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May 1, 2024

My Son’s Holocaust Storyboard

“Why do you hang that on your wall? It’s depressing.” So says our first-born son Nathaniel, who is visiting on a client trip to New York from Los Angeles where he’s lived the past decade.

He’s referring to an illustration series he made as an art school senior in 2007, preferring not to face it as he sits down to a brunch of pastrami salmon, bagels and potato pancakes before rushing to the airport. But while we eat I catch him glancing up at it and know he’s proud of this highly personal work, produced long before he moved into high-paying commercials as an ad agency creative director.

My wife and I wouldn’t dream of not displaying the piece, called “Witness,” which Nathaniel describes as “a Holocaust-inspired narrative incorporating graphite, watercolor and gouache.” It’s not only a trophy of our shared Jewish heritage but a reminder of our son’s talent in ways that Photoshop and video reels can’t reveal.

My wife and I wouldn’t dream of not displaying the piece, called “Witness,” which Nathaniel describes as “a Holocaust-inspired narrative incorporating graphite, watercolor and gouache.” It’s not only a trophy of our shared Jewish heritage but a reminder of our son’s talent in ways that Photoshop and video reels can’t reveal.

“Witness” unfolds in six panels, opening with a comfortable pre-war European family of five (two boys and a girl, like ours) about to begin a Friday night Shabbat dinner, the candles radiating a glowing, spiritual light over the room. The older son stares at his bearded father as he lifts his wine cup in prayer facing mother and children. In an artful touch, mother’s knotted hair imitates the folds of the braided challah

Contrast that homey setting with Panel Two, showing the savagery of Germany’s Kristallnacht in 1938. Swastika-banded Gestapo goons head-lock the eldest son in front of a window-shattered storefront under a scrawled sign announcing “Juden.” As the boy clutches at his captors, an unhinged officer roars insults at their prey.

In the next sequence, a group of women is being marched into cattle cars. Their faces are hidden under shawls, except for our family’s daughter, who turns her head and reaches out to her brother, who is crammed into the train with fellow round-ups destined for the camps. A raging SS officer with a stiff, black-gloved arm directs her to keep moving downline. You can almost hear him yell, “Mach Schnell!

Looking at these stylized scenes, rendered like a graphic novel, I think back to Nathaniel’s final year of college, fighting off the pressures of an unruly frat, a challenging relationship and constant basketball injuries. He moved home, working past midnight on his senior thesis, which, he later wrote, “turned into a much deeper obsession.” I’d peek into his bedroom and see him hunched over his ink drawings, listening to his favorite Burl Ives and Roy Rogers songs for calm mood music. When it came to his illustration, Nathaniel always showed extreme powers of concentration in pursuit of perfection.

Panel Five is a cinematic nightmare, with the elder son arriving at Auschwitz alongside a tattered group of inbound prisoners. As they head toward the camp’s notorious signpost declaring “Work Sets You Free,” the crematoria chimneys spew forth a miasma of tortured dead souls tumbling across an ugly brown sky.

This Spielberg-like tableau sets up the penultimate chapter. The son – now gaunt and aged in striped concentration camp garb – is depicted solemnly pushing corpses in a wheelbarrow, digging graves and hauling sacks of belongings along barbed-wire fences and watchtowers, as a fellow inmate is shot in the head. Nathaniel later wrote in an accompanying text, “Those able to work are pushed beyond their limits to keep the factories of death running smoothly.”

Jump ahead 65 years to the final scene in a crowded New York subway, where first son is now an elderly survivor, identified as “the only living member of his family.” He is exchanging glances with a young Black boy wearing a sideways baseball cap as bright red as the Nazi armbands in earlier scenes.

The boy is mesmerized by the numbers tattooed on the older man’s exposed arm – he bears witness to an ordeal of which he knows little but grasps its horror. Other riders are oblivious – comically asleep or lost in their headphones. But the connection between these two at opposite ends of life experiences feels genuine. It’s a connection that has been slipping away between generations, driven further by tribal differences.

