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Entertainment

Up Front

A woman in a fancy hat approaches Bert Dragin at Spago. She wantsto know if he is an actor, someone from \”Dallas\” or \”Falcon Crest.\”\n\nActually, the distinguished, sixtyish Dragin is not an actor; he\’sa film producer who sold his Cleveland-based furniture business andmoved out here to get into the movies in 1981. But he is \”doinglunch\” at Spago to talk about his latest, very non-Hollywood project:directing Paddy Chayefsky\’s \”The Tenth Man\” at the West Valley JewishCommunity Center.

Looking for the Genius in

One of the strangest anomalies in the theater is that of the successful turkey — plays that are essentially trivial, gauche and insubstantial, but still manage to achieve a certain kind of notoriety and even commercial success.\”Shear Madness,\” which has been playing for 15 years in Boston, is such a play; so was \”Kvetch,\” which completed a seven-year run in Los Angeles, the same city in which \”Bleacher Bums\” ran for 11 years.\”Abie\’s Irish Rose\” racked up 2,854 performances on Broadway –although it\’s depth could be measured with the first digit of one\’s pinky.

Love, Jewish-American Style

Despite the abundance of Jewish filmmakers in the entertainment industry, Jewish Americans fall somewhere ahead of Asian-Americans and well below Anglo- and African-Americans as a group represented on celluloid. And no one is more aware of that than film historian and author Harry Medved, whose \”Cinema Beshert: Meeting Your Mate at the Movies\” film series at the University of Judaism focuses on love,Jewish-American style.

Gearing Up for 50

The peace process is stalled, pluralism issues remain unresolved and the Netanyahu government is in turmoil. But organizers of a major, star-studded 50th anniversary tribute to Israel later this year are focusing their attention on celebration, not contention. Indeed, a rare in-gathering of major Hollywood celebrities, Jewish communal officials and organizational leaders has come together to mark Israel\’s first half century.

PhotographyImages from the Territory of Belief

In the company of his friend, fellow world traveler and photographer Maxime du Camp, French novelist Gustave Flaubert visited Jerusalem in 1850. The urbane and sophisticated Flaubert was decidedly unimpressed with this crumbling backwater of the Ottoman Empire: \”Jerusalem stands as a fortress; here the old religions silent rot away. One treads on dung; ruins surround you wherever your eyes wander — a very sad and sorry picture.\”

That same year, a Rev. George Wilson Bridges also made his way tothe Holy City. An English cleric and an amateur photographer, Bridges and his young son traveled through Palestine as part of a seven-year journey around the Mediterranean and the East. Bridges undertook the journey as a form of solace: He had just buried his wife and daughter in Jamaica — victims of a tropical fever they contracted while the reverend was there doing missionary work. Steeped as he was in grief and religious conviction, Bridges found that Jerusalem\’s atmosphere of melancholia and desolation suited him. \”What sight,\” he observed after witnessing Jews praying at the Western Wall, \”even in this wondrous city, so touching, so impressive as this — Jews mourning the ruins of Jerusalem….\”

False Alarms

Never underestimate the propensity of American Jews to scare themselves silly. Here we are, in the midst of an unprecedented Jewish renaissance, enjoying the most favorable spiritual climate in more than a century, including shelf loads of Jewish books at every Barnes & Noble, and still our leaders are playing Stephen King, terrifying themselves (and us) with grim fairy tales and devil\’s food. Here are three recent exhibits.\n

Chasing Stolen Art

Henry Bondi, a Princeton, N.J., biochemical engineer, has spent much of his adult life chasing after a painting that he says Nazis stole from his aunt. Now, at 76, he\’s finally getting close.

Israel: The Arts

This was thestory that had everything: a suffering, underdog people, outnumberedand surrounded by enemies, old and new, battling insuperable odds totriumph in a desert they had made bloom. It was \”Rocky\” before\”Rocky,\” and Hollywood knew a good story when they saw it.

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