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January 18, 2001

Opening the Closet

In Sandi Simcha DuBowski’s searing new documentary, “Trembling Before G-d,” about Orthodox gays and lesbians, David, a handsome L.A. doctor, describes struggling to change his sexuality. A psychotherapist prescribed aversion therapy; a rabbi advised David to recite psalms and to eat figs. “I would have tried anything,” he says.

“Trembling” also introduces Devorah, an ultra-Orthodox mother who requires anti-depressants to stay in her marriage, and Israel, who was confined to a mental hospital, then banished by his family because he was gay.

“One of the greatest sadnesses I’ve had in making this film is witnessing Jewish families casting out their own,” said DuBowski, 30, whose own supportive, Conservative parents will attend the film’s world premiere at Sundance.

Not that his coming out was easy. He did so on the last day of summer vacation before returning to Harvard for his sophomore year. “My mother and I sat on the edge of the bed and I said, ‘I have something to tell you, and are you going to love me no matter what?'” he recalled. “It took me 45 minutes to say it, and I was crying nonstop.” His mother couldn’t eat or sleep for the next three days. “There were fights and talks and a lack of information,” he added. “But there was never any question that I was loved.”

In fact, “Trembling” began after DuBowski moved back home with his parents in the early 1990s.

“Returning to Jewish Brooklyn awakened something,” said the director, whose previous films include an acclaimed short, “Tomboychik.” There was something, he said, about standing at Sheepshead Bay for tashlich, the annual ritual purging of sins, with a virtual “universe of Jews.” There were Russians and Syrians, Modern Orthodox and unaffiliated. DuBowski began to wonder about Jews who were gay and Orthodox and how they came to terms with the verse in Leviticus that deemed them an “abomination.”At the International Conference of Gay and Lesbian Jews in 1994, he met Mark, a British man with AIDS, exactly his age, who had abandoned Orthodoxy after being kicked out of seven yeshivas. “We became like chavruses [study partners] in a yeshiva without walls,” said DuBowski, who brought his camera along as Mark revisited the Israeli schools he had loved in Mea Shearim and B’nai Brak. On Lag BaOmer, director and subject davened and danced all night long on Mount Meron and watched 3-year-old Chassidic boys receiving their first haircuts at dawn. “The film began a Jewish journey for both of us,” said DuBowski, who now prays at Orthodox synagogues.

Obtaining additional interviews proved far more difficult. Devorah initially agreed to speak to DuBowski only in a parking lot far from her religious neighborhood. There were clandestine meetings in borrowed apartments or in parks with Jews who declined to reveal their real names or telephone numbers. Rabbis hung up on DuBowski; a former chief rabbi of Israel called his interviewees “animalistic.” “I was so distraught,” he said.

A Chassidic rebbe in Israel gave him the strength to carry on. The rabbi greeted him with a humble bow in his modest apartment, as a girl made rice pudding in the next room and children played on the outdoor balcony. “I just started weeping,” DuBowski recalled. “I told him I had been carrying the pain of so many Jews for so long — about Mark being sick and David trying to change and all these people who were unhappily married or who had been disowned. And he was utter rachmones [compassion]. He took my project very seriously, which validated the film for me and made me feel that it was not a chilul HaShem [a desecration of God’s name].”

Nevertheless, DuBowski expects his ground-breaking documentary to be controversial. After a recent screening for 75 heterosexual Orthodox Jews in New York, the viewers (some supportive, some not) shouted and argued with each other. A woman angrily told DuBowski that he was a liar; that gays could change, and that her daughter — cast out at 16 because she was a lesbian — could choose to become heterosexual. Her other daughter, meanwhile, who is not gay, informed the director that she would work hard to promote the movie in her Orthodox community.

DuBowski, who’ll appear at Sundance with interviewee Rabbi Steven Greenberg, the only openly gay Orthodox rabbi, hopes the film will continue to promote discussion about a previously taboo subject. “The point of the movie is to help Jews who are suffering,” he said.

For information about “Trembling,” and DuBowski’s upcoming Orthodox community education project, log on to www.tremblingbeforeg-d.com.

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Rocky Mountain Chai

Move over Sundance, Slamdance, Digidance and Nodance. The two-week showbiz schmoozefest in Park City, Utah, traditionally a launching pad for Jewish indie cinema, is now home to SchmoozeDance, a forum for Jewish filmmakers, journalists, observers and studio execs to celebrate Jewish film.