“Witness” won gold-medal awards from illustrator societies and was included in gallery shows. Brandeis University used a panel for its Kristallnacht commemoration in 2013. These days, Nathaniel barely puts pen or brush to paper, though his visual direction produces commercials for top ride-hailing apps, soft drinks, vodka and basketball shoes. With Yom Hashoah’s Day of Remembrance upcoming May 6, I make a fresh inspection of “Witness” and its narrative arc. Far from depressing, this epic Holocaust storyboard leaves me in awe.


Allan Ripp runs a press relations firm in New York.

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You Want Context? Here’s Context.

After Oct. 7, when Hamas terrorists and civilians from Gaza invaded Israel and mass-murdered, mass-raped, and mass-kidnapped almost 2,000 people in border towns and communities in Southern Israel, numerous anti-Israel advocates on various talk shows and in other mediums have been asked if they condemn Hamas or even condemn the Oct. 7  Massacre. 

And in lock-step — as if this was a distributed talking point from either the SJP, AMP, or some other Israel-hating umbrella organization — they all have provided roughly the same response; a refusal to condemn one of the most brutal, most video-recorded, monstrous, organized intentional massacres in modern history  — replete with children murdered in front of their parents, fathers and mothers murdered in front of their children, women being raped to death, the display of murdered women’s bodies to screams of revolting adulation from other Gazans over dead and mangled bodies and the murder and kidnapping of literal babies. And the refusal to condemn this horror is always based on the “context.”

The latest widely seen version of that mendacious deflection occurred recently on the Dr. Phil show, where Dr. Phil hosted Mosab Yousef, the “Green Prince,” as well as two anti-Israel agitators from the University of Michigan. Dr. Phil expressly asked the two anti-Israel agitators if they would condemn the Oct. 7 barbarity. In response, one of the Israel-haters said that it was wrong to ask them to condemn Hamas or its monstrous intentional massacre because doing so “ignores the context of the attack in the larger ‘Israeli-Palestinian conflict.’”

As if there is a “context” which makes invading a country and mass-murdering, mass-raping and mass-kidnapping children, the elderly and even Holocaust survivors “okay.” 

As if there is a “context” which makes invading a country and mass-murdering, mass-raping and mass-kidnapping children, the elderly and even Holocaust survivors “okay.” Sadly, this context-based rationalization and justification for depravity is not new. Back in the early to late 1930s, in both America and England, there were sadly many people who were sympathetic to the Nazis who also argued that the Nazis’ most evil ideologies and actions needed to be viewed “in the context” of the German people’s “legitimate grievances” following World War I. 

But, whatever one thinks of the argument that Germans had legitimate grievances over how they were treated at the end of World War I, and whatever one thinks now about claims that Palestinian Arabs have legitimate grievances with Israel over how they were treated during Israel’s war for independence (or thereafter), it should be plain that one’s moral compass is in need of serious repair if that person cannot condemn hordes of armed men intentionally massacring and kidnapping innocent and unarmed civilians. 

The “context” — asserted by the pro-Hamas “all resistance, including rape, is justified” crowd — is as follows:

1) Before World War II there was a separate polity called Palestine with a teeming and thriving population of ethnic “Palestinian” Arabs who were indigenous to the region, lived there for millennia and had a culture that was unique and indigenous to the region.

2) The Jews who declared their independence in 1948 and established the modern state of Israel are European colonialists with no connection to the land of Israel/Palestine.

3) Before 1948 — and certainly before “Zionists” started advocating for Jewish sovereignty and self-determination in Palestine — Jews, Christians and Muslims lived in peaceful co-existence in Palestine.

4) Out of sympathy for the persecution the Jews were facing from Nazi Germany, the peaceful indigenous Palestinian Arabs welcomed “European Jews” with open arms, invited them into their homes, but literally had their homes stolen from them by those nefarious Jews (oops, I mean “Zionists”).

5) After the colonialist Jews — with no more connection to the land called Palestine than a Dutch person has to Southern Africa, or a Brit has to India — declared their independence, they launched a war to ethnically cleanse “millions” of Palestinians from Palestine. 

