September 23, 2018

Naomi Pfefferman

Filmmaker Plumbs Her Painful Family Secrets in ‘For a Woman’
Arts
Author documents South African resilience after her own losses
Arts
How a student’s plagiarism became a playwright’s muse
Arts
Pantages welcomes iconic adaptation in ‘Ghost the Musical’
Arts
From family ghosts, a story of ‘The Immigrant’
Arts
One man, two identities: Archbishop was ‘The Jewish Cardinal’
Arts
‘Tallest Tree’ examines what it means to be an outsider
Culture
Colin Firth on his searing turn in ‘The Railway Man’
POW’s journey to forgiving the unforgivable in ‘The Railway Man’
Hollywood
Ezra Jack Keats’ tales of squalor and hope
Ben Kingsley honors Holocaust stories with his film roles
Hollywood
Infusing roasted meats with Mediterranean flair
Food
Apocalypse Noah: Darren Aronofsky’s dark take on a biblical tale
Hollywood
Remembering comedian David Brenner
Hollywood
Arie Posin on his Russian dissident parents and ‘The Face of Love’
Hollywood
For Noah Emmerich, era’s tension in ‘The Americans’ hits home
Hollywood
The long road to ‘Harmony’ filled with twists and turns
Arts In L.A.
Third-generation survivor finds healing in Anne Frank role
Culture
David O. Russell’s lovable crooks
Blogs
June Squibb’s just deserts: A Hollywood vet’s Oscar debut
Blogs
Human condition guides ‘Captain Phillips’ screenwriter’s process
Blogs
The weighty experience of ‘Gravity’
Blogs
‘The Monuments Men’: Saving the art behind enemy lines
Hollywood
Bernard Weinraub: When the news is not fit to print
Hollywood
Long, winding road to ‘Dallas’ leads to six Oscar noms
Blogs
Corrie Siegel: L.A. Jewish art on location
Gilda Radner’s best friend
Hollywood
Jonah Hill’s not-so-nice Jewish guy
Blogs
The Mensch List: The way home
Mensches
The Mensch List: Hope for Paws founder’s dogged devotion
Mensches
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JJ Daily Roundtable

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