news is stenography: These guys say “day;” these other guys say “night.” It’s up to you, dear reader, to decide whom to believe.

The trouble with this conception of journalism is that it inherently tilts the playing field in favor of liars, who are expert at gaming this system. It muzzles reporters, forbidding them from crying foul and requiring them to treat deception with the same respect they give to truth. It equates fairness with evenhandedness, as though journalism were incompatible with judgment. “Straight news” isn’t neutral. It’s neutered — devoid of assessment, divorced from accountability, floating in a netherworld of pseudo-scientific objectivity that serves no one except the rascals it legitimizes.

In her opinion column about the oversight hearing, Morgenson was free to characterize the ratings agency executives’ testimony with the words it deserved: hypocrisy, malarkey, smoke-and-mirrors, hogwash. Yet her newspaper’s ombudsman is worried about having the same person both report the news and — in a different piece, on a different day — analyze it; he fears that it risks giving readers the impression that the paper is biased.

But what’s the virtue of reporting, if it stops short of calling a blackguard a blackguard? I know the knock on analysis: It privileges one person’s opinion, one set of values, in a world of many competing opinions and values. But it’s ridiculous to deprive readers of reporters’ critical thinking. It may be true that different people may see the same evidence differently, but that’s no reason to require journalists to take stupid pills. If I don’t like the way your reporters come to their conclusions, I won’t read your paper or watch your network; instead, I’ll find outlets whose employees’ judgments strike me as warranted.

I’d rather there be many competing ways of framing and analyzing and coming to conclusions about what’s happening in the world, than pretend that there’s some platonic ideal of fairness that high-end organs like The New York Times are obliged to pursue. The problem with quality journalism isn’t that the line between news and opinion is too porous; the problem is that the news lacks the courage of its reporters’ and editors’ convictions.

Marty Kaplan is the Norman Lear professor of entertainment, media and society at the USC Annenberg School for Communication. His column appears here weekly. He can be reached at martyk@jewishjournal.com.

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Kosherfest 2008 is heaven on earth for foodies

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Business could not have been better for Ilan Parente, owner of Solomon’s Finest Kosher Meats, the only fresh meat supplier at this year’s Kosherfest 2008, the international kosher food and food service trade show.

Held Nov. 11 and 12 at the Meadowlands Exposition Center in New Jersey, Kosherfest (photo, above) offered exciting new foods and kosher innovations, but also reflected the difficulties in the kosher industry brought about by the growing meat shortage.

With the recent collapse of Agriprocessors, the United States’ leading meat supplier, many businesses came to Kosherfest to find solutions to their empty shelves.

One such restaurateur, Marc Epstein, came to Kosherfest to find more meat and cheese sources. Epstein, who owns Milk Street Café in Boston, was frustrated by the lack of options. “Choice is good, and there is no choice,” he lamented. Epstein also attributed the problem to increased stringencies of the rabbinic establishment over the years.

Parente, on the other hand, who specializes in natural meat products, was reaping the rewards. Traveling to Kosherfest from Dawson, Minn., Parente had been inundated with buyers. They’re under “tremendous pressure,” he said, “trying to get Klal Yisrael as much meat as we can.” Parente’s company sells beef, bison, lamb and elk meat, uses no antibiotics on their animals and feeds them an “all-vegetarian diet.”

Kosherfest was also celebrating its 20th anniversary at a new location in New Jersey (rather than the Javits Center in Manhattan, where it has been held in recent years). The change notwithstanding, regular exhibitors and attendees said it felt like business as usual.

Celebrity Jewish chef Jeff Nathan (“they call me the ‘Jewish Emeril'”), who owns the kosher restaurant, Abigael’s, on Broadway near Times Square in Manhattan, said Kosherfest 2008 seemed on par with previous years.

“Jersey is a little more laid back, that’s why I live here,” he said. Nathan did notice “a little leaning toward lighter and healthier” foods at the show, something he has been hoping to see more of. Some examples included a number of new gluten-free products, soy nut butter — as a peanut butter substitute — and many desserts advertised as “trans-fat free.”

The event continued to be international in flavor, bringing together kosher food purveyors, caterers and distributors from more than 28 countries. Attendees traveled from as far away as Turkey, South Africa, Italy, Panama and Israel and as close to home as Los Angeles, Chicago and New Jersey.

Rabbi Gershon Finesilver, who attended the event on behalf of the London Beit Din (LBD), called the event “amazing.” It was the London-based rabbi’s first time staffing a Kosherfest booth and he likened the event (and the concomitant sampling) to “a very large Kiddush. You’re nibbling all day.”