This is the “context” that people like the agitators on Dr. Phil contend must be the preamble to any question about what one thinks about Hamas, its self-described genocidal charter, its openly fascist ideology, the Oct. 7 Massacre, or even Hamas’s leaders’ promise to perpetuate more and more Oct. 7 style massacres until Israel is completely obliterated. The problem with this “context”? It’s complete bunk.

The actual historical “context”:

1] Before 1948 no independent state or even semi-autonomous state had existed west of the Jordan River after the Jewish Kingdom of Judea fell under Roman colonialist rule in the year 6 C.E.; and for the nearly entire “modern era” of history, from 1517 to 1948 C.E., the land was under colonialist Turkish (Ottoman) and British rule.

2] Prior to 6 C.E., there had been already three separate Hebrew/Israelite/Jewish commonwealths and kingdoms in the land west of the Jordan River. It was in this land that the Jewish people not only had our ethnogenesis but where we developed our indigenous language, culture, and tribal faith. 

3]  The evidence of Jewish indigeneity in the land of Israel is as obvious as the presence of ancient mikvot and ancient Jewish coins, which have been discovered all over Israel, or even the Arch of Titus in Rome over 2,000 kilometers from the Levant, which depicts the Roman spoils of war from their siege of Jewish Jerusalem.

4] After the 7th Century C.E., Arab culture and language as well as the dominant faith of Arabs came to dominate the Levant and other parts of the Middle East and North Africa (outside of the Arabian Peninsula) the same way English language, dominant faith, and culture came to dominate North America, and Spanish language, dominant faith, and culture came to dominate central and South America – through conquest and colonialism. 

5] Even after the respective Roman, Byzantine, Arab, Crusader, Arab, Mamluk, and Ottoman empires imposed their respective colonialist rules on the Levant and made life for ethnic minorities, and in particular Jews, generally very oppressive and difficult, there has never been a time in over 3000 years when Jews have not lived in the Levant, save for short periods following brutal campaigns to massacre and ethnically cleanse the Jewish people from their indigenous land. 

6] Jewish life in Arab- or Ottoman-controlled lands, while generally less severe and oppressive than Jewish life in western Europe during the Middle Ages, eastern Europe following the Middle Ages, and practically anywhere in Europe during the Holocaust, was nevertheless generally quite clearly oppressive. 

Jews living in the MENA (Middle East and North Africa) from the end of the 7th century C.E. through the 20th century were generally subjected to a wide variety of laws and de facto rules signifying their second class status and often subjected to significant pogroms (mass-murder riots), such as in 1465 Fez (when almost the entire Jewish population was murdered), 1834 Tzfat (when practically the entire Jewish population was either killed or ethnically cleansed), or between 1863 and 1870 (when over 1,000 Jews were murdered in antisemitic riots across North Africa). Notably, the foregoing is sadly a tiny fraction of the number of mass-murder riots and pogroms that Jewish communities were subjected to in the MENA following the Arab conquest and colonization of the region in the 7th Century. 

7] After the Romans renamed the region “Syria-Palestina” around 135 C.E. in homage to the Jews’ ancient enemies, the Assyrians and the Philistines, those Jews who were not forcibly exiled from the region were often subject to systemic discrimination, including mass-murder riots/pogroms. In the city of Hebron itself, one of the four holy cities to the Jewish people, there were terrible riots targeting Jews for murder and rape, including in 1517, 1834 and 1929. All of these pogroms, and in particular the 1929 Hebron Massacre, were deeply reminiscent — in both rhetoric and brutality – of Hamas’ Oct. 7  Massacre (talk about “context”).

8] Even though 78% of the original British Mandate for Palestine was turned into a brand new, never before existed Arab country — Transjordan — by the British Colonial Secretary in 1921, before Israel declared its independence in 1948, its leadership twice (in 1937 and 1947) agreed to share well over half of the arable land west of the Jordan River, and twice agreed to the creation of the first ever independent Arab state west of the Jordan River. 

