Tobias Picker’s ‘Thérèse Raquin’ has local premiere at Long Beach Opera
What would opera do without tales of adultery, murder and revenge?
What would opera do without tales of adultery, murder and revenge?
Sometimes, a stranger’s chance remarks can redirect and enhance a career.
If superstar virtuoso Niccolò Paganini were alive today, he might sympathize with a classical crossover artist like Edvin Marton.
So you’re getting married and trying to decide what music to play on the big day.
How did a nice Jewish boy from Short Hills, N.J., come to compose an oratorio to accompany Danish director Carl Theodor Dreyer’s 1928 silent-film masterpiece “The Passion of Joan of Arc”? According to Richard Einhorn, his score “Voices of Light,” came into being by “sheer accident.”
Among world-class cellists, Steven Isserlis may be the only one ever to interview his instrument.
Mikhail Gnesin and Leo Smit — ever hear of them? Most of us probably haven’t, and that’s one of the intriguing aspects of Le Salon de Musiques, an intimate downtown chamber music series founded by the French-born pianist Francois Chouchan in 2010.
Soloists such as Van Cliburn and, more recently, Lang Lang, made their mark on the world’s stage at a relatively young age. But such careers often hit a plateau or, worse, suffer burnout. Other artists, like the 35-year-old Israeli-born pianist Inon Barnatan, grow more gradually.
Imagine being 23 years old and summoned to Hollywood by Charlie Chaplin to work on his 1936 comedy classic, “Modern Times” — then being fired by the legendary star/director/writer after a week and a half. And then rehired.
In addition to Uri Caine’s appearance, another highlight of this year’s Ojai Music Festival sounds like a joke, and, at least in part, it is.