In addition to educating American consumers about the LBD’s role in supervising ingredients across Europe and Asia, the LBD was showing off its newest heksher, a slightly curvier design than it had before, with a hint of Asian flair. Finesilver said the new design had been in use for a couple of years, even if Americans might not have seen it.

Each year Kosherfest organizers hold a competition for the best new kosher-certified products. This year, Zelda’s Sweet Shoppe of Skokie, Ill., took top honors with a “Southern Pecan Pie.” Zelda’s pie won the Best in Show award, the prize for best dessert, the prize for best packaging design and the prize for best snack food (for its caramel corn series).

After racking up so many awards, Zelda Neiman, the company’s matriarch, couldn’t help but stand at her booth beaming. “The show itself is amazing [as well as] a little overwhelming,” she said.

Neiman, who keeps kosher, said she enjoyed seeing all of the kosher-certified products at the show. She had been planning to come to the event before as an attendee but it just never happened. Then, as a first-time exhibitor, her company won the top awards; “Nothing could be better,” she said.

Other award-winners included Bella Baby organic frozen baby food, which won the prize for best new organic product; Kedem All Natural Premium grape juice for best new beverage, and Davida Aprons & Logo Programs, Inc. for best new food service product — a baby bib that reads, “I’m not crying, I’m davening.”

Exhibitor Linda Hausberg of Brentwood, who founded Linda’s Gourmet Latkes, was attending Kosherfest for the first time. Hausberg called herself a “PTA mom” who started her business after watching her homemade latkes sell out at a fundraising event for her kids. She launched her product at Vicente Foods and now sells her frozen latkes at Whole Foods around the country.

Other highlights of this year’s Kosherfest included a sushi-making competition that pitted sushi chefs from Eden Wok, Milk N’ Honey NYC, Glatt A La Carte and Simply Sushi Café against one another for the title of best sushi. Simply Sushi of Monticello, N.Y., took the prize for best presentation, taste and creativity.

But for many, Kosherfest is all about sampling the food. From a rose-flavored fruit juice to spicy turkey jerky and tomato-basil risotto, and from mouth-watering Danish blue cheese and chocolate crepes to elk-meat sausages, the show was a kosher gastronome’s dream come true. There was also a kosher Scotch by Speyside (for those who need a heksher on their liquor), freestanding vending machines with hot food available in minutes by Kosher Vending Industries, a kosher gelatin (courtesy of Kolatin), parve ice cream bonbons by Nestlé and nougat by Sally Williams (a South African favorite).

Rachelle Lewis of Beverly Hills might as well have been in heaven: “This is so exciting,” she exclaimed; “It’s fabulous!” Lewis works for Grocers Media, Inc., which markets new products with promotions inside supermarkets that use a barcode system. Though she’s been to many different food shows, she said this year’s Kosherfest was “one of the best.”

As someone who keeps kosher, the event was particularly exciting — “It’s uplifting to see so many upscale [products],” Lewis said. She particularly enjoyed some fresh Israeli pita she had tried with falafel as well the Oxygen-brand sauces and glazes. “They have a bottled charosets that I couldn’t imagine would taste good. But it does!”

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Analysis: Obama sounding similar to Bush on foreign policy

Not only is Barack Obama inheriting President Bush’s Middle East, it looks like he’s adopting his strategies.

Perhaps the most striking presence on the Chicago stage Monday, where President-elect Obama presented his national security team, were the policies of the outgoing president.

Speaking generally, Obama hewed to the “change” bromides of a campaign that said it wanted to bury Bush’s legacies.

“In this uncertain world, the time has come for a new beginning, a new dawn of American leadership to overcome the challenges of the 21st century and to seize the opportunities embedded in those challenges,” Obama said. “We will strengthen our capacity to defeat our enemies and support our friends.

“We will renew old alliances and forge new and enduring partnerships,” he continued. “We will show the world once more that America is relentless in the defense of our people, steady in advancing our interests and committed to the ideals that shine as a beacon to the world.”

Yet when he briefly detoured into specifics, introducing Sen. Hillary Clinton (D-N.Y.), his pick for secretary of state, Obama’s themes sounded familiar.

“There is much to do — from preventing the spread of nuclear weapons to Iran and North Korea, to seeking a lasting peace between Israel and the Palestinians, to strengthening international institutions,” Obama said.

The first three components of that four-pronged strategy are carryovers from the Bush administration’s final years: Defuse Iran and North Korea and nudge forward an Israeli-Palestinian agreement.