9] The Arab side to the conflict, led by an undisputed Nazi collaborator and virulent antisemite, Hajj Amin el-Husseini, rejected both of those offers in favor of war; and, but for those wars, there would have been no refugees or casualties whatsoever from the Arab-Israeli conflict. Notably, when the 1937 and 1947 offers to create two separate independent states in British controlled Palestine (west of the Jordan River) were rejected by the Arab Higher Committee (with el-Husseini as its head) – those offers were to create an independent Jewish state and an independent Arab state, and not a “Palestinian” state, because …

10] Before 1948 the only people in the Levant who generally referred to themselves as “Palestinians” were the Jews. That’s why the “Palestine Post” (which became the “Jerusalem Post”), the Palestine Symphony Orchestra (which became the Tel Aviv Philharmonic), and the Palestine Electric Company (which became the Israel Electric Corporation) were all founded by Jews who were working toward building the foundations of an independent Jewish state during the period of Turkish and British colonial control of the Levant.

11] After Israel declared its independence in 1948, Arab dictatorships throughout the MENA forced nearly 900,000 Jews from their homes and almost all those Jewish refugees found refuge in Israel.

12] From 1948 to June 1967 — before there was any “occupied territory” — no one ever tried to create a Palestinian Arab state in either Gaza or in Judea and Samaria (what Transjordan decided to call the “West Bank” in 1950) even though both areas were completely controlled by Arab countries; and during this time, nearly 1,000 Israeli civilians were murdered in terrorist attacks.

13] The Palestinian Authority in 2000, 2001 and 2008, without ever making a counteroffer, rejected three different offers that would have created a first-ever Palestinian Arab state in over 90% of the “West Bank” and Gaza; and in 2001 they launched a brutal bombing campaign (called the Second Intifada) that murdered over 1,000 Israelis and maimed another 8,000 in barely more than four years.

14] The Palestinian Authority’s corrupt dictator (who built himself a $13,000,000 home and is in the 19th year of his original four-year term) funds a virtual “pay to slay” program that incentivizes Palestinian Arabs to murder Jews by paying those who murder Jews nearly eight times the average salary earned by a high school teacher working for the PA.

15] Both the Palestinian Authority and Hamas promote incredibly antisemitic propaganda that demonizes all Jews (not just Israelis) and completely denies the historical, cultural, archeological and religious connection of the Jewish people to the land of Israel — all while promoting Nazi-like stereotypes of Jews. The Hamas Charter, for example, has blamed Jews for causing every conflict from the French Revolution through World War II. Demonizing Jews and making it easier for people to mass-murder Jews, just like the Nazis did.

This is the context.


Micha Danzig served in the Israeli Army and is a former police officer with the NYPD. He is currently an attorney and is very active with numerous Jewish and pro-Israel organizations, including Stand With Us and the FIDF, and is a national board member of Herut North America.

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A Crossroads for American Universities

If the current unrest on college campuses comes as a surprise to you, you haven’t been paying attention.

The escalating antisemitism we’re seeing on full display at our nation’s most prestigious institutions has existed for years. It has been slowly growing in a petri dish of hostility that universities have not been forced to confront until now.

The October 7 attack by Hamas has emboldened those with long-held anti-Zionist sentiments to unite in their collective disdain for Israel — the only Jewish state and America’s only true democratic ally in the Middle East. This means a stark increase in antisemitic incidents at some of America’s most esteemed universities.

During my tenure with Campus Reform, I often reported on the Boycott, Divestment, Sanctions (BDS) movement and its growth on campuses like Columbia and NYU.

As a self-described “Palestinian-led movement for freedom, justice, and equality,” BDS quickly gained traction, compelling student government associations to adopt resolutions pushing their schools to break ties with Israeli-based companies. I can recall very few — if any — colleges and universities taking this seriously. 

Omar Barghouti, the founder of BDS, claims it is “a non-violent human rights movement.” But the current wave of protests, allegedly driven by the same goal of divestment, is anything but peaceful. 