“Since everyone’s schmoozing at Sundance, I thought the Jews should, too,” founder Larry Mark said.Mark has dedicated the past five years of his life to Jewish cinema. A circulation marketer at The New York Times by day, the movie buff was annoyed by the ubiquitous stereotypes he heard about Jewish film. “It was, ‘Oh, Jewish cinema — that’s “Fiddler on the Roof” or Holocaust stuff,'” he said. “But there’s so much more.”

Mark proved his point by starting JewishFilm.com, the online Jewish film archive; there are now some 800 listings, including past Sundance entries like Boaz Yakin’s “A Price Above Rubies” and Darren Aronofsky’s “Pi.” To keep his site current, Mark compulsively studies Variety, The Hollywood Reporter and worldwide film festival lineups. (He’s also the editor of MyJewishBooks.com.)

Now he’s turning his attention to Park City. “I’ve always wanted to go to a real industry film festival,” explained the affable Mark, who’ll use vacation time to attend the fests.

SchmoozeDance is starting small. This year, it’s an oneg Shabbat and a kiddush sponsored by JewishFilm.com Jan. 19 at Park City’s only shul, Reform Temple Har Shalom. “I even had yarmulkes made up that say ‘SchmoozeDance at Sundance,'” said Mark, who’s invited everyone from Village Voice critic J. Hoberman to Miramax honcho Harvey Weinstein.

In 2001, movies to watch include Michael Apted’s “Enigma,” based on Robert Harris’ best-selling novel about Britain’s elite team of code-breakers facing their worst nightmare in March 1943. Nazi U-boats have unexpectedly changed their enigma code, endangering a merchant shipping convoy of 10,000 men.Sundance opens with Christine Lahti’s “My First Mister,” a March-October romance starring Albert Brooks and Leelee Sobieski. The festival will also premiere “Divided We Fall,” about a Czech family that harbors an escapee from Theresienstadt; the documentary “Ralph Bunche: An American Odyssey,” about the life of the remarkable African American mediator of the 1949 Arab-Israeli armistice; and “Trembling Before G-d,” a highly anticipated doc about gay and lesbian Orthodox Jews by Sandi Simcha DuBowski (see story, page 27).

Then there’s director Marc Levin, winner of the 1998 Sundance Grand Jury Prize for “Slam,” a lyrical feature about an incarcerated Black poet; he’s back in Park City this year with Slamdance opener “Brooklyn Babylon,” a Black-Jewish “Romeo and Juliet” inspired by the Song of Songs. Set in Crown Heights, Brooklyn, where Black-Jewish tensions have simmered since the riot of 1991, Sol, a charismatic rapper ready to break into the music business (hip-hop MC Tariq Trotter), meets Sara (Karen Goberman), a young Jewish beauty ready to break free of her religious background. Sparks fly.

The provocative pic brings Levin, director of the video version of Anna Deavere Smith’s L.A.-riot saga, “Twilight: Los Angeles,” back to his Jewish roots.

“[As] the millennium was approaching, I felt it was time to do my Bible film, a hip-hop Solomon and Sheba in the neighborhood where my parents and grandparents all grew up,” he said. “In a way, it completes my trilogy: ‘Slam,’ ‘Whiteboys’ and ‘Brooklyn Babylon.'”

In dramatic competition at Sundance, the Yale- and Stanford-educated writer-director Henry Bean offers “The Believer,” starring Theresa Russell and Billy Zane, based on the 1960s true story of an ex-yeshiva bocher turned anti-Semite. In real life, Danny Balint committed suicide the day The New York Times printed an exposé revealing he was Jewish. In the movie, we meet the 12-year-old Balint (Ryan Gosling) arguing with his rabbis and dodging gentile toughs on the street. By 22, he is a skinhead and budding fascist leader; when the court sentences him to “sensitivity training” with elderly Holocaust survivors, his conflicting feelings set him on the path to self-destruction.

While Balint was hiding his Jewishness, “at the same time he was compulsively revealing it,” said Bean, the screenwriter of “Internal Affairs” and “Enemy of the State.” “He would bring knishes back to the Nazi headquarters and hang out with girls who looked obviously Jewish. The notion of somebody hiding something and revealing it at the same time fascinated me.”

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