Obama’s priority list comes despite a growing chorus of voices that insists that the Israel-Palestinian track is intractable for now, needing management, not solutions. Those voices — including Dennis Ross, the Clinton administration’s top Middle East adviser who is now helping to shape Obama’s Middle East policy — say peace with Syria is the better bet for now.

But the Israelis and the Palestinians at the table believe that Obama has their back and predict a deal within months.

“We’re very close, and it’s time to make decisions,” Israeli Prime Minister Ehud Olmert said last week after meeting with Bush.

Olmert made it clear that it was his impression that Obama would carry over the Bush administration’s emphasis on arriving at an agreement within the next few months.

“It’s like a relay race,” the outgoing Israeli leader said. “The baton will be passed in an orderly, correct way.”

Olmert believes a deal could be in place before he leaves office in March. He is stepping down to face corruption charges.

That prediction was echoed by a top Palestinian negotiator, Maen Rashid Areikat, who told the Washington Times that the negotiators had arrived at a formula to circumvent perhaps the most intransigent obstruction to statehood — control of the Gaza Strip by Hamas terrorists. Areikat told the paper that a state would first be declared in the West Bank.

Those are pipe dreams, said Sam Lewis, a former U.S. ambassador to Israel who is now a senior policy adviser to the Israel Policy Forum and has monitored the Israel-Syria talks.

“There is much more of an opportunity to make a breakthrough with Syria than there is a Palestinian front,” he said. “With the vision of Palestine in two pieces and the problems between Hamas and Fatah,” the relatively moderate party controlling the West Bank, “it makes it difficult to move to a final agreement.”

Another of Obama’s picks, Gen. James Jones for national security adviser, also implies an interest in carrying over Bush administration efforts to build a Palestinian security infrastructure. Jones, a former NATO commander, most recently monitored Palestinian and Israeli compliance with peace deals, with special attention paid to the creation of a Palestinian police force.

Jones was tough with both sides during his tenure, but his appointment has raised eyebrows in Israel. Secretary of State Condoleezza Rice refuses to authorize the release of a report in which he reportedly slams Israel for hampering Palestinian Authority security training.

During his NATO stint, Jones was known as friendly to Israel’s regional interests. The Israeli concerns about his appointment are the result of Israel having been “treated gently” during the Bush administration, Lewis said, and eventually will pass.

“Anytime you ask the Israelis to do something they don’t want to do, they’re resentful; it’s nothing other than normal business,” Lewis said. “After eight years of the Israelis being treated very gently, the contrast was probably annoying to them. He’s a balanced guy, and that’s what you need.”

Shoshana Bryen, director of special projects for the Jewish Institute for National Security Affairs, said the Jones appointment was reassuring because it signaled another consistency with the presidency: Its second-term deference to experienced military opinion.

“Picking a Marine for almost anything is a good pick,” said Bryen, whose organization cultivates close relations with all branches of the U.S. military. “He has the background to talk about military priorities in Afghanistan, in Iraq.”

That’s true as well of Obama’s pick for defense secretary: the incumbent, Robert Gates. Obama ran a campaign that derided Bush’s choices in Iraq, but in recent months, the Bush administration has edged closer to Obama’s vision of a phased, careful — and not unconditional — withdrawal.

On Iran, there appears to be consistency, too. During the campaign, great focus was placed on Obama’s calls for stepped-up diplomatic outreach, but since defeating Sen. John McCain (R-Ariz.), he has stressed the need for Iran to stand down from its suspected nuclear weapons program. On Monday, the president-elect hammered home the message again.

It’s a two-pronged approach that jibes with the Gates and Clinton choices. Clinton, Obama’s chief rival during the primaries, hewed to more hawkish Iran rhetoric, although it helped energize her left-wing critics during the Democratic primaries. At the same time, with Gates in the Pentagon, the Bush administration has edged away from cutting off the Islamic republic and has all but killed the idea of striking Iran or allowing Israel to strike.

Ross, meanwhile, joined top former Bush administration officials in signing off in September on an especially tough blueprint on how to deal with Iran published by the Bipartisan Policy Center, a Washington-based think tank.

The proposal, “Meeting the Challenge,” was barely noticed in the media. It calls for stiffer sanctions, an end to uranium enrichment and outlines a military option that would have “more decisive results than the Iranian leadership realizes,” although such an option would be a last resort.

Ross’ presence on Obama’s transitional Middle East policy team, as well as on the front page of a report that includes first-term Bush hawks, such as Michael Rubin, Michael Makovsky and Steve Rademaker, has sent shudders through those in Washington who had hoped an Obama administration would stress outreach to Iran at a time when its hard-liners are showing signs of being in retreat.