As Jews like me gather to celebrate Passover, one of our most sacred periods, the sense of fear and uncertainty has reached a tipping point. At more than 50 campuses across the country, Jewish students have been confronted with protesters screaming their support for terror with chants such as “We are Hamas,” “Al-Qassam you make us proud, kill another soldier now!” and, of course, “From the river to the sea, Palestine will be free.” Jewish students have been blocked by protesters, taunted as “Yehudim,” told to “go back to Poland,” and assaulted. At Columbia, protesters screamed at a group of Jewish students, “Remember the 7th of October? That will happen not one more time, not five more times… but 10,000 more times!”  

We’ve arrived at a crossroads, where the actions university administrators take will be marked and judged by history.

Will universities uphold their commitment to ensuring a safe, respectful environment for all students? Or will they allow groups who can’t bring themselves to denounce the actions of a terrorist organization to perpetuate the hatred and bigotry reminiscent of 1930s Germany?

Will universities uphold their commitment to ensuring a safe, respectful environment for all students?

Or will they allow groups who can’t bring themselves to denounce the actions of a terrorist organization to perpetuate the hatred and bigotry reminiscent of 1930s Germany?

The Anti-Defamation League reports a staggering 360% rise in antisemitic incidents in the U.S. following Hamas’ attack on Israel — a disturbing trend that can’t be ignored.  

The responsibility now lies with our nation’s academic institutions to take a stand against this hate, and be on the right side of history.

As the world watches, the actions — or inactions — of these universities will not only define their legacy but will test our collective resolve to uphold justice and equality in the face of rising hate.

As the world watches, the actions — or inactions — of these universities will not only define their legacy but test our collective resolve to uphold justice and equality in the face of rising hate. 

If you have a child at university right now, I urge you to be an active part of this conversation. If you don’t have a child at university, I urge the same.


Andrew Lawrence is a graduate of the George Washington University and founder of the Georgia Jewish Heritage Fund. He resides in Arlington, Virginia.

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When Being Friendly Isn’t Enough

I went to UCLA as an undergrad, and although I never had the classic dorm experience (I commuted from my parent’s house), I still have tons of classic college memories. The Jewish school newspaper where we’d hang out, Ha-Am; The long, beautiful strolls on the lush, green Bruin Walk; The early form of an “As a Jew” professor, telling me that if they can come to school on a Jewish holiday, so could I; The Liberal Arts professor casually referring to Israel as a colonizer. Okay, the last 2 parts weren’t so much fun, but dealing with your annoying professors is still part of the college experience, right?

But then came something a bit more sinister. It wasn’t illegal yet, but it certainly marked the start of making people like me uncomfortable walking around campus. On Bruin Walk, I would sporadically be greeted with large chalk writing, that said, “Zionists are murderers; Israelis are Zionists; Therefore Israelis are murderers”. A simple little logic puzzle at work, and it was blatantly clear that Jew-hatred had found a safe way to attack us in the public eye; just exchange the word Jew for Zionist, and it wasn’t a hate crime.

A decade before nursing was even a consideration, I was an Art History major. One of those specialties you choose when you either have a focused interest in joining the art world, or for lack of figuring out what the heck to study. I personified the latter. I had a few Art History classes with the same male Muslim student. We were the only men in classes of 40-200 women, so I felt a kind of chromosomal kinship with him. In life, I make sure to always say hi to everyone I make eye contact with, because that’s the Boaz way, but I took particular care to always smile and say hello to him. As is the courteous human response, he got used to smiling and saying hello to me as well. Months went by. Totally uneventful.

Then one day, I was leaving Ha-Am, which shared the same hallway as the other offshoots of UCLA’s Daily Bruin paper. As I left our tiny Jewish periodical’s hangout, the Muslim student was leaving his Al-Talib office, the Muslim student paper at the time. He was walking with a female student, wearing her hijab. As they got to the exit first, he did the human thing, and held the door open for me. THANKS I said, with a huge smile. The young lady turns to him, and loudly spat the words I haven’t forgotten over 2 decades later, “How dare you hold open the door for a ZION!” He looked ashamed, which I hoped meant embarrassment over her unacceptable, antisemitic insult, but instead, he did not smile nor say hello to me ever again. He had been chastised, and realized I was apparently the enemy. Perhaps he also secretly felt shame over it – I’ll never know. But his actions were no longer that of a friendly classmate, and this saddened me.

