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7 Days in the Arts

7 Days In The Arts
[additional-authors]
October 28, 2004

Saturday, October 30

The title says it all in playwright Larry Gelbart’s satirical look at political scandals, “Mastergate.” Utilizing a Hollywood action film as a front – the fictional controversy goes – the White House has allegedly engaged in some illegal shipping of arms. The play centers on the congressional hearings that must logically follow. It plays at the Actors Group Theatre through Nov. 14.

8 p.m. (Fri. and Sat.), 7 p.m. (Sun., except Oct. 31.), 2 p.m. (Oct. 31). $12-$15. 4378 Lankershim Blvd., Universal City. (818) 506-4644.

Sunday, October 31

Old-fashioned music and romance converge in Bruce Kates’ operetta, “Sophie: A Musical Love Story of the 1930s.” Set in Los Angeles, the tale begins with Miles Pearson, a widower who has been so heartbroken by the tragic death of his young bride that he has spent years burying himself in his work as a professor. A series of chance meetings with Diane Walker, an actress heartbroken by life’s injustices, will change him – and her. The show runs through Nov. 14.

2 p.m. (Sundays). $10. Barnsdall Gallery Theatre, 4800 Hollywood Blvd., Hollywood. R.S.V.P., (323) 665-2208.

Monday, November 1

The prolific and beloved Maurice Sendak gives the kids something new to get excited about: Yiddish. The “Where the Wild Things Are” author employs his storytelling talents in a collaboration with The Shirim Klezmer Orchestra in a klezmer variation of Prokofiev’s “Peter and the Wolf.” “Pincus and the Pig: A Klezmer Tale” is the resulting CD and full-color booklet, which includes original drawings and removable stickers.

$15.

Tuesday, November 2

Inspired by the stars, artist Renee Amitai depicts the cosmos based on images from the Hubble telescope in her latest works, included in Gallery Asto’s “Conceptual Expressionism” exhibition. “My paintings translate the outward reflection of the inner nature of things,” Amitai writes. “Dream and reality, the continual mystery at the cycle of life, the transcendence of nature.”

11 a.m.-5 p.m. (Tues.-Fri.), 1 p.m.-5 p.m. (Sat.). 923 E. Third St., No. 107, Los Angeles. (213) 972-0995.

Wednesday, November 3

Jewish Book Month continues with tough choices today. Nessa Rapoport battles it out against Jonathan Kirsch for your attention. For Rapoport, head to Arcadia to hear her discuss her book, “House on the River: A Summer Journey” as part of San Gabriel’s Jewish Book Festival. Kirsch fans book it to the Robertson branch library, where he’ll discuss, sell and sign “God Against the Gods.” Stay tuned for The Journal’s Book Issue, Nov. 12.

Rapoport: 7:30 p.m. $10. Arcadia residence. R.S.V.P., (626) 967-3656.
Kirsch: 6-7:30 p.m. 1719 Robertson Blvd., Los Angeles. (323) 761-8648

Thursday, November 4

Klezmer fun continues at UCLA’s Fowler Museum. “Fowler Out Loud: Klezmer Juice” presents the titular klezmer fusion and world music quintet al fresco with light refreshments this evening. Take advantage of our city’s superior climate and musical groups in Westwood tonight.

(310) 825-4361.

Friday, November 5

The Museum of Television and Radio’s aptly titled, “Two Five-Letter Words: Lenny Bruce” begins today. The screening follows the provocative comedian’s quick rise to fame and subsequent fall through excerpts from appearances on “One Night Stand: The World of Lenny Bruce” and “Playboy’s Penthouse” with Hugh Hefner and Nat King Cole, among others, and a final frenetic interview on “The Steve Allen Show” that was never aired.

Noon-5 p.m. (Wed.-Sun.). Through Jan. 9. Free. 465 N. Beverly Drive, Beverly Hills. (310) 786-1000.

The Sound
and the Fusion

by Gaby Wenig, Staff Writer

Every Saturday night at the Disraeli household in Kibbutz Mishmar Haemek in northern Israel, the mandolins would come out and three generations of Disraelis would start to play and sing.

“My grandparents were the original chalutzim [pioneers] who came into Israel before it was even a country, and my grandfather was a poet who wrote songs,” said Itai Disraeli, who now plays bass and percussion for the band Maetar. “So on Saturday night we would get together with them and play harmonies – this music is in our blood.”

In 1991, Disraeli and his brother, Hagai Izraeli, left Israel, but not the music. Three years ago they joined with drummer Peter Buck to start Maetar, a jazz/funk/rock/hip-hop/reggae band that plays clubs all over Los Angeles.

“People ask us what kind of music do we play, and even though we try pretty hard to find a box, the reality is that our music is outside the box,” Disraeli said. “We contain musical influences from Duke Ellington, Jimi Hendrix, klezmer music, Chinese music and Arab music, but our music is totally original. We are innovators, not imitators.”

“We try to intermingle our sounds and voices,” Izraeli said. “It’s a collective sound. At any time any one of us can be leading or following.”

“But it’s very coherent,” Disraeli interjected. “It’s not meaningless meanderings into the jungles of our mind.”

The two chose the name Maetar at the suggestion of Izraeli’s wife. In Hebrew, Maetar has a few meanings. It means string, as in instrument strings. If you break the word up, mae and tar, it means water that you take with you on a journey; another translation is vibrations of change.

These meanings, say the brothers, embody the spirit of their music.

“The beauty of jazz is that it’s a model of democracy,” Izraeli said. “Every person that plays can be the utmost of who he or she is and, at the same time, his powers of [being] individual do not separate him from the group. Music is the true democracy in action.”

Maetar will be playing at Cafe Z at the Skirball Cultural Center, on Oct. 30, noon-2 p.m. Free. For more information, visit

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