Bryen said it was clear that Obama would eventually seek to expand the Bush administration’s recent, limited diplomatic entreaties to Iran; it was not clear how.

“The incoming administration clearly believes there are approaches to Iran that haven’t been tried,” she said.

The one flag that may trouble some Jewish groups was the fourth leg of Obama’s foreign policy strategy: the planned elevation of U.S. involvement with the United Nations. Groups such as B’nai B’rith International and the American Jewish Committee have maintained their commitment to the body, while growing increasingly skeptical of its potential for ever treating Israel fairly. Other groups, including the Anti-Defamation League, have just about written off the United Nations as a useful forum.

Obama nominated Susan Rice, one of his top campaign advisers, to be U.N. ambassador and has said she will serve at Cabinet level.

“She shares my belief that the U.N. is an indispensable and imperfect forum,” he said.

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Rabbi Jacob Pressman takes a bow

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Rabbi Jacob and Marjorie Pressman with Michele Lee. Photo by Maxine Picard

Rabbi Jacob “Jack” Pressman has always been an entertainer. He’s charming and funny — quite the talented singer — and possesses a flare for stage drama so becoming that at times it seems as if his persona as rabbi is secondary. Such was the case on Nov. 23 when Rabbi Jack performed what he called his “swan song” to the spotlight — a romp through his favorite Depression-era show tunes, a jaunt on the Temple Beth Am stage for people who have listened to him and loved him throughout the years.

More than entertaining, “Four Score & 10 and Rabbi Jack’s at it Again,” his self-styled homage to his 90th year performed to a crowd of 400 friends, family members and admirers, was a nostalgic trip down memory lane.

“People who haven’t seen me for a while greet me with a mix of surprise and confusion,” Pressman said, seated on the stage adjacent to a baby grand piano. “They’ll say, ‘We’ve seen your name on the temple — we thought maybe you’d be dead.'”

Indeed the rabbi has aged only a little since 1950 when he first took the pulpit at Temple Beth Am (then the Olympic Jewish Temple and Center), and history has proved him a seminal figure in the development of L.A. Jewry. Pressman was a founding father of Camp Ramah in California, University of Judaism (now American Jewish University), Brandeis-Bardin Institute and Los Angeles Hebrew High School, among other projects.

Twenty-three years since his retirement (and 139 more sermons, 40 funerals, 20 weddings, 275 doctors visits and a weekly column for the Beverly Hills Courier since his last stage performance in 2004), a delicate and fragile Pressman returned to the pulpit for what he said would be the last time. The concert served as a kind of public oral history for Pressman, complemented by aptly themed show tunes that spurred him to recount pivotal events in his life and the life of the country.

Inclined to provide historical context between each song, Pressman said he feels show tunes are often better markers of history than books. Along with Mike Burstyn, veteran of the Yiddish stage, Pressman led the audience in a rendition of “Tumbalalaika.” He then moved into a melancholy solo of “Brother Can You Spare a Dime,” which seemed to stretch its resonance from the Great Depression of the 1930s to the financial woes of today. Then it was “Happy Days Are Here Again.”

At times the show was silly (actress-singer Michelle Lee tried to outfit the rabbi in coat and tie in an unrehearsed bit before the finale), and other times sad (he spoke of the daughter-in-“love” the family recently lost to cancer), and then, he would lift spirits during duets with friends — Rabbi Susan Leider of Temple Beth Am, theater actors Burstyn and Lee, and Monty Hall all joined him on stage.

Pressman’s selections expressed the range of his experience. From, “I Just Called to Say I Love You,” when he met wife, Marjorie, to “Sunrise, Sunset” through which he watched three children grow up and leave home. Pressman’s children, Rabbi Daniel, Joel and Judith Pressman, each paid their father tribute with letters, poetry and song. Rabbi Joel Rembaum, senior rabbi of Temple Beth Am, where Jack Pressman is rabbi emeritus, presented Rabbi Jack with a birthday cake.

Of all the public roles Jack Pressman has played in his life, he makes no secret that the most rewarding was his private role as husband. To close the show, he evoked more memories as he sang the title song from “The Way We Were” and asked his wife to stand from her seat in the audience — the vantage point from which she has been his partner in all of his accomplishments.

“She’s been my inspiration, critic, provider and supporter,” Pressman said to a captivated crowd. “We’re winding down 70 years together in which we made love and a family and Jewish history.” And just to her, he added, “You have been the wind beneath my wings.”

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