A lesson that has stuck with me ever since that day, is that Zionist (in all grammatical conjugations) was the new sneaky/clever way to be antisemitic, but, you know, make it technically about politics, so it’s okay. A bit of semantic somersaulting, and the subterfuge is complete. This girl didn’t know me, but I was a Jew with a kippah on my head, and her colleague was holding a door for me, and that filled her with disgust. If she had said, “How dare you hold open the door for a JEW!” there could be repercussions from a university’s code of conduct. But “Zionist” and “Israeli” were, and continue to be, safe words for people to hide behind, and create lie after lie, and blood libel after blood libel. It’s just politics, right?

We’ve seen tide pods, car surfing, and Kylie Jenners’ lips become sensational challenges that have taken off among the young, in spite of being dangerously stupid ideas. What I see happening on college campuses from coast to coast, including my own alma mater, saddens me. But it can’t be entirely surprising. The idea started decades ago, as I watched people normalize turning Zionist/Israeli into an acceptable insult. And with a dash of antisemitism, a few million here and there from Qatar, the tenure of anti-Israel professors, and the manipulations from Chinese TikTok, what was a fringe insult 25 years ago for me, has become the normative college experience.

I venture to guess that if I was in those art history classes now, with those same anti-Israel professors in the Liberal Arts Department, my Muslim colleague would never have had the opportunity to hold the door open for me, I would have been Enemy #1 for daring to wear my Zionist kippah every day, offending their delicate, developing young minds.


Boaz Hepner works as a Registered Nurse in Saint John’s Health Center. He moonlights as a columnist, where his focuses are on health and Israel, including his Chosen Links section of the Journal.

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Melissa Manchester on Playing Mrs. Brice in ‘Funny Girl’ and Celebrating 50 Years in Show Business

The hit Broadway revival of “Funny Girl” opens at the Segerstrom Center this month featuring Melissa Manchester as Mrs. Rose. “This is a fairly different iteration of the show,” Manchester told the Journal. “Harvey Fierstein [who revised the book of the show’s original 1964 production] has done a masterful job to really flesh out the trajectory of Nick Arnstein, Brice’s lover and husband. Everybody really gets more of a trajectory.”

Manchester’s connection with ”Funny Girl” dates back to her days as a Bronx kid and seeing the show on Broadway. ”I saw ‘Funny Girl’ in 1964 as a little girl, with Barbra Streisand on stage as Fanny Brice — she was just meteoric,” Manchester said.  

This early exposure to Broadway set a high bar for theatrical performances, although it didn’t steer her career directly toward musical theater. As a child, her cantor at B’nai Jeshurun Congregation on Manhattan’s Upper West Side inspired her to take up music as a career. And that choice has defined her half-century in the entertainment industry. Among her most popular songs are 1975’s “Midnight Blue,” “Whenever I Call You ‘Friend’” and “Through the Eyes of Love” (both 1978) and ”You Should Hear How She Talks About You” from 1981. And Manchester’s rendition of Peter Allen’s “Don’t Cry Out Loud” from 1979 earned her a Grammy nomination for Best Pop Female Vocal Performance.

And now, 60 years after “Funny Girl”’s Broadway debut, Manchester gets to have a full-circle experience of being a part of the show that inspired her so much. “What an amazing way to reintroduce myself to audiences, but in a new vein and be part of a gorgeous, talented company,” Manchester said. The day before she spoke to the Journal, the performance was attended by a brigade of young theater students who had never seen a musical. Manchester felt their reactions during the show. “It was just unbelievable, they were just completely overwhelmed, it was wonderful,” she said.

“What surprised me is how people just scream and cheer at the end of this show because it is a show about this formidable woman who so deeply believes in herself … There’s something deeply hopeful, triumphant and thrilling for audiences, for really young audiences.”

