fbpx

Israel’s Best Hangs

\"Israel in Crisis: 20 Years of Israeli Art, 1980-2000,\" a summerlong avant-garde art exhibit at The Jewish Federation\'s Bell Family Gallery, distills some of the best painters who have brought about a revolution in the Israeli art scene.
[additional-authors]
September 5, 2002

"Israel in Crisis: 20 Years of Israeli Art, 1980-2000," a summerlong avant-garde art exhibit at The Jewish Federation’s Bell Family Gallery, distills some of the best painters who have brought about a revolution in the Israeli art scene.

The collection is courtesy of Michael Hittleman, who since 1976 has specialized in Israeli artists at his eponymous gallery. A graduate of Fairfax High and UCLA, Hittleman said that even though the exhibit doesn’t overtly show the political and social aspects of Israel, those aspects permeate the subtext of works by the Israeli and American artists on display.

"It’s all blended in what they do," he said.

But you won’t find paintings of Israeli soldiers or Jaffa oranges at this exhibit. In fact, you might not know that most of the works were Israeli unless someone told you. For example, the iconographic poster art of the youngest artist in the show, 37-year-old Hilla Lula Lin, has an American art school aesthetic that could easily blend in at the Whitney Museum Biennial Exhibition.

"Twenty Years" offers a nice cross section of where Israel’s art has been, and hints at where it might be going.

Some abstracts, such as 1990’s "The Boat and the Flag" and 1997’s "Hunters and Sailors," both by Moshe Gershuni, carry the hallmark of the "dirty style," a messy expressionistic approach born out of 1986’s influential Tel Avivian exhibit, "The Want of Matter."

There is a rousing, bright and bouncy energy to the colorful "Jerusalem" by naive artist Gabriel Cohen, a Syrian-born, Paris-raised Israeli. By contrast, Farideh draws on her Persian background to create an oil sunset of "Jerusalem" that is much more vague and decorative.

The exhibit also features Moshe Kupferman, whom Hittleman said was Israel’s most influential painter of the last 40 years. "If you sort of get it, you never forget it."

The exhibit runs through Sept. 15 at the Bell Family Gallery, 6505 Wilshire Blvd., Los Angeles. By appointment only. Contact Judy Fischer, (323) 761-8352. After Sept. 15, the artwork returns to the Michael Hittleman Gallery, 8797 Beverly Blvd., Los Angeles, (323) 655-5364.

Did you enjoy this article?
You'll love our roundtable.

Editor's Picks

Latest Articles

Bringing Israeli Doctors Back

ScienceAbroad works with two groups in medicine: physicians who leave Israel for fellowships and Israeli students who attend medical school in Europe.

The Antizionist’s Dilemma

It’s not easy being an antizionist these days. Especially if you’re determined to live in accordance with your most important moral imperative: the denigration of the world’s only Jewish state.

How the Supreme Court Adapted Parshat Shoftim

The Torah offers a better model than avenging and avoiding. It offers a safe opportunity for parties to meet and peacefully explain their perspectives, which might have been misunderstood. They can offer apologies and, where necessary, make amends for harms caused.

Can One Be a Non-Observant Orthodox Jew?

The tradition has always been bigger than any one person’s grip on it. What draws me is simple: I think these texts are a good part of why we are still here as a people. I want to know them and, in my own way, embrace them. Orthodox is where I turn.

Lies, Damned Lies and the Right Side of History

One question alone matters these days: Does this fact strengthen my tribe, or is it bad for it? If bad, it must be suppressed, denied, explained away. The higher truth is the narrative that serves the cause, the quest of the righteous and true.

Life Lessons in Old Age

Hardship and joy are present at every step. There is no time when it will be all good, so focus on the good and carry on. There are always moments to savor and appreciate.

Is Mamdani Helping Bibi?

By explicitly linking Mamdani’s efforts to rising levels of antisemitism, Netanyahu was able to frame himself as a defender of Israel against growing international hostility.

More news and opinions than at a Shabbat dinner, right in your inbox.