This revival of ”Funny Girl” has resonated strongly with audiences, perhaps even more so than when it was first produced. ”What surprised me is how people just scream and cheer at the end of this show because it is a show about this formidable woman who so deeply believes in herself, as does her mother, Rose Brice,” Manchester said. She believes the show’s themes of triumph and will of the spirit are palpable for crowds of all ages. “There’s something deeply hopeful, triumphant and thrilling for audiences, for really young audiences.” 

And it’s evident on stage, as the audience sings along to the score by Jule Styne and Bob Merrill, with standards such as “People” and “Don’t Rain on My Parade” and “I’m The Greatest Star.” Manchester praised the cast’s ability to bring these well-known songs to life, praising Katerina McCrimmon talents. And even though the role of Fanny Brice is iconic, Manchester commends McCrimmon for taking on the role in her own way.

“She’s not Barbra Streisand, she’s her own version of Fanny Brice,” Manchester said of McCrimmon. “It’s another element that enough time has passed whereby even though the audience knows that this was essentially the springboard for Barbra Streisand, there’s now room for a new star in the making.” 

Manchester herself is excited about another new creation. She just released her 25th album, “Re:View.” It’s her first album since “The Fellas” in 2017. She said that it’s “thrilling” to release this album and do “Funny Girl” at the same time. “Re:View” features duets with icons including Kenny Loggins and Dolly Parton. “This is really a thank you to the fans that have stayed with me for all of these decades,” Manchester said. 

Manchester answered a few more questions for the Journal. The conversation has been edited for length and clarity. 

JEWISH JOURNAL: In what ways did seeing “Funny Girl” as a kid influence your decision to pursue a career in the performing arts, or how did it impact your path?

MELISSA MANCHESTER: I think what struck me the most is Barbra Streisand’s presence was something that was out of the head of Zeus. It was completely, fully formed, since she’s a young girl. I never really thought to myself, ‘gee, I could be on a Broadway stage to do that.’ That was not really my path. I mean, I was a singer/songwriter, and that’s the path that I chose. I’m a concert performer, but this was a rare chapter in present time because I am celebrating the 50th year of my career. When this national tour showed up, I said to my manager, ‘I need to audition for this. 

JJ: Have there been any unexpected reactions from the audience or something that stood out about the show during performances?

MM: What surprised me is how people just scream and cheer at the end of this show because it is a show about this formidable woman who so deeply believes in herself, as does her mother, Rose Brice. And I think the audience just surrenders to this beautiful score. 

JJ: What do you love about your fellow cast members?

MM: To watch Katerina McCrimmon tear into this role seven times a week, and her voice is so thrilling. I think that Katerina is going to be a very big star. And everybody is just wonderful. Izaiah Montaque Harris plays Eddie Ryan. He’s fantastic. Stephen Mark Lukas is playing Nick Arnstein —  everybody is just on top of their game.

JJ: As the curtains rise, what should audiences expect to be most captivating about this show?

MM: It’s a very satisfying evening, it’s not about bells and whistles. It’s just the heart of this story. The costumes are very beautiful. The sets are wonderful. It’s a very moving story. It’s about extraordinary dancers. It’s a lot of tap, great singing from Katerina McCrimmon as Fanny. It’s a journey, it’s an old-fashioned musical, but somehow the audience surrenders because it’s so beautiful and intriguing and evocative. And the audience will be on a journey with these characters and really see how this woman, probably ahead of her time, fought to transcend everything that was stopping her. 

JJ: What do you like most about your character, Mrs. Rose Brice?

MM: What is amazing for me is that I do very little singing — I was hired as an actor, and that’s very rare for me. And what I bring to this role as the mother of Fanny Brice is everything I’ve experienced as a mother (now grandmother), as a working woman, because Rose Brice was left by her deadbeat husband with three children. The show takes place between 1908 and about 1928. And context being everything, she owns a saloon, which means she’s dealing mostly with men who are trying to sell her stuff or scam her. She has to stay strong. And yet her love for her children and her singular love for Fanny, who has a different kind of light than her two other children, is stunning. It’s really stunning, and it’s remarkable to have a role where I’ve found the music and the dialogue — I have found the music in the journey of Rose as her daughter matures and no longer needs a little mama. And it’s wild. It’s a very broad journey.

Manchester’s new studio album RE:VIEW can be streamed on Spotify and Apple Music. 

The touring company of the 2022 Broadway revival of “Funny Girl” will be at the Segerstrom Center in Costa Mesa from May 28 to June 9.

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California Must Lead in Rooting Out Antisemitism

Last week, Jews around the world celebrated Passover, which commemorates the Israelites’ escape from bondage in Egypt. The holiday represents an opportunity to gather with our friends and family to reflect on one of the oldest instances of targeted Jewish hate.

Yet, as we broke matzah, sipped wine, and told the story of our ancestors, anti-Israel protests bordering on antisemitic hate rallies were taking place on college campuses across the country. Oh, the irony.

From Columbia to Yale to Ohio State, students occupied public spaces, recited antisemitic chants, and created human chains to prevent Jewish students from attending class. The situation at Columbia was so fraught that a rabbi from the university’s Orthodox Union Jewish Learning Initiative on Campus sent a WhatsApp message to Jewish students to “return home” due to safety concerns.

As high school students who will soon be heading to college to pursue our academic studies, we were terrified to witness institutions of higher learning become safe spaces for unabashed Hamas apologists, Oct. 7 deniers, and protesters calling for Jewish genocide “from the River to the Sea.” Then the demonstrations reached Los Angeles, highlighted by clashes at UCLA and the University of Southern California.

Thankfully, our concerns have been quelled slightly as earlier this month Governor Gavin Newsom released — to underwhelming news coverage — his office’s Golden State Plan to Counter Antisemitism. In the plan, the governor’s office acknowledges the age-old history of antisemitism, cites the rising rates of anti-Jewish hate since Hamas’ brutal Oct. 7 attacks, and outlines strategies to combat this form of bigotry.

While we are pleased to see California take the lead on this front — and hope other states will follow the example — we know that a plan is only a plan until action occurs. And based on our own experiences growing up and attending school in Los Angeles, there’s a lot of work to be done.

Antisemitism has, at times, made us feel scared to be public about our Judaism and isolated us from our peers. And while both of us have had unique encounters with antisemitism, our stories mirror each other in many ways.

On social media, we’ve seen individuals tear down posters of kidnapped Israeli hostages, read antisemitic comments on our posts, and have had people unfollow us due to our public support of Israel. In our offline lives, things haven’t been much better. We have heard jokes about the Nazi salute, seen swastikas spray painted on buildings, and listened to others make comments about Jews around us not knowing that we are Jewish. 

Since Oct. 7, these sentiments have only ramped up. Antisemitism has become much more prevalent in activist circles where those we once considered allies have refused to include Jews, often repeating antisemitic tropes and chants like the ones we’ve seen on college campuses across the country. When these instances occur, we are thankful that the state of Israel exists as a refuge for Jews, which of course breeds even more antisemitic fervor.

This upcoming Monday marks Yom Hashoah (or Holocaust Remembrance Day) and another opportunity to reflect on the violent consequences of one of the world’s oldest hatreds. The occasion will also mark 212 days since the Oct. 7 attack, the deadliest day for Jews since the Holocaust.

It is up to us as the next generation of Jews to do this not just for ourselves and our future, but for the memories of our ancestors and those who have been victimized by unconscionable antisemitic hate.

We encourage our cohort of young Jews in California and across the country to educate ourselves on Jewish history and make time to urge leaders like Governor Newsom to follow through on their promises to take action. It is up to us as the next generation of Jews to do this not just for ourselves and our future, but for the memories of our ancestors and those who have been victimized by unconscionable antisemitic hate.


Waylon Richling is a Senior at Brighton Hall School. Addison Carson is a Junior at Harvard-Westlake